107:'s Cinematheque. According to film writer Jeff McKay, "This screening was so popular, unlike some of the broadcasts themselves, that potential viewers in the over-capacity crowd were unable to get tickets." The series was a compendium of former cable access television shows from VPW and Cablevision, locally produced television commercials and under appreciated films from thirty years of Manitoba filmmaking. Barrow presented clips from cable TV shows, such as dance free-for-all
302:
sublimity of the
Manitoba landscape or assertions of Winnipeg’s modernity to attract visitors, investment, or to simply make Winnipeggers feel good about themselves, the “Stand Tall” campaign embraced the somewhat embarrassing: an overwrought mid seventies soft rock hit and the beaming, goofy image of the man who wrote and sang it. The visual impact of the “Stand Tall” posters is captured in
235:'s satire betrays a fascination with local affiliates and regional broadcasting, L'Atelier's fascination with local access cable programming marks an archival effort to understand the importance of this type of material in the history of Canadian television and in the civic imagination of the city itself."
349:
Director
Cecilia Araneda stated: "Back to the Atelier and its idolatry of kitsch and the young, subversively-charged filmmakers within the Film Group; while it is easy to criticize them for being opinionated and boastful, and for not walking softly, I actually applaud this in them. The Film Group was
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captioned with the title of his most successful solo hit, “Stand Tall.” The posters appeared without context of explanation throughout
Winnipeg in 2005, and seemed an obscure injunction to the populace to take pride in the city. Yet, in contrast to official promotional campaigns that appealed to the
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as, "distinguished by the way in which the accumulation and juxtaposition of found materials is not a simple exercise in civic nostalgia, but rather a thorough investigation of how the structure of feeling of a just-passed historical moment might be visible in its remnants and remainders." A version
214:
Handbook of
Canadian Cinema describes the video as, "a mostly found-footage film that examines the deep emotional investment the city had with its National Hockey League franchise and explores the collective civic trauma that came as a consequence of the Jets' departure from Winnipeg in 1996."
267:
reported that "the vandalism is inspiring head-scratching by city officials about the motives of the project." Bob McDonald, a spokesman for
Winnipeg's public works department said in an official statement: "It's certainly not something we want posted around the city."
192:
at the
Winnipeg Film Group's Cinematheque for three screenings. The video was edited in October and November, 2005. Subsequent to the video's Winnipeg premiere, l'Atelier became involved in a highly publicized public controversy and legal battle with media conglomerate
357:
Executive
Director Cecilia Araneda publicly stated, "all of Winnipeg's marginalized film and video artists owe L'Atelier national du Manitoba an enormous debt of gratitude for their contribution to, and recognition of, what society has otherwise deemed as trash."
72:
According to the group's "Horizontalist
Manifesto" published in January, 2005, they believed that Manitoba's true country was Québec, not Canada. Winnipeg filmmaker and writer Kevin Nikkel calls the document, "a mischievous yet sincere call for community."
222:
in particular and the work of L'Atelier more generally use format historicity and medium specificity to demarcate, investigate, and, to a certain degree, celebrate the video era. In this way, it should be considered complementary to the work of
246:
is an allegorical study that reconsiders a tenuous time in
Winnipeg’s history. The city had just lost its precious National Hockey League team, the Jets, and, consequently, was on the brink of a third mass uprising."
84:," adding, "...pitting Winnipeg against itself, the collective creates nationalistic, sociopolitical, culture-jamming documents that explore the esoteric roots of Canada's other distinct society: Winnipeg, Manitoba."
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In 2008, l'Atelier publicly denounced the City of
Winnipeg's downtown development office, Centre Venture, for their alleged plans to raze historically significant portions of the city's Chinatown district.
46:
In collaboration, and individually under the l'Atelier rubric, the project's members created an array of short and feature-length films, videos, posters, curatorial showcases and essays.
147:
in Toronto, where the artists' statement in the festival program guide claimed, "the purest form of Winnipeg cinema is the disposable filmmaking of the city's televisual ephemera."
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formed from the sheer strength of our collective individualism and it survives to this day only because of this, when external factors should have already rendered us extinct."
65:’s attachment to the 1920s, L’Atelier was drawn to the detritus of the more recent past—the space stretching from the 1970s and 1990s mediated by video, local affiliates, and
242:, an overture that reveals its political purpose: uncovering the roots of Winnipeg’s distinct society by sifting through the ruins of its discarded visual history.
