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500:. Concerning the legends, "Una inspiración alemana" (A German Inspiration) describes the successive unrequited love affairs of a poet who withdraws into his own memory and commits suicide. "El puñal" recounts the mythical foundation of the Veruela monastery, and in "La fuente de Montal" a
465:. His verse is closely related to spoken language, and his sparse words are directed toward a variety of intimate and openly sentimental content that is bettered by being brief and confident. The same tradition was followed by many other important poets like Bécquer,
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of traditional lyricism, and the second part featured original work that imitate their style and inspiration. Recurring themes are a search for solitude in which to flee from a hostile world, the struggle between rich and poor, the passage of time,
268:, and love. The book received enthusiastic support from Gustavo Adolfo Bécquer, and his words were added as a prologue in subsequent editions. He helped create a popular genre of song-based poetry that owed much to Heine; around the same time as
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In 1872 or 1873 he emigrated to Chile where he supposedly married (according to
Nombela). Soon after his return in 1878, he was admitted to the Manicomio de Carabanchel in Madrid where he died on 2 April 1880.
375:, that revisited his previous work and included various newspaper-style articles. The book's content had a popular meter much like the first, but it possessed much more variety in that it featured
494:(1873). His translations often employed the same combinations of seven-syllable and eleven-syllable verses common to Bécquer's work. He also translated heine's famous preface to
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226:. In 1860 he travelled to Paris with Nombela, but his economic difficulties and prodigal tendencies landed him in the hands of
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244:(Translations and Imitations of the German Poet Heinrich Heine), and several of his other works appeared in
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355:(1865-1866), but he eventually returned to the capital city. He may have returned to collaborate on
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347:, after having visited there on several previous occasions. At some point he also resided in
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230:. He was forced to return to Madrid, and there Nombela introduced him to an acquaintance:
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in addition to the previous forms. The themes of the book were basically similar, but
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214:. The magazine did not last long, but his labors allowed him to meet and befriend
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Ferrán's poetry assumes a break with the traditional tone that is reminiscent of
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202:. His mother died in 1859 and he returned to Madrid. Back at home, he founded a
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were producing very similar work. Other examples of authors moved by the same
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had appeared in print. The first part of the book reproduced several popular
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often recited his favorite poem from this book, reproduced below:
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In prose, Ferrán published German translations and several
371:. In that same year he produced his second book of verse,
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Traducciones e imitaciones del poeta alemán
Enrique Heine
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descent. The family business was in manufacturing gilded
222:. Together they founded another short-lived magazine,
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to seek his fortune and
Augusto began studying at the
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332:, 1869). This genre would ultimately lead to the
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138:– 2 April 1880 in Madrid) was a Spanish
359:that Bécquer would direct in 1868 during the
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248:in 1863. He obtained an editorial post at
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480:. His translations of Heine appeared in
158:on 7 July 1835 to well-to-do parents of
210:, with the aim of disseminating German
395:ran much more strongly in the second.
367:(1871) alongside Rodríguez Correa and
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491:La Ilustración Española y Americana
544:"El puñal", a legend published in
504:miraculously helps solve a crime.
343:Ferrán spent part of 1863 in the
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615:19th-century Spanish male writers
276:(1852), fellow Heine translator
312:, 1865), Aristides Pongilioni (
537:"Una inspiración alemana", in
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430:mientras vives, es la muerte.
551:"La fuente de Montal" (1866)
424:día y noche, y nunca viene;
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605:19th-century Spanish poets
565:Spanish Romance literature
170:. His father went off to
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427:eso que siempre te falta
357:La Ilustración de Madrid
351:, where he directed the
132:Augusto Ferrán y Forniés
35:Augusto Ferran y Fornies
421:Eso que estás esperando
278:Eulogio Florentino Sanz
176:Instituto del Noviciado
106:Instituto del Noviciado
290:Terencio Thos y Codina
282:Gustavo Adolfo Bécquer
232:Gustavo Adolfo Bécquer
224:Las Artes y las Letras
580:Complete works online
554:E l sapo concho(1868)
306:Ventura Ruiz Aguilera
274:Libro de los cantares
250:El Semanario Popular
389:seguidillas gitanas
310:Armonías y cantares
154:Ferrán was born in
144:Postromantic period
610:Spanish male poets
546:El Museo Universal
482:El Museo Universal
471:Juan Ramón Jiménez
397:Juan Ramón Jiménez
237:El Museo Universal
192:Friedrich Schubert
182:, passing through
178:. He travelled to
539:Revista de España
345:Veruela monastery
326:José Puig y Pérez
302:Cantares gallegos
298:Rosalía de Castro
294:Semanario Popular
270:Antonio de Trueba
255:By 1861 his book
196:Felix Mendelssohn
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112:Literary movement
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369:Narciso Campillo
338:Generation of 27
318:Melchor de Palau
314:Ráfagas poéticas
134:(7 July 1835 in
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467:Antonio Machado
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353:Diario de Alcoy
330:Coplas y quejas
234:. In late 1861
200:Robert Schumann
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63:April 2, 1880
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116:Postromantic
65:(1880-04-02)
51:July 7, 1835
16:Spanish poet
600:1880 deaths
595:1835 births
497:Don Quijote
484:(1861), in
384:seguidillas
280:and friend
220:pamphleteer
190:as well as
94:Nationality
589:Categories
519:La soledad
361:revolution
304:, 1863),
257:La soledad
125:La soledad
76:Occupation
47:1835-07-07
525:La pereza
373:La pereza
316:, 1865),
286:Volkgeist
246:Almanaque
208:El Sábado
164:Aragonese
150:Biography
102:Education
559:See also
502:fountain
463:Quintana
393:folklore
322:Cantares
288:include
204:magazine
168:moldings
86:Language
548:(1863).
478:legends
228:usurers
180:Germany
160:Catalan
142:of the
97:Spanish
89:Spanish
527:(1871)
521:(1861)
513:Poetry
469:, and
457:Legacy
387:, and
378:soleás
172:Havana
156:Madrid
136:Madrid
70:Madrid
54:Madrid
532:Prose
508:Works
365:Obras
349:Alcoy
261:songs
184:Paris
218:, a
198:and
162:and
140:poet
80:Poet
60:Died
41:Born
272:'s
591::
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