1149:-style beats, and forbid the songs of "chareidi rock idols" from being played at Jewish events. Luft and the committee, in connection with groups like the Guardians of Sanctity and Education, sought to pre-approve all Haredi music and issued community-wide bans against many concerts, particularly targeting artists like Avraham Fried, Yaakov Shwekey, Mordechai Ben David, and Lipa Schmeltzer. Ben David allegedly called Luft a "sick individual" and other musicians in the scene privately told the press that they doubted the efficacy of his methods. Luft was also accused of racism due to his particular condemnation of black music styles like
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can music do for those who are searching to connect to
Judaism? Do rabbis have any responsibility to monitor this music? Might there not be dangers in allowing performers who are not rabbis to serve as charismatic role models for Orthodox youth?" Kligman also noted criticism within the community of Orthodox pop drifting from its roots and " true spirituality and only about making money", and how responses to this criticism from artists varied from Avraham Fried including more traditional works like the songs of
619:
1127:, Mordechai Ben David and Avraham Fried defended their work while criticizing newer artists in the scene, with Fried saying "We had the intention of touching people's hearts and bringing them closer to Hashem . Today, anyone who can count to three can put out a disc" and MBD adding "I can't take what the new generation is doing. I can't even listen to it. It has no connection to
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outsider to the
Hasidic world, they sound kitschy at best, far from the historicist or contemporary musical aesthetics which have largely been adopted by world music artists including klezmer revivalists. As listening material, therefore, they are largely unappealing to those outside the strictly Orthodox community".
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Shortly after the cancellation of "The Big Event", promoters began planning another concert with the scaled-down name "The Event", which went off without controversy before a sell-out crowd at
Madison Square Garden's WaMu Theater on March 1, 2009. Later the same year, Aderet Records released a double
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In a 2016 interview, producer Eli
Gerstner revealed that his first Chevra album in 2001 had been banned in many Jewish schools and that he had received both hate mail and in-person criticism for the album's "non-Jewish" mainstream pop sound. In response, Gerstner argued that his music was at its core
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songs" common in the field, noting that "other ultra-Orthodox musicians tend to either be trapped in a liturgical-inspired genre (such as well-known
Hasidic musician Avraham Fried, who happens to be the Marcus brothers’ uncle) or sacrifice the motifs of Hasidic culture for mass appeal (Matisyahu)."
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wrote in his 2001 essay "Contemporary Jewish Music in
America" that such music "raises serious issues for the Orthodox community": "Should limits be placed on the use of 'non-Jewish' musical styles? Should the goal of the artist be to make money or to inspire people in their Jewish commitment? What
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was critical of contemporary
Hasidic music in 2014, calling it "horrible" and the instrumental accompaniment "abysmal" and critiquing its emulation of mainstream styles like disco: "The accompaniments don't feel Jewish Because it's interesting: the Hasids want their accompaniment to feel hip and
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individuals have criticized
Orthodox pop as being of mediocre or substandard musical quality. Abigail Wood noted that while Orthodox pop recordings are "often well produced" and "the use of synthesisers and beats derived from pop music reflects the influence of wider American music culture, to an
317:). This was no longer the case. The body syncopated to the beat of rock, and the emotional receptivities that the contemporary rhythm engendered were now felt to be consonant with the spirit of "Jewish rejoicing." Indeed, "Hassidic" rock concerts, though decried, were not unheard of.
264:'s D'veykus followed in his style soon after, and many of Carlebach's compositions became standards and would be covered by countless Orthodox and non-Orthodox artists. Another development was the Hassidic Song Festival, begun in 1969 in Israel; winners included
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group
Committee for Jewish Music, led by Rabbi Ephraim Luft, published in 2008 their "Rules for Playing Kosher Music", which condemned not only the use of secular styles in Jewish music but also modern instruments like saxophone and electric guitar as well as
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when an earlier concert featuring him, along with
Mordechai Ben David, was also banned. Rabbi Yosef responded that there is absolutely no prohibition as long as the event had completely separate seating. Neither Shwekey nor Fried pulled out of the concert.
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While Orthodox pop is broadly accepted in the Orthodox world, due to varying standards within the community and the incorporation of modern styles and aesthetics, it has faced periodic backlash, criticism, and even boycotts from Orthodox community leaders.
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newspaper, stating that it was "a serious prohibition to attend or perform" at the concert, which would lead to "ribaldry and lightheadedness", and added that it was "forbidden to hire these singers to sing at any party, celebration or charity event".
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signed a ban which appeared in the Haredi press forbidding participation or attendance of the event or similar events. Their ban stated that concerts should not be performed in front of both men and women, regardless if there was separate seating.
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generation of the 1960s, many Orthodox Jews were caught between the desire to maintain a traditional Orthodox way of life while also being "modern" and not living in the past, and from a musical standpoint this left a vacuum between the existing
1441:’ group. The high court ruled that the segregation was illegal, but the judgment was only passed as the concert was finishing. Steinmetz said that he found the controversy "infuriating" and that he had received praise from Haredi politicians
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as saying, "I have a career, I have a wife and kids to support, I have a mortgage to pay, I have to get out of the fire". At the same time, Schmeltzer pulled out of a concert scheduled for later that month in London with other singers.
1182:, in an article entitled "Secular Music", Ezriel Gelbfish, surveying the relevant rabbinic literature on Jewish appropriation of secular music, found a variety of authoritative opinions and proposed a nuanced, case-by-case approach.
1032:, the majority of Orthodox pop artists are male, with higher-range compositions being performed by children's choirs; there are, however, a number of female Orthodox singer-songwriters who perform for women-only audiences.
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filmmaker Saul Sudin described Orthodox Jewish music and video productions as "embarrassingly amateur" and spoke of "the wailing guitars, disco horns and crappy synthesizers you find at most Jewish parties these days."
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have told me that people came to them with false information regarding my concert: they said it would have mixed dancing or mixed seating." In 2009, one of the most prestigious rabbis who signed the document, Rabbi
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music and more contemporary and secular styles. This led to the development of a new type of Jewish music that was not intended for the synagogue but instead for professional recording. According to historian
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Speaking about Haredi pop in 2015, Ben Zion Shenker said "What's happening now is that a lot of the young yeshiva boys are being exposed to this type of music , and they are going along with it. But the
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177:, who incorporated secular pop and dance influences into their music in contrast to the more traditional Jewish music of the time, and has had continued success in the modern era with singers like
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released his debut solo album; in addition to his own albums he would become a prominent producer, working with popular groups like The Chevra and Yeshiva Boys Choir and producing the annual HASC
1433:. This was challenged in the local courts with a judge recommending that the audience be split three ways with the addition of a mixed gender area. However, this ruling was challenged in the
902:, became a successful artist in his own right during this decade; after releasing a self-titled debut album in 2017, he became the first Hasidic-born artist to sign to a major label, the
276:", Carlebach's "Od Yishama" and "V'haer Enenu", and David Weinkranz's "Y'varech'cha", and these compositions were popularized in America via annual recordings and touring performances.
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are seeing a trend which is not a very good trend. Because with this type of music, you can go on the fringe, you know. If you become too inspired by it. It's not a kosher type of ."
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Following speculation over whether Schmeltzer would cancel the concert due to the ban, on 26 February it was confirmed that he was canceling his performance. He was quoted by
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During this period there also debuted a number of female Orthodox singer-songwriters, who recorded and performed for female-only audiences to accommodate the prohibition of
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modern. We live in the hip, modern world. We don't have any need to do that, to prove it to anyone, we're not trying to do that. So we can go another way." London's band
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1259:'s WaMu Theater in New York City featuring Lipa Schmeltzer and Shloime Gertner, under the playbill "The Big Event". On 20 February, a full-page notice was printed in the
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tunes, sutured together with Jewish lyrics, and promoted with a vengeance" might not be the best music the Jewish tradition has to offer; this was echoed in a subsequent
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1356:, on their signature 2003 song "Flippin' Out", a satirical portrayal of a young man becoming ultra-Orthodox after a year in Israel, features the in-character lyrics: "
169:
as well as traditional Jewish songs and occasional original English lyrics with themes of faith and positivity. The genre was pioneered in the 1970s by artists like
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faced controversy in the summer of 2019 for performing for a gender-segregated audience. Steinmetz was scheduled to perform to a gender-segregated audience in
354:, whose title track was one of Rotenberg's first and most enduring compositions. Rotenberg would later make his solo debut with his D'veykus project in 1973.
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and which, along with its retail outlet Mostly Music, would become a major distributor of Orthodox music. Another influential figure around that time was
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in Los Angeles featuring "a rocking Chassid shoving a microphone down his throat. Several chubby men in yeshiva garb nearby had sweat rolling down their
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A younger generation of popular Orthodox singers arose throughout the 1990s and into the 2000s. The early 1990s saw the first solo albums of Mendy and
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concerts from 2016 onward. Other popular names during this time included Sandy Shmuely, Mendy Wald, Yisroel Williger, Yehuda!, and Michoel Streicher.
