233:-related illnesses, Bronson began to participate in Body Electric (and related) therapeutic massage and healing workshops and seminars in California (he partook in the first of such seminars in 1989). His initial motivation for this was to become a midwife to the dying. Over the course of the next eleven years, he would return to California to continue to take part in, and deepen his knowledge of, alternative healing and therapeutic bodywork practices.
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artists: the word was so overused, it had lost any particular meaning and significance, and so he was free both to assume the 'drag' of a healer, and consequently, to invest the word with his own meaning. The first expression of his healing practice as an artistic performance emerged at a solo show at the
Frederic Giroux gallery in Paris in 2003.
265:, which hosts over 200 independent presses, booksellers, antiquarian dealers, artists and publishers from twenty countries. Via his work at Printed Matter and at the Book Fairs, Bronson began to be introduced to a network of a younger generation of artists, with whom he began and continues to collaborate regularly.
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as an architecture student in the mid-1960s. He met Ron Gabe (aka Felix Partz) at the
University of Manitoba. While at architecture school, he came to be interested in and involved with theories of radical education and communes. His interest in and experience with alternate methods of education
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Tims' father was an Air Force officer, and as a result, the family moved often; Tims spent his childhood in various places across Canada. He was an avid reader as a child, and it was through his reading habits that he explored his interest in art, architecture, spirituality and the occult, which
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He began working professionally as a healer initially out of personal calling, and this professional identity as a healer was soon integrated into his artistic identity. Bronson has said that he approached his identity as a healer in the same way that
General Idea approached their identities as
201:, an international publisher, distributor and archive of artists' books, video and multiples, which they conceived as an extension of the self-mythologization of General Idea. AA Bronson was the director of Art Metropole from 1974 through 1984, and again from 1996 through 1998.
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began at the age of 12, where his primary school experimented with a form of self-directed learning. He, along with a group of fellow U of
Manitoba students, dropped out to form a commune, whose activities included a free press (called "The Loving Couch Press") and a
468:, a look at Canada's first artist-run center. More recently, as Director of Printed Matter, Inc., New York, he has curated exhibitions related to artists' publishing, notably "I will not make any more boring art", an exhibition of books, prints and ephemera from the
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that
Bronson deepened his friendships with Felix Partz and Jorge Zontal (each having arrived in Toronto for different reasons). They, along with several others, became involved in the countercultural performance and "happenings" scene that centered around Toronto's
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After the deaths of Partz and Zontal, an aspect of
Bronson's grief manifested as a creative crisis. His first works are, in fact, elegies both to his General Idea partners and his own identity as part of the group: a deathbed portrait of Felix Partz
394:, the director of the Canadian museum, urged the National Portrait Gallery to respect Mr. Bronson's wishes and remove the work but did not formally demand its return," and the National Portrait Gallery ultimately declined to remove the work.
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His healing practice garnered significant attention in the press due to his inclusion of an anal massage technique, a practice he learned through a teacher
Bronson met during his extensive therapeutic massage schooling in California.
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272:, conceived in collaboration with artist Peter Hobbs. They, along with a series of select collaborators, would collectively ritually invoke the spirits of the dead in various locales. The ritual has been performed in
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609:(Knight of the Order of Arts and Letters) by Frédéric Mitterrand, Minister of Culture and Communications for France, at a ceremony held at the Residence of the Canadian ambassador to France in Paris. In 2014,
524:, and others, as well as conceiving the series Little Cockroach Press, of which he edited the first few issues. As director and president of Printed Matter, he has published many books, including titles by
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In 2004, Bronson began working at
Printed Matter as its director. Through his involvement in Printed Matter, he founded the NY Art Book Fair in 2005 (which in turn birthed the LA Art Book Fair). The annual
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attempted to construct a history since the post-war period of artist-initiated activity in Canada, including the formation of the artist-run centers. He also published artists' books for Art
Metropole by
152:. At Simon Fraser, he met Brian Carpenter, who deepened his exposure to radical communication theories. He also encountered the InterMedia artist collective, and Slobodan Saia-Levy (aka Jorge Zontal).
