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created sound sculptures of objects to have a multisensory effect, exploring the relationships between the sound, the initiating event and the material properties of the objects. In an example with overt musical connections,
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Andy Hunt, Ross Kirk, Richard Orton, Benji
Merrison, "A generic model for compositional approaches to audiovisual media", Cambridge Journals, 1998
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Rodrigo F. Cádiz, "Fuzzy logic in the arts: applications in audiovisual composition and sound synthesis", NAFIPS, 2005
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as designing art machines in 1915 to create a multisensory experience of sound, movement and colour. In the 1970s
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Michael
Faulkner/D-FUSE, "vj audio-visual art + vj culture", Laurence King Publishing Ltd, 2006
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Adriano Abbado, "Perceptual
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Digital
Harmony - On the Complementarity of Music and Visual Art
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and music or sound set in relation to each other. It includes
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Mick
Grierson, "Audiovisual composition", into the pill, 2007
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Richardson, John; Gorbman, Claudia; Vernallis, Carol (2013),
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Abstract art and music or sound set in relation to each other
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Sounding the
Gallery: Video and the Rise of Art Music
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346:(New York: Oxford University Press, 2013).
230:Bacci, Francesca; Melcher, David (2011),
69:Learn how and when to remove this message
32:This article includes a list of general
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137:cites musician Brian Williams (aka
38:it lacks sufficient corresponding
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517:Alexander Scriabin
479:Ocular Harpsichord
464:Clavier à lumières
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459:Color organ
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51:introducing
532:Categories
214:References
116:cites the
34:references
452:notations
415:Sound art
192:Video art
172:Sound art
120:artists,
112:The book
59:July 2013
502:Animusic
469:Clavilux
410:Cymatics
317:Leonardo
297:(1980).
145:See also
139:Lustmord
108:Overview
388:General
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425:in art
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