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Automatic Man

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isn't a progressive rock band is it? Yes, they are, absolutely. If a visionary assemblage of influences and the power of moving music forward, are progressive, and for the purposes of this review, I will say it is, then this is fine progressive rock, indeed. And no, in the sense of Automatic Man fitting into a preconceived subgenre of progressive rock as understood now is concerned, then no, they are not a prog band, but they are much, much more than any label given them could describe. This San Francisco band had strong elements of spacey synthesizer driven progressive. Definitely. They could just as well be described as a hard rocking funk band as well. Both are true. Neither is accurate. No group I can think of so defies categorization as does Automatic Man.
717:... Visitors isn't a concept album. It's also not the commercial sellout that some have mistakenly branded it. Like the music of Santana, Automatic Man was on a quasi-mystical quest that relied on the conventional language of funk/rock but also rode beyond those borders in pursuit of a grander statement. It's probably on that last point that prog fans have hung their hat, but Visitors is not a progressive rock album. Bayete's bid to be a rock star ended with the Automatic Man albums, leaving behind two impressive albums that bespeak the transitional phase between jazz, disco and ambitious (if not progressive) rock as well as any records from the period. 926:. This resulted in a piece called "Missing Miles" – a suite for horn and piano. Film director Kim Bass made a thirteen-minute film, also called "Missing Miles", which chronicled the creation of the composition and a performance of the work. In the Feb 2007 issue of "Film Music Magazine" called "Ebony and Ivory: The Door Only Swings One Way", focused on how black composers often only get offered "black" films. In the article, Todd referenced the limitations placed on black composers by the entertainment world, 1487: 380:, aliens, belly dancers and other mystical and exotic subjects are covered on nearly every album track. Cochran wrote the tracks "Atlantis Rising-Fanfare", "Coming Through", "One and One", "Newspapers", "Geni-Geni" and "Turning of the Axis ". He shares co-writing credits with band manager Lou CasaBianca on "Automatic Man", "Interstellar Tracking Devices" and "Right Back Down." The entire band and CasaBianca share writing credits on "There's A Way." 25: 332:
night. When they stopped for a break we went back in the small space we were practising in to finish. During that time they asked him to join the band. One of the reasons was that he played so well that they were that impressed. The other was that Doni and I had gone to Junior College with the keyboard player and main writer "Bayete" at the newly opened "Skyline College".
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and released in 1977 with a more accessible sound than their debut. Bayeté solely wrote each track. Guitarist Pat Thrall was still a member but Shrieve and Harvey were now replaced by bassist Jerome Rimson (also from the "Go" project) and drummer Glenn Symmonds. Originally from Detroit, Rimson played
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The art work for both Automatic Man LP covers was entirely original, and one of the first times (possibly THE first) that an alien face had been depicted in a mass market medium; it bears more than a passing resemblance to the alien face which would be seen on countless bumperstickers and decals from
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on vocals and bass. A fusion of rock/synth/metal/pop, it is now considered a 'musician's favorite', going virtually unnoticed by the public at the time. Hughes and Thrall worked together on and off for the next 15 years, and planned on releasing 'Hughes/Thrall 2' in 2004, but Thrall's full-time work
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All four members of the original Automatic Man line up became prolific and well respected solo and session musicians with Shrieve and Cochran emerging as sought after composers and arrangers. Lou CasaBianca, the band's manager and co-producer for the first disc, moved into video production and media
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in 1980 and 1981. Since 2000, Cochran has been primarily establishing himself as a film composer, as well as re-engaging with classical composition which he had explored at the start of his musical career. His first full soundtrack was for Doug McHenry's TV movie "Keep the Faith, Baby" from 2002, a
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scored minor hits with the songs "Up Periscope" and "City Bound." A few years later (1983), Shrieve got involved with the power group HSAS, featuring Sammy Hagar, Neal Schon of Journey fame and former bass player from Derringer Kenny Aaronson. The group recorded the album "Through the Fire" and the
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During the break we heard a band practising in the big space. We went in to see who it was. It turned out to be "Automatic Man". That night the bass man wasn't working out and stomped out of the room. They spotted Don and asked him to sit in and to finish rehearsing. He stepped up to the plate that
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band, The Caribbean Allstars, as guitarist and backing vocalist. Harvey has been playing with the Caribbean Allstars for over two decades. He currently helms the group, "Doni Harvey and Deeper Shade of Blue" and together with fellow musicians Isis and Andy Jonson, formed The Unemployed Blues Band.