292:. These performances were always private. A book documenting this process (including its conception and photographic evidence of its remnants) was published by Creative Time in 2011. Since then, the
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He has received honorary doctorates from NSCAD University, Halifax, Canada; Concordia
University, Montreal, Canada; and McMaster University, Hamilton, Canada. In 2008, he was made an Officer of the
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Berliner Kunstler program. After the course of the yearlong residency was over, he and his partner, Mark Jan Krayenhoff van de Leur, decided to remain in Berlin, where they both currently reside.
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In 1969, Bronson's involvement in communes and radical education theories and practices took him to Toronto, to investigate the Rochdale College experiment. It was through some of the members of
363:(2000 and 2002). With his partner, Mark Jan Krayenhoff van de Leur, he was one of three finalists in a public competition for a monument to homosexuals persecuted by the Nazis, for the city of
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551:, and General Idea publications, as well as essays for art magazines and catalogues. He has published numerous artist books and projects under his own imprint, Media Guru. His own memoir,
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Rotterdam (2013), a kind of experimental solo show which mapped Bronson's various lifelong influences and current collaborations with younger artists. In 2015, he had twin shows at the
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133:(called "The School"). It was via his activities with the Loving Couch Press that Bronson came into contact with other underground presses. This, in turn, exposed him to the
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exhibition in 2016. He had a major solo exhibitions at Esther Schipper Berlin, Maureen Paley (London) and at Kunstwerke Institute for Contemporary Art (Berlin) in 2018.
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and cooperative communities while apprenticing with a psychologist at the University of Regina. In his role as an apprentice, he travelled across Canada, including to
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and Grazer Kunstvereins, for which he, in collaboration with his partner Krayenhoff van de Leur and artist Adrian Hermanides, created a massive tent structure called
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General Idea continues to exhibit internationally in private galleries and museums, as well as undertaking countless temporary public art projects around the world.
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Bronson has also curated exhibitions. In the late 1970s, he curated a series of exhibitions at A Space, Toronto, including an exhibition of the multiples of
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The three worked and lived together for 25 years, until their collaboration was terminated with the death of both Zontal and Partz in 1994.
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for the Power Plant, Toronto, a history of artist-directed activity in Canada from the post-war period to 1986. In 1991 he curated
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Bronson has been deeply involved with publishing, promoting publishing activity as a primary artistic form. In 1979 he co-edited
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Bayer, Fern (1997). "Uncovering the Roots of General Idea: A Documentation and Description of Early Projects, 1968-1975".
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Bayer, Fern (1997). "Uncovering the Roots of General Idea: A Documentation and Description of Early Projects, 1968-1975".
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Bayer, Fern (1997). "Uncovering the Roots of General Idea: A Documentation and Description of Early Projects 1968-975".
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The General Idea artists group, initially a loose collective of five to seven people, was founded in 1969 by Bronson,
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would remain significant touchstones throughout his life and career, especially in his post-General Idea solo career.
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A significant aspect of this collaboration took form in a series of site-specific "secret" performances entitled
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476:, a history of Printed Matter Inc. with more than 300 publications, editions, and posters, was presented at the
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464:, Basel, Switzerland. In the mid-nineties he curated a series of exhibitions for Art Metropole, including
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Van Bennekom, Jop (Summer 2003). "AA Bronson: Canadian Artist Gives Great Butt Massage to Butt Reporter".
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Van Bennekom, Jop (Summer 2003). "AA Bronson: Canadian Artist Gives Great Butt Massage to Butt Reporter".
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311:. While at Union, he co-founded the Institute for Art, Religion and Social Justice with Kathryn Reklis.
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586:(2002), the Bell Award in Video Art (2001), and a Chalmers Fellowship (2003). Other awards include The
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at the inaugural Toronto Biennial of Art. The manifold project deals with Bronson's great-grandfather,
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National Award (1993), and the Jean A. Chalmers Award for Visual Arts (1994). He is a member of the
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452:, Art Metropole, Toronto, a survey of artists' books, multiples, and ephemera. In 1987 he curated
141:, which would have a significant impact on the ideas and methods pursued as part of General Idea.
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Motta, Carlos (2013). "AA Bronson on the Ineffable Presence of the Erotic in his Life and Work".
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Bayer, Fern; Ritchie, Christina (1997). "Allusions, Omissions, Cover-Ups: the Early Days".
