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temperature in the temporary studio went up to around 60 °C, and so the job/ filming literally brought the sweat to the brows of the manipulators. From then on/ because of that, the filming took no longer place in the temporary studio (anyone knows if that was still the bunker?/ dugout?), but in the lobby/ foyer of the
Augsburger Puppenkiste theatre. Manfred Henning did not only write the scripts for the films, but also worked as/ functioned as (the) director. It was under his direction, that the recorded theatre productions turned into films, which tapped the full potential of 1960s film production/ the 1960s filmmaking/ filmmaking at the time. The TV series soon became independent projects and were thus separated from the theatre productions. This is the reason why the famous TV stars were never actually seen on stage in Augsburg.
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puppets to the show, which was broadcast on the channel ZDF, so that they unexpectedly appeared on television on that day. In 1994 another TV production was realised in cooperation with the “Hessischer
Rundfunk” – the last cooperation for the time being: Strubel did no longer function as director for “The Robbing of the Midnight Sun”. He only wrote the screenplay- just like he did for “Lülü the Castle Ghost” (1992) and “Schmollo the Wizard” (1993).
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238:. Every single film or theatre-production starts with a small sequence of the top covers being opened. In the actual theatre, the stage is covered by two enormous box lids (0,90x 2 metres). For the TV productions, special cover flaps were produced: they are smaller and modeled to fit the screen format with the aspect ratio 4:3. These very box tops were used mostly unchanged since the end of the 1950s in almost all TV productions of the
468:" (1967), and "Bill Bo" (1968). Max Kruse became one of the authors whose works were most often made into films. He provided the source material for "The Lion is on the loose", "The Lion comes flying" and "Well roared, Lion", as well as for another Impy film, "Impy is playing in the castle" (1974). He also provided the source material for "Don Tin", "The Golden Squire" (1973), and the Wild West adventure "Lord Battershirt" (1978).
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series for children in which the
Puppenkiste puppets featured. Instead of employing well-known authors that had already provided the Puppenkiste with successes, Strubel hired young authors for the television adaptations:In 1980, the „Opodeldkoks“ was made after a novel by Paul Maar, and in 1982, The Cat with the Hat was filmed. The universe became a new destination for Strubel: First he went to the Apfelstern („apple star“) (
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live due to the lack of recording technology. So were the following shows which were produced by the
Hessische Rundfunk in the Frankfurt television studios until 1954. Since the HR dropped its children's programme between 1956 and 1959, the Bayerische Rundfunk was another stop along the way of the Puppenkiste. However, after the relaunch HR offered the in-house writer Manfred Jenning to realize the concept of a series (
512:(a total of thirteen episodes) relates the adventures the princess of the fairy tale singing country Melodania, the court kitchen gnome Pimpernell and the crow Lukulla have to face while fighting the mighty witch Synkopia, the Red Goblin and other witches and wizards. The script to the series, which is based on Enid Blyton’s “
223:(puppet box or puppet chest) goes back to the founder of the theatre, Walter Oehmichen. When his first puppet theatre was destroyed in a fire, he wanted to create a new one which was easily transportable. He came up with the idea of a wooden transport box, in which he stored all of his puppets and the actual puppet theatre.
178:, the son of Hannelore and Hanns-Joachim Marschall, has been working in the theater. He took over the management from his parents in 1992. Hanns-Joachim Marschall retired from the theater and died in 1999. His wife Hannelore, however, continued to carve the figures and supported the theater again and again. Klaus's brother
99:. The figures, however, remained undamaged - luckily Walter Oehmichen took them home after performing for the kids of the stage members in the city theatre of Augsburg. Both the city theatre and the Puppenschrein within were almost completely destroyed by flames. Today, only one ornament from the original shrine is left.
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The latest television project of the
Puppenkiste is “Ralphi”, which was first realized in 2005/2006. Ralphi is a bear puppet, who is going on journeys into the real world to explore new things. The program Ralphi runs on the kids channel of the Bavarian television broadcast (Bayrischer Rundfunk, BR).
