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and states that the clothed figure in the left part of the painting and the naked figures to the right showed the contradiction between profane and divine love. According to Rolf Laesse, this may have been the original inspiration of
Picasso who in a preliminary drawing of the
213:. Dissatisfied with the condition of the piece, he attempted to have it restored in 1880. The attempted restoration removed at least 175 centimetres (69 inches) from the top of the canvas, leaving John the Evangelist emphatically pointing nowhere.
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was pinpointed in the early 1980s, when the stylistic similarities and the relationship between the motifs of both works were analysed. Art historian Ron
Johnson was the first to focus on the relationship between the two paintings. According to
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depicted a medical student holding a skull or a book and entering a room where there is a sailor among nude women. Richardson, however, conjectures that
Picasso knew the interpretation by Cossio concerning the
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as the catalyst which showed
Picasso how to harness the spiritual energy of a great religious artist to his own demonic ends. According to Richardson, Picasso followed this apocalyptic vision his whole life.
368:, and explore the Picasso–Cézanne–El Greco relationship. Foundoulaki asserts that there is a similarity of shape and that Picasso ingeniously repeated the game with the |V and the inverted
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242:. He declared it as possessing a "visionary power" that made it a "precursor of modernism". In 1956, the Zuloaga Museum sold this artwork to the
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129:. The Metropolitan Museum, where the painting is kept, comments: "the picture is unfinished and much damaged and abraded."
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169:. Many believe that the surviving portion depicts profane love, while the missing upper portion depicts divine love.
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The upper portion of the painting was destroyed in 1880. It is believed that the lost portion may have depicted the
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Efi
Foundoulaki insists on the "activity of the triangle Picasso-CĂ©zanne-El Greco, which is established in
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cry out to God for justice upon their persecutors on Earth. The ecstatic figure of St. John dominates the
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opening the Fifth Seal. The lost upper painting may have also resembled another piece by El Greco,
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269:(1907, oil on canvas, 243.9 cm Ă— 233.7 cm (96.0 in Ă— 92.0 in),
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224.8 cm Ă— 199.4 cm (88.5 in Ă— 78.5 in)
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Richardson and
Foundoulaki emphasize on the morphological parallels between the
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125:. The scholar Manuel B. Cossio had doubts about the title and suggested the
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After Cánovas' death in 1897, the painting was sold for 1,000
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Upon El Greco's death in 1614, the work passed to his son,
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A Source in El Greco for
Picasso's "Demoiselles d'Avignon"
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The
Immaculate Conception with Saint John the Evangelist
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and based his theory extensively on this conjecture.
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417:In his catalogue the painting Number 327 is called
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234:. Zuloaga is known to have shown the painting to
856:Saint Lawrence's Vision of the Madonna and Child
384:". Richardson sees the Apocalypse in El Greco's
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372:of El Greco, something he had already begun in
1291:The Apparition of the Virgin to Saint Hyacinth
230:, representing several notable members of the
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474:El Greco: Domenikos Theotokopoulos, 1541–1614
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1723:Paintings in the Metropolitan Museum of Art
1591:Portrait of Fray Hortensio FĂ©lix Paravacino
1229:Saint John the Evangelist and Saint Francis
205:. During the 19th century, it was owned by
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1728:Paintings based on the Book of Revelation
137:The painting's subject is taken from the
1065:Christ on the Cross Adored by Two Donors
380:, by means of CĂ©zanne, is carried on in
1468:The Nobleman with his Hand on his Chest
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285:served as an inspiration for the early
1545:Portrait of Jorge Manuel TheotocĂłpuli
7:
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1506:Portrait of Rodrigo Vázquez de Arce
864:Adoration of the Holy Name of Jesus
849:Santo Domingo el Antiguo Altarpiece
103:) was painted in the last years of
1529:Portrait of Antonio de Covarrubias
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1568:Cardinal Fernando Niño de Guevara
1206:Allegory of the Camaldolese Order
1133:Christ Taking Leave of his Mother
1607:Portrait of JerĂłnimo de Cevallos
1599:Portrait of Juan Pardo de Tavera
1583:Portrait of an Unknown Gentleman
996:The Burial of the Count of Orgaz
880:Disrobing of Christ (El Expolio)
566:Picasso's Apocalyptic Whorehouse
550:Picasso's Apocalyptic Whorehouse
524:Picasso's Apocalyptic Whorehouse
250:, where it is on exhibit today.