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People have a strong desire, an urge, to categorize things, to put them in boxes. To place this with that and make order out of disorder. Music is one of those things we have to make sense of, to understand. How can some obscure band be so important? They are very, very good at what they do. This
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who wrote a concert review. Though they would make a few more live appearances in their original Bay Area stomping grounds, infighting, clashes over music and disagreements over how the bands finances were being directed, this led to Automatic Man's first line-up dissolving after returning to the
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and magenta background. The inside liner art of the first album includes the blue face with Egyptian wings, floating above a pyramid, rising Atlantis-like out of a raging ocean with a maelstrom in the background. The artwork for the "My Pearl" single featured a woman's face suspended over a misty
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In 2004, Cherry Red released, under their UK based Lemon subsidiary, a remastered version of Automatic Man to receptive music collectors. There has been controversy on the internet as to whether the original master tapes were used or not used by Lemon UK in the remastering process. Tom Karr of
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two people can go through the same training – the same schools – and reach the same level of ability, and as soon as they step out of the schools, (and come to Hollywood) one is a black composer, and the other is just a composer ... unfortunately the need for African American film composers to
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in Switzerland. According to a later interview with Thrall, the band had trouble pulling off their material live. Part of the problem was that the technology of the era was too difficult to use live. Shrieve too would also recall that the band had not had enough chances to play live.
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technology writing. Glenn Symmonds and Jerome Rimson, drummer and bassist on Visitors respectively, continued on in the music industry to steady work and success as well, with Rimson writing an autobiography. There has, to date, been no talk of a possible Automatic Man reunion.
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in 1972 and 1973. Completing the lineup was bass guitarist Doni Harvey, who performed around the SF/Bay Area with his brothers and in blues, jazz, and soul bands, playing both bass and guitar. According to Harvey's brother, Regi Harvey, Doni joined the band sheerly by chance,
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With both releases being reissued on CD in 2004 after 28 years of only being available in vinyl format and with the advent of the internet, Automatic Man are being rediscovered and roundly praised for their genre-defying, boundary-breaking musical sound and unique lyrics.
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face staring out from space. This 'alien' face was meant to be representative of a human without a body, with just the spiritual energy or 'aura' providing the visual shape. The debut album is blue on blue, while the follow-up features the blue face on a
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he once again joined forces with Eddie Money and has been drumming for him for over two decades. Now, based out of Nashville, Glenn Symmonds describe himself as a "...  Drummer, guitarist, singer, songwriter, teacher, father".
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is "just a mediocre shot at mesh funk-rock, although arguably ahead of its time in predicting the ghastly and overblown rock guitar productions of the 80s." However, the record collector's website Progrography declared,
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Todd Cochran's career continued to see many radical musical shifts in direction as he wrote, produced, performed keyboards, guitar and/or synthesizer programming for a widely diverse number of artists including
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album, an album of experimental progressive rock that had been released by Island Records a year later. Pat Thrall was approached by Michael Shrieve in 1975 to audition for a band he was forming with
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Shrieve is also the past President of the Pacific Northwest Branch of the National Association of Recording Arts and Sciences (NARAS), and is currently writing the memoirs of jazz drumming legend
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After leaving Automatic Man, Shrieve continued to be one of the most sought after drummers in the music world. His credits number well into the hundreds and include work on
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Partially due to no longer having the name recognition of Shrieve, the album failed to make waves in the music press and Automatic Man permanently disbanded in 1977.
