Knowledge (XXG)

Organ reform movement

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Organ voicers strove for an articulate pipe speech characterized by a short burst of "chiff" sound at the start of each note, and avoided "nicking" the pipe edges and other techniques of achieving symphonic-style "smoothness". Low wind pressures were revived. Casework was sometimes eschewed in favor
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A common criticism of the Organ Reform Movement is that its principles were often taken to extremes and became more dogmatic than musical, while ruining many fine symphonic organs and disappointing many listeners. Many of the Reform instruments survive, but some of the alterations that the movement
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was a leading popularizer of the movement in the United States, through his many recordings and radio broadcasts. The movement ultimately went beyond the "Neo-Baroque" copying of old instruments to endorse a new philosophy of
203:. North American buildings tend to have substantial architectural and acoustical differences from the European churches where most organ music was written, and this also had implications for successful organbuilding. 48:
building, originating in Germany. The movement was most influential in the United States in the 1930s through 1970s, and began to wane in the 1980s. It arose with early interest in
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building and repertoire, in favor of organs understood to be more similar to those of the Baroque Era in Northern Germany, especially those built by
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in which ensembles were ideally built up with no pitch being duplicated in the same octave, and then the ensembles were crowned with high-pitched
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and others, as well as by Schweitzer's opinion that organs should be judged primarily by their ability to perform with clarity the polyphonic
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executed on pre-movement instruments have since been reversed to support a wider range of repertoire, such as on the notable pipe organs of
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building, but eventually symphonic organs regained popularity after the reform movement generated excesses of its own.
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The Organ Reform Movement sought to turn away from many of the perceived excesses of
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The contemporary American organ, its evolution, design and construction
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Some of the leading organ-builders of the movement were:
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Deutsche und französische Orgelbaukunst und Orgelkunst
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In Europe the movement was indelibly connected with
520:"Restored Auckland Town Hall organ ready to sing". 495:Ernest M. Skinner and the American Symphonic Organ 393:. Trinity Episcopal Cathedral (Portland, Oregon) 391:"Rosales Opus 11: The Trinity Cathedral Organ" 164:. This took the form of a "vertical" style of 466:. American Guild of Organists. Archived from 8: 56:'s championing of historical instruments by 353: 351: 184:of open standing pipework, and shuttered 487: 485: 319: 317: 315: 313: 137: 284: 326:"A Short History of the Organ Revival" 172:. The movement endorsed the so-called 128: 7: 105:Wer nur den lieben Gott lässt walten 358:Ambrosino, Jonathan (Spring 1999). 324:Phelps, Lawrence I. (Spring 1967). 298:(in German). Breitkopf & Härtel 180:-scale rank of a different octave. 25: 573:Historically informed performance 542:. Mander Organs. 10 February 2017 418:. New York: J. Fischer. pp.  412:Barnes, William Harrison (1952). 129:Problems playing this file? See 111: 44:was a mid-20th-century trend in 52:and was strongly influenced by 121:German Baroque chorale prelude 68:(1685–1750). Concert organist 1: 540:"Princeton University Chapel" 454:Hendrickson, Charles (1976). 434:"The Schlicker Organ Company" 370:(2). Organ Historical Society 27:Trend in pipe organ building 292:Schweitzer, Albert (1906). 