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254:; with the idea that the players are not simply technicians but also actively guide the artistic direction of the orchestra. When it began anyone who wanted to could become a member of the orchestra, although they wouldn’t necessarily be asked to play. Responsibility for concert planning is given to a Players' Artistic Committee (members of which also sit on the OAE Board of Directors) which is elected annually by the members. An early mission statement stated that the Orchestra of the Age of Enlightenment was to "Avoid the dangers implicit in:
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concise length of each performance, the invitation to bring alcoholic drinks into the concert hall, and the ability to clap and talk at your own convenience. Since its creation, The Night Shift has proven successful among people under age 35. Over 80% of the audience falls within this age bracket and approximately 20% of the audience is attending a classical concert for the first time.
563:"However, the partnership — underwritten for the first three years by £120,000 from the Sainsbury family’s Linbury Trust — goes a lot further than that. Burghley’s pupils will have the chance to listen to rehearsals and collaborate on artistic projects. The first of these happens this term, when the school’s outstanding dance students explore music by the 18th-century French composer
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The Night Shift is a concert series where classical music is presented in a relaxed and informal setting. Established in 2006 by the
Orchestra of the Age of Enlightenment, the aim is to work outside the traditions associated with concert of the classical genre. Unusual characteristics include the
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In 2007 the OAE also won the RPS Ensemble award "for its stunning delivery of a breadth of repertoire, indefatigable advocacy of the interpretation of music played on original instruments and pioneering work in education and through a range of media – not to mention the artistry of its individual
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The Ann and Peter Law OAE Experience scheme is an apprenticeship scheme for young period instrumentalists, and is the only scheme of its type with a period orchestra. Established in 2002, the scheme is consistently over-subscribed and offers its participants the opportunity to be mentored by OAE
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moved into a comprehensive in a deprived area. According to the OAE, the project has resulted in “improved academic performance and language skills, reputational benefits, greater engagement with music among pupils . . . and even an improvement in the orchestra’s own playing”.
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in
Tufnell Park, Camden. The administrative office, library and recording studio are based on campus and the musicians use the school’s grade II listed assembly hall for rehearsals, workshops and small performances.
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The OAE has toured many countries, including South
America and the US in 2002, and toured South East Asia for the first time in autumn 2003. The Orchestra's discography covers over fifty recordings in music from
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was instrumental in establishing the OAE, securing crucial private funding for its inaugural work and serving on the Board for many years. He is Life
President of the orchestra.
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musicians, play in rehearsals alongside the OAE’s roster of guest conductors and also perform with the OAE, as well as sometimes giving concerts as an ensemble in itself.
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where the core of its repertoire is based. The OAE does not have a principal conductor, but chooses conductors individually. The current
Principal Artists are
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338:. In May 2006, the OAE started a series of informal late night concerts called "The Night Shift", which has twice been nominated for a
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A group of period instrumentalist players formed the OAE as a self-governing ensemble in 1986, and took its name from the
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In
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members in making each listening experience uniquely creative, engaging and thrilling."
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on 30 June 2007, conducted by
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On 29 January 2010 The Night Shift (and the OAE) made its first appearance at
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The OAE celebrated the 21st anniversary of its founding with a concert at the
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In
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The OAE does much work with schools, especially in the area surrounding
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Orchestra of the Age of
Enlightenment, registered charity no. 295329
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recording objectives being more important than creative objectives."
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The model is a project that happened in Bremen, Germany, where the
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The OAE’s first concerts, in June 1986, were booked at Oxford's
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The
Orchestra of the Age of Enlightenment performing in the
705:. London, UK: The Orchestra of the Age of Enlightenment.