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Doni also became a permanent member of his brother's band Regi Harvey's Example, the latter of whom died on April, 25th, 2010. Doni himself died on June 6, 2011.
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Harvey went on to do session and live gigs in many different arenas both in Northern California and internationally, including playing on the film soundtrack of
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Thrall was nominated for a Grammy on Beyonce's "Crazy In Love". He was also nominated for two Grammys on Frank Ocean's "Channel Orange" album.
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Rather than continue to build on their following in the San Francisco/Bay Area, Automatic Man headed for London. Automatic Man made Chelsea's
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After their album debut, Automatic Man promoted the disc with appearances at a number of European music festivals including the prestigious
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Painted by Bay Area artist Dwain Zerio (1950–1995), both front covers of each Automatic Man album feature a simple luminously painted blue
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Due to the overwhelming success of Automatic Man's re-release on Compact Disc, Lemon recordings also re-released, Visitors in 2005.
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based band called Blue Russia, released on Vixen Records in Ireland in 1983. Rimson has played or sung on albums for Steve Winwood,
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as a producer for other artists, and Hughes touring and recording schedule proved to be to much for them to complete the album.
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Rimson continued working steadily with Van Morrison until 1984 and still works with him intermittently. He played bass on The
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in England as a teen. Cochran had already been part of the jazz scene for nearly a decade, playing with renowned jazz artists
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Fans of the band did not receive the second album as warmly. Music reviewer Doug Watson's description is that
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to explore other musical avenues. That led him to work with ex-Traffic/Spencer Davis group singer/keyboardist
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Thrall's most acclaimed work, post-Travers, is undoubtedly the 'Hughes/Thrall' album from 1982, featuring
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single "A Whiter Shade of Pale", originally written and performed by Procol Harum, peaked at #94 in 1984.
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From his base in L.A. Symmonds continued to tour and record with many diverse musical groups including
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The band was also feted by fellow artists and luminaries of the day including the Rolling Stones and
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Visitors finds the band making its progressive rock/space rock funkier and more accessible
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Doni Harvey - bass guitar, vocals; lead vocals on "There's a Way" and "Automatic Man"
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Cochran, then known under the alias of "Bayete" (pronounced Bye-yet-tay), was a
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and a lone charting single, 1976's "My Pearl", which reached No. 97 on the
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deconstruct the existing stereotypes of musical aesthetic limitations persists.
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and together they produced the first independent single ever released by a
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in London their base of operations recording at Basing Street Studios now
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Automatic Man My Space page created by Doni Harvey's brother Regi Harvey
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crevasse crowned with wings and a self-consuming serpentine rainbow.
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Thrall went on to work in the fusion field with musicians including
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bass on the track "Man from Manhattan" which features on the album
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and the legendary Olympic Studios with renowned recording engineer
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Progressive World gave the disc a five star rating in his review,
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and in his own power trio, HARVEY. His credits include backing