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Bronson has been working independently since that time. He is currently represented by
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He had his first solo institutional exhibition outside of General Idea in 2000 at the
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Simon, Vincent (2014). "Community of the Living and the Dead". In Colin, Anna (ed.).
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in the turn of the 20th century. The project also includes an eponymous publication.
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Prize (1988), The Lifetime Achievement Award from the City of Toronto (1993), the
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for Art Metropole, Toronto. In 1983 they co-edited another resource publication,
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816:"Sperm is EverywhereOn the Temptation of AA Bronson at Witte de With Rotterdam"
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Bronson continues to exhibit regularly. Recent exhibitions of note include
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In the late 1960s, Bronson trained as a facilitator in group-process for
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1104:"National Portrait Gallery Rejects Artist’s Request to Remove His Work"
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In 2013, Bronson was invited to Berlin to be a resident as part of the
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in 1946) is an artist. He was a founding member of the artists' group
1251:, November 2009, Concordia University Records Management and Archives
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In 2012, he received the Queen Elizabeth II's Diamond Jubilee Medal.
480:(Seville, Spain), Badischer Kunstverein (Karlsruhe, Germany), and at
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245:, 2000) and a full-body nude self-portrait in the shape of a coffin (
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Bronson's solo artwork dealt with trauma, loss, death and healing.
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Arts Beat blog, December 20, 2010, 2:20 pm. Retrieved 2101-12-21.
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Arts Beat blog, December 17, 2010, 6:19 pm. Retrieved 2101-12-21.
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In 2009, Bronson enrolled as a Masters of Divinity candidate at
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Bullock, Michael (Autumn–Winter 2015). "AA Bronson in Berlin".
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Zahm, Olivier; Snow, Dash (Spring–Summer 2009). "AA Bronson".
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An exhibition at The Jewish Museum, NY featuring AA Bronson.
241:, 1994–99), a triptych of Zontal shortly before his death (
164:. Through Theatre Passe Muraille, Bronson apprenticed with
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Governor General's Award in Visual and Media Arts winners
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Water, Kinship, Belief: Toronto Biennial of Art 2019-2022
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Bronson has been awarded the Skowhegan Award (2006), the
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in Austria, followed closely by a solo exhibition at the
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Sack, Adriano (Summer 2006). "A Long and Winding Road".
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Sack, Adriano (Summer 2006). "A Long and Winding Road".
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Sack, Adriano (Summer 2006). "A Long and Winding Road".
359:, Vancouver (2004). He was featured in the Montreal and
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AA Bronson artist talk on the history of Printed Matter
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Among the group's various activities, The trio founded
386:. The Bronson piece was on loan to the show "from the
1131:. Toronto: Toronto Biennial of Art and Art Metropole.
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won the AICA Netherlands award for best exhibition.
499:, Art Metropole. In 1987 the Power Plant catalogue
875:. Chicago: Museum of Contemporary Art. p. 20.
699:. Chicago: Museum of Contemporary Art. p. 25.
382:, but the artist sought to withdraw the work after
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1192:General, Office of the Secretary to the Governor.
1061:"International Dawn Chorus Day Premieres April 29"
309:Union Theological Seminary in the City of New York
898:Witches: Hunted, Appropriated, Empowered, Queered
584:Governor General's Award in Visual and Media Arts
567:Bronson's solo work is in the collections of the
432:, and the consequences of his missionary work in
168:(he also did graphic design for Passe Muraille).
547:Bronson has written widely, including texts for
1331:Chevaliers of the Ordre des Arts et des Lettres
794:. Toronto: Art Gallery of Ontario. p. 27.
769:. Toronto: Art Gallery of Ontario. p. 25.
744:. Toronto: Art Gallery of Ontario. p. 14.
669:. Toronto: Art Gallery of Ontario. p. 22.
