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do to keep going over 100 kilometres on country roads. Neither of my opponents had a car and they didn't want to chase after me on one of those velocipedes. A journalist from our circle of friends suggested cycling in a velodrome which is actually just as tiring, especially for someone who is not used to it. But I agreed. A few days later, one morning at ten, I began my laps in the Vélodrome d'Hiver. An hour went by and then another. The spectators, Fernand Léger was among them, cheered me on with increasing enthusiasm until quite unexpectedly the sound of a gong brought me to a halt. I had won my meal by my honourable average speed. (Metzinger)
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280:, creating an image that is readable yet essentially anti-naturalistic. Cubist elements include the reduction of the geometric schema to simplified shapes, and the juxtaposition of rotating planes to define spatial qualities, printed-paper collage, the incorporation of a granular surface and multiple perspective. Parallels with Futurism include the choice of a subject in motion (the bicyclist), the suggestion of velocity (motion blur on the wheel spokes), and the fusing of forms in a static picture plane. Metzingers's work integrates the idea of an aesthetic generated by the modern myth of the machine and speed.
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the cyclist and over the drive-wheel), representing two consecutive frames, one subtracted from the other, i.e., the road is visible 'through' the racer where the bicycle had been a fraction of a second earlier, as if to show motion through absence. With this type of game playing with contradictory visual codes (positive and negative space), Metzinger discerns the past and the present infinitesimally separated in time; while the perception of the future is left to the intellectual discretion of the observer to contemplate.
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302:. Metzinger’s painting was the first in Modernist art to represent a specific sporting event and its champion. He incorporated into the painting his concepts of multiple perspective, simultaneity, and time, according to his belief that the fourth dimension was crucial to the new art that could compete with the classical French tradition.
265:
The presence of the other bicyclist is revealed by the rear wheel to the left of the canvas. Metzinger's painting appears to show the handlebars in two positions, but the handlebars along with sections of the bicycle frame are actually superimposed as a transparency (over the left hand, left foot of
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in Venice, Italy. The painting is one of the pivotal Cubist works at the Peggy
Guggenheim Collection. The exhibition, curated by Erasmus Weddigen, brought together two other paintings and a drawing by Metzinger treating the same theme, in addition to several other paintings on the theme of cycling.
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That garden was the place where my appearance as a cyclist at the Vélodrome d'Hiver was thought up. Gleizes and Villon claimed that I wouldn't be able to cycle 100 kilometres without putting a foot on the ground. I bet them that I could for the price of a lunch. It's actually a pretty hard thing to
256:
is shown in various degrees of transparency that give way to elements of the background, blurring the distinction between distances near and far. The cyclists head, for example, is almost entirely transparent, the audience composed of mosaic-like cubes is visible through the head, neck and arm, an
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We would often cross the broad avenue with the martial sounding name... The one that separated
Courbevoie from Puteaux. It was in the peaceful garden of that welcoming household only a few years before the terrible year of 1914 that forms were born that, 50 years later, one would still think were
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294:, the 1912 winner, according to the art historian Erasmus Weddigen. The race is known for its extreme difficulty and danger of cycling over the narrow cobblestone roads of northern France. The Paris–Roubaix has since been referred to as the
159:(n. 266 of the catalogue) was purchased at the sale for $ 70 by American art dealer and publisher J. B. Neumann. Peggy Guggenheim purchased the painting from Neumann in 1945 and forms part of the permanent collection of her museum in
147:. Both works by Metzinger had been on view in the Carroll Galleries exhibition. The acquisition was preceded by a lively correspondence between Quinn, the gallery manager Harriet Bryant, and the artist's brother Maurice Metzinger.
150:
In 1927 an exhibition and sale of Quinn's art collection took place in New York City. The sale was conducted by Otto Bernet and Hiram H. Parke at the
American Art Galleries. A catalogue was published for the occasion by the
261:
period. Metzinger's bicycle shimmers between the unique and the multiple, as if the two merge into one. The scene represents an extant photo-finish, a series of frames captured during the final sprint at the end of a race.