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On April 16, 1983, a scheduled performance had to be aborted after its beginning because in the TV show Wetten dass...?, which was just taking place in
Augsburg, a bet had been made that a performance of the puppets on short notice was not possible. Some of the puppeteers took some of the most famous
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Sepp
Strubel succeeded Jenning as the TV producer of the Augsburger Puppenkiste. Since the early 1960s Strubel had already worked as a narrator for the Puppenkiste. With the shows "Nature and Technology" and "Think and Thought" (1972–1976), he had also created and realised his own scientific magazine
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also showed and is still showing many adaptations for adults. Ă–hmichen staged many plays which he initially was not able to put on stage, like A Dream Play, in the city theater of
Augsburg, where he used to work as a director. While the small puppetry had to struggle hard with its first publications,
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In 2006 another tour was launched that was aimed specifically at kindergartens. By watching Peter
Schneerbaum's play "Paula and the elfs from the box" children are supposed to learn how to deal with their emotions. In the context of project "Papilio" of the Beta-Institute the play was created using
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As of 1953 the
Augsburger Puppenkiste gained popularity throughout Germany: Only a few weeks after the premier of the Tagesschau, aired the first television programme showing the tale of Peter and the Wolf on 21 January. The show was reenacted in the Bunker of the NWDR in Hamburg and was broadcast
136:. She created all the puppets which would soon be well known as the "stars on strings". Hannelore whittled her first puppet at the age of 13. She had to keep her work a secret, because at this time she wasn’t allowed to use the sharp woodcarving knife. The first of her puppets to become famous was
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The Puppenkiste also produces documentaries, which are aimed (both) at children and adults. The documentary “Augusta Kasperlicorum”, which was produced in 2004, Kasperl/ Punch presents his home city, Augsburg to the audience. During the Mozart year in 2006, “Augusta Mozarteum” was filmed. In this
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While the first TV productions of the Augsburger Puppenkiste were mere recordings of theatre productions, they soon turned into elaborate motion pictures/ movies/ (feature) films. On every day of the filming, only three to four minutes of actual film were produced. Because of the spot lights, the
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Many classical fairy tales are played in the Puppenkiste, not only from the Brothers Grimm but also tales from One thousand and One Nights or Wilhelm Hauff. For decades, plays like Aladdin and his Wonderful Lamp, Little Longnose or Mother Hulda are performed, often new adaptions/ productions are
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The Puppenkiste went back to its roots by producing a film version of the cabaret/ pantomime show. On New Year’s Eve 2005, a “best of” version of the current pantomime show was filmed on the stage of the Augsburger Puppenkiste theatre. From April 2006 on, different songs from the cabaret are
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Since 2003 the puppet theatre has toured through German paediatric clinics, performing "The little kangaroo and the scaredy-hare" in hopes of encouraging sick children. From April 29 to May 7, 2006 the play was also performed three times a day by the Puppenkiste in Augsburg's twin city
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Every time, he sets out from the Augsburger Puppenkiste and travels all over Bavaria investigating how businesses work and explaining it to children. For the Christmas time, he explores the tradition of gifts and Christmas cribs and visits a factory which produces firework rockets.
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Die Museumsratten. Eine vergnĂĽglich belehrende Reise mit Marionetten der Augsburger Puppenkiste durch das Ledermuseum in Offenbach, das Verkehrsmuseum in NĂĽrnberg, das Wilhelm-Busch-Museum in Hannover, das MĂĽnchhausen-Museum in Bodenwerder und das Till-Eulenspiegel-Museum in
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does not only stage serious and funny plays and classics such as Dr. Johann Georg Faust; operas and other musical works, preferably from Mozart, are performed, too. Already in 1952, Walter Oehmichen directed some works, in which music features prominently. So he staged
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stepped into/entered the business at the beginning of the 1990s/ got involved in the Puppenkiste in the 1990s and helped his mother to produce the puppets. He accepted her inheritance after her death on May 16, 2003. In the course of years the space at the
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Since 6 October 2001, the Puppenkiste has a museum, located on the first floor of the Heilig-Geist-Spital building, directly above the theater halls. This had been a long-time dream of Hannelore Marschall-Oehmichen. The most famous marionettes like
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and Kalle Wirsch can be seen in a permanent exhibition. Special exhibitions often dedicated to specific topics show other puppets from the house's own collection as well as from other theaters. These temporary exhibitions change every four months.
242:. For the production of "Der Raub der Mitternachtssonne" (The theft of the midnight sun) (1994), a so-called "Insertkasten" (insert box) was designed to fit the screen aspect ratio of 16:9, which is respectively longer than the usual 4:3 format.