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313:, for music is evocative, and what was elicited by the contemporary beat was felt by the previous generation to be alien to a "Jewish rejoicing" (
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The 2010s saw a considerable amount of mainstream viral and commercial success for Orthodox pop artists. An early success in the decade was the
1325:-observant Jew instead of the rock idol portrayed by the ban. Since that release, Schmeltzer's concert and recording schedules have increased.
1025:." Wood also noted, however, that the genre is less defined by musical features than by identification with and adherence to Orthodox Judaism.
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singing with high intensity throughout and fluently ornamenting the melodies accompanied by synthesisers in a light pop style, complete with
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489:(Graucher had previously performed backing vocals on two of Mordechai Ben David's albums alongside Avraham Fried), as well as artists like
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921:, composed of two nephews of Avraham Fried, found viral success in 2011 with their single and music video "Ya'alili", while artists like
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477:, all tied together by an orchestral accompaniment. Meanwhile, in Israel, the decade saw the premiere of popular Orthodox singers like
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Perhaps the most substantial figure in the development of this new genre was David Werdyger's son Mordechai Werdyger, better known as
204:, Orthodox pop is performed specifically by and for Orthodox Jews, reflects a distinctly Orthodox perspective, and abides by Orthodox
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sharply criticized the "pseudo-Hasidic or Israeli tunes that have become the trademark of the Jewish commercial sacred music norm".
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of Hasidic music" for his eccentric persona, becoming a hugely popular yet controversial figure in the community. Simultaneously,
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wherein Orthodox Jews do not listen to music with instrumentation and to correlate with Orthodox vocal music traditions such as
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and other Hasidic melodies. Werdyger also founded the label Aderet Records in 1950, which was later inherited by his son
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sounds to Orthodox music; Piamenta in particular being credited with introducing the electric guitar into Jewish music.
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Ginsberg, Rachel. "Catch a Falling Star: How do former child stars navigate life after the glitz and glitter is gone?"
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3936:"New York – A Kiddush Hashem? A Chilul Hashem! Lipa In Flammatory Interview: "My Mistake To Cancel BIGEVENT Concert""
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entitled "Tepel", which briefly features the band member's children singing in an imitation of Hasidic boys' choirs.
252:, who pioneered the use of secular styles in Jewish religious music by combining Hasidic nigunim with a contemporary
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style where the chorus is more energetic than the verses. In 1976, choir director Yerachmiel Begun formed the
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461:. His albums in the late '80s and early '90s featured more non-English text with music combining cantorial
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3137:"Judicial Review # 6: "Divine Sparks" (Boston Jewish Music Festival Concert at Berklee): How Hot a Flame?"
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1206:. The event was produced by Moshe Ben-Zimra and billed as a commemoration of the 40th anniversary of the
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807:(who also became an in-demand lyricist for Orthodox pop artists), Ashira, Rochel Miller, Susan Kates, and
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roommates Rabbi Shmuel Brazil, who would later create the group Regesh, and Yossi Toiv, later known as
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2214:"Music in Haredi Jewish Life: Liquid Modernity and the Negotiation of Boundaries in Greater New York"
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Wood, Abigail (Sep 19, 2014). "Pop, Piety, and Modernity". In Valman, Nadia; Roth, Laurence (eds.).
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with a full orchestra and English lyrics on several tracks, and his first three albums used a 1970s
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defending the use of secular styles as a means to better reach audiences with a spiritual message.
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In August 2007, Shwekey and Avraham Fried were slated to headline a major concert in Jerusalem at
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niggunim and that the objectionable modern elements were merely "dressing" and a matter of taste.
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Musically, Orthodox pop incorporates a number of contemporary secular styles, such as pop, rock,
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Top World Albums chart at No. 4 and No. 3 respectively. Other new artists in the decade included
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INTERNATIONAL PERSPECTIVES IN MUSIC THERAPY EDUCATION AND TRAINING: Adapting to a Changing World
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entitled "Who Took the 'Jewish' Out of Jewish Music?", Rabbi Dovid Sears raised concerns that "
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and I don't regret it. But if I had known the truth about how things were presented to the
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and described YouTube as "the springboard" to his career, released his debut studio album,
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No more English music 'cause she might be pretty / Now it's only Carlebach and Miami Boys
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4016:"If at First You Don't Succeed... Hasidic Singer, Subject of Rabbinic Ban, Tries Again"
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Rabbinical "Ban" on Hassidic Music Concerts. Hillel Fendel, IsraelNN.com August 7, 2007
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3431:[Discovery: Ishay Ribo Conquers Galgalatz and the Heart of the Denomination].
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in 2007, music journalist Mordechai Shinefield distinguished them from " of revved-up
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305:" lyrics was heard at the weddings of the most religious. There had been no "kosher"
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3282:"Seeking bigger audience, major Polish Jewish festival coming this year to New York"
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article in 2010, Ezra Glinter described the Orthodox pop industry as producing "the
350:(later a State Supreme Court judge) and composer Abie Rotenberg, released the album
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Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience
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4262:"'I don't exclude women,' says haredi singer at heart of gender segregation storm"
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3023:"Remarks by the President at Reception in Honor of Jewish American Heritage Month"
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3257:"25 Years of the Kraków Jewish Culture Festival in Poland | Taube Philanthropies"
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In a 1994 essay entitled "Sacred Music in a Secular Age", composer and teacher
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Three months after the controversy, Schmeltzer released his next album, titled
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In February 2008, a large amount of publicity was generated for a concert at
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A considerable mainstream moment for the genre was a January 1988 concert at
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4233:"Too late: High Court bars gender-segregated concert, when it's almost over"
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article in April that same year by David Altschuler, who described the 1995
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singer Yoel Sharabi; while similar performances had previously been held at
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149:. It typically draws stylistically from contemporary genres like pop, rock,
3056:"Hanukkah at the White House 2015 – Memories, Menorahs and the Maccabeats!"
362:
3831:"Rabbi Ovadia Yosef's responsa regarding the Tel-Aviv Shwekey-MBD concert"
3356:
3111:
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1242:
Shwekey issued a response that he had already posed the question to Rabbi
346:, opening for them. That same year, the group Clei Zemer, led by vocalist
221:
Orthodox pop has its roots in the 1950s and early 1960s, when traditional
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1111:
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525:
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Woodhead, Linda; Partridge, Christopher; Kawanami, Hiroko (2016-01-13).
3516:
And We're All Brothers: Singing in Yiddish in Contemporary North America
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as "primitive", and one blogger noted that he had previously quoted the
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1295:, I would not have cancelled the concert." Schmeltzer said that "Many
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1118:, their hands and hips gyrating in all-too-perfect synchronization."
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564:, as well as concerts throughout North America, Europe, and Israel.
2765:"A Day in the Life of Lipa Schmeltzer, Ex-Ultra-Orthodox Celebrity"
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that he had no problem with Schmeltzer: "As far as I know he is an
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3307:"With "The Perfect Dream," An Unexpected Pop Star Takes The Stage"
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in 2012, and numerous further viral videos throughout the decade.
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The latter part of the decade saw the arrival of Israeli artists
3743:"In Review – R' Ephraim Luft's "The Torah Is Not Hefker" Part I"
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1383:
588:, who had performed as a child with Miami Boys Choir and on the
306:
150:
35:
4316:
2688:"Yosi Piamenta, a Virtuoso Guitarist Who Reshaped Jewish Music"
2178:"Carlebach, Neo-Hasidic Music, and Current Liturgical Practice"
851:'s Comedy Digital Tracks chart, leading to performances at the
3625:
Religions in the Modern World: Traditions and Transformations
2736:
Ami Magazine Cover Story – The Musical World of Shlomo Simcha
689:, produced his most popular single "Racheim", and his albums
406:
broke conventions of Hasidic music by including professional
3596:"The Jewish Observer Vol. 29 No. 10 January 1997/Teves 5757"
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Koncert kantorów na inauguracji festiwalu "Warszawa Singera"
2273:
Experiencing Jewish Music in America: A Listener's Companion
3332:"Singing Duo 8th Day Performs in Israel for the First Time"
1283:
In an interview in June 2008, Schmeltzer stated: "I made a
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music in the genre, both as a replacement for periods like
3483:"Yishai Ribo On The Way To His Fourth Album 'Halev Sheli'"
770:(although Matisyahu would later leave Orthodoxy in 2011).
524:(HASC), featuring Mordechai Ben David, Avraham Fried, and
755:
found mainstream crossover success with his 2005 single "
3188:
Israel Philharmonic plays Warsaw Ghetto Uprising tribute
2529:"'Wedding Album' That Ushered a New Era in Jewish Music"
1009:
as a sample of the genre, described it as "a soloist or
2632:
The Routledge Handbook of Contemporary Jewish Cultures
2323:
The Routledge Handbook of Contemporary Jewish Cultures
326:
An early influence on Orthodox pop was the 1971 album
2450:"Bit by Electronic Bit, a Cantor's Voice Is Restored"
540:. Similar benefit concerts would later take place at
4105:. In Hoffman, Lawrence A.; Walton, Janet R. (eds.).