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The combination of a sporting subject chronicling a new passion in French popular culture and an ambitious intellectual and visual apparatus central to the nascent Cubist movement qualifies
Metzinger’s
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new! We returned there often and soon we were spending our Sunday afternoons not merely conversing about aesthetic novelties but rather kicking a ball around or indulging in a spot of archery.
1138:, oil on canvas with sand, 100 x 81 cm, Sotheby's London, Impressionist, Modern & Surrealist Art Evening Sale, 4 February 2020, estimated £1.5-2 million, sold 3,015,000 GBP
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London for 3,015,000 GBP ($ 3,925,937 USD), setting a world record auction price for the artist. The work was purchased by a private
American collector.
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remained in
Metzinger's atelier until it was shipped to New York, where it was shown to the public for the first time, 8 March to 3 April 1915, at the
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132:, Carstairs (Carroll) Gallery—with works by Pach, Gleizes, Picasso, de la Fresnaye, Van Gogh, Gauguin, Derain, Duchamp, Duchamp-Villon and Villon.
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941:, Curated by Erasmus Weddigen, The Solomon R. Guggenheim Foundation, New York, Peggy Guggenheim Collection, Venice, June 9 - September 16, 2012,
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1001:, Exhibition and sale at the American Art Galleries, Sale conducted by Bernet and Parke, Published by American Art Association, New York, 1927
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publicity poster from circa 1890s, Constant Huret riding with a
Simpson chain behind the Gladiator tandem pacer at the Velodrome de la Seine
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Metzinger quoted in
Rouleur Magazine, issue 35, Colin O'Brien at cubist Jean Metzinger's exhibition in Venice. Archive for November, 2012
245:, is an oil, sand and collage on canvas, painted in a vertical format with dimensions 130.4 × 97.1 cm (51 3/8 × 38 1/4 in), signed
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Just as
Metzinger’s painting, the show combines a passion for the sport of cycle-racing with an investigation into the nature of the
1933:
349:. The theoretical and sporting themes of the show were designed to illustrate theories of space and time formulated by Einstein and
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605:, one of the best professional racing cyclists of his era, won the 1911 Tour de France, coming in 1st Overall, with 2 stage wins
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590:(Big Red or The Brute), was known as The Father of the Bol d'Or, having won the race nine times between 1903 and 1919 in Paris
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The
Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice, Jean Metzinger, At the Cycle-Race Track
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791:. Rudenstine, Angelica Zander, New York: Harry N. Abrams and Solomon R. Guggenheim Foundation, 1985, p. 532
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Paintings and sculptures, The renowned collection of modern and ultra-modern art formed by the late John Quinn
122:. Metzinger's painting is the first in Modernist art to represent a specific sporting event and its champion.
1224:, 1913, (translated and analyzed by Peter F. Read, University of California Press, 25 oct. 2004 - 234 pages).
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1174:, text by Lucy Flint ; conception and selection, Thomas M. Messer, Published 1983 by Abrams in New York
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1184:. Erasmus Weddigen presents the exhibition Cycling, Cubo-Futurism and the 4th Dimension. Jean Metzinger's
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857:, Justin Daniel Belmont - 2005. Cover art by Jean Metzinger, "At the Cycle-Race Track" (Au Vélodrome)
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From 9 June to 16 September 2012 the painting was the subject of an exhibition in Venice entitled
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851:, Susan Davison, Philip Rylands, Dieter Bogner, , Part 1, Guggenheim Museum Publications, 2004
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Cycling, Cubo-futurism and the Fourth Dimension: Jean Metzinger's at the Cycle- Race Track
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406:, oil on canvas with sand, 100 x 81 cm. On 4 February 2020 this painting was sold at
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Cycling, Cubo-Futurism and the Fourth Dimension, Jean Metzinger's At the Cycle-Race Track
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developed independently by the Cubists, and most notably by Metzinger, as early as 1910.
1042:, Curated by Erasmus Weddigen, Peggy Guggenheim Collection, June 9 – September 16, 2012"
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Cycling, Cubo-Futurism and the 4th Dimension. Jean Metzinger's "At the Cycle-Race Track"
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Cycling, Cubo-Futurism and the 4th Dimension. Jean Metzinger’s "At the Cycle-Race Track"
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Cycling, Cubo-Futurism and the 4th Dimension. Jean Metzinger’s "At the Cycle-Race Track"
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130.4 cm × 97.1 cm (51.45 in × 38.25 in)
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1209:, 1912. Walter Pach papers, Archives of American Art, Smithsonian Institution.