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Automatic Man formed in San Francisco around 1975 when drummer
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Lou CasaBianca/Glyphics - art direction & album design
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and formally trained keyboard player who had attended the
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for a spell. In 1988, he joined the San Francisco-based
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Interview with Michael Shrieve discussing Automatic Man
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on Guitar. From 1974 he had been musical director for
1164:(1976, Island Records US Chart Position No. 75) 440:"Atlantis Rising Theme (Turning of the Axis)" – 3:16 514:In the United Kingdom, the album was championed on 237:communities of the mid-1970s, Automatic Man played 190: 186: 176: 166: 145: 130: 123: 49:. Unsourced material may be challenged and removed. 431:"There's a Way" - 5:14 (Automatic Man/CasaBianca) 322:. He also released two jazz-funk solo albums on 248:Despite a well-reviewed 1976 eponymous début on 1513:Progressive rock musical groups from California 1056:movie. He also collaborated extensively with 897:and combinations thereof. He was a member of 825:. In the early 1980s, his power pop quartet, 8: 978:during the 1990s. He has also recorded with 561:The second Automatic Man album was entitled 479:Produced by Automatic Man and Lou CasaBianca 428:"Right Back Down" – 5:55 (Bayete/CasaBianca) 1200: 1198: 1196: 1194: 1485: 437:"Automatic Man" – 3:55 (Bayete/CasaBianca) 120: 974:, and played lead guitar for a resurgent 952:. He recorded on three LPs with Travers: 109:Learn how and when to remove this message 481:Mixed by Keith Harwood and Chris Kimsey 1273:"Bayeté | Biography & History" 1190: 998:'s foundation to fight AIDS in Africa. 966:. The latter LP featured the FM hit, " 750:All the Best Cowboys Have Chinese Eyes 1049:Sgt. Pepper's Lonely Hearts Club Band 7: 1538:African-American rock musical groups 1248:"Automatic Man : Automatic Man" 1124:. It was in 1986 while touring with 47:adding citations to reliable sources 1375:"Fuse One | Album Discography" 1207:"Visitors Review by Alex Henderson" 1533:American space rock musical groups 1508:Musical groups established in 1976 650:All songs written and composed by 638:Lionel Conway - executive producer 388:All songs written and composed by 14: 1543:1976 establishments in California 1503:Musical groups from San Francisco 1088:and many others. He now lives in 620:Todd Cochrane - Keyboards, vocals 510:7" single sleeve art for My Pearl 407:"My Pearl" – 3:34 (Automatic Man) 401:"Atlantis Rising-Fanfare" – 1:37 392:(as "Bayete"), except as noted. 23: 1523:American rock music supergroups 34:needs additional citations for 1180:"My Pearl" (1977, No. 97) 906:portrait of the black senator 16:American progressive rock band 1: 1300:"Featured Content on Myspace" 1052:soundtrack for the notorious 920:American Black Film Festival 693:"Daughter of Neptune" – 4:13 669:"So You Wanna Be Me" – 4:00 1559: 839:Rock and Roll Hall of Fame 594:. Glenn Symmonds had been 1518:American musical quartets 636:Produced by Michael Lloyd 574:on piano and vocals, and 526:Original lineup dissolves 503:the early 1990s onward. 291:, and synthesizer player 882:in genres that included 557:The Visitors Album Cover 312:Trinity College of Music 683: 543:United States in 1976. 427: 404:"Comin' Through" – 3:35 1528:Island Records artists 1145: 933: 719: 701:Critical reception to 687:"Here I Am Now" – 5:14 663:"Give it to me" - 3:49 558: 532:Montreux Jazz Festival 511: 334: 1140: 942:Narada Michael Walden 928: 912:Woman Thou Art Loosed 815:and scored music for 715: 690:"There's a Way" -4:26 640:Bruce Robb - engineer 556: 509: 329: 1252:Progressiveworld.net 1029:as the guitarist in 1019:The Spy Who Loved Me 958:Go For What You Know 914:", an adaptation of 880:Grover Washington Jr 868:Juan Carlos Quintero 696:"What's Done" – 6:22 410:"One and One" – 5:57 43:improve this article 1084:the drummer of the 908:Adam Clayton Powell 769:, Police guitarist 590:winning jazz album 413:"Newspapers" – 3:57 1175:U.S. chart singles 954:Heat in the Street 822:The Bedroom Window 759:The Rolling Stones 666:"Live Wire" - 4:45 559: 512: 416:"Geni Geni" – 5:32 1205:Henderson, Alex. 1086:Smashing Pumpkins 916:Bishop T.D. 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San Francisco
California
Progressive rock
space rock
Island Records
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rock
San Francisco
funk
jazz
progressive rock
space rock
Island Records
Billboard Hot 100
Michael Shrieve
Santana
Steve Winwood

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