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441:'s Concerto grosso in B flat major and Passacaglia from
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undue emphasis as imposed by a single musical director,
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Orchestra of the Age of Enlightenment: The Night Shift
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The logo of the Orchestra of the Age of Enlightenment
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682:"Biography - Orchestra of the Age of Enlightenment"
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588:Ann and Peter Law OAE Experience for young players
884:2007 Royal Philharmonic Society Music Awards page
261:pursuing exclusively commercial creative options,
16:British period instrument orchestra, founded 1986
451:'s Concerto grosso no. 5 in D minor and Bach's
356:In July 2008 the OAE moved its headquarters to
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22:Orchestra of the Age of Enlightenment (OAE)
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869:Orchestra of the Age of Enlightenment Blog
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326:The OAE's current recurring season at the
164:are Emeritus Conductors, as were the late
130:historical period in the late 18th century
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1141:1986 establishments in the United Kingdom
109:. The OAE is a resident orchestra of the
898:Charity Commission for England and Wales
425:In September 2020 the orchestra, led by
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1070:Orchestre RĂ©volutionnaire et Romantique
617:. Orchestra of the Age of Enlightenment
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250:The Ethos of the Orchestra is based on
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474:working with guest artists including
378:In August 2010 the OAE played at the
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547:for the schools in which they work.
453:Concerto in D minor for two violins
364:where it shared an office with the
330:in London includes concerts at the
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1095:Orchestra of the Royal Opera House
989:Academy of St Martin in the Fields
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396:(Act 2) and the Love Scene from
340:Royal Philharmonic Society Award
406:. The concert was conducted by
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656:Nicholas Kenyon (2007-06-29).
121:, and has its headquarters at
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958:London Philharmonic Orchestra
879:Bach Cantatas page on the OAE
973:Royal Philharmonic Orchestra
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115:Glyndebourne Festival Opera
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342:for audience development.
1009:English Chamber Orchestra
963:London Symphony Orchestra
551:Acland Burghley Residency
375:in Camden, North London.
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1050:London Classical Players
1040:Academy of Ancient Music
1014:London Chamber Orchestra
462:, Camden, North London.
1004:City of London Sinfonia
703:Spirit of the Orchestra
701:Wallace, Helen (2006).
476:Lorraine Hunt Lieberson
320:Union Chapel, Islington
1121:Early music orchestras
968:Philharmonia Orchestra
953:BBC Symphony Orchestra
811:Millman, Anne (2010).
557:Acland Burghley School
410:and included soloists
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123:Acland Burghley School
117:Artistic Associate at
1146:Erato Records artists
1019:London Mozart Players
948:BBC Concert Orchestra
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332:Queen Elizabeth Hall
280:Queen Elizabeth Hall
246:Ethos and beginnings
200:, Joanna Tomlinson,
182:Yannick NĂ©zet-SĂ©guin
1136:Musical collectives
1045:The English Concert
776:Morrison, Richard.
496:Elizabeth Wallfisch
386:season, performing
347:Royal Festival Hall
336:Royal Festival Hall
218:Christopher Hogwood
202:Philippe Herreweghe
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1024:Southbank Sinfonia
999:Camerata of London
393:Tristan und Isolde
366:London Sinfonietta
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380:Royal Albert Hall
222:Sigiswald Kuijken
170:Charles Mackerras
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1033:Specialised
761:3 September
756:Radio Times
736:3 September
727:"BBC Proms"
535:Kings Place
416:Ben Heppner
358:Kings Place
226:Ivor Bolton
210:René Jacobs
174:Marin Alsop
119:Kings Place
1115:Categories
837:2016-09-28
797:2020-09-10
687:2016-09-26
667:2008-11-08
642:2016-09-26
597:References
539:Monteverdi
500:Emanuel Ax
310:Since 2000
234:Bruno Weil
194:Suzi Digby
150:Mark Elder
792:0140-0460
783:The Times
615:oae.co.uk
444:Radamisto
384:BBC Proms
276:Town Hall
252:democracy
146:John Butt
107:orchestra
60:, England
28:Orchestra
941:Symphony
292:Dardanus
284:Telemann
178:Anu Tali
168:and Sir
54:Location
982:Chamber
544:Vespers
435:Vivaldi
404:Berlioz
322:in 2016
156:. Sir
75:Website
46:Founded
1085:Ballet
790:
709:
565:Rameau
526:, and
439:Handel
388:Wagner
362:London
296:Gossec
288:Rameau
232:, and
148:, Sir
58:London
1082:Opera
472:Verdi
300:Haydn
788:ISSN
763:2020
738:2020
707:ISBN
623:2020
418:and
334:and
298:and
160:and
152:and
94:The
82:.oae
49:1986
541:’s
486:,
470:to
402:by
390:’s
368:.
360:in
302:’s
100:OAE
86:.uk
84:.co
80:www
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