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and propaganda campaigns, l'Atelier was also recognized for its wheatpaste posters and spray-paint stencils which often littered the downtown core area. In 2005, the
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Newspaper film critic Randall King described the video as a "comic work in which the Jets become the fulcrum of a meditation on Winnipeg self-loathing."
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screening series, L'Atelier national du Manitoba presented the history of locally-produced, low-budget TV commercials in the feature-length video
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Barrow continued collecting the work of 1980s cable access stars, and in 2009 Video Pool Media Arts Centre released,
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31:, Manitoba, Canada that ran from 2005 to 2008. The club's artistic output was devoted to the artistic study of the
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On August 26–28, 2005, l'Atelier collaborated with Winnipeg artist Daniel Barrow to present the screening series,
36:
322:, an exhibition featuring artwork and photographs by l'Atelier national du Manitoba and Winnipeg documentarian
119:, among others, with his signature overhead projector providing scrolling historical background on each show.
66:
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872:"Death by Popcorn Hits Uncomfortably Close to Home for Oilers Fans," by David Berry, Vue Weekly, May 11, 2006
342:, Mike Maryniuk and Walter Forsberg - continue to work together periodically under their individual names.
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1183:"The City of Mything Persons: Tales from the Winnipeg Film Group, directed by Kevin Nikkel and Dave Barber"
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The Horizontalist Manifesto/les horizontalistes: manifeste, by/par l'Atelier national du Mantioba, 2005
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1208:"Winnipeg eats itself: L'Atelier national du Manitoba's Scheme for Sovereignty," by Solomon Nagler,
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840:"The Seven Pillars of Winnipeg: Atelier aide-MĂ©moire on the Cinematic Form of the Winnipeg Jets"
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1104:"Don't Mess with Chinatown," by L'Atelier national du Manitoba, Uptown Magazine, July 31, 2008
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recounts in detail, “In the years of L’Atelier, the group postered the city with images of
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1226:"L'Atelier national du Manitoba réalise des projets d'art sur l'identité manitobaine,"
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King, Randall (June 22, 2007). "Film 'grab bag' mythologizes Winnipeg". Entertainment.
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In December 2005, l'Atelier national du Manitoba presented a 60-minute video-collage
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a series of short programs of new films by friends and associated filmmakers such as
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1047:. Marchessault, Janine,, Straw, Will, 1954-. New York, NY. 2019. pp. 279, 283.
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In 2014, Atelier member Walter Forsberg published a scrapbook history of the group,
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Giroday, Gabrielle (October 8, 2005). "Hey, what's that on the road--a head?".
861:"Who's killing Death by Popcorn," by Val Ross, The Globe and Mail, July 5, 2006
620:"Winnipeg Eats Itself: L'Atelier national du Manitoba's Scheme for Sovereignty"
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914:. Marchessault, Janine,, Straw, Will, 1954-. New York, NY. 2019. p. 278.
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742:. Marchessault, Janine,, Straw, Will, 1954-. New York, NY. 2019. p. 279.
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over Fair Use of de-accessioned television footage. Throughout 2006 and 2007,
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1253:"One to Watch, Indeed: An Interview with Ryan McKenna," by Walter Forsberg,
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by filmmakers Dave Barber and Kevin Nikkel. In the introduction to his 2023
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Starvation years : album de l'Atelier national du Manitoba, 2005-2008
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Starvation years : album de l'Atelier national du Manitoba, 2005-2008
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Starvation years : album de l'Atelier national du Manitoba, 2005-2008
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465:. Marchessault, Janine,, Straw, Will, 1954-. New York, NY. p. 279.
1120:. Forsberg, Walter. : Atelier national du Manitoba. 2014. p. 148.
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a DVD compendium of cable access clips featuring early performances of
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STARVATION YEARS: L'Album de l'Atelier national du Manitoba, 2005-2008
513:. Forsberg, Walter. : Atelier national du Manitoba. 2014. p. 15.
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STARVATION YEARS: L'Album de l'Atelier national du Manitoba, 2005-2008
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Cinema scholar Sol Nagler writes of the video: "It is a media-collage
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Writing in 2019, Cultural Studies scholar Andrew Burke states that, "
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Kubasa in a Glass: the Fetishised Winnipeg TV Commercial 1976-1992
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Kubasa in a Glass: the Fetishised Winnipeg TV Commercial 1976-1992
827:"Plight of the 'Peg," by Alison Gillmor, CBC.ca, December 6, 2005
80:
faculty member Solomon Nagler described L'Atelier as "Winnipeg's
1244:"Don't Mess With Chinatown," by L'Atelier national du Manitoba,
1217:"A conversation with film maker Matthew Rankin," by Todd Brown,
964:
Hinterland remixed : media, memory, and the Canadian 1970s
592:
Establishing Shots: An Oral History of the Winnipeg Film Group
558:"The Horizontalist Manifesto / les horizontalistes: manifeste"
377:
Establishing Shots: An Oral History of the Winnipeg Film Group
24:
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INCITE! Journal of Experimental Media and Radical Aesthetics
624:
INCITE: Journal of Experimental Media and Radical Aesthetics
967:. Montreal: McGill-Queen's University Press. p. 124.
