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Ay Ay Ay (song)

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57:. This song, however, known worldwide, is his most famous composition, and has never fallen out of fashion. It is equally suited to intimate performance with guitar or piano accompaniment, or to large-scale concert delivery with orchestral accompaniment, and has been sung by almost everyone, and especially favoured by some of the most famous tenors, since it was first written (see below). 60:"Ay, ay, ay" is a Hispanic expression signifying dismay at a bad situation or state of affairs, rather more immediate and acute than the English "alas". Purely instrumental versions include arrangements for dance orchestras, jazz combinations and salon musicians. The autograph manuscript of the song is at PAU. This song should not be confused with the Mexican 351:, (Publicaciones de Estudios Hispanicos, Buenos Aires 1946), p. 141: "En la transición se exhalaba el típico ¡Ay, ay, ay! de la canción cuyana. La frase es, en realidad, la misma de la tonada andina, un tanto desfigurada por mala memorización o quizá para mejor adaptarla al ritmo del estilo." 69:
In what may be the earliest publication (by Breyer Hermanos, 414 Florida), the song is subtitled "Reminiscencias Cuyanas". Although often mistakenly called a "Chilean" song, perhaps because of the place of birth of the composer, the style is in fact that of a traditional
338:(1915), de Osmán Pérez Freire, su canción de mayor difusión internacional, que llegó a formar parte del repertorio de tenores de gran prestigio artístico, como Tito Schipa (1888-1965) y Miguel Fleta..." 267:
Sources differ, some say 1878. A 6-peso stamp was issued in Chile in June 1980 to commemorate the centenary of his birth and 50th anniversary of his death in 1930:
28: 41:", subtitled "Reminiscencias cuyanas", is a song composed in 1913 by the Chilean-born composer, pianist, singer and publisher 280: 400: 410: 317:(McGraw-Hill, 1967), p. 588: "Y luego, algunas canciones hispano-americanas de vasta difusión: canciones como 42: 31: 174: 374: 405: 194: 50: 255: 189: 168: 210: 78: 27: 215: 180: 163: 82: 394: 205: 184: 142: 62: 300:(The Friendship Press, New York 1935), p. 28: "The whole continent loves his song, 148: 86: 200: 157: 349:
Formas Musicales Rioplatenses, Su Origen Hispanico (Cifras, Estilos y Milongas)
254:, 5th, Revised and Enlarged Edition (Dover Publications, Inc., New York 2000), 361: 221: 334:(Ediciones Universidad Católica de Chile, 2005), p. 52: "Este es el caso de 89:'s edition) "Kreolisches Wiegenlied" or "Argentine Lullaby". The spelling 81:
of north-west Argentina. In publication it acquired subtitles as "Canción
46: 73: 17: 379: 54: 26: 53:
in c.1886-1890, was a figure of some note in the evolution of
252:
The Book of World-Famous Music: Classical, Popular, and Folk
332:
Historia Social de la Música Popular en Chile, 1890-1950
93:, though incorrect, occurs commonly in English sources. 287:(Ediciones Ercilla, Santiago de Chile 1939), pp. 61-62. 224:, included a version on his "Caribbean Moonlight" LP. 321:
de Pérez Freire... conocido en todo el continente."
