256:
286:
116:
272:
108:. He was in Florence in 1878, where he became part of a small group of Argentine artists who were studying there. Upon returning to Buenos Aires. he established himself painting portraits of notable people, and became an avid enthusiast for creating landscapes "
213:
Ballerini inaugurated his last exhibition,at the Salón
Freitas y Castillo, in April 1902, to the applause of the public and the praise of critics. Eight days later he died suddenly, while it was still in progress. His remains are interred in
104:, upon Romero's recommendation he went to Italy to continue his studies, first with the support of private donors and later on a government scholarship. In 1875, he spent some time in Rome, taking private lessons from
255:
96:
He began his studies with the
Italian-born portrait painter, Francisco Romero (1840-1906). His oldest preserved works are drawings of ports, bays, and lighthouses done in the region of
210:(Fine Arts Stimulus Society), an institution which played a leading role during the late 19th and early 20th centuries in promoting the fine arts and training painters in Argentina.
206:, he created "La Colmena" (The Hive), an institution devoted to promoting and exhibiting local art. Later, he was named an honorary member of a similar organization known as the
285:
348:
188:
Although successful, he found it necessary to supplement his income by giving private art lessons. He also provided numerous drawings for the conservative daily,
167:
465:
162:, where he was hauled up on ropes to the treetops and painted numerous sketches and watercolors as well as at least one oil. That painting was sent to the
469:
174:
446:
233:
166:
the following year in
Chicago where it won a gold medal, and it is now on permanent display as part of the collection of the collection of the
396:
31:
509:
441:
437:
452:
126:
In 1892, Ballerini was part of the scientific expedition organized by the
National Geographic Institute of Argentina and led by
163:
241:
237:
173:
In 1895, his painting "A Moonlit Night in Venice", was one of the first works by an
Argentine artist to be purchased for the
207:
499:
494:
100:
between 1873 and 1874, when
Ballerini was only 16 years old. After a trip to Rome at the age of 18, where he met Pope
158:. He compiled a notebook of sketches, some of which he developed into oil paintings. The trip included a visit to
504:
203:
271:
139:
363:
277:
228:
127:
489:
484:
292:
263:
199:
365:
Gustavo
Niederlein y Adolfo Methfessel, visitantes de las cataratas del Iguazú a fines del siglo XIX
342:
330:
97:
85:
392:
215:
147:
159:
218:. The following year, a major retrospective was held, featuring over 130 of his works.
182:
131:
105:
313:
478:
109:
81:
44:
236:, has been used as the basis for the reverse of two Argentine banknotes: 50 pesos
190:
30:
143:
115:
48:
412:
151:
101:
135:
155:
114:
223:
Miraculous Origin of Our Lady of Luján in the Year 1630
67:
55:
37:
21:
177:. Two years later, he designed sets for the opera
88:of portraits, historical scenes and landscapes.
389:Cementerio de la Recoleta: 200 Años de Historia
8:
221:Among Ballerini's most famous paintings are
455:@ Todos los Artistas, Fundación Tres Pinos
347:: CS1 maint: location missing publisher (
225:(in the National Museum of Fine Arts) and
29:
18:
84:– 28 February 1902, Buenos Aires) was an
304:
251:
232:. The latter painting, which is in the
391:. De Los Cuatro Vientos. p. 178.
340:
335:La Pintura y la Escultura en Argentina
315:Comentario sobre La cascada del Iguazú
7:
442:Juan B. Castagnino Fine Arts Museum
202:, whom he had met in Florence, and
14:
208:Sociedad Estímulo de Bellas Artes
150:and the neighboring countries of
466:Works by Ballerini and criticism
318:, Museo Nacional de Bellas Artes
284:
270:
254:
470:Museo Nacional de Bellas Artes
130:to the Argentine provinces of
1:
240:(introduced 1968) and 1,000
198:. Together with the artists
175:National Museum of Fine Arts
168:National Museum of Fine Arts
164:World's Columbian Exposition
387:Zigiotto, Diego M. (2022).