3860:"A Clash Between Popular Culture and Orthodox Piety"
1402:
had previously featured a track on their 2003 album
4951:
4690:
4654:
4578:
4547:
4501:
4350:
941:. Other popular artists during the decade included
933:'s World Albums chart, and Israeli Orthodox artist
100:
61:
53:
26:
21:
1005:. Ethnomusicologist Abigail Wood, using the album
779:, following the lead of pre-existing Israeli band
4181:"These Breslov Tunes Were Saved by Rock 'n' Roll"
3988:"Monday Music: A Simple Jew With a Touch of Gaga"
3235:Koncert w 70. rocznicę wybuchu powstania w getcie
2493:Encyclopedia of American Jewish History, Volume 1
1449:. Subsequently, a male-only Steinmetz concert in
228:began to be recorded for the first time, such as
929:, and Mordechai Shapiro all had albums place on
4109:. University of Notre Dame Press. p. 297.
3459:[The Q&A Project with Ishay Ribo].
2954:"Hanukka a cappella parody becomes YouTube hit"
2840:"Yaakov Shwekey Biography, Songs, & Albums"
1179:The Journal of Halacha and Contemporary Society
652:(who would gain fame starring in the 2004 film
580:, who collaborated with Abie Rotenberg for the
3463:(in Hebrew). 20 September 2017. pp. 30–31
3330:Benari, Elad; Kempinski, Yoni (October 2012).
3214:, Polska Agencja Prasowa (PAP), 25 August 2013
2606:"Ki Lecho (Clei Zemer) | Jewish Musical Notes"
681:One of the biggest breakouts in the 2000s was
4328:
3959:"Dancing and Shaking With an Exultant Spirit"
3088:"Stand Four- Shedding Light on the Break Off"
330:, the debut of an eponymous group created by
8:
4289:"Judge shuts down men-only concert in Haifa"
3901:"Lipa Shmeltzer Backs Out Of London Concert"
3429:"תגלית: ישי ריבו כובש את גלגלצ ואת לב המגזר"
2629:Valman, Nadia; Roth, Laurence (2017-07-14).
2315:
2313:
4044:"Lipa Schmeltzer's Big Event a Big Success"
2311:
2309:
2307:
2305:
2303:
2301:
2299:
2297:
2295:
2293:
421:, who inspired a trend of popular Orthodox
4335:
4321:
4313:
4077:""The Event" to be Released on CD and DVD"
2392:
2390:
2388:
2386:
2384:
2382:
2380:
2378:
2376:
2374:
550:Paramount Theater at Madison Square Garden
18:
4154:Shinefield, Mordechai (August 22, 2007).
3712:"Haredim move to eradicate 'foreign' pop"
3305:Connelly, Irene Katz (10 December 2019).
2935:"Hanukkah video helps Jews sing new tune"
2372:
2370:
2368:
2366:
2364:
2362:
2360:
2358:
2356:
2354:
1035:There is also a considerable presence of
453:, with a title track written by composer
196:Unlike other contemporary genres such as
3853:
3851:
3767:"Y-Love Speaks Out About Jewish Hip-hop"
1460:
1136:In a particularly infamous example, the
429:and several of whose members, including
3981:
3979:
3682:Gelfand, Alexander (October 21, 2011).
2168:
1086:in his repertoire, to Lenny Solomon of
847:status on YouTube and reached No. 1 on
449:, debuted in 1981 with his debut album
3930:
3928:
2973:"Maccabeats wish you a happy Chanukah"
2686:Ginzberg, Binyomin (August 24, 2015).
2667:from the original on February 16, 2013
2657:"OutOfTowner's Perspective of HASC 26"
2489:"Contemporary Jewish Music in America"
536:, this was the first to take place in
3736:
3734:
3705:
3703:
3677:
3675:
3647:
3645:
3508:
3506:
3504:
2711:Golding, Dovid Nachman (2020-07-29).
2479:
2477:
2430:from the original on January 19, 2011
1198:Shwekey and Fried concert controversy
1169:. Luft later released his own album,
1165:and approvingly cited the concept of
666:, who would garner the nickname "the
342:with David Werdyger's son, the young
57:Early 1970s, United States and Israel
7:
3986:Ginzberg, Binyomin (21 March 2011).
3654:"Rabbis black-list non-kosher music"
3567:"Jewish A Cappella and Sefirat Omer"
3162:"National Menorah Lit in Washington"
3086:Kaplan-Nadel, Michael (2012-12-31).
3054:Nosanchuk, Matt (15 December 2015).
2933:Ravitz, Jessica (December 3, 2010).
2911:. Matisyahuworld.com. Archived from
2554:"Where Country and Soul Music Merge"
2401:Contemporary Jewish Music in America
2265:
2263:
2207:
2205:
2203:
2201:
2199:
2197:
896:Festival of Jewish Culture in Warsaw
4344:Contemporary Jewish religious music
4056:from the original on 8 January 2015
3540:Shapiro, Gary (February 16, 2011).
2971:Johnson, Jenna (December 3, 2010).
2487:; Pollack, Eunice G., eds. (2008).
855:in 2011 and 2015, a spin-off group
522:Hebrew Academy for Special Children
260:, Mark III, Ruach, Simchatone, and
143:contemporary Jewish religious music
4260:Bleich, Chanani (23 August 2019).
3957:Duffy, Peter (February 27, 2009).
3909:. 26 February 2008. Archived from
3191:, Polskie Radio S.A, 18 April 2013
2996:"Chart Beat: Best Of 2010: Part 4"
2952:Horn, Jordana (December 1, 2010).
14:
3796:"New Periodical: RJJ Journal LXI"
3741:Ginzberg, Binyomin (2008-10-27).
3684:"Jews Try To Ban Offensive Music"
2937:. CNN Belief Blog. Archived from
2420:"Aderet – Judaica Sound Archives"
997:, as well as traditional Hasidic
917:Elsewhere in the decade, the duo
892:Jewish Culture Festival in Kraków
4478:Uncle Moishy and the Mitzvah Men
4014:Gersten, Lana (8 January 2009).
3427:Klein, Zvika (17 January 2015).
2240:Goodman, Karen D. (2015-01-01).
910:, who released his second album
617:
608:
599:
370:
361:
157:, while incorporating text from
4103:"Sacred Music in a Secular Age"
4075:Ferber, Elisha (31 July 2009).
3710:Wagner, Matthew (Sep 2, 2008).
3577:from the original on 2013-02-01
3542:"Shir Enjoyment Of Vocal Music"
2788:Schonfeld, Faigy (2017-04-05).
2604:Brown, Yaakov (June 10, 2021).
1393:Klezmer trumpeter and composer
1121:In a 2006 joint interview with
697:(2018) would later peak on the
473:, and passages with a soothing
3238:, Polska Agencja Prasowa (PAP)
2813:Besser, Yisroel (2016-04-19).
2763:Winkler, Joseph (2015-07-06).
2579:Besser, Yisroel (2020-02-05).
2552:Besser, Yisroel (2010-04-14).
2246:. Charles C Thomas Publisher.
1352:The Modern Orthodox rock band
1093:In a January 1997 article for
868:Temple Beth El of Borough Park
831:" (a Hanukkah-themed cover of
763:hit and reached No. 28 on the
592:series of children's albums.
1:
4207:"Make Religion Your Own Song"
4179:Ezra Glinter (Aug 26, 2010).
2753:, April 9, 2014, pp. 160–162.
2448:Berger, Joseph (2010-07-21).
884:Israel Philharmonic Orchestra
3513:Wood, Abigail (2016-04-08).
3232:Mtom, Gasd (19 April 2013),
3167:. Gruntig!. 20 December 2011
2909:"News – Note from Matisyahu"
2276:. Rowman & Littlefield.
2270:Frühauf, Tina (2018-06-13).
2212:Dale, Gordon A. (Sep 2017).
878:in Washington, D.C., at the
4042:Aron, Suri (4 March 2009).
3938:. Vos Iz Nieas. 6 June 2008
3858:Levin, Dan (3 March 2008).
3794:Student, Gil (2011-04-15).
3652:Davies, Wyre (2008-09-12).
3261:www.taubephilanthropies.org
2838:Monger, James Christopher.
2527:Meyer, Sruly (2020-11-18).
2424:Florida Atlantic University
1329:CD and DVD of "The Event".
1251:"The Big Event" controversy
939:certified gold and platinum
5016:
4205:Sudin, Saul (2016-11-17).
3457:"פרויקט השו"ת עם ישי ריבו"
3280:Harris, Ben (2019-11-08).
2994:Trust, Gary (2010-12-22).
1425:In Israel, Hasidic singer
1208:reunification of Jerusalem
1028:Due to the prohibition of
823:-founded a cappella group
451:No Jew Will Be Left Behind
3601:Agudath Israel of America
3286:Jewish Telegraphic Agency
2406:American Jewish Year Book
2176:Weiss, Sam (2011-09-26).