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Peggy Guggenheim & Frederick Kiesler: The Story of Art of this Century
380:), 1911, graphite and charcoal on beige paper, 38 x 26 cm, inscribed
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The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
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Youtube, Cycling, Cubo-Futurism and the 4th Dimension. Jean Metzinger's
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1201:. Collezione Peggy Guggenheim, 9 giugno - 16 settembre 2012 (Italian)
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Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: 60
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399:, oil on board with sand, 27.2 x 22.2 cm. Private Collection
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961:, Carstairs (Carroll) Gallery, New York, 8 March - 3 April, 1915
843:
The Mattioli Collection: masterpieces of the Italian avant-garde
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1231:
624:, who won the Paris–Roubaix from 1909 to 1911, and Seigneur,
345:
Vintage racing bikes at the exhibition included one owned by
325:
In 2012, one hundred years after it was painted, Metzinger's
815:, Madeleine Reincke, Inc. Fodor's Travel Publications - 2000
1188:. Peggy Guggenheim Collection, June 9 - September 16, 2012
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1912, Racing cyclists at the Vélodrome, Parc des Princes
879:
Action Figures: Paintings of Fun, Daring, and Adventure
887:, Erasmus Weddigen, Peggy Guggenheim Collection - 2012
440:, oil on canvas, 147.5 x 115.5 cm, shown at 1912
845:, Flavio Fergonzi, Peggy Guggenheim Collection - 2003
803:, Klaus Honnef, Ingo F. Walther, Karl Ruhrberg - 1998
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839:, Peggy Guggenheim Collection, Philip Rylands - 2003
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Nature morte (Compotier et cruche décorée de cerfs)
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1124:, Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais
77:
69:
61:
53:
43:
21:
110:, is a painting by the French artist and theorist
1194:Ciclismo, Cubo-Futurismo e la Quarta Dimensione.
1163:Jean Metzinger Catalogue Raisonné entry page for
795:Masterpieces from the Peggy Guggenheim collection
1359:Man with a Pipe (Portrait of an American Smoker)
571:. His biggest successes were the 1912 and 1914
355:
114:. The work illustrates the final meters of the
628:, 25 April 1909, start of the 100 km race
1530:
1243:
1149:Colin Gleadell, February 4, 2020, Artnet News
8:
444:, and Moderni Umeni, SVU Mánes, Prague, 1914
959:Third Exhibition of Contemporary French Art
861:Modern art 1900-45: the age of avant-gardes
276:devices appear superimposed in Metzinger's
135:On 10 February 1916 the American collector
130:Third Exhibition of Contemporary French Art
2339:The Cubist Painters, Aesthetic Meditations
1537:
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1250:
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1228:
567:who won stages in the 1910, 1911 and 1912
462:Les Joueurs de football (Football Players)
18:
1172:Handbook, the Peggy Guggenheim Collection
855:The Art Of Bicycling: A Treasury Of Poems
490:Musée d'Art Moderne de la Ville de Paris
329:was showcased in an exhibition entitled
193:
181:
924:
550:
423:
465:, oil on canvas, 225.4 x 183 cm,
362:as a masterpiece. (Guggenheim, Venice)
243:At the Cycle-Race Track (Au Vélodrome)
797:, Solomon R. Guggenheim Museum - 1993
7:
1311:Colored Landscape with Aquatic Birds
1192:Erasmus Weddigen presenta la mostra
785:, Joann Moser, Daniel Robbins - 1985
488:, oil on canvas, 326 × 208 cm,
1934:Portrait of Daniel-Henry Kahnweiler
1076:, Lesley Harding, Sue Cramer - 2009
875:, Lesley Harding, Sue Cramer - 2009
789:Peggy Guggenheim Collection, Venice
537:, oil on canvas, 78 x 105 cm,
296:Hell of the North (L'enfer du Nord)
286:illustrates the final yards of the
118:race, and portrays its 1912 winner
2070:Still Life with Checked Tablecloth