526:
510:Painters from Buenos Aires
234:National Historical Museum
438:Brief biography and notes
414:BilletesArgentinos.com.ar
28:
362:Rohland, Regula (2018),
261:The Miraculous Origin of
196:La Ilustración Argentina
62:Buenos Aires, Argentina
59:April 28, 1902 (age 44)
123:
278:Crossing of the Andes
229:Crossing of the Andes
204:Ernesto de la Cárcova
120:La Cascada del Iguazú
118:
293:Lucio Correa Morales
331:Schiaffino, Eduardo
244:(introduced 1987).
500:Landscape painters
495:Argentine painters
449:@ Arte y Colección
312:Melgareja, Paola,
248:Selected paintings
128:Gustavo Niederlein
124:
98:Maldonado, Uruguay
398:978-987-08-1705-5
264:Our Lady of Luján
216:Recoleta Cemetery
200:Ángel Della Valle
170:in Buenos Aires.
86:Argentine painter
80:(20 August 1857,
78:Augusto Ballerini
75:
74:
23:Augusto Ballerini
16:Argentine painter
517:
505:History painters
426:
424:
423:
421:
409:
403:
402:
384:
378:
376:
375:
373:
359:
353:
352:
346:
338:
327:
321:
319:
309:
288:
274:
258:
242:pesos argentinos
33:
19:
525:
524:
520:
519:
518:
516:
515:
514:
475:
474:
462:
453:Brief biography
447:Brief biography
434:
429:
419:
417:
411:
410:
406:
399:
386:
385:
381:
371:
369:
361:
360:
356:
339:
337:. Buenos Aires.
329:
328:
324:
311:
310:
306:
302:
295:
289:
280:
275:
266:
262:
259:
250:
238:moneda nacional
94:
63:
60:
51:
42:
41:August 20, 1857
24:
17:
12:
11:
5:
523:
521:
513:
512:
507:
502:
497:
492:
487:
477:
476:
473:
472:
461:
460:External links
458:
457:
456:
450:
444:
433:
430:
428:
427:
404:
397:
379:
354:
322:
303:
301:
298:
297:
296:
290:
283:
281:
276:
269:
267:
260:
253:
249:
246:
183:Arturo Berutti
106:Cesare Maccari
93:
90:
73:
72:
69:
68:Known for
65:
64:
61:
57:
53:
52:
43:
39:
35:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
522:
511:
508:
506:
503:
501:
498:
496:
493:
491:
488:
486:
483:
482:
480:
471:
467:
464:
463:
459:
454:
451:
448:
445:
443:
439:
436:
435:
431:
416:
415:
408:
405:
400:
394:
390:
383:
380:
367:
366:
358:
355:
350:
344:
336:
332:
326:
323:
317:
316:
308:
305:
299:
294:
287:
282:
279:
273:
268:
265:
257:
252:
247:
245:
243:
239:
235:
231:
230:
224:
219:
217:
211:
209:
205:
201:
197:
193:
192:
186:
184:
180:
176:
171:
169:
165:
161:
157:
153:
149:
145:
141:
137:
133:
129:
121:
117:
113:
111:
107:
103:
99:
92:Life and work
91:
89:
87:
83:
79:
70:
66:
58:
54:
50:
46:
40:
36:
32:
27:
20:
418:, retrieved
413:
407:
388:
382:
370:, retrieved
364:
357:
334:
325:
314:
307:
291:Portrait of
226:
222:
220:
212:
195:
189:
187:
178:
172:
160:Iguazú Falls
125:
119:
110:en plein air
95:
82:Buenos Aires
77:
76:
45:Buenos Aires
490:1902 deaths
485:1857 births
368:, p. 7
479:Categories
144:Corrientes
140:Entre Ríos
343:cite book
191:La Nación
49:Argentina
333:(1933).
152:Paraguay
148:Misiones
102:Leo XIII
71:Painting
432:Sources
420:May 19,
372:May 14,
136:Formosa
468:@ the
440:@ the
395:
194:, and
156:Brazil
146:, and
122:(1892)
300:Notes
179:Pampa
132:Chaco
422:2023
393:ISBN
374:2023
349:link
227:The
154:and
56:Died
38:Born
181:by
112:".
481::
345:}}
341:{{
185:.
142:,
138:,
134:,
47:,
425:.
401:.
377:.
351:)
320:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