2118:
2088:
2058:
2016:
1995:
1953:
1905:
1884:
1863:
1833:
1802:
1742:
1721:
1676:
1644:
1592:
1453:was shut down by judges.
1067:Criticism and controversy
392:popularized Orthodox pop.
338:; the group performed at
105:
1236:Chaim Pinchas Scheinberg
1214:rabbis, including Rabbi
1167:white citizens' councils
747:. Additionally, Hasidic
562:Metropolitan Opera House
4570:Zamir Chorale of Boston
3565:Shircago (2013-02-01).
402:. His 1974 debut album
1337:Many non-Orthodox and
711:, Yeshiva Boys Choir,
584:series of albums; and
319:
301:Rock music sung with "
4514:Yitzchak Meir Helfgot
4383:Diaspora Yeshiva Band
4378:Bulletproof Stockings
3887:"Original ban notice"
2815:"Believe in Miracles"
2790:"Pulling the Strings"
1538:Jerusalem Boys Choir
1333:Outside the community
1265:, the most prominent
1257:Madison Square Garden
1228:Aharon Leib Shteinman
1216:Yosef Shalom Elyashiv
904:Universal Music Group
862:Also in 2010, cantor
827:, whose 2010 single "
546:Radio City Music Hall
505:who helped introduce
491:Diaspora Yeshiva Band
299:
4468:The Portnoy Brothers
2610:Jewish Musical Notes
2219:CUNY Graduate Center
1176:Writing in 2011 for
1072:Within the community
898:. Lemmer's brother,
757:King Without a Crown
520:, a benefit for the
457:about the coming of
352:Ki Lecho Tov Lehodos
256:sound; artists like
236:melodies and cantor
208:and cultural norms.
4990:Jewish music genres
4878:Chaim-Dovid Saracik
4703:Mordechai Ben David
4294:The Times of Israel
4238:The Times of Israel
3963:Wall Street Journal
3487:The Jewish Insights
3406:"Mordechai Shapiro"
2983:on October 8, 2012.
2977:The Washington Post
2663:. 18 January 2013.
2661:Jewish Music Report
2485:Norwood, Stephen H.
2409:101 (2001): 88–141.
1625:Chaim-Dovid Saracik
1527:Mordechai Ben David
1096:The Jewish Observer
1017:and numerous piano
937:had several albums
886:to commemorate the
872:Vimaleh Mshaloseinu
558:Westbury Music Fair
483:Chaim-Dovid Saracik
400:Mordechai Ben David
382:Mordechai Ben David
344:Mordechai Ben David
171:Mordechai Ben David
121:, sometimes called
62:Typical instruments
4672:Orthodox pop music
4565:Yeshiva Boys Choir
3865:The New York Times
3717:The Jerusalem Post
2958:The Jerusalem Post
2819:Mishpacha Magazine
2794:Mishpacha Magazine
2738:(November 1, 2016)
2717:Mishpacha Magazine
2713:"King for a Night"
2585:Mishpacha Magazine
2454:The New York Times
1847:Yeshiva Boys Choir
1276:The New York Times
906:classical imprint
821:Yeshiva University
759:", which became a
427:Yeshiva Boys Choir
4972:
4971:
4888:Mordechai Shapiro
4723:Neshama Carlebach
4677:Jews in punk rock
4156:"Yeshiva of Rock"
4116:978-0-268-16057-9
3635:978-1-317-43960-8
3526:978-1-317-18126-2
3489:. 30 January 2019
3073:National Archives
3041:National Archives
2941:on July 23, 2012.
2642:978-1-135-04855-6
2337:978-0-415-47378-1
2283:978-1-4422-5840-2
2253:978-0-398-08118-8
2182:The Klezmer Shack
2160:
2159:
2123:Mordechai Shapiro
1439:woman's activists
1388:Justin Timberlake
1302:Shmuel Kamenetsky
1015:synthesised drums
912:The Perfect Dream
783:. These included
662:and, in America,
518:Avery Fisher Hall
481:, Yehuda Glantz,
443:Mordechai Shapiro
295:Haym Soloveitchik
268:'s "Ose Shalom",
240:'s recordings of
232:'s recordings of
116:
115:
27:Stylistic origins
5007:
5000:Pop music genres
4985:Orthodox Judaism
4728:Shlomo Carlebach
4698:Shaindel Antelis
4641:Ben Zion Shenker
4555:Miami Boys Choir
4519:Naftali Hershtik
4473:The Rabbis' Sons
4403:Moshe Hecht Band
4337:
4330:
4323:
4314:
4307:
4306:
4304:
4302:
4297:. 26 August 2019
4285:
4279:
4278:
4276:
4274:
4257:
4251:
4250:
4248:
4246:
4241:. 14 August 2019
4229:
4223:
4222:
4220:
4219:
4202:
4196:
4195:
4193:
4191:
4176:
4170:
4169:
4167:
4166:
4151:
4145:
4144:
4142:
4141:
4127:
4121:
4120:
4095:
4089:
4088:
4086:
4084:
4072:
4066:
4065:
4063:
4061:
4049:The Jewish Press
4039:
4033:
4032:
4030:
4028:
4011:
4005:
4004:
4002:
4000:
3983:
3974:
3973:
3971:
3969:
3954:
3948:
3947:
3945:
3943:
3932:
3923:
3922:
3920:
3918:
3897:
3891:
3890:
3883:
3877:
3876:
3874:
3872:
3855:
3846:
3845:
3843:
3842:
3833:. Archived from
3827:
3821:
3816:
3810:
3809:
3807:
3806:
3791:
3785:
3784:
3782:
3780:
3763:
3757:
3756:
3754:
3753:
3738:
3729:
3728:
3726:
3724:
3707:
3698:
3697:
3695:
3694:
3679:
3670:
3669:
3667:
3666:
3649:
3640:
3639:
3619:
3613:
3612:
3610:
3609:
3604:. 2 January 1997
3592:
3586:
3585:
3583:
3582:
3562:
3556:
3555:
3553:
3552:
3537:
3531:
3530:
3510:
3499:
3498:
3496:
3494:
3479:
3473:
3472:
3470:
3468:
3453:
3447:
3446:
3444:
3442:
3424:
3418:
3417:
3415:
3413:
3402:
3396:
3395:
3393:
3391:
3377:
3371:
3370:
3368:
3367:
3353:
3347:
3346:
3344:
3342:
3327:
3321:
3320:
3318:
3317:
3302:
3296:
3295:
3293:
3292:
3277:
3271:
3270:
3268:
3267:
3253:
3247:
3246:
3245:
3243:
3229:
3223:
3222:
3221:
3219:
3206:
3200:
3199:
3198:
3196:
3183:
3177:
3176:
3174:
3172:
3166:
3158:
3152:
3151:
3149:
3148:
3133:
3127:
3126:
3124:
3123:
3108:
3102:
3101:
3099:
3098:
3083:
3077:
3076:
3070:
3068:
3051:
3045:
3044:
3038:
3036:
3019:
3013:
3012:
3010:
3008:
2991:
2985:
2984:
2979:. Archived from
2968:
2962:
2961:
2949:
2943:
2942:
2930:
2924:
2923:
2921:
2920:
2905:
2899:
2898:
2896:
2895:
2884:
2878:
2877:
2875:
2874:
2864:"Yaakov Shwekey"
2860:
2854:
2853:
2851:
2850:
2835:
2829:
2828:
2826:
2825:
2810:
2804:
2803:
2801:
2800:
2785:
2779:
2778:
2776:
2775:
2760:
2754:
2745:
2739:
2733:
2727:
2726:
2724:
2723:
2708:
2702:
2701:
2699:
2698:
2683:
2677:
2676:
2674:
2672:
2653:
2647:
2646:
2626:
2620:
2619:
2617:
2616:
2601:
2595:
2594:
