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166:) were crucial for his artistic and cultural evolution. In this period, indeed, Garau began painting "cropped fonts," "anomalous surfaces," ambiguous spaces, and modular geometric forms that represented both scientific investigations in perception and expression of a truly original aesthetic. In the following years, Garau's constant research came to embrace the structural analysis of color. A number of patinings such as the series of the "spires," as well as a 1984 essay, titled
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In the wake of the social, political, and aesthetic upheaval of the late 1960s, Garau's distinctive style clearly emerged. He recovered the lesson of the abstractionism and combined it with his growing interest in the psychology of visual perception that he assimilated through the
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Augusto Garau's artworks have been exhibited at
Galleria Borromini (Milan, 1948), Galleria Bergamini (Milano, 1952), St. Martin's Gallery (London, 1964),
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Garau has taught at the
Politecnic School of Design in Milan and at the Department of Architecture of the University of Milan.
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and published with an
Arnheim's preface, reflect Garau's keen interest in chromatism, transparencies, and juxtapositions.
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also took part in the movement's initiatives. Against this background, Garau embraced the style and language of
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theory. In particular, the intense intellectual exchanges with German perceptual psychologist
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89:) was an Italian artist, theorist of color, and professor. Garau took part in the
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in Milan in 1946. Three years earlier, he had met his mentor
Atanasio Soldati in
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Paintings by
Augusto Garau: St. Martin's Gallery, 24th February-7th March 1964
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188:(Gallarate, 1983, 1984, and 1997), Galleria Vinciana, (Milan, 1988), and the
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Painting in Italy 1910s-1950s: Futurism, Abstraction, Concrete Art
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Augusto Garau. Artista politecnico e scienziato: opere 1940-2008
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Augusto Garau. Artista politecnico e scienziato: opere 1940-2008
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Abstraction, psychology of perception, and theory of color
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at the
Sperone Westwater Gallery in New York City. and
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198:Oltrepò Pavese, Crossroads Of Abstractionism
190:Venice Biennale Internazionale d’Arte (1986)
295:"Composizione by Garau at MAGA Gallarate"
66:Learn how and when to remove this message
29:This article includes a list of general
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262:Pensiero e visione in Rudolf Arnheim
243:, London: St. Martin's Gallery, 1964
224:Augusto Garau. Ambigue trasparenze
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343:20th-century Italian male artists
234:Movimento Arte Concreta 1948-1958
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158:and Italian scholar and artist
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186:Civica Galleria d'Arte Moderna
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79:Augusto Orazio Vittorio Garau
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50:more precise citations.
239:Luciano Caramel, ed.,
226:, Milan: Silvana, 2014
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164:University of Trieste
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