66:, the chorus of which begins, "Ay, ay, ay, ay". 375:"Les Baxter – Caribbean Moonlight (1956, Vinyl)" 250:"Ay-Ay-Ay ...Osman Perez Freire", in J.J. Fuld, 8: 347:J. Teófilo Wilkes and I. Guerrero Cárpena, 234: 246: 244: 242: 240: 238: 154:José Mardones for Columbia-Rena (1920) 7: 271:, Vol. 94, issues 7-12, p. 1980-939. 298:Fun and Festival from Latin America 360:E.g. The title of a 1963 album by 25: 85:" or "Argentine Song", and (in 1: 285:Canciones Populares Chilenas 49:in 1880), who emigrated to 427: 102:Si alguna vez en tu pecho, 330:J.P. González Rodriguez, 313:R. Lado and E. Blansitt, 132:pero nunca se lo digas... 269:The American Philatelist 115:mi cariño no lo abrigas, 160:for HMV (1922 and 1926) 119:engáñalo como un niño, 34: 177:for Parlophone (1929) 137:Recordings (examples) 30: 315:Contemporary Spanish 281:A. Acevedo Hernández 195:Giuseppe di Stefano 51:Mendoza, Argentina 45:. Freire (born in 43:Osmán Pérez Freire 35: 32:Osmán Pérez Freire 169:Conchita Supervia 16:(Redirected from 418: 401:Songs in Spanish 385: 384: 371: 365: 358: 352: 345: 339: 328: 322: 311: 305: 294: 288: 278: 272: 265: 259: 248: 211:The Three Tenors 21: 426: 425: 421: 420: 419: 417: 416: 415: 411:Argentine songs 391: 390: 389: 388: 373: 372: 368: 359: 355: 346: 342: 329: 325: 312: 308: 295: 291: 279: 275: 266: 262: 249: 236: 231: 175:Dmitri Smirnoff 139: 120: 116: 103: 99: 23: 22: 15: 12: 11: 5: 424: 422: 414: 413: 408: 403: 393: 392: 387: 386: 366: 353: 340: 323: 306: 289: 273: 260: 233: 232: 230: 227: 226: 225: 218: 216:Julio Iglesias 213: 208: 203: 198: 192: 190:Jussi Björling 187: 181:Richard Tauber 178: 172: 171:for Parlophone 166: 164:Umberto Urbano 161: 155: 152: 151:for HMV (1930) 146: 138: 135: 129: 128: 112: 111: 98: 95: 24: 14: 13: 10: 9: 6: 4: 3: 2: 423: 412: 409: 407: 404: 402: 399: 398: 396: 382: 381: 376: 370: 367: 363: 357: 354: 350: 344: 341: 337: 333: 327: 324: 320: 316: 310: 307: 303: 299: 293: 290: 286: 282: 277: 274: 270: 264: 261: 257: 253: 247: 245: 243: 241: 239: 235: 228: 223: 219: 217: 214: 212: 209: 207: 206:Alfredo Kraus 204: 202: 199: 196: 193: 191: 188: 186: 185:Odeon Records 182: 179: 176: 173: 170: 167: 165: 162: 159: 156: 153: 150: 147: 144: 143:Enrico Caruso 141: 140: 136: 134: 133: 127: 124: 123: 122: 121: 117: 110: 107: 106: 105: 104: 96: 94: 92: 88: 84: 80: 76: 75: 67: 65: 64: 63:Cielito Lindo 58: 56: 52: 48: 44: 40: 33: 29: 19: 378: 369: 356: 348: 343: 335: 331: 326: 318: 314: 309: 301: 297: 292: 284: 276: 268: 263: 251: 149:Miguel Fleta 131: 130: 125: 118: 114: 113: 108: 101: 100: 90: 71: 68: 61: 59: 39:¡Ay, ay, ay! 38: 36: 319:Ay, ay, ay! 296:H. Garvin, 201:Mario Lanza 158:Tito Schipa 79:Cuyo region 406:1913 songs 395:Categories 362:Luigi Alva 336:Ay, ay, ay 302:Ay, ay, ay 229:References 222:Les Baxter 126:¡ay ay ay! 109:¡ay ay ay! 258:(Google). 256:at p. 121 220:In 1956, 91:Ay-Ay-Ay 72:canción 47:Santiago 18:Ay-Ay-Ay 380:Discogs 145:for HMV 83:Criolla 77:of the 197:(1952) 97:Lyrics 87:Schott 74:cuyana 55:Tango 183:for 397:: 377:. 304:." 283:, 237:^ 383:. 364:. 37:" 20:)

Index

Ay-Ay-Ay

Osmán Pérez Freire
Osmán Pérez Freire
Santiago
Mendoza, Argentina
Tango
Cielito Lindo
cuyana
Cuyo region
Criolla
Schott
Enrico Caruso
Miguel Fleta
Tito Schipa
Umberto Urbano
Conchita Supervia
Dmitri Smirnoff
Richard Tauber
Odeon Records
Jussi Björling
Giuseppe di Stefano
Mario Lanza
Alfredo Kraus
The Three Tenors
Julio Iglesias
Les Baxter


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