2592:
2591:
2576:
2570:
2569:
2567:
2566:
2549:
2543:
2542:
2540:
2539:
2524:
2518:
2517:
2515:
2513:
2481:
2472:
2471:
2469:
2468:
2445:
2439:
2438:
2436:
2435:
2416:
2410:
2394:
2349:
2348:
2346:
2344:
2317:
2288:
2287:
2267:
2258:
2257:
2237:
2231:
2230:
2228:
2226:
2209:
2192:
2191:
2189:
2188:
2173:
1967:Shaindel Antelis
1549:Miami Boys Choir
1479:Shlomo Carlebach
1461:
1007:Shabbos Classics
993:, classical and
876:National Menorah
809:Shaindel Antelis
691:We Are A Miracle
676:A Time for Music
621:
612:
603:
590:613 Torah Avenue
530:Brooklyn College
419:Miami Boys Choir
390:Miami Boys Choir
374:
365:
340:Brooklyn College
258:The Rabbis' Sons
250:Shlomo Carlebach
230:Ben Zion Shenker
175:Miami Boys Choir
54:Cultural origins
19:
5015:
5014:
5010:
5009:
5008:
5006:
5005:
5004:
4975:
4974:
4973:
4968:
4947:
4933:Yeedle Werdyger
4908:Motty Steinmetz
4883:Lipa Schmeltzer
4768:Shloime Gertner
4763:Debbie Friedman
4686:
4650:
4596:Debbie Friedman
4574:
4543:
4497:
4413:Nefesh Mountain
4346:
4341:
4311:
4310:
4300:
4298:
4287:
4286:
4282:
4272:
4270:
4259:
4258:
4254:
4244:
4242:
4231:
4230:
4226:
4217:
4215:
4204:
4203:
4199:
4189:
4187:
4178:
4177:
4173:
4164:
4162:
4153:
4152:
4148:
4139:
4137:
4129:
4128:
4124:
4117:
4097:
4096:
4092:
4082:
4080:
4074:
4073:
4069:
4059:
4057:
4041:
4040:
4036:
4026:
4024:
4013:
4012:
4008:
3998:
3996:
3985:
3984:
3977:
3967:
3965:
3956:
3955:
3951:
3941:
3939:
3934:
3933:
3926:
3916:
3914:
3913:on 4 March 2008
3899:
3898:
3894:
3885:
3884:
3880:
3870:
3868:
3857:
3856:
3849:
3840:
3838:
3829:
3828:
3824:
3817:
3813:
3804:
3802:
3793:
3792:
3788:
3778:
3776:
3765:
3764:
3760:
3751:
3749:
3740:
3739:
3732:
3722:
3720:
3709:
3708:
3701:
3692:
3690:
3681:
3680:
3673:
3664:
3662:
3651:
3650:
3643:
3636:
3621:
3620:
3616:
3607:
3605:
3594:
3593:
3589:
3580:
3578:
3564:
3563:
3559:
3550:
3548:
3539:
3538:
3534:
3527:
3512:
3511:
3502:
3492:
3490:
3481:
3480:
3476:
3466:
3464:
3455:
3454:
3450:
3440:
3438:
3426:
3425:
3421:
3411:
3409:
3404:
3403:
3399:
3389:
3387:
3381:"Shmueli Ungar"
3379:
3378:
3374:
3365:
3363:
3355:
3354:
3350:
3340:
3338:
3329:
3328:
3324:
3315:
3313:
3304:
3303:
3299:
3290:
3288:
3279:
3278:
3274:
3265:
3263:
3255:
3254:
3250:
3241:
3239:
3231:
3230:
3226:
3217:
3215:
3208:
3207:
3203:
3194:
3192:
3185:
3184:
3180:
3170:
3168:
3164:
3160:
3159:
3155:
3146:
3144:
3135:
3134:
3130:
3121:
3119:
3116:www.lirydram.pl
3110:
3109:
3105:
3096:
3094:
3092:The YU Observer
3085:
3084:
3080:
3066:
3064:
3053:
3052:
3048:
3034:
3032:
3021:
3020:
3016:
3006:
3004:
2993:
2992:
2988:
2970:
2969:
2965:
2951:
2950:
2946:
2932:
2931:
2927:
2918:
2916:
2907:
2906:
2902:
2893:
2891:
2890:. Billboard.com
2886:
2885:
2881:
2872:
2870:
2862:
2861:
2857:
2848:
2846:
2837:
2836:
2832:
2823:
2821:
2812:
2811:
2807:
2798:
2796:
2787:
2786:
2782:
2773:
2771:
2769:Tablet Magazine
2762:
2761:
2757:
2746:
2742:
2734:
2730:
2721:
2719:
2710:
2709:
2705:
2696:
2694:
2685:
2684:
2680:
2670:
2668:
2655:
2654:
2650:
2643:
2628:
2627:
2623:
2614:
2612:
2603:
2602:
2598:
2589:
2587:
2581:"Still on Fire"
2578:
2577:
2573:
2564:
2562:
2551:
2550:
2546:
2537:
2535:
2526:
2525:
2521:
2511:
2509:
2507:
2483:
2482:
2475:
2466:
2464:
2447:
2446:
2442:
2433:
2431:
2418:
2417:
2413:
2395:
2352:
2342:
2340:
2338:
2319:
2318:
2291:
2284:
2269:
2268:
2261:
2254:
2239:
2238:
2234:
2224:
2222:
2211:
2210:
2195:
2186:
2184:
2175:
2174:
2170:
2165:
2111:Motty Steinmetz
1919:Shloime Gertner
1765:Lipa Schmeltzer
1681:Yeedle Werdyger
1491:Yom Tov Ehrlich
1459:
1457:Notable artists
1427:Motty Steinmetz
1335:
1307:The Jewish Star
1297:gedolei hatorah
1292:gedolei hatorah
1253:
1200:
1084:Yom-Tov Ehrlich
1074:
1069:
1061:cantorial music
1041:Sefirat Ha'omer
975:
973:Characteristics
959:Motty Steinmetz
817:
733:Shloime Gertner
664:Lipa Schmeltzer
642:
641:
640:
639:
632:Lipa Schmeltzer
624:
623:
622:
614:
613:
605:
604:
574:Yeedle Werdyger
570:
568:1990s and 2000s
554:Nassau Coliseum
396:
395:
394:
393:
377:
376:
375:
367:
366:
324:
322:1970s and 1980s
315:yiddishe simche
219:
214:
183:Lipa Schmeltzer
141:, is a form of
96:
17:
12:
11:
5:
5013:
5011:
5003:
5002:
4997:
4992:
4987:
4977:
4976:
4970:
4969:
4967:
4966:
4964:Abie Rotenberg
4961:
4955:
4953:
4949:
4948:
4946:
4945:
4940:
4935:
4930:
4928:Mendy Werdyger
4925:
4920:
4915:
4913:Akiva Turgeman
4910:
4905:
4903:Yaakov Shwekey
4900:
4895:
4893:Shmuel Shapiro
4890:
4885:
4880:
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4843:Israel Portnoy
4840:
4835:
4830:
4828:Ohad Moskowitz
4825:
4820:
4815:
4810:
4808:Aryeh Kunstler
4805:
4800:
4795:
4793:Yosef Karduner
4790:
4785:
4780:
4775:
4770:
4765:
4760:
4758:Benny Friedman
4755:
4750:
4745:
4740:
4735:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4694:
4692:
4688:
4687:
4685:
4684:
4679:
4674:
4669:
4664:
4662:Jewish hip hop
4658:
4656:
4652:
4651:
4649:
4648:
4643:
4638:
4636:Abie Rotenberg
4633:
4628:
4623:
4621:Yosef Karduner
4618:
4616:Miriam Israeli
4613:
4608:
4603:
4598:
4593:
4588:
4582:
4580:
4576:
4575:
4573:
4572:
4567:
4562:
4557:
4551:
4549:
4545:
4544:
4542:
4541:
4536:
4531:
4529:Benzion Miller
4526:
4521:
4516:
4511:
4505:
4503:
4499:
4498:
4496:
4495:
4490:
4485:
4480:
4475:
4470:
4465:
4463:The Maccabeats
4460:
4455:
4450:
4445:
4440:
4435:
4430:
4425:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4363:Aharit Hayamim
4360:
4354:
4352:
4348:
4347:
4342:
4340:
4339:
4332:
4325:
4317:
4309:
4308:
4280:
4252:
4224:
4197:
4171:
4146:
4131:"Flippin' Out"
4122:
4115:
4101:(1994-05-09).