94:The Fifth Seal of the Apocalypse
1516:–1597; lost, known from a copy)
1167:Doña MarĂa de AragĂłn Altarpiece
511:Picasso's Demoiselles d'Avignon
281:It has been suggested that the
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16:Unfinished painting by El Greco
1426:Julián Romero and Saint Julian
1141:Saint Andrew and Saint Francis
942:The Martyrdom of Saint Maurice
74:The Metropolitan Museum of Art
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1615:Portrait of Francisco de Pisa
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1460:Portrait of Vincenzo Anastagi
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1378:Saint Francis and Brother Leo
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682:Healing of the Man Born Blind
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22:The Opening of the Fifth Seal
1560:Portrait of a Young Nobleman
1103:Virgin Mary (Mater Dolorosa)
343:". Foundoulaki analyzes the
207:Antonio Cánovas del Castillo
1190:Saint Martin and the Beggar
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1521:Portrait of an Elderly Man
1148:Adoration of the Shepherds
1019:Saint Peter and Saint Paul
764:Purification of the Temple
437:"The Vision of Saint John"
244:Metropolitan Museum of Art
1654:Jorge Manuel TheotocĂłpuli
1638:Museum of El Greco, Crete
1445:Portrait of Giulio Clovio
1354:Opening of the Fifth Seal
1306:The Immaculate Conception
1276:Saint John the Evangelist
1244:Saint Bernardino of Siena
910:Christ Carrying the Cross
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399:List of works by El Greco
386:Opening of the Fifth Seal
378:Les Demoiselles d'Avignon
366:Les Demoiselles d'Avignon
362:Opening of the Fifth Seal
355:Opening of the Fifth Seal
345:Opening of the Fifth Seal
341:Les Demoiselles d'Avignon
330:Les Demoiselles d'Avignon
317:Opening of the Fifth Seal
313:Les Demoiselles d'Avignon
309:Opening of the Fifth Seal
301:Les Demoiselles d'Avignon
296:Les Demoiselles d'Avignon
283:Opening of the Fifth Seal
267:Les Demoiselles d'Avignon
256:Les Demoiselles d'Avignon
203:Jorge Manuel TheotocĂłpuli
127:Opening of the Fifth Seal
88:Opening of the Fifth Seal
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1346:Saint Thomas the Apostle
1260:Coronation of the Virgin
1080:The Penitent Saint Peter
949:The Tears of Saint Peter
872:Assumption of the Virgin
582:From El Greco to CĂ©zanne
461:From El Greco to CĂ©zanne
100:The Vision of Saint John
1633:El Greco Museum, Toledo
1491:Portrait of a Gentleman
1322:View and Plan of Toledo
675:Dormition of the Virgin
472:Michael Scholz-Hänsel.
311:. The relation between
307:and studied El Greco's
211:Prime Minister of Spain
133:Subject of the painting
1268:Marriage of the Virgin
1221:Saint John the Baptist
903:Saint Anthony of Padua
278:
113:Saint John the Baptist
1713:Paintings by El Greco
1386:Saint James the Great
1198:The Virgin of Charity
660:Adoration of the Magi
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144:, where the souls of
115:outside the walls of
1743:Unfinished paintings
1483:Portrait of a Doctor
810:Entombment of Christ
499:The Shock of the Old
275:Museum of Modern Art
1045:Agony in the Garden
1012:Holy Face of Jesus
834:Penitent Magdalene
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240:Rainer Maria Rilke
139:Book of Revelation
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1330:Concert of Angels
732:Flight into Egypt
716:Baptism of Christ
638:Artistic overview
486:978-3-8228-3171-7
441:www.metmuseum.org
419:De l'Apocalypsis?