1167:"Governor General Order of Canada, AA Bronson"
637:"2002 Laureates ~ Canada Council for the Arts"
575:(New York), the Jewish Museum (New York), the
478:Museo de Arte Contemporaneo de Castilla y Leon
1316:Members of the Royal Canadian Academy of Arts
1249:Concordia University Honorary Degree Citation
792:Search for the Spirit: General Idea 1968-1975
767:Search for the Spirit: General Idea 1968-1975
742:Search for the Spirit: General Idea 1968-1975
667:Search for the Spirit: General Idea 1968-1975
8:
347:in Chicago (2001), a solo exhibition at the
1080:"Canadian Museum Backs Smithsonian Protest"
321:In 2021, he was one of the participants in
229:While caring for friends coping with their
184:, Partz's then-girlfriend Mimi Paige, and
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403:Witte de With Center for Contemporary Art
1011:. Paris: September Editions. p. 11.
900:. Montreuil: Editions B42. p. 157.
845:. Paris: Septembre Editions. p. 12.
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607:Chevalier de l'ordre des arts et lettres
472:, Halifax. His exhibition, again titled
188:(a.k.a. Granada Venne or Sharon Venne).
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325:'s experimental short documentary film
1173:from the original on 24 September 2015
1224:by Sarah E.K. Smith published by the
822:from the original on 15 December 2013
579:(Kingston), and private collections.
470:Nova Scotia College of Art and Design
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592:Banff Centre for Arts and Creativity
357:Morris and Helen Belkin Art Gallery
351:, Cambridge (2002), and another at
370:In 2010, a Bronson aforementioned
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1346:21st-century Canadian LGBT people
1341:20th-century Canadian LGBT people
1232:Composed: Identity, Politics, Sex
643:from the original on 6 April 2012
448:. In 1984 he was co-curator of
104:, was president and director of
1291:Officers of the Order of Canada
294:Invocation of the Queer Spirits
270:Invocation of the Queer Spirits
71:artist, one of the founders of
1198:The Governor General of Canada
1148:Royal Canadian Academy of Arts
596:Royal Canadian Academy of Arts
450:Evidence of the Avant-Garde...
378:exhibit at the United States'
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1336:Canadian contemporary artists
1222:General Idea: Life & Work
1009:The Confessions of AA Bronson
843:The Confessions of AA Bronson
328:International Dawn Chorus Day
1296:Canadian mixed media artists
1281:Canadian performance artists
611:The Temptation of AA Bronson
577:Agnes Etherington Art Centre
399:The Temptation of AA Bronson
1321:Canadian conceptual artists
1238:AA Bronson Official website
989:NY Art Book Fair about page
349:MIT List Visual Arts Center
247:AA Bronson, August 22, 2000
27:Canadian artist (born 1946)
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605:. In 2011, he was named a
569:National Gallery of Canada
557:Museum of Contemporary Art
424:In 2019, he performed his
388:National Gallery of Canada
384:the censorship controversy
355:in Toronto (2003) and the
345:Museum of Contemporary Art
135:Situationist International
112:and the LA Art Book Fair.
1127:Hopkins, Candace (2022).
426:Apology to Siksika Nation
380:National Portrait Gallery
994:October 7, 2010, at the
1255:AA Bronson Studio Visit
1007:Simon, Vincent (2011).
841:Simon, Vincent (2011).
555:, was published by the
454:From Sea to Shining Sea
243:Jorge, February 3, 1994
150:Simon Fraser University
1306:Artists from Vancouver
563:Collections and awards
489:Performance by Artists
411:Folly (Lana's Boudoir)
304:, among other venues.
296:has been performed in
162:Theatre Passe Muraille
126:University of Manitoba
1301:Canadian art curators
1311:Artists from Ontario
1286:Canadian gay artists
1226:Art Canada Institute
1143:"Members since 1880"
871:Bronson, AA (2001).
695:Bronson, AA (2001).
818:. Disorientations.
559:, Chicago in 2001.
372:Felix, June 5, 1994
239:Felix, June 5, 1994
108:., and started the
106:Printed Matter, Inc
1257:on Berlin Art Link
1115:The New York Times
1109:2011-05-01 at the
1091:The New York Times
1085:2011-05-01 at the
1059:Sarah Jae Leiber,
573:The Whitney Museum
542:Temporary Services
501:Sea to Shining Sea
497:Museums by Artists
1069:, March 29, 2021.
873:Negative Thoughts
697:Negative Thoughts
553:Negative Thoughts
474:Learn to Read Art
458:Learn to Read Art
430:John William Tims
361:Whitney Biennials
290:Fire Island Pines
286:Governor's Island
166:Coach House Press
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