4090:
4067:
4034:
4006:
3975:
3949:
3924:
3892:
3878:
3847:
3822:
3811:
3786:
3758:
3730:
3699:
3671:
3641:
3634:
3614:
3587:
3557:
3532:
3525:
3500:
3474:
3448:
3419:
3397:
3372:
3348:
3322:
3297:
3272:
3248:
3224:
3201:
3178:
3153:
3143:. 6 April 2011
3128:
3103:
3078:
3061:whitehouse.gov
3046:
3031:. May 17, 2011
3028:whitehouse.gov
3014:
2986:
2963:
2944:
2925:
2900:
2879:
2855:
2830:
2805:
2780:
2755:
2740:
2728:
2703:
2678:
2648:
2641:
2621:
2596:
2571:
2544:
2519:
2506:978-1851096381
2505:
2473:
2440:
2411:
2350:
2336:
2289:
2282:
2259:
2252:
2232:
2193:
2167:
2166:
2164:
2161:
2158:
2157:
2155:
2150:
2146:
2145:
2143:
2141:Eitan Freilich
2137:
2136:
2134:
2128:
2127:
2125:
2120:
2116:
2115:
2113:
2107:
2106:
2104:
2098:
2097:
2095:
2090:
2086:
2085:
2083:
2077:
2076:
2074:
2068:
2067:
2065:
2060:
2056:
2055:
2053:
2048:
2044:
2043:
2041:
2039:Shmuel Shapiro
2035:
2034:
2032:
2026:
2025:
2023:
2018:
2014:
2013:
2011:
2005:
2004:
2002:
2000:The Maccabeats
1997:
1993:
1992:
1990:
1988:Benny Friedman
1985:
1981:
1980:
1978:
1972:
1971:
1969:
1963:
1962:
1960:
1958:Miriam Sandler
1955:
1951:
1950:
1948:
1942:
1941:
1939:
1937:Aryeh Kunstler
1933:
1932:
1930:
1924:
1923:
1921:
1915:
1914:
1912:
1907:
1903:
1902:
1900:
1894:
1893:
1891:
1886:
1882:
1881:
1879:
1873:
1872:
1870:
1865:
1861:
1860:
1858:
1856:Ohad Moskowitz
1852:
1851:
1849:
1843:
1842:
1840:
1835:
1831:
1830:
1828:
1823:
1819:
1818:
1816:
1812:
1811:
1809:
1807:Yaakov Shwekey
1804:
1800:
1799:
1797:
1795:Yosef Karduner
1792:
1788:
1787:
1785:
1779:
1778:
1776:
1770:
1769:
1767:
1761:
1760:
1758:
1756:Miriam Israeli
1752:
1751:
1749:
1744:
1740:
1739:
1737:
1731:
1730:
1728:
1723:
1719:
1718:
1716:
1711:
1707:
1706:
1704:
1699:
1695:
1694:
1692:
1686:
1685:
1683:
1678:
1674:
1673:
1667:
1663:
1662:
1660:
1658:Mendy Werdyger
1654:
1653:
1651:
1646:
1642:
1641:
1639:
1634:
1630:
1629:
1627:
1622:
1618:
1617:
1615:
1609:
1608:
1606:
1605:Yehuda Glantz
1602:
1601:
1599:
1594:
1590:
1589:
1587:
1582:
1578:
1577:
1575:
1570:
1566:
1565:
1563:
1558:
1554:
1553:
1551:
1546:
1542:
1541:
1539:
1536:
1532:
1531:
1529:
1524:
1520:
1519:
1517:
1515:Abie Rotenberg
1512:
1508:
1507:
1505:
1500:
1496:
1495:
1493:
1488:
1484:
1483:
1481:
1476:
1472:
1471:
1468:
1465:
1458:
1455:
1400:The Klezmatics
1386:equivalent of
1363:Writing about
1334:
1331:
1319:A Poshiter Yid
1286:Kiddush Hashem
1252:
1249:
1199:
1196:
1163:The Southerner
1073:
1070:
1068:
1065:
979:easy listening
974:
971:
963:Eitan Freilich
947:Shmuel Shapiro
882:alongside the
825:The Maccabeats
816:
813:
805:Miriam Israeli
801:Miriam Sandler
745:Benny Friedman
713:Ohad Moskowitz
705:Yosef Karduner
636:Benny Friedman
626:
625:
616:
615:
607:
606:
598:
597:
596:
595:
594:
569:
566:
534:Queens College
514:Lincoln Center
431:Yaakov Shwekey
379:
378:
369:
368:
360:
359:
358:
357:
356:
323:
320:
262:Abie Rotenberg
246:Mendy Werdyger
238:David Werdyger
218:
215:
213:
210:
202:Jewish hip hop
191:Benny Friedman
179:Yaakov Shwekey
145:popular among
133:(Kosher pop),
114:
113:
111:Jewish hip hop
103:
102:
98:
97:
95:
94:
92:string section
89:
84:
81:
78:
75:
72:
69:
65:
63:
59:
58:
55:
51:
50:
40:cantoral music
28:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
5012:
5001:
4998:
4996:
4995:Hasidic music
4993:
4991:
4988:
4986:
4983:
4982:
4980:
4965:
4962:
4960:
4959:Mendy Portnoy
4957:
4956:
4954:
4950:
4944:
4943:Country Yossi
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4918:Shmueli Ungar
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4899:
4898:Shlomo Simcha
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4863:Yonatan Razel
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4838:Yosi Piamenta
4836:
4834:
4831:
4829:
4826:
4824:
4823:Baruch Levine
4821:
4819:
4818:Shulem Lemmer
4816:
4814:
4813:Simcha Leiner
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4778:Dedi Graucher
4776:
4774:
4771:
4769:
4766:
4764:
4761:
4759:
4756:
4754:
4753:Avraham Fried
4751:
4749:
4746:
4744:
4741:
4739:
4738:Shloime Dachs
4736:
4734:
4731:
4729:
4726:
4724:
4721:
4719:
4716:
4714:
4711:
4709:
4706:
4704:
4701:
4699:
4696:
4695:
4693:
4689:
4683:
4682:Mizrahi music
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4663:
4660:
4659:
4657:
4653:
4647:
4646:Country Yossi
4644:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4626:Baruch Levine
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:
4589:
4587:
4584:
4583:
4581:
4577:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4552:
4550:
4546:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4524:Yaakov Lemmer
4522:
4520:
4517:
4515:
4512:
4510:
4507:
4506:
4504:
4500:
4494:
4491:
4489:
4486:
4484:
4483:Yaakov Chesed
4481:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4355:
4353:
4349:
4345:
4338:
4333:
4331:
4326:
4324:
4319:
4318:
4315:
4296:
4295:
4290:
4284:
4281:
4269:
4268:
4263:
4256:
4253:
4240:
4239:
4234:
4228:
4225:
4214:
4213:
4208:
4201:
4198:
4186:
4182:
4175:
4172:
4161:
4157:
4150:
4147:
4136:
4132:
4126:
4123:
4118:
4112:
4108:
4104:
4100:
4099:Adler, Samuel
4094:
4091:
4078:
4071:
4068:
4055:
4051:
4050:
4045:
4038:
4035:
4023:
4022:
4017:
4010:
4007:
3995:
3994:
3989:
3982:
3980:
3976:
3964:
3960:
3953:
3950:
3937:
3931:
3929:
3925:
3912:
3908:
3907:
3902:
3896:
3893:
3888:
3882:
3879:
3867:
3866:
3861:
3854:
3852:
3848:
3837:on 2016-03-03
3836:
3832:
3826:
3823:
3820:
3815:
3812:
3801:
3800:Torah Musings
3797:
3790:
3787:
3774:
3773:
3768:
3762:
3759:
3748:
3744:
3737:
3735:
3731:
3719:
3718:
3713:
3706:
3704:
3700:
3689:
3685:
3678:
3676:
3672:
3661:
3660:
3655:
3648:
3646:
3642:
3637:
3631:
3628:. Routledge.
3627:
3626:
3618:
3615:
3603:
3602:
3597:
3591:
3588:
3576:
3572:
3568:
3561:
3558:
3547:
3543:
3536:
3533:
3528:
3522:
3519:. Routledge.
3518:
3517:
3509:
3507:
3505:
3501:
3488:
3484:
3478:
3475:
3462:
3458:
3452:
3449:
3436:
3435:
3430:
3423:
3420:
3407:
3401:
3398:
3386:
3382:
3376:
3373:
3362:
3358:
3352:
3349:
3337:
3333:
3326:
3323:
3312:
3308:
3301:
3298:
3287:
3283:
3276:
3273:
3262:
3258:
3252:
3249:
3237:
3236:
3228:
3225:
3213:
3212:
3205:
3202:
3190:
3189:
3182:
3179:
3163:
3157:
3154:
3142:
3138:
3132:
3129:
3117:
3113:
3112:"16_LiryDram"
3107:
3104:
3093:
3089:
3082:
3079:
3074:
3063:
3062:
3057:
3050:
3047:
3042:
3030:
3029:
3024:
3018:
3015:
3003:
3002:
3001:Billboard.com
2997:
2990:
2987:
2982:
2978:
2974:
2967:
2964:
2959:
2955:
2948:
2945:
2940:
2936:
2929:
2926:
2915:on 2012-01-07
2914:
2910:
2904:
2901:
2889:
2883:
2880:
2869:
2865:
2859:
2856:
2845:
2841:
2834:
2831:
2820:
2816:
2809:
2806:
2795:
2791:
2784:
2781:
2770:
2766:
2759:
2756:
2752:
2751:
2744:
2741:
2737:
2732:
2729:
2718:
2714:
2707:
2704:
2693:
2689:
2682:
2679:
2666:
2662:
2658:
2652:
2649:
2644:
2638:
2635:. Routledge.