269:Princeton University Chapel 599: 528:. 7 March 2010. p. 1. 492:Gerber, James (May 2012). 147:University of Notre Dame 247:Schlicker Organ Company 42:Organ Revival Movement) 389:Owen, Barbara (1987). 235:Holtkamp Organ Company 220:Frobenius Orgelbyggeri 201:direct electric action 149: 145:#1,939 (1978–2015) at 96: 50:historical performance 583:20th century in music 526:Auckland City Council 460:The American Organist 216:Dirk Andries Flentrop 210:(in Northern Europe) 141: 95: 32:Organ Reform Movement 18:Organ Reform Movement 212:Rudolf von Beckerath 188:became less common. 58:Gottfried Silbermann 568:Pipe organ builders 360:"Present Imperfect" 251:Wicks Organ Company 229:(in North America) 224:Marcussen & Søn 273:Rockefeller Chapel 265:Auckland Town Hall 231:G. Donald Harrison 166:tonal registration 150: 97: 470:on 28 August 2008 197:electro-pneumatic 116: 54:Albert Schweitzer 40:(also called the 16:(Redirected from 590: 552: 551: 549: 547: 536: 530: 529: 517: 511: 510: 508: 506: 500: 489: 480: 479: 477: 475: 451: 445: 444: 442: 440: 430: 424: 423: 409: 403: 402: 400: 398: 386: 380: 379: 377: 375: 355: 346: 345: 343: 341: 321: 308: 307: 305: 303: 289: 271:, and Chicago's 118: 117: 94: 21: 598: 597: 593: 592: 591: 589: 588: 587: 558: 557: 556: 555: 545: 543: 538: 537: 533: 519: 518: 514: 504: 502: 498: 491: 490: 483: 473: 471: 453: 452: 448: 438: 436: 432: 431: 427: 411: 410: 406: 396: 394: 388: 387: 383: 373: 371: 357: 356: 349: 339: 337: 323: 322: 311: 301: 299: 291: 290: 286: 281: 260: 239:Lawrence Phelps 158:Symphonic organ 136: 135: 127: 125: 124: 123: 122: 119: 112: 109: 98: 92: 87: 85:Characteristics 79:symphonic organ 28: 23: 22: 15: 12: 11: 5: 596: 594: 586: 585: 580: 575: 570: 560: 559: 554: 553: 531: 512: 481: 446: 425: 404: 381: 347: 336:(1). Concordia 309: 283: 282: 280: 277: 259: 256: 255: 254: 227: 193:tracker action 143:Holtkamp Organ 126: 120: 110: 101: 100: 99: 90: 89: 88: 86: 83: 75:organ building 70:E. Power Biggs 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 595: 584: 581: 579: 578:Baroque music 576: 574: 571: 569: 566: 565: 563: 541: 535: 532: 527: 523: 516: 513: 497: 496: 488: 486: 482: 469: 465: 461: 457: 450: 447: 435: 429: 426: 421: 417: 416: 408: 405: 392: 385: 382: 369: 365: 361: 354: 352: 348: 335: 331: 327: 320: 318: 316: 314: 310: 297: 296: 288: 285: 278: 276: 274: 270: 266: 257: 252: 248: 244: 240: 236: 232: 228: 225: 221: 217: 213: 209: 208: 207: 204: 202: 198: 194: 189: 187: 181: 179: 175: 171: 170:mixture stops 167: 163: 162:Arp Schnitger 159: 155: 148: 144: 140: 134: 132: 108: 106: 84: 82: 80: 76: 71: 67: 63: 59: 55: 51: 47: 43: 39: 38: 37:Orgelbewegung 33: 19: 544:. Retrieved 534: 521: 515: 503:. Retrieved 494: 472:. Retrieved 468:the original 463: 459: 449: 437:. Retrieved 428: 414: 407: 395:. Retrieved 384: 372:. Retrieved 367: 363: 338:. Retrieved 333: 330:Church Music 329: 300:. Retrieved 294: 287: 261: 205: 190: 182: 173: 151: 104: 41: 36: 35: 31: 29: 546:18 February 474:9 September 439:9 September 374:22 November 364:The Tracker 186:swell boxes 174:Werkprinzip 562:Categories 522:City Scene 505:4 December 302:20 October 279:References 243:C. B. Fisk 131:media help 66:J. S. Bach 46:pipe organ 456:"Nicking" 258:Reversals 178:principal 107:(BWV 642) 64:music of 154:Romantic 62:Baroque 397:23 May 340:1 July 103:Bach: 499:(PDF) 422:–334. 548:2018 507:2020 476:2015 441:2015 399:2016 376:2019 342:2014 304:2016 30:The 420:330 199:or 156:or 34:or 564:: 524:. 484:^ 464:10 462:. 458:. 368:43 366:. 362:. 350:^ 334:67 332:. 328:. 312:^ 275:. 267:, 249:, 245:, 241:, 237:, 233:, 222:, 218:, 214:, 550:. 509:. 478:. 443:. 401:. 378:. 344:. 306:. 253:. 226:; 133:. 20:)

Index

Organ Reform Movement
pipe organ
historical performance
Albert Schweitzer
Gottfried Silbermann
Baroque
J. S. Bach
E. Power Biggs
organ building
symphonic organ
Bach: Wer nur den lieben Gott lässt walten (BWV 642)
media help

Holtkamp Organ
University of Notre Dame
Romantic
Symphonic organ
Arp Schnitger
tonal registration
mixture stops
principal
swell boxes
tracker action
electro-pneumatic
direct electric action
Rudolf von Beckerath
Dirk Andries Flentrop
Frobenius Orgelbyggeri
Marcussen & Søn
G. Donald Harrison

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