2038:Nude Descending a Staircase, No. 2
963:. Metzinger exhibited five works:
867:The First Time: Innovations in Art
512:, oil on canvas, 70 x 95 cm,
257:effect reminiscent of the artists
14:
809:, Editors of Phaidon Press - 1999
801:Art of the 20th Century: Painting
404:Racing Cyclist (Coureur cycliste)
392:/ Centre de création industrielle
190:, 1912, Collection Ivan Bonduelle
1465:
1279:Two Nudes in an Exotic Landscape
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209:
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898:List of works by Jean Metzinger
2445:Douglas Cooper (art historian)
2411:Daniel Robbins (art historian)
837:Peggy Guggenheim: a collection
720:, starting line, 24 March 1910
705:, starting line, 11 April 1909
690:, starting line, 11 April 1909
675:, starting line, 19 April 1908
563:(1913), a French professional
1:
827:, Ellis Cashmore - 2000, 2005
1926:Portrait of Ambroise Vollard
783:Jean Metzinger in retrospect
390:Musée National d'Art Moderne
2509:Peggy Guggenheim Collection
2504:Paintings by Jean Metzinger
2406:Paul Rosenberg (art dealer)
2062:Still Life with Candlestick
1753:Georges Ribemont-Dessaignes
514:Peggy Guggenheim Collection
335:Peggy Guggenheim Collection
186:Cycles J.B. Louvet, Poster
165:Peggy Guggenheim Collection
82:Peggy Guggenheim Collection
2535:
2006:Portrait of Jacques Nayral
1455:Fruit and a Jug on a Table
1447:Lady at her Dressing Table
1439:Soldier at a Game of Chess
863:, Gabriele Crepaldi - 2007
750:, at Chatou, 23 March 1913
735:, at Chatou, 16 April 1911
372:Jean Metzinger, Study for
16:Painting by Jean Metzinger
2046:The Cathedral (Katedrála)
1950:Le pigeon aux petits pois
1918:Les Demoiselles d'Avignon
1463:
1074:Cubism and Australian Art
873:Cubism and Australian Art
807:The 20th-century art book
586:1909, the French cyclist
199:Henri de Toulouse-Lautrec
34:
26:
1851:Stanton Macdonald-Wright
1207:Salon de La Section d'Or
1120:Etude pour "le cycliste"
821:, Ingo F. Walther - 2000
249:towards the lower left.
153:American Art Association
2473:Fourth dimension in art
2394:Daniel-Henry Kahnweiler
2030:Les Joueurs de football
1287:Coucher de soleil no. 1
1214:Guillaume Apollinaire,
1186:At the Cycle-Race Track
1181:At the Cycle-Race Track
833:, Giovanni Lista - 2001
819:Art of the 20th Century
779:, Maurice Raynal - 1953
467:National Gallery of Art
397:Cyclist (Le Bicycliste)
374:At the Cycle-Race Track
360:At the Cycle-Race Track
340:Fourth dimension in art
284:At the Cycle-Race Track
278:At the Cycle-Race Track
101:At the Cycle-Race Track
29:At the Cycle-Race Track
2434:John Quinn (collector)
1658:Raymond Duchamp-Villon
1134:Jean Metzinger, 1912,
869:, Florian Heine - 2007
825:Making Sense of Sports
771:American Art Directory
442:Salon des Indépendants
402:Jean Metzinger, 1912,
395:Jean Metzinger, 1912,
364:
318:
202:
191:
2370:Guillaume Apollinaire
1216:Les Peintres Cubistes
909:Dynamism of a Cyclist
509:Dynamism of a Cyclist
309:
305:
197:
185:
1673:Roger de La Fresnaye
1618:Alexander Archipenko
1205:Exhibition catalog,
981:Head of a Young Girl
539:State Russian Museum
351:multiple perspective
252:In the foreground a
1886:Alexander Rodchenko
1826:Patrick Henry Bruce
1758:Jeanne Rij-Rousseau
1668:Henri Le Fauconnier
1628:Constantin Brâncuși
1600:Henri Le Fauconnier
1303:La danse, Bacchante
1220:The Cubist Painters
881:, Bob Raczka - 2010
765:American Art Annual
486:L'Équipe de Cardiff
290:race, and portrays
2450:Arthur Jerome Eddy
1998:La Femme aux Phlox
1974:La Femme au Cheval
1891:Nadezhda Udaltsova
1703:Jean Lambert-Rucki
1683:Natalia Goncharova
1351:Woman with a Horse
658:Boulogne-sur-Seine
565:road bicycle racer
561:Charles Crupelandt
529:Natalia Goncharova
292:Charles Crupelandt
254:road bicycle racer
233:Charles Crupelandt
203:
192:
120:Charles Crupelandt
2481:
2480:
2347:La Maison Cubiste
2196:Chronophotography
2166:Neo-impressionism
1512:
1511:
1198:di Jean Metzinger
947:978-0-89207-486-0
813:Baedeker's Venice
626:Vélodrome Buffalo
547:Cycling 1908-1913
469:, Washington D.C.