2634:
2633:
2625:
2622:
2611:
2607:
2600:
2597:
2586:
2582:
2575:
2572:
2561:
2560:
2555:
2548:
2545:
2534:
2530:
2523:
2520:
2508:
2502:
2498:
2494:
2490:
2486:
2480:
2478:
2474:
2463:
2459:
2455:
2451:
2444:
2441:
2429:
2425:
2421:
2415:
2412:
2408:
2407:
2402:
2398:
2397:Kligman, Mark
2393:
2391:
2389:
2387:
2385:
2383:
2381:
2379:
2377:
2375:
2373:
2371:
2369:
2367:
2365:
2363:
2361:
2359:
2357:
2355:
2351:
2339:
2333:
2329:
2325:
2324:
2316:
2314:
2312:
2310:
2308:
2306:
2304:
2302:
2300:
2298:
2296:
2294:
2290:
2285:
2279:
2275:
2274:
2266:
2264:
2260:
2255:
2249:
2245:
2244:
2236:
2233:
2221:
2220:
2215:
2208:
2206:
2204:
2202:
2200:
2198:
2194:
2183:
2179:
2172:
2169:
2162:
2156:
2154:
2151:
2148:
2147:
2144:
2142:
2139:
2138:
2135:
2133:
2132:Shmueli Ungar
2130:
2129:
2126:
2124:
2121:
2117:
2114:
2112:
2109:
2108:
2105:
2103:
2100:
2099:
2096:
2094:
2093:Shulem Lemmer
2091:
2087:
2084:
2082:
2079:
2078:
2075:
2073:
2070:
2069:
2066:
2064:
2061:
2057:
2054:
2052:
2049:
2046:
2045:
2042:
2040:
2037:
2036:
2033:
2031:
2028:
2027:
2024:
2022:
2021:Simcha Leiner
2019:
2015:
2012:
2010:
2009:Yaakov Lemmer
2007:
2006:
2003:
2001:
1998:
1994:
1991:
1989:
1986:
1983:
1982:
1979:
1977:
1974:
1973:
1970:
1968:
1965:
1964:
1961:
1959:
1956:
1952:
1949:
1947:
1944:
1943:
1940:
1938:
1935:
1934:
1931:
1929:
1926:
1925:
1922:
1920:
1917:
1916:
1913:
1911:
1910:Yonatan Razel
1908:
1904:
1901:
1899:
1898:Baruch Levine
1896:
1895:
1892:
1890:
1887:
1883:
1880:
1878:
1875:
1874:
1871:
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1690:Shlomo Simcha
1688:
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1672:(Yehuda Cik)
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1613:Dedi Graucher
1611:
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1600:
1598:
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1573:Avraham Fried
1571:
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1258:
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1233:
1232:Shmuel Wosner
1229:
1226:Rebbe, Rabbi
1225:
1221:
1217:
1213:
1209:
1205:
1204:Teddy Stadium
1197:
1195:
1191:
1189:
1188:Rosh yeshivas
1183:
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1125:
1119:
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1110:
1106:
1102:
1101:rock-and-roll
1098:
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1071:
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948:
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943:Simcha Leiner
940:
936:
932:
928:
927:Shmueli Ungar
924:
920:
915:
913:
909:
905:
901:
900:Shulem Lemmer
897:
893:
890:, and at the
889:
885:
881:
880:Warsaw Ghetto
877:
873:
869:
865:
864:Yaakov Lemmer
860:
858:
854:
850:
846:
842:
838:
835:' version of
834:
833:Mike Tompkins
830:
826:
822:
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806:
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790:
786:
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769:
767:
762:
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754:
750:
746:
742:
738:
734:
730:
729:Yonatan Razel
726:
725:Baruch Levine
722:
718:
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629:
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586:Shloime Dachs
583:
579:
578:Shlomo Simcha
575:
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547:
543:
542:Carnegie Hall
539:
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531:
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510:
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495:Yosi Piamenta
492:
488:
487:Dedi Graucher
484:
480:
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460:
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452:
448:
447:Avraham Fried
444:
440:
439:Shloime Dachs
436:
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424:
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416:
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409:
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401:
391:
387:
386:Avraham Fried
383:
380:Artists like
373:
364:
355:
353:
349:
345:
341:
337:
336:Country Yossi
333:
329:
321:
318:
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274:Shema Yisrael
271:
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188:
187:Baruch Levine
184:
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159:Jewish prayer
156:
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147:Orthodox Jews
144:
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25:
20:
4858:Aharon Razel
4833:Joey Newcomb
4803:Meilech Kohn
4783:Yehuda Green
4718:Nissim Black
4713:Isaac Bitton
4708:Moshe Reuven
4671:
4601:Eli Gerstner
4591:Baruch Chait
4534:Azi Schwartz
4458:The Groggers
4418:Reva L'Sheva
4408:Moshiach Oi!
4299:. Retrieved
4292:
4283:
4271:. Retrieved
4267:Israel Hayom
4265:
4255:
4243:. Retrieved
4236:
4227:
4216:. Retrieved
4210:
4200:
4188:. Retrieved
4174:
4163:. Retrieved
4159:
4149:
4138:. Retrieved
4134:
4125:
4106:
4093:
4081:. Retrieved
4079:. matzav.com
4070:
4058:. Retrieved
4047:
4037:
4025:. Retrieved
4019:
4009:
3997:. Retrieved
3991:
3966:. Retrieved
3962:
3952:
3940:. Retrieved
3915:. Retrieved
3911:the original
3904:
3895:
3889:(in Hebrew).
3881:
3869:. Retrieved
3863:
3839:. Retrieved
3835:the original
3825:
3814:
3803:. Retrieved
3799:
3789:
3777:. Retrieved
3770:
3761:
3750:. Retrieved
3746:
3721:. Retrieved
3715:
3691:. Retrieved
3687:
3663:. Retrieved
3657:
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3606:. Retrieved
3599:
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3579:. Retrieved
3570:
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3549:. Retrieved
3545:
3535:
3515:
3491:. Retrieved
3486:
3477:
3465:. Retrieved
3460:
3451:
3439:. Retrieved
3434:Makor Rishon
3432:
3422:
3410:. Retrieved
3400:
3388:. Retrieved
3384:
3375:
3364:. Retrieved
3360:
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3339:. Retrieved
3325:
3314:. Retrieved
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3289:. Retrieved
3285:
3275:
3264:. Retrieved
3260:
3251:
3240:, retrieved
3234:
3227:
3216:, retrieved
3210:
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3193:, retrieved
3187:
3181:
3169:. Retrieved
3156:
3145:. Retrieved
3141:artsfuse.org
3140:
3131:
3120:. Retrieved
3115:
3106:
3095:. Retrieved
3091:
3081:
3071:– via
3065:. Retrieved
3059:
3049:
3039:– via
3033:. Retrieved
3026:
3017:
3005:. Retrieved
2999:
2989:
2981:the original
2976:
2966:
2957:
2947:
2939:the original
2928:
2917:. Retrieved
2913:the original
2903:
2892:. Retrieved
2882:
2871:. Retrieved
2867:
2858:
2847:. Retrieved
2843:
2833:
2822:. Retrieved
2818:
2808:
2797:. Retrieved
2793:
2783:
2772:. Retrieved
2768:
2758:
2748:
2743:
2731:
2720:. Retrieved
2716:
2706:
2695:. Retrieved
2691:
2681:
2669:. Retrieved
2660:
2651:
2631:
2624:
2613:. Retrieved
2609:
2599:
2588:. Retrieved
2584:
2574:
2563:. Retrieved
2557:
2547:
2536:. Retrieved
2532:
2522:
2510:. Retrieved
2492:
2465:. Retrieved
2453:
2443:
2432:. Retrieved
2414:
2404:
2341:. Retrieved
2322:
2272:
2242:
2235:
2223:. Retrieved
2217:
2185:. Retrieved
2181:
2171:
2102:Meilech Kohn
1928:Yehuda Green
