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A.D.O.R.

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distribution, and received heavy radio play. He considers it the equal of its predecessor "Let It All Hang Out", but Juon goes further, offering that both Rock and Castellanos had improved their respective techniques in the six years between the two tracks. He draws attention to a new-found depth in the lyrical content of A.D.O.R.'s rap, putting this advancement down to maturity and experience in the later record. HipHopDX's reviewer found in "Enter the Center" "more of Pete Rock's understated brilliance". A.D.O.R.'s singles to date were collected on his debut album for Tru Reign,
231:, making an impressive roster. "Shock to Bliss" and "Shock Frequency" were reminiscent of Rock's cuts, and almost as good, and Kent's contribution "From the Concrete" completed the album's highlights. The record as a whole betrayed its 1992 roots, though reviewers found this was not a bad thing, even if it did mean that it seemed to lack relevance or urgency in the musical climate of 1998. 171:
certifiable Pete Rock classic", with "delicious horns" that no other producer could emulate. Though most critical commentary focuses on the production, the rapper's contribution is roundly praised; Steve Juon of RapReviews notes in particular that the record established A.D.O.R.'s distinctive, high-pitched register.
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A.D.O.R. formed his own record company in 1996: Tru Reign Records. For his fledgling label he immediately recorded and released as a single another Pete Rock track, "Enter the Center". It was a successful venture. Stanton reports that it sold "remarkably well" given its independent, small scale
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describes the track as an "infectious" outing that was an "instant classic" on release, driven by Rock's "irresistible horn loop" and the "tight flow" of A.D.O.R.'s rhymes. A hit in the summer of 1992, for Swihart its qualities have now proved timeless. HipHopDX calls "Let It All Hang Out" "a
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A.D.O.R. toured with major acts and made television appearances building on the buzz created by "Let It All Hang Out". In 1994, he followed up with a second single, "One for the Trouble", produced by K-Def and the legendary Queensbridge producer
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the collection of new music both seemed throwbacks to simpler times, with lyrics that concentrated on fun and a smooth flow rather than the trickery and internal or polysyllabic rhyme schemes of virtuoso rappers following in the wake of
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The musical backing for A.D.O.R.'s raps on "Let It All Hang Out" was by his old friend Pete Rock, by 1992 already an acclaimed producer, and now commonly cited as one of the hip hop genre's best. Stanton Swihart of
153:, began presenting A.D.O.R.'s demo tapes to record companies. Heavy D's DJ, DJ Eddie F, secured him a management and production deal. In 1992 he recorded his first record, the single "Let It All Hang Out", for 250:' company Sumpthing Distribution. By this time, A.D.O.R.'s roster at Tru Reign also included artists K The Terrorbull, Nappy Redd & Filthy Rich, and Cristal Lane. A.D.O.R. released the album 137:, later to be known in hip hop circles as "money earnin' Mount Vernon" due to the preponderance of rap stars it produced. The future A.D.O.R. went to high school there, where he met 149:. Becoming interested in hip hop, he took the name A.D.O.R. (standing for both "Another Dimension of Rhythm" and "A Declaration of Revolution"). Sean Combs, by this time working at 207:
being released, reportedly because of disputes over creative decisions, even though promotional items were released and the catalogue number 82443 was assigned to the release.
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John Teufel . " For the song, Step Up. Castellanos hired Producer and Director Ronald Farnham to make the music video, which was shot in Tampa, Florida.
425: 499: 133:. His father was a musician by profession, and as a child Castellanos attended his shows. At six years of age he moved with his family to 484: 489: 474: 455: 130: 203:. Despite his successful run at the major label, A.D.O.R. was let go from his contract with Atlantic in 1995 without 199:'s 1998 hit remix. "One for the Trouble" signaled that plans were underway for a debut album on Atlantic titled 188: 113: 494: 262:, in 2005. Both were received favorably by critics, yet the praise was again qualified as it had been with 479: 134: 187:. This record provided the "back once again with the ill behaviour" vocal snippet which was sampled by 357: 373: 19:
This article is about the US hip hop artist. For the South Korean music label known as ADOR, see
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in this year. All was quiet until 2003, when he reemerged with the compilation
