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Führer zur lateinischen
Kirchenmusik Michael Wersin - 2006 Etwa zeitgleich komponierte Orazio Benevolo (1605 bis 1672, ab 1646 Kapellmeister am Petersdom in Rom), von dem insgesamt etwa 16 acht- bis sechzehnstimmige Messzyklen überliefert sind, in Rom seine Missa Azzolina für zwei
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Benevoli composed Masses, motets, Magnificats, and other sacred vocal works. Much of his fame as a composer has rested largely on his supposed composition of the fifty-three part
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La scuola dei pueri cantus di S. Luigi dei francesi in Roma e i suoi principali allievi (1591–1623): Gregorio, Domenico e
Bartolomeo Allegri, Antonio Cifra, Orazio Benevoli
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style. Sixteen masses for 8 to 16 voices survive. Little of the music of
Benevoli has been performed or recorded in modern times.
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Benevoli's sacred compositions frequently make use of four or more choirs. Many of
Benevoli's works are massive and in the
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sacred choral works (e.g., one work featured forty-eight vocal and instrumental lines) of the
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A review of debut recording of Orazio
Benevoli's Missa Si Deus Pro Nobis, Magnificat
82:, where he remained for the rest of his life, and where he served as choirmaster at
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26:(19 April 1605 – 17 June 1672), was a Franco-Italian composer of large scaled
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Orazio
Benevolo - Sacred Music - Missa Azzolina Magnificat Dixit Dominus
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List of music students by teacher: A to B#Orazio
Benevoli
106:in the following three years: 1654, 1665 and 1667.
78:from 1644 to 1646. In 1646, Benevoli returned to
145:, and that it dates not from 1628 but from 1682.
64:(from 1630); and, eventually, at his old church,
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257:International Music Score Library Project
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52:(1617–23). Later, he assumed posts as
240:at "Here of a Sunday Morning" website
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323:17th-century Italian male musicians
76:Archduke Leopold Wilhelm of Austria
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68:(from 1638). Benevoli served as
318:Italian people of French descent
308:Italian male classical composers
298:17th-century Italian composers
263:Free scores by Orazio Benevoli
253:Free scores by Orazio Benevoli
149:Works, editions and recordings
104:Congregazione di Santa Cecilia
44:. Benevoli was a choirboy at
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238:Orazio Benevoli (1605 - 1672)
267:Choral Public Domain Library
203:. See also Alberto Cametti,
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303:Italian Baroque composers
199:Robert Venouot came from
211:, Torino, 1915, p. 631.
138:is in fact the work of
62:Santo Spirito in Sassia
168:(Niquet). Naxos (1996)
66:San Luigi dei Francesi
60:(from 1624); then, at
46:San Luigi dei Francesi
180:Gerhard Schmidt-Gaden
172:Missa Tira Corda a 16
109:His pupils included:
166:Le Concert Spirituel
143:Heinrich Ignaz Biber
131:Missa Salisburgensis
92:St. Peter's Basilica
84:Santa Maria Maggiore
313:Composers from Rome
54:maestro di cappella
32:middle Baroque era.
56:at Santa Maria in
176:Tölzer Knabenchor
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155:Colossal Baroque
74:in the court of
16:Italian composer
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119:Paolo Lorenzani
115:Antimo Liberati
111:Ercole Bernabei
88:Cappella Giulia
36:He was born in
20:Orazio Benevoli
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269:(ChoralWiki)
224:fünfstimmige
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293:1672 deaths
288:1605 births
86:and at the
282:Categories
187:References
58:Trastevere
28:polychoral
96:Guardiano
201:Lorraine
182:) (2010)
140:composer
42:Benevolo
24:Benevolo
265:in the
259:(IMSLP)
255:at the
221:Reclams
121:. See:
100:Vatican
98:of the
136:Mass
117:and
80:Rome
50:Rome
38:Rome
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102:'s
90:of
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22:or
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