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in Augsburg on September 25, 1960, was spectacular. Again Ă–hmichen himself was performing, this time as a balladeer. The poet of the play died four years ago in Cold War times in the GDR and was a rather infamous citizen. Also,
348:. He also engaged actors with trained singing voices to speak and sing the parts of the characters. Thus, every puppet had a double cast: a manipulator and a speaker. The same strategy was used for the adaption of Mozart’s
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in previous years. Walter Oehmichen died in 1977, but up to his death he supported the theatre. Rose Oehmichen died in 1985. Following Rose Oehmichens death, her daughter Hannelore inherited the
95:, a puppet theatre which consisted of a small wooden stage that could be set up in a door frame. In the night of February 26, 1944, this stage was destroyed in a fire following a bomb assault in
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brought the Augsburger Puppenkiste to the big screen. About 900,000 cinema goers watched (rat-) puppets and humans interacting in New York’s harbour and gangland areas. The film, directed by
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further premises were provided by the city of Augsburg in 2000. A new theatre hall, which is located exactly opposite to the old one, was established and opened in October 2000. In 2004, the
427:) were filmed and released in 1961 and 1962 respectively. The early films were filmed in black and white, but the success of the Jim Button series led to a remake in 1976 filmed in colour.
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from 1954 until a dispute over the rights to DVD licensing ended the relationship after 40 years. Between 1956 and 1958, the Puppenkiste worked with the Bavarian television broadcaster
344:. The opera was adapted for marionettes by Walter Oehmichens son-in-law, Hanns-Joachim Marschall. In the course of the adaption, Marschall slightly changed the opera, cutting out long
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documentary Kasperl finds out things about the famous composer, whose father was born in Augsburg – just like Kasperl/ Punch. Both documentaries were, however, only released on DVD.
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516:”, was written by Peter Scheerbaum, the in-staff writer of the Augsburger Puppenkiste. He was already (involved in) working on the script of “The Story of Monty Spinnerratz”.
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show is a popular part of the repertoire. The new pantomime traditionally premieres on New Year’s Eve, and is performed about a hundred times during the following six months.
253:(Hessian broadcasting), would do without the famous box tops with their high recognition value. Worth mentioning are the numerous episodes for the German kids' program
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As part of the renovation of the Heilig-Geist-Spital, the whole stage was moved to a different part of the house (from the left to the right, seen from the entrance).
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and in 1951 he established the year-end puppet cabaret show for adults, which has since become a yearly tradition. The first cabaret premiere was on 31 December 1950.
121:) on 26 February 1948 – exactly four years after the puppet shrine was destroyed. The first puppeteers and speakers were young actors from Augsburg – among others,
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91:(1901–1977) founded his own small puppet theater together with his wife Rose Oehmichen (1901–1985) and their daughters Hannelore (1931–2003) and Ulla: the
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Many of early productions are today ranked among the classics. One of them is the first-ever film series of the Puppenkiste, which was produced in 1959.
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257:(little sandman) (1962–1982), 'Die Museumsratten' (the museum rats) (1965–1972), 'Ich wünsch' mir was' (I'm wishing for something) (1968–1971), 'Wir
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For their fiftieth anniversary, the Augburger Puppenkiste toured Germany for two years and was sponsored by the book sales club "Club Bertelsmann".
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458:. The Puppenkiste has been in colour since 1965. One of the best known and most popular productions of this period was probably "Impy's Island" (
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is printed, along with the addition "Oehmichens marionette theatre". These box lids have long since become the official trade mark of the
483:(„five on the apple star“), 1981) and in 1986/87, the little robot Schlupp came from the green star to the Earth (script: Ellis Kaut).
415:) consisted of six sequels, which were broadcast during the 1959 Christmas season. The first series was soon followed by a second one,
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591:(EN: An island with two mountains) from the soundtrack of the film version of "Jim Knopf und Lukas der LokomotivfĂĽhrer", the band
106:, he found a room to perform his shows. First, however, Oehmichen had to share the premises with the city’s Office of Statistics.
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287:(1966) or The Little Witch (1971) – both created by Otfried Preußler – are put on stage unchanged since their first production.