306:Metzinger's words
91:
90:
2526:
2519:Sports paintings
2400:Léonce Rosenberg
2364:Louis Vauxcelles
2304:Russian Futurism
2222:Cubist sculpture
2181:Symbolism (arts)
2097:Groupe de femmes
2014:Man on a Balcony
1982:Dancer in a café
1942:The Accordionist
1896:Marie Vassilieff
1861:Kazimir Malevich
1841:Lyonel Feininger
1791:
1738:Louis Marcoussis
1723:Jacques Lipchitz
1539:
1532:
1525:
1516:
1502:Man in a Hammock
1469:
1415:Woman with a Fan
1391:Woman with a Fan
1383:Dancer in a Café
1327:Nu à la cheminée
1295:Woman with a Hat
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1118:Jean Metzinger,
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1054:on March 5, 2016
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1047:. Archived from
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994:
988:
985:The Yellow Plume
965:At the Velodrome
955:
949:
936:
914:Umberto Boccioni
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729:
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699:
684:
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654:Parc des Princes
649:
637:
614:
603:Gustave Garrigou
599:
583:
557:
541:, St. Petersburg
525:
504:Umberto Boccioni
500:
478:
453:
430:
300:A Sunday in Hell
229:
216:Jean Metzinger,
213:
98:, also known as
39:
19:
2534:
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2525:
2524:
2523:
2514:Bicycles in art
2484:
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2482:
2477:
2462:Blaise Cendrars
2452:(art collector)
2441:(art collector)
2430:(art collector)
2418:(art collector)
2352:
2318:
2200:
2161:Esprit Jouffret
2156:Maurice Princet
2141:Gustave Courbet
2119:
2084:
2078:Three Musicians
1905:
1901:Marie Vorobieff
1804:
1795:Georges Valmier
1785:
1773:Léopold Survage
1748:Francis Picabia
1708:Marie Laurencin
1698:František Kupka
1663:Alexandra Exter
1638:Robert Delaunay
1623:María Blanchard
1604:
1580:Robert Delaunay
1548:
1543:
1513:
1508:
1505:(1913 painting)
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777:Modern painting
761:Art Index, 1939
758:
751:
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492:
482:Robert Delaunay
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417:
386:Centre Pompidou
382:JMetzinger 1911
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1273:List of works
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2428:Wilhelm Uhde
2424:(art dealer)
2422:Berthe Weill
2402:(art dealer)
2396:(art dealer)
2376:André Salmon
2345:
2337:
2331:Du "Cubisme"
2329:
2309:Ego-Futurism
2249:Abstract art
2227:Czech Cubism
2212:Section d'Or
2191:Proto-Cubism
2136:Paul Gauguin
2131:Paul Cézanne
2111:
2103:
2095:
2076:
2068:
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2012:
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1988:
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1972:
1964:
1958:La Coiffeuse
1956:
1948:
1940:
1932:
1924:
1916:
1876:Diego Rivera
1856:August Macke
1846:El Lissitzky
1821:Alice Bailly
1763:Diego Rivera
1688:Henri Hayden
1633:Joseph Csaky
1610:Section d'Or
1500:
1483:Du "Cubisme"
1481:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1399:Au Vélodrome
1398:
