62:. Under the dual leadership of Hyman and Paul from 1998 to 2006, OFAM undertook a series of highly diverse and innovative programs that was established by Doucet and Paul in 1997 and continued with Paul and Hyman through 2001. In 2002 the festival introduced musical theater to its production mix and shifted its principal focus to the exploration and celebration of the American Songbook, leaving its art music initiative in the hands of its other annual concert programs. From 2007 to 2014 jazz clarinetist Ken Peplowski served at the Festival's music director, jazz saxophonist Jesse Cloninger served in that role from 2015 to 2017 and remains an active guest director. Vibraphonist
50:. By 1995 the organization had significantly expanded its vision of cultural service beyond orchestral repertoire, which led to a significant re-orientation of the festival towards a more eclectic program of American music, including jazz, historic popular, and diverse folk traditions alongside of a continued commitment to the American art music tradition. Under the principal supervision of longtime executive director James Ralph, the festival has been under the artistic leadership of a diverse group of music directors, including Cajun fiddle master
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Oregon
Festival of American Music's thematically-based programming model falls into 3 distinct periods: Under the music direction of Alsop from 1992-96 the festival was largely a summer symphony orchestra pops festival. From 1997-2001 Paul, Hyman and Ralph headed a creative effort that included a
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In 1996 Oregon
Festival of American Music expanded its cultural service mix to include a year-round community music school and year-round concert programming in diverse musical genres packaged in several concert series and festivals. In 2002 the company moved into Eugene's original First Baptist
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balance of orchestral, jazz, historic popular and traditional musical genres with regular commissions that often included ballet. Since 2002 the festival has focused specifically on a systematic annual treatment of the
Classic Songbook/
27:, OFAM (as it is referred to locally) has, throughout its history, explored American music in all of its forms, but in recent years has focused its attention specifically on the
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1n March 2022 The Shedd
Institute introduced a one-week winter edition or Oregon Festival of American Music intended as a companion to its two-week summer offering.
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was founded in 1991 as a two-day summer orchestral pops festival dedicated to the championship of
American classical music with American conductor
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Church building, adding cultural/educational venue management to its services. In 2004 it officially changed its name to
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serving as music director and conductor. In 1993 the
Festival was designated as a Resident Company of the
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is an eclectic, thematically-based summer music festival that has been held annually in
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1992 The Real
American Folksong: George Gershwin & American Classic Tradition
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2018 In the Hands of the Muses: Tributes to
Songbook masters & mentors
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2011 Too
Marvelous For Words: Ella, Frank and the Classic American Song
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2022 Pennies From Heaven: The Music of
American In Hard Times, 1929-39
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2019 Might As Well Be Swing: Reflections on the Age of Swing, 1928-46
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2008 Over The Rainbow: The Music of America in Hard Times, 1929-1945
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2010 Brush Up Your Shakespeare: A Literary Romp Through The Songbook
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1993 Harlem Rhapsody: James P. Johnson & The Harlem Renaissance
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2001 Loco-Motion: Rhythm & The New World In The Age Of Machines
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2022 (Winter) Avalon: The Birth of American Popular Music, 1917-29
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2023 (Winter) I'll Be Seeing You: From Swing to The Cool, 1938-52
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2009 Time After Time: Great Moments in American Songbook History
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2014 Son Of Hollywood! The Songbook still at The Movies, 1939–55
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2013 Hooray For Hollywood! The Songbook at the Movies, 1930–45
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1995 Fiddlers' Cross-Stitch: Classical Needle, Country Thread
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2017 The Sweetest Melody: Giants of the Classic Songbook
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2012 Le Jazz Hot: America in the City of Light, 1919–39
157:2003 Easy To Remember: The Great American Songbook
94:2023 If Only In My Dreams: America at War, 1941-45
121:2015 Fine And Dandy: In the Age of Jazz, 1921–34
175:1997 Louisiana Gumbo: From Gottschalk to Zydeco
166:2000 Le Jazz Hot: Americans in Paris, 1919-1955
118:2016 G.I. Jive: Good Cheer From Home, 1939-1945
169:1999 How Sweet The Sound: From Gospel to Swing
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66:assumed the role of music director in 2019.
172:1998 Rags, Jazz, Blues & Boogie-Woogie
145:2007 Richard Rodgers: The Sweetest Sounds
106:2021 Reel Music: Sampling the Soundtrack
72:The John G. Shedd Institute for the Arts
25:The John G. Shedd Institute for the Arts
184:1994 On Airwaves & Silver Screens
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236:Recurring events established in 1992
221:Folk festivals in the United States
48:Hult Center for the Performing Arts
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40:Oregon Festival of American Music
17:Oregon Festival of American Music
58:and jazz pianist & composer
231:Annual events in Eugene, Oregon
151:2005 Cole Porter Night And Day
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226:1992 establishments in Oregon
160:2002 Gershwin Transformations
148:2006 Irving Berlin's America
216:Festivals in Eugene, Oregon
201:The Shedd Institute website
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154:2004 The Fabulous Fifties
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29:Great American Songbook
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178:1996 Broadway Medley
35:Organization History
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81:Programming History
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56:James Paul
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