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236:, was influenced by Hunt's work. The triptych depicted three separate scenes, one portraying a prosperous middle-class family and the other two depicting poor and isolated figures – two young girls in a bedsit and a homeless woman with a baby. The viewer was expected to read a series of visual clues that linked together these three scenes, to reveal that the prosperous family in the central scene is in the process of disintegrating because of the mother's adultery. The two outer scenes depict the separated mother and children a few years later, now living in poverty. The painting's use of
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275:, Egg features in their surviving correspondence. He participated, as actor and costume designer, in their amateur theatricals, which were often conducted for charitable purposes as noted above. In January 1857 he took a part in Collins's play
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and then performed for charity. Dickens described Egg as a "dear gentle little fellow", "always sweet-tempered, humorous, conscientious, thoroughly good, and thoroughly beloved."
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Egg was also an active organiser of exhibitions, being admired by fellow-artists for his dedication and fair mindedness. He was one of the organisers of the
Manchester
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and others in the late 1830s (c. 1837). Egg sought to combine popularity with moral and social activism, in line with the literary work of his friend
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Egg's early paintings were generally illustrations of literary subjects. Like other members of The Clique, he saw himself as a follower of
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Always in poor health, Egg spent his later years in the warmer climate of continental Europe, where he painted
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Excerpts from the text of the broadcast, on 16 November 1953, are given in the 1998 Penguin Books edition of
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Among his principal pictures may be named:....1848, "Queen
Elizabeth discovers she is no longer young"...
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was asked "What painters do you admire most?" He answered "Augustus Egg I’d put among the highest."
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Art in the Age of Queen
Victoria: Treasures from the Royal Academy of Arts Permanent Collection.
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Edited by
William Baker and William Malpas Clarke; London: Palgrave Macmillan, 1999.
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159:, beginning in 1836. Egg was a member of The Clique, a group of artists founded by
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194:. His interest in Hogarthian moral themes is evidenced in his paired paintings
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285:(Egg played John Want, the ship's cook.) The production was also acted before
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206:. Yet his paintings often took a humorous look at their subjects, as in his
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to raise funds for the organisation. His self-portrait in the role is in
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128:(1858), which depicts the breakup of a middle-class Victorian family.
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The
Dickens Circle: A Narrative of the Novelist's Friendships.
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Unlike most other members of The Clique, Egg also admired the
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Phryne's list of pictures in accessible collections in the UK
144:, on 30 May 1816. He had an elder brother, George Hine Egg.
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The Life and Death of
Buckingham: The Death of Buckingham
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Hilarie
Faberman, 'Egg, Augustus Leopold (1816–1863)’,
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in 1857. He was elected to the Royal
Academy in 1860.
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His father Joseph Egg was a wealthy gunsmith from the
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209:Queen Elizabeth Discovers she is no longer Young
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697:30 artworks by or after Augustus Leopold Egg
111:(2 May 1816 – 26 March 1863) was a British
664:London, Andreas Papadakis Publisher, 2001.
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155:. Egg was educated in the schools of the
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551:Oxford Dictionary of National Biography
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204:George Villiers, 2nd Duke of Buckingham
140:to Joseph and Ann Egg, and baptised in
232:with him. His own triptych, known as
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578:from the original on 27 January 2017
299:In a 1953 radio interview, novelist
443:Self Portrait as a Distressed Poet
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752:19th-century English male artists
254:Birmingham Museum and Art Gallery
537:"Augustus Egg – British painter"
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376:discovers she is no longer young
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314:Past and Present – 1858 triptych
224:; he bought work from the young
196:The Life and Death of Buckingham
151:, who immigrated to London from
149:distinguished gun making family
662:Victorian Figurative Painting.
167:. With Dickens he set up the "
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722:19th-century English painters
671:New York: E. P. Dutton, 1919.
637:The Ordeal of Gilbert Pinfold
603:"Egg, Augustus Leopold"
142:St James's Church, Piccadilly
169:Guild of Literature and Art
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655:Letters of Wilkie Collins.
119:best known for his modern
16:British artist (1816–1863)
249:The Travelling Companions
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395:: The Life of Buckingham
329:No. 1 – Misfortune, 1858
262:Art Treasures Exhibition
609:Encyclopædia Britannica
555:Oxford University Press
63:26 March 1863 (aged 46)
46:(between 1838 and 1840)
678:New Haven and London:
674:Valentine, Helen, ed.
391:The Life and Death of
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727:English male painters
684:Royal Academy of Arts
680:Yale University Press
353:No. 3 – Despair, 1858
269:Travelling Companions
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175:," a play written by
173:Not So Bad As We Seem
94:Royal Academy of Arts
747:Painters from London
572:All things Victorian
480:Florence Nightingale
477:, formerly known as
341:No. 2 – Prayer, 1858
228:and shared ideas on
177:Edward Bulwer-Lytton
106:Augustus Leopold Egg
25:Augustus Leopold Egg
496:Madame de Maintenon
459:Taming of the Shrew
226:William Holman Hunt
181:Hospitalfield House
732:Royal Academicians
425:Beatrix Knighting
296:on 26 March 1863.
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359:Select paintings
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234:Past and Present
153:Huningue, Alsace
136:Egg was born in
125:Past and Present
115:, and member of
113:Victorian artist
42:Augustus Egg by
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580:. Retrieved
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161:Richard Dadd
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44:Richard Dadd
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742:1863 deaths
737:1816 births
557:, Sept 2004
200:Restoration
68:Nationality
716:Categories
648:References
393:Buckingham
117:The Clique
80:The Clique
55:2 May 1816
517:, by 1863
412:, c. 1855
397:, c. 1855
238:flashback
132:Biography
576:Archived
252:, 1862 (
212:(1848).
185:Arbroath
121:triptych
76:Movement
500:Scarron
307:Gallery
294:Algiers
192:Hogarth
90:Elected
71:British
701:Art UK
462:, 1860
445:, 1858
430:, 1857
427:Esmond
378:, 1848
138:London
523:Notes
216:Style
202:rake
703:site
584:2021
498:and
60:Died
52:Born
183:in
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109:RA
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