1774:Aharon Razel
1747:Eli Gerstner
1585:Isaac Bitton
1503:Baruch Chait
1424:
1416:
1410:
1409:Writing for
1408:
1403:
1395:Frank London
1392:
1379:
1368:
1362:
1357:
1351:
1347:Samuel Adler
1344:
1336:
1327:
1318:
1316:
1312:ehrliche Yid
1311:
1305:
1296:
1290:
1284:
1282:
1274:
1272:
1260:
1254:
1244:Ovadia Yosef
1241:
1234:, and Rabbi
1201:
1192:
1184:
1177:
1175:
1170:
1162:
1161:publication
1135:
1128:
1122:
1120:
1104:
1094:
1092:
1079:Mark Kligman
1075:
1034:
1027:
1006:
976:
955:Meilech Kohn
930:
916:
911:
871:
861:
848:
843:") achieved
818:
774:
772:
765:
737:Yehuda Green
699:
694:
690:
686:
680:
675:
672:Eli Gerstner
653:
646:Aharon Razel
643:
589:
581:
571:
511:
499:Isaac Bitton
475:melodic line
468:
463:
450:
408:arrangements
403:
397:
351:
332:Sh'or Yoshuv
327:
325:
314:
309:or "kosher"
300:
281:World War II
279:In the post-
278:
220:
195:
138:
134:
130:
127:Hasidic rock
126:
122:
119:Orthodox pop
118:
117:
101:Other topics
87:horn section
22:Orthodox pop
4798:Shlomo Katz
4788:Moshe Hecht
4773:Ari Goldwag
4667:Jewish rock
4631:Dan Nichols
4611:Yossi Green
4606:Ari Goldwag
4586:Ken Burgess
4509:Dudu Fisher
4433:Shlock Rock
4423:Rogers Park
4398:Moshav Band
4373:Blue Fringe
4301:27 February
4273:27 February
4245:27 February
4185:The Forward
4160:The Forward
4021:The Forward
3993:The Forward
3688:The Forward
3546:The Forward
3437:(in Hebrew)
3408:. Billboard
3336:Arutz Sheva
3311:The Forward
3118:(in Polish)
2888:"Matisyahu"
2692:The Forward
2081:Rogers Park
1889:Shlomo Katz
1838:Ari Goldwag
1826:Yossi Green
1815:The Chevra
1637:Ruthi Navon
1597:Dudu Fisher
1464:Established
1447:Moshe Gafni
1378:In another
1370:The Forward
1354:Blue Fringe
1339:ex-Orthodox
1222:Rebbe, the
1088:Shlock Rock
1049:Three Weeks
1023:key changes
1011:men's choir
951:Rogers Park
853:White House
829:Candlelight
785:Ruthi Navon
721:Shlomo Katz
709:Ari Goldwag
693:(2016) and
507:Jewish rock
479:Dudu Fisher
467:, Hassidic
455:Yossi Green
435:Ari Goldwag
423:boys choirs
266:Nurit Hirsh
198:Jewish rock
155:dance music
123:Hasidic pop
107:Jewish rock
71:synthesizer
30:Pop, rock,
16:Music genre
4979:Categories
4938:Moshe Yess
4923:Beri Weber
4873:Ishay Ribo
4868:Rick Recht
4853:Shuli Rand
4743:Udi Davidi
4733:Alex Clare
4218:2022-01-01
4165:2021-12-26
4140:2022-01-10
4135:Jyrics.com
4060:11 October
4027:11 October
3968:17 January
3942:19 January
3906:Vosizneias
3871:10 October
3841:2022-01-01
3805:2022-01-12
3779:31 January
3772:Leadel.net
3752:2022-01-12
3747:Blog in Dm
3693:2022-01-12
3665:2022-01-10
3608:2022-01-11
3581:2022-01-02
3551:2022-01-02
3493:22 October
3467:22 October
3441:19 October
3366:2022-01-10
3341:3 November
3316:2022-01-10
3291:2022-01-10
3266:2022-01-10
3242:1 December
3218:1 December
3195:6 December
3171:3 December
3147:2018-05-14
3122:2018-05-14
3097:2022-01-10
3007:1 December
2919:2012-02-20
2894:2010-02-15
2873:2022-01-09
2849:2022-01-09
2824:2022-01-09
2799:2022-01-05
2774:2022-01-05
2722:2021-12-27
2697:2022-01-01
2671:19 October
2615:2022-01-01
2590:2022-01-01
2565:2022-01-01
2538:2022-01-01
2512:13 January
2467:2022-01-04
2434:2022-01-04
2343:12 January
2187:2022-01-10
2163:References
2072:Ishay Ribo
1976:Shuli Rand
1946:Beri Weber
1868:Udi Davidi
1649:Julia Blum
1561:Moshe Yess
1443:Aryeh Deri
1435:high court
1210:. Leading
1047:, and the
1045:Tisha B'Av
1037:a cappella
935:Ishay Ribo
908:Decca Gold
789:Julia Blum
741:Beri Weber
717:Udi Davidi
650:Shuli Rand
560:, and the
348:Noach Dear
328:Or Chodosh
286:liturgical
270:Svika Pick
135:Haredi pop
4952:Producers
4748:Gad Elbaz
4691:Vocalists
4579:Composers
4453:StandFour
4190:19 August
3775:. YouTube
3385:Billboard
3361:Billboard
2868:Billboard
2750:Mishpacha
2559:Mishpacha
2462:0362-4331
2328:Routledge
2051:StandFour
1877:Matisyahu
1783:Gad Elbaz
1702:Dana Mase
1418:Punk Jews
1415:in 2016,
1138:Bnei Brak
1130:chassidus
1124:Mishpacha
1019:glissandi
991:soft rock
931:Billboard
914:in 2019.
857:StandFour
849:Billboard
837:Taio Cruz
793:Dana Mase
766:Billboard
753:Matisyahu
700:Billboard
668:Lady Gaga
660:Gad Elbaz
538:Manhattan
412:soft rock
290:cantorial
254:folk rock
139:Ortho-pop
80:keyboards
4448:Soulfarm
4393:JudaBlue
4083:24 March
4054:Archived
3999:26 March
3917:24 March
3659:BBC News
3575:Archived
3571:Shircago
3067:20 March
2844:AllMusic
2665:Archived
2497:ABC-CLIO
2428:Archived
2426:. 2007.
1404:Rise Up!
1230:, Rabbi
1171:Hamavdil
1112:telethon
1105:Observer
1030:kol isha
894:and the
888:uprising
841:Dynamite
839:'s hit "
776:kol isha
655:Ushpizin
526:Sephardi
459:moshiach
425:such as
173:and the
4848:Adi Ran
4560:Vocolot
4539:Sol Zim
4502:Cantors
4388:Hamakor
4358:8th Day
3461:Shevi'i
3390:10 June
3357:"Zusha"
3035:May 19,
2533:COLlive
2030:8th Day
1735:Adi Ran
1726:Kineret
1670:Yehuda!
1380:Forward
1375:wedding
1365:8th Day
1304:, told
1262:Hamodia
1151:hip hop
1140:-based
1057:kumzits
1003:effects
999:nigunim
987:country
919:8th Day
797:Kineret
781:Tofa'ah
768:Hot 100
751:artist
687:Shomati
683:Shwekey
658:), and
628:Shwekey
503:Tofa'ah
234:Modzitz
226:nigunim
223:Hasidic
217:Origins
212:History
206:halakha
48:klezmer
4655:Genres
4548:Choirs
4368:Ashira
4212:Hevria
4113:
3723:11 Jan
3632:
3523:
3412:9 June
3165:(Blog)
2639:
2503:
2460:
2334:
2280:
2250:
2225:11 Jan
2153:Yoni Z
1470:Notes
1467:Artist
1412:Hevria
1267:Haredi
1224:Belzer
1220:Gerrer
1218:, the
1212:Haredi
1155:reggae
1142:Haredi
1109:Chabad
1059:, and
995:techno
967:Yoni Z
965:, and
761:Top 40
749:reggae
743:, and
695:Musica
634:, and
548:, the
501:, and
485:, and
470:niggun
464:nusach
441:, and
415:ballad
404:Hineni
388:, and
303:kosher
189:, and
167:Talmud
165:, and
153:, and
137:, and
83:guitar
68:Vocals
4493:Zusha
4443:Six13
4438:Shtar
4428:Safam
4351:Bands
2149:2018
2119:2016
2089:2015
2063:Zusha
2059:2014
2047:2012
2017:2011
1996:2010
1984:2009
1954:2008
1906:2007
1885:2006
1864:2004
1834:2003
1822:2002
1803:2001
1791:2000
1743:1999
1722:1998
1710:1996
1698:1994
1677:1993
1666:1991
1645:1990
1633:1988
1621:1986
1593:1985
1581:1982
1569:1981
1557:1980
1545:1977
1535:1975
1523:1973
1511:1971
1499:1967
1487:1960
1475:1959
1451:Haifa
1437:by a
1431:Afula
1323:Torah
1147:disco
1116:peyos
1053:nigun
983:blues
923:Zusha
845:viral
815:2010s
311:swing
163:Torah
131:K-pop
77:drums
44:nigun
4488:Yood
4303:2021
4275:2021
4247:2021
4192:2016
4111:ISBN
4085:2011
4062:2014
4029:2014
4001:2011
3970:2010
3944:2010
3919:2011
3873:2014
3781:2016
3725:2022
3630:ISBN
3521:ISBN
3495:2019
3469:2019
3443:2019
3414:2020
3392:2020
3343:2013
3244:2013
3220:2013
3197:2013
3173:2013
3069:2017
3037:2011
3009:2013
2673:2014
2637:ISBN
2514:2016
2501:ISBN
2458:ISSN
2345:2016
2332:ISBN
2278:ISBN
2248:ISBN
2227:2022
1445:and
1384:frum
1367:for
1153:and
1021:and
582:Aish
532:and
307:jazz
288:and
272:'s "
200:and
151:jazz
74:bass
36:jazz
32:folk
2403:."
2399:. "
1360:".
1314:."
1159:KKK
1133:".
516:'s
242:Ger
4981::
4291:.
4264:.
4235:.
4209:.
4183:.
4158:.
4133:.
4052:.
4046:.
4018:.
3990:.
3978:^
3961:.
3927:^
3903:.
3862:.
3850:^
3798:.
3769:.
3745:.
3733:^
3714:.
3702:^
3686:.
3674:^
3656:.
3644:^
3598:.
3573:.
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