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and serious pieces. In 1953, it began producing television series and gained nationwide prominence with productions, such as
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became too small for the theater. Within the means of the reconstruction of the Heilig-Geist-Spital and plans for the park
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In 1997 “The Story of Monty Spinnerratz”, a film based on the novel “A Rat’s Tale” by the American children’s book author
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in the historic center of Augsburg. Since 1948, the "Augsburger Puppenkiste" had been producing theatrical adaptations of
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reached nationwide success in the music charts in German-speaking countries. In 1996, the single received the German
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The wooden box does not only feature prominently in the name of the theatre, but also inspired the trade mark of the
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At first, Walter Oehmichen whittled the puppets himself, but he soon passed this important job on to his daughter
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320:(The trial over the donkey’s shadow) from 1962 by Friedrich Dürrenmatt again and again appears in the program.
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made all the clothes for the marionettes and lent her voice to many of the mother and grandmother characters.
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Despite all odds of the post-war period, the Oehmichen family was able to re-open the marionette theater as
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presented as a musical interlude on the TV channel BR-alpha under the title of “poetics of amazement”.
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puppet (a puppet character similar to Punch), who spiced up the opera by his wit and comic escapades.
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Many characters and stories of the Augsburger Puppenkiste have been featured in children's books:
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230:: the representation of the two top cover flaps of a wooden box. Across the top covers, the name
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took over the management. Hanns-Joachim Marschall, who was an actor, had already worked for the
340:, a comic opera composed by Mozart. In 1985, the theatre staged another one of Mozart's works:
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on February 26, 1951. Walter Ă–hmichen himself slipped into the role of the narrating pilot.
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261:' (1972), 'Natur und Technik' (nature and technology) (1972–1976) and Ralphi (2004–2006).
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In 1973, following the 25th anniversary of the Puppenkiste, Hannelore and her husband
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it made its significant breakthrough with the staging of Antoine de Saint-Exupèry’s
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After the war, Walter Oehmichen began planning a new puppet theatre. At the former
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Augsburger Puppenkiste & The Museum „Die Kiste“ (The Box) – official website
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Stars an Fäden. Das große Farbbuch über die weltberühmte Augsburger Puppenkiste.
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Das Fernsehsandmännchen erzählt. Kunibert und Heiner, Pieperle, Beppo und Peppi.
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Other early productions of the Puppenkiste were "The little fat Knight" (
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464:) from 1969. Audiences have also loved the "Lion trilogy" (1965–1967), "
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successfully stages several productions for adults. Every year, a
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mittelbayerische.de (August 29, 2011). Retrieved August 4, 2011
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Paula und die Kistenkobolde. Eine Vorlesegeschichte ĂĽber GefĂĽhle
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In 2005, the year preceding Mozart’s 250th birthday, the opera
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40 Jahre Augsburger Puppenkiste. Das Farbjournal zum Jubiläum.
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Manfred Mohl, TV Productions for the Augsburger Puppenkiste
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Von Titiwu bis Lummerland. 50 Jahre Augsburger Puppenkiste.
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Information and trailer for Die Story von Monty Spinneratz
363:. The part of Don Giovanni’s servant was represented by a
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Alongside the productions aimed at a young audience, the
144:'s famous novel). In the first public performance of the
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hr-online.de: Augsburger Puppenkiste (for film excerpts)
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Deutsches Institut fĂĽr Puppenspiel, Bochum, Germany 1967
393:) and the Puppenkiste returned to its original station.
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scientific knowledge. The Papilio tour started at the
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Die Story von Monty Spinnerratz. Das Buch zum Film.
336:, a symphonic fairy-tale for children, as well as
613:Augsburger Puppenkiste. Brönner Bildergeschichten
842:Die Jubiläumstournee der Augsburger Puppenkiste.
359:was produced by Klaus Marschall under the title
125:. He would soon become the staff writer for the
833:Hanns-Joachim Marschall, Willy Schweinberger:
560:Relocation of the stage / Puppentheater museum
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794:"Geburtstag in Lummerland: Jim Knopf wird 50"
679:Panik in der Puppenkiste – Ein Augsburg-Krimi
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741:R. G. Fischer, Frankfurt am Main 1996,
83:Building at Spitalgasse in Augsburg, Germany
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861:Deutsches Institut fĂĽr Puppenspiel (Ed.):
767:Lilalu im Schepperland. Das Buch zum Film.
599:award for more than 500,000 copies sold.
506:In 2000/01 a new TV series was produced:
863:Die Augsburger Puppenkiste im Fernsehen.