594:. Winnipeg, MB: University of Manitoba Press. p. 20.
402:. Forsberg, Walter. : Atelier national du Manitoba. 2014.
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Garbage Hill: A Showcase of Discarded Winnipeg Film and TV
816:"Will Burton show up?" by Walter Forsberg, June 21, 2007
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L'Atelier members are featured in the 2017 documentary,
57:
scholar Andrew Burke describes the group, thus: "Unlike
1235:"Fear and Self-Loathing in Manitoba," by Paul Corupe,
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Artist provided bio; 2009 Gimme Some Truth catalogue
115:, and the white Persian cat fan club TV-newsletter
1280:Death by Popcorn: The Tragedy of the Winnipeg Jets
190:Death by Popcorn: the Tragedy of the Winnipeg Jets
182:Death by Popcorn: the Tragedy of the Winnipeg Jets
166:, The Cosmopolitans, the Pollocks, and many more.
271:In February 2008, Atelier-commissioned art films
795:. Toronto, Ontario: Images Festival. p. 40.
618:Nagler, Solomon (2008). Kashmere, Brett (ed.).
204:screened across Canada and the United States.
8:
995:: CS1 maint: multiple names: authors list (
448:"Wicked and Weird," CBC.ca, August 16, 2006
169:In the summer of 2007, l'Atelier presented
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1262:"Winnipeg Kitsch," by Stacey Abramson,
556:L'Atelier national du Manitoba (2008).
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1044:The Oxford handbook of Canadian cinema
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111:, repertory musical performance show
78:Nova Scotia College of Art and Design
7:
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683:. Pike, Bev. Winnipeg: Video Pool.
568:from the original on August 1, 2019
109:The Pollock and Pollock Gossip Show
372:Tales from the Winnipeg Film Group
61:’s fascination with the 1950s, or
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726:2006 Images Festival catalogue
17:L'Atelier national du Manitoba
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961:Burke, Andrew, 1972- (2019).
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39:and ephemera of Winnipeg and
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318:'s ARCH-2 Gallery installed
279:(2006) were featured in the
139:of the feature-length video
338:L'Atelier's core members -
295:Handbook of Canadian Cinema
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792:2006 IMAGES, 19th Festival
251:"Stand Tall" Graffiti and
143:was screened at the 2006
1181:Enright, Robert (2019).
883:2009 Artengine catalogue
838:Rankin, Matthew (2005).
789:IMAGES Festival (2006).
76:In 2008, filmmaker and
590:Nikkel, Kevin (2023).
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459:Burke, Andrew (2019).
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55:University of Winnipeg
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353:At a 2009 screening,
314:In January 2008, the
69:cable broadcasting."
680:Once upon a poolside
677:McKay, Jeff (2005).
281:Winnipeg Art Gallery
273:I Dream of Driftwood
152:Winnipeg Babysitter,
1308:Culture of Winnipeg
1230:, December 7, 2005.
1019:Winnipeg Free Press
896:Winnipeg Free Press
355:Winnipeg Film Group
347:Winnipeg Film Group
320:Discount Everything
265:Winnipeg Free Press
171:Beefs and Bouquets,
117:What's New Pussycat
105:Winnipeg Film Group
1313:Cinema of Manitoba
1282:(2005) on UBU Film
304:Burton’s Favourite
259:Enamored by local
253:Burton's Favourite
1266:January 31, 2008.
1221:, April 15, 2009.
1127:978-0-9936435-0-7
1054:978-0-19-022910-8
1021:. p. A1, A4.
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409:978-0-9936435-0-7
345:Writing in 2007,
285:Subconscious City
277:Burton's Favorite
136:Kubasa in a Glass
113:The Cosmopolitans
93:Kubasa in a Glass
27:project based in
19:was a three-year
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1264:Uptown Magazine,
1255:Uptown Magazine,
1246:Uptown Magazine,
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1193:on June 8, 2019.
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