232:Generation of '98
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166:Concert of Angels
111:of the church of
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107:life for a side-
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1172:
1147:
1139:
1131:
1116:
1101:
1093:
1078:
1063:
1044:
1018:
1010:
1002:
994:
979:
948:
940:
909:
901:
888:Holy Trinity
886:
878:
870:
862:
854:
840:
832:
824:
816:
808:
800:
763:
739:Annunciation
738:
730:
722:
714:
706:
681:
673:
658:
581:
565:
549:
544:
536:
531:
523:
518:
510:
509:R. Johnson,
505:
493:
473:
468:
460:
455:
444:. Retrieved
440:
418:
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385:
377:
373:
365:
361:
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200:
164:
158:
136:
126:
122:Profane Love
121:
120:
99:
98:
93:
92:
87:
86:
84:
1688:(2007 film)
1672:(1966 film)
1664:(1947 film)
1618:(1610–1614)
1610:(1609–1613)
1586:(1603–1607)
1576: 1600
1563:(1600–1605)
1553: 1597
1540:(1595–1600)
1532:(1595–1600)
1524:(1587–1600)
1514: 1587
1499: 1586
1486:(1582–1585)
1476: 1580
1463:(1571–1576)
1453: 1571
1429:(1612–1614)
1421:(1610–1614)
1413:(1610–1614)
1405:(1610–1614)
1397:(1610–1614)
1357:(1608–1614)
1349:(1608–1614)
1341:(1608–1614)
1338:The Saviour
1314:Saint Peter
1309:(1607–1613)
1284: 1605
1271:(1603–1607)
1263:(1603–1605)
1255:(1603–1605)
1237: 1600
1224:(1597–1607)
1214: 1597
1201:(1597–1603)
1193:(1597–1599)
1182:Virgin Mary
1177:(1596–1600)
1169:(1596–1599)
1161:, 1612–1614
1144:(1595–1598)
1126: 1595
1118:Holy Family
1111: 1594
1098:(1592–1595)
1095:Saint Louis
1088: 1590
1073: 1590
1058:, 1597–1607
1037: 1587
1026:, 1587–1592
1015:(1586–1595)
1007:(1586–1588)
1004:Holy Family
989: 1585
973: 1590
962:, 1587–1596
960:Mexico City
956:, 1580–1589
945:(1580–1582)
935:, 1597–1600
929:, 1590–1595
922: 1580
896: 1577
883:(1577–1579)
875:(1577–1579)
867:(1577–1579)
845:(1576–1579)
837:(1576–1578)
829:(1571–1576)
821:(1571–1572)
813:(1570–1576)
805:(1570–1575)
783:, 1595–1600
775:Minneapolis
758:, 1600–1605
752:, 1575–1576
724:Last Supper
719:(1567–1569)
711:(1567–1569)
700: 1573
678:(1565–1566)
668: 1565
535:R. Laesse,
421:(fragmento)
350:Demoiselles
1707:Categories
1410:Saint Paul
1394:Saint Luke
769:Washington
488:. Page 90.
446:2020-07-15
405:References
265:Picasso's
227:Mis amigos
105:El Greco's
62:Dimensions
1437:Portraits
1153:Bucharest
1024:Barcelona
927:Barcelona
818:El SoplĂłn
802:The Fable
652:Paintings
539:, 133–134
513:, 102–113
370:triangles
289:works of
197:Ownership
154:salvation
49:1608–1614
1733:Nude art
1685:El Greco
1677:El Greco
1669:El Greco
1252:Nativity
915:New York
781:New York
756:Illescas
622:El Greco
480:, 2004.
393:See also
315:and the
70:Location
40:El Greco
1647:Related
1626:Museums
1402:Laocoön
1056:AndĂşjar
687:Dresden
526:, 40–47
478:Taschen
334:CĂ©zanne
326:British
218:pesetas
146:martyrs
1602:(1609)
1594:(1609)
1555:–1603)
1389:(1610)
1381:(1609)
1373:(1609)
1365:(1609)
1333:(1608)
1325:(1608)
1317:(1608)
1247:(1603)
1185:(1597)
1159:Madrid
1155:, 1596
1136:(1595)
1113:–1604)
1090:–1595)
1052:, 1590
1050:London
999:(1586)
933:Madrid
906:(1580)
898:–1579)
859:(1577)
851:(1577)
795:, 1609
793:Madrid
789:, 1600
787:London
777:, 1570
771:, 1570
750:Madrid
746:, 1570
735:(1570)
727:(1568)
689:, 1567
670:–1567)
484:
382:Cubism
287:Cubist
150:canvas
142:6:9–11
117:Toledo
54:Medium
36:Artist
1656:(son)
1039:–1592
826:PietĂ
744:Prado
693:Parma
584:, 102
463:, 116
305:Paris
109:altar
966:Oslo
568:, 46
552:, 45
482:ISBN
364:and
324:, a
238:and
91:(or
85:The
46:Year
336:".
246:in
97:or
1709::
1573:c.
1550:c.
1511:c.
1496:c.
1473:c.
1450:c.
1296:c.
1281:c.
1234:c.
1211:c.
1123:c.
1108:c.
1085:c.
1070:c.
1034:c.
1032:,
986:c.
970:c.
968:,
919:c.
917:,
893:c.
697:c.
695:,
665:c.
573:^
557:^
476:.
439:.
426:^
273:,
209:,
156:.
76:,
1578:)
1571:(
1548:(
1509:(
1501:)
1494:(
1478:)
1471:(
1455:)
1448:(
1301:)
1294:(
1286:)
1279:(
1239:)
1232:(
1216:)
1209:(
1128:)
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277:)
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