844:Bertelsmann-Club, Rheda-WiedenbrĂĽck 1998
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755:. Beta-Institutsverlag, Augsburg 2005,
663:Jim Knopf und Lukas der LokomotivfĂĽhrer
425:Jim Knopf und Lukas der LokomotivfĂĽhrer
245:Only the programs done entirely by the
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421:Jim Button and Luke the Engine Driver
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1229:Buildings and structures in Augsburg
1137:Theater Krefeld und Mönchengladbach
851:RĂĽtten & Loening, Berlin 1998,
419:, produced in 1960. Two series of "
20:Stage of the Augsburger Puppenkiste
1167:Verband Bayerischer Amateurtheater
1037:Hessisches Staatstheater Wiesbaden
900:"Erlebnisbericht auf TV Nostalgie"
765:Peter Scheerbaum, Nicola Kächele:
361:Don Giovanni and the stone visitor
307:The premiere of Berthold Brecht’s
199:, a well-known German film award.
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1047:Improvisationstheater DRAMA light
440:The Thwarting of Baron Bolligrew
318:Der Prozess um des Esels Schatten
174:Since the beginning of the 1980s
75:(puppet chest): A family business
849:50 Jahre Augsburger Puppenkiste.
847:Augsburger Puppenkiste (Hrsg.):
710:Kater Mikesch auf der Kirchweih.
587:With a dance remix of the song
390:Die Geschichte der Muminfamilie
350:The Abduction from the Seraglio
283:staged. The most popular plays
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1203:Theatre festivals in Germany
589:"Eine Insel mit zwei Bergen"
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620:Bill Bo und seine Kumpane
603:Selected children's books
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816:Vindelica, Augsburg 1988
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232:"Augsburger Puppenkiste"
205:"Augsburger Puppenkiste"
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111:"Augsburger Puppenkiste"
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997:Chiemgauer Volkstheater
665:. Emma geht auf Reisen.
532:The Puppenkiste on tour
480:FĂĽnf auf dem Apfelstern
432:Der kleine dicke Ritter
207:and the famous box tops
203:The origin of the name
161:Hanns-Joachim Marschall
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1092:Seyler Theatre Company
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695:Spectrum, Essen 1976,
509:Lilalu im Schepperland
466:The Robber Hotzenplotz
417:Summer in Moominvalley
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291:Plays/Shows for Adults
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338:Bastien und Bastienne
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309:The Threepenny Opera
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1244:Museums in Bavaria
1177:Wuppertaler BĂĽhnen
1142:Theater Regensburg
1072:Meiningen Ensemble
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278:Plays for Children
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28:(German for:
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1182:Zeitraumexit
1122:Theater Bonn
1027:Familie Flöz
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807:Bibliography
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658:Michael Ende
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401:The classics
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357:Don Giovanni
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1117:TeAtrum VII
1077:PAN.OPTIKUM
933: /
798:(in German)
492:Tor Seidler
436:Robert Bolt
325:Puppenkiste
313:Puppenkiste
297:Puppenkiste
247:Puppenkiste
240:Puppenkiste
236:Puppenkiste
228:Puppenkiste
169:Puppenkiste
165:Puppenkiste
146:Puppenkiste
73:Puppenkiste
53:fairy tales
36:theater in
1218:Categories
921:10°54′12″E
918:48°21′37″N
781:References
706:Josef Lada
544:in Japan.
448:Josef Lada
34:marionette
1194:See also:
575:Jim Knopf
542:Amagasaki
376:pantomime
352:in 1991.
219:The name
134:Hannelore
87:In 1943,
908:(German)
902:(German)
896:(German)
890:(German)
878:(German)
438:'s play
323:But the
215:Entrance
195:won the
97:Augsburg
38:Augsburg
976:Germany
365:Kasperl
311:in the
265:Theater
42:Germany
32:) is a
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827:
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699:
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652:, 1973
645:, 1973
638:, 1973
631:, 1972
622:, 1972
554:Munich
180:JĂĽrgen
583:Music
570:Urmel
346:arias
853:ISBN
825:ISBN
771:ISBN
757:ISBN
743:ISBN
728:ISBN
714:ISBN
697:ISBN
683:ISBN
669:ISBN
444:book
295:The
154:Rose
71:The
61:and
24:The
648:5.
641:4.
634:3.
625:2.
618:1.
552:in
446:by
423:" (
332:by
1220::
708::
660::
572:,
171:.
148:,
67:.
44:.
40:,
967:e
960:t
953:v
117:(
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