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1196:Al velodromo
1193:
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1165:Au Vélodrome
1164:
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1056:. Retrieved
1049:the original
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764:
660:, circa 1900
588:Léon Georget
532:
507:
485:
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437:
403:
396:
381:
378:Au Vèlodrome
377:
376:(Etude pour
373:
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327:Au Vélodrome
326:
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218:Au Vélodrome
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126:Au Vélodrome
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106:
105:
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95:Au Vélodrome
94:
93:
92:
28:
22:Au Vélodrome
2468:Armory Show
2342:(1913 book)
2334:(1912 book)
2279:Suprematism
2254:Synchromism
2232:Rondocubism
2176:Divisionism
2171:Pointillism
2151:Paul Signac
1993:(Metzinger)
1985:(Metzinger)
1977:(Metzinger)
1969:(Metzinger)
1831:Carlo Carrà
1786: [
1728:André Lhote
1136:Le Cycliste
652:Vélodrome,
459:, 1912–13,
259:Divisionist
178:Description
107:Le cycliste
2488:Categories
2239:Die Brücke
2205:Influenced
2124:Influences
2089:Sculptures
1866:Franz Marc
1494:Portrayals
1367:The Harbor
920:References
756:Literature
388:, Paris –
247:JMetzinger
137:John Quinn
70:Dimensions
2382:Max Jacob
2314:Vorticism
2081:(Picasso)
2041:(Duchamp)
2033:(Gleizes)
2025:(Gleizes)
2017:(Gleizes)
2009:(Gleizes)
2001:(Gleizes)
1966:Le goûter
1961:(Picasso)
1953:(Picasso)
1945:(Picasso)
1937:(Picasso)
1929:(Picasso)
1921:(Picasso)
1910:Paintings
1836:Paul Klee
1585:Juan Gris
1442:(1914–15)
1418:(c. 1913)
1410:(1912–13)
1378:(1911–12)
1370:(1911–12)
1362:(1911–12)
1354:(1911–12)
1338:(1910–11)
1335:Two Nudes
1322:(c. 1908)
1314:(c. 1907)
1306:(c. 1906)
1298:(c. 1906)
1290:(c. 1906)
1282:(1905–06)
1266:Paintings
1058:August 9,
977:Landscape
969:A Cyclist
438:Pelotaris
408:Sotheby's
333:, at the
139:acquired
27:English:
2378:(critic)
2366:(critic)
2299:Art Deco
2294:De Stijl
2264:Futurism
2105:Danseuse
2054:The City
1475:Writings
1423:En Canot
1343:Tea Time
892:See also
831:Futurism
531:, 1913,
516:, Venice
506:, 1913,
484:, 1913,
436:, 1912,
274:Futurist
143:and the
78:Location
2357:Related
2323:Related
2186:Fauvism
2116:(Csaky)
2108:(Csaky)
2100:(Csaky)
2065:(Léger)
2057:(Léger)
2049:(Kupka)
1553:Leaders
1319:Bathers
534:Cyclist
415:Gallery
57:1911-12
2464:(poet)
2458:(poet)
2384:(poet)
2274:Purism
2259:Tubism
2073:(Gris)
1809:Others
1778:Tobeen
1546:Cubism
1486:(1912)
1458:(1916)
1450:(1916)
1434:(1913)
1426:(1913)
1402:(1912)
1394:(1912)
1386:(1912)
1346:(1911)
1330:(1910)
1122:, 1911
983:(37),
979:(36),
975:(35),
971:(34),
967:(33),
945:
773:, 1927
767:, 1927
434:Tobeen
298:, and
270:Cubist
235:, 1913
220:, 1912
161:Venice
86:Venice
62:Medium
44:Artist
1790:]
1052:(PDF)
1045:(PDF)
2284:Dada
2113:Head
1060:2013
987:(38)
943:ISBN
272:and
104:and
54:Year
912:by
2490::
1788:fr
1017:^
927:^
656:,
620:,
384:.
174:.
167:.
163:;
155:.
84:,
1538:e
1531:t
1524:v
1251:e
1244:t
1237:v
1222:)
1218:(
1062:.
1038:"
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