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A.D.O.R. :: Classic Bangerz Volume 1 :: Tru Reign Records
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A.D.O.R. :: Signature of the Ill :: Tru Reign Records
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In January 2000, Tru Reign secured a distribution deal with
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reception: the compilation of old material (which mined
92:, is a U.S. hip hop artist whose work includes the 70: 60: 45: 35: 28: 223:(1998). Rock and Marley Marl were joined there by 426:Tru Reign Signs Deal With Sumthing Distribution 108:extensively in later songs, most famously in " 8: 25: 420: 418: 344: 404: 402: 400: 368: 366: 352: 350: 348: 96:-produced hit "Let It All Hang Out" ( 7: 505:21st-century American male musicians 456:A.D.O.R. : Signature of the Ill 386: 384: 382: 445:", rapreviews, September 20, 2005. 258:, and then an album of new music, 14: 131:Washington Heights, New York City 394:", hiphopdx, January 19, 2004. 1: 500:21st-century American rappers 458:", exclaim.ca, November 2005. 412:rapreviews, December 9, 2003. 521: 392:A.D.O.R. - Classic Bangerz 175:"One for the Trouble" and 114:Roger "Wildchild" McKenzie 88:, known professionally as 18: 485:Atlantic Records artists 332:Tru Jewelz and Videotape 288:Tru Jewelz and Videotape 240:The Signature of the Ill 129:Castellanos was born in 374:A.D.O.R.: Shock Therapy 320:Classic Bangerz, Vol. 1 256:Classic Bangers, Vol. 1 490:Rappers from Manhattan 290:was released in 2008. 135:Mount Vernon, New York 104:. The latter has been 475:American male rappers 376:", allmusic, undated. 360:", allmusic, undated. 195:" and popularized in 161:"Let It All Hang Out" 125:Early life and career 86:Eddie Castellanos Sr. 424:Gabrielle Schafer. " 326:Signature of the Ill 260:Signature of the Ill 432:, January 6, 2000. 372:Stanton Swihart. " 358:A.D.O.R. Biography 356:Stanton Swihart. " 145:, Al B. Sure, and 334:(Tru Reign, 2008) 328:(Tru Reign, 2005) 322:(Tru Reign, 2003) 316:(Tru Reign, 2000) 310:(Tru Reign, 1998) 80: 79: 41:Eddie Castellanos 16:US hip hop artist 512: 459: 452: 446: 439: 433: 422: 413: 406: 395: 388: 377: 370: 361: 354: 304:(Atlantic, 1994) 268: 155:Atlantic Records 75:Atlantic Records 38: 26: 21:Hybe Corporation 520: 519: 515: 514: 513: 511: 510: 509: 495:Five percenters 465: 464: 463: 462: 453: 449: 440: 436: 423: 416: 407: 398: 389: 380: 371: 364: 355: 346: 341: 308:Shock Frequency 296: 271:Shock Frequency 266: 264:Shock Frequency 244: 236:Classic Bangerz 221:Shock Frequency 216: 193:Renegade Master 180: 163: 127: 122: 110:Renegade Master 83: 36: 31: 24: 17: 12: 11: 5: 518: 516: 508: 507: 502: 497: 492: 487: 482: 477: 467: 466: 461: 460: 454:Dalia Cohen. " 447: 434: 414: 396: 378: 362: 343: 342: 340: 337: 336: 335: 329: 323: 317: 311: 305: 295: 292: 243: 233: 215: 209: 179: 173: 162: 159: 151:Uptown Records 126: 123: 121: 118: 82:Musical artist 81: 78: 77: 72: 68: 67: 62: 58: 57: 47: 43: 42: 39: 33: 32: 29: 15: 13: 10: 9: 6: 4: 3: 2: 517: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 480:Living people 478: 476: 473: 472: 470: 457: 451: 448: 444: 438: 435: 431: 430:Rolling Stone 427: 421: 419: 415: 411: 408:Steve Juon. " 405: 403: 401: 397: 393: 387: 385: 383: 379: 375: 369: 367: 363: 359: 353: 351: 349: 345: 338: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 302: 298: 297: 293: 291: 289: 286:. A.D.O.R.'s 285: 281: 276: 272: 265: 261: 257: 253: 249: 241: 237: 234: 232: 230: 226: 222: 214: 213:Shock Therapy 210: 208: 206: 202: 198: 194: 190: 186: 178: 174: 172: 169: 160: 158: 156: 152: 148: 144: 140: 136: 132: 124: 119: 117: 115: 111: 107: 103: 99: 95: 91: 87: 76: 73: 69: 66: 63: 59: 55: 51: 50:New York City 48: 44: 40: 34: 27: 22: 450: 437: 429: 331: 325: 319: 313: 307: 301:The Concrete 299: 287: 274: 270: 263: 259: 255: 251: 248:Nile Rodgers 245: 242:, and beyond 239: 235: 220: 217: 212: 205:The Concrete 204: 201:The Concrete 200: 181: 177:The Concrete 176: 164: 128: 89: 85: 84: 314:Animal 2000 294:Discography 252:Animal 2000 211:Tru Reign: 197:Fatboy Slim 185:Marley Marl 102:Marley Marl 469:Categories 339:References 229:Clark Kent 139:Sean Combs 37:Birth name 273:heavily) 225:Diamond D 189:Wildchild 147:Pete Rock 120:Biography 94:Pete Rock 168:allmusic 98:Atlantic 90:A.D.O.R. 54:New York 390:J-22. " 143:Heavy D 106:sampled 65:Hip hop 30:A.D.O.R 280:Biggie 267:'s 71:Labels 61:Genres 56:, U.S. 112:" by 227:and 191:in " 46:Born 428:", 284:Pun 282:or 275:and 471:: 417:^ 399:^ 381:^ 365:^ 347:^ 238:, 157:. 141:, 116:. 52:, 23:.

Index

Hybe Corporation
New York City
New York
Hip hop
Atlantic Records
Pete Rock
Atlantic
Marley Marl
sampled
Renegade Master
Roger "Wildchild" McKenzie
Washington Heights, New York City
Mount Vernon, New York
Sean Combs
Heavy D
Pete Rock
Uptown Records
Atlantic Records
allmusic
Marley Marl
Wildchild
Renegade Master
Fatboy Slim
Diamond D
Clark Kent
Nile Rodgers
Biggie
Pun
The Concrete

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