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intended to reduce redundant efforts of scanning and cataloging thousands of the same images from multiple repositories, and also to enable new digital image collections to be shared for teaching and research. The initiative paired innovative digital image and online technologies with Mellon
Foundation's ongoing mission to support higher education, museums, the arts, and art conservation to “bring about a substantial transformation in art-related teaching, learning, and research.”
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side-by-side comparisons, zooming and panning, and the ability to customize text on the slides. OIV enables instructors to give reliable classroom presentations using both high-resolution
Artstor images and local content without being connected to the Internet. The Artstor Digital Library is accessible through Apple iPad, iPhone, iPod Touch, and Android-powered devices, providing read-only features such as searching and browsing, zooming, and viewing saved image groups.
51:
77:
and educational communities to develop collective solutions for building, managing and sharing digital images for educational use. Like many non-profits, Artstor has a mixed business model; some services are provided on a fee basis (geared toward the size of the subscribing institution) and others are provided free of charge to the community.
106:, and other non-profit organizations. The Artstor Digital Library offers a wide range of images needed for interdisciplinary teaching and research, including contributions from the leading museums, photo archives, libraries, scholars, photographers, artists, and artists’ estates. These diverse collections include:
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growing body of built works information. It will serve scholars, students, educators, librarians, and catalogers from academic and cultural heritage organizations worldwide, and will be openly accessible to the general public. The project is supported by a three-year
National Leadership grant awarded by the
69:
In the late 1990s, as universities and libraries began to convert their slide libraries into local digital image databases, Artstor was created to address the growing need for a shared online image library that would be accessible to educational institutions worldwide. The
Artstor Digital Library is
76:
Artstor's primary goals as an organization are: to assemble image collections from across many time periods and cultures; to create an organized, central, and reliable digital resource that supports strictly non-commercial use of images for research, teaching and learning; and to work with the arts
342:
at
Columbia University are collaborating on the creation of the Built Works Registry (BWR), a community-generated data resource for architectural works and the built environment. The BWR's goal is to create the system and tools to enable the gathering and widespread dissemination of a large and
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2007. Artstor has also developed the
Offline Image Viewer (OIV), an alternative tool for giving offline classroom presentations. OIV allows users to download much larger images from Artstor, combine Artstor images with their own content to create digital slide show presentations that feature
166:
Artstor users have the ability to search, organize, present, upload, and share images. In addition to keyword and advanced searching, users may browse works by geography, classification, or collection name. Users can zoom in on high-resolution images in the image viewer and review related
382:
EMET is a software tool that is freely available for download as a stand-alone application. EMET is intended to facilitate management and preservation of digital images and their incorporation into external databases and applications. EMET was created by
Artstor through funding from the
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Artstor also provides Shared Shelf, a Web-based cataloging and digital media management software service that allows institutions to catalog, edit, store, and share local collections. Shared Shelf was launched in 2011. Artstor worked with ten institutional partners to develop this service:
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in 2007 and is now available as an optional service to all museums who contribute images to the
Artstor Digital Library. Scholars can access these images through the Artstor Digital Library at subscribing institutions or can request free access to IAP by contacting Artstor.
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As part of
Artstor's mission of using digital technologies to further education, scholarship, and research worldwide, the organization collaborates with other institutions in the community to offer a number of services, many of them free.
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The
Artstor Digital Library includes a set of software tools to view, present, and manage images for research and teaching purposes. There are currently more than 1,500 Artstor institutional subscribers in over 45 countries, including
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The Digital Library comprises more than one million images from hundreds of collections worldwide. The Digital Library is continually expanded by new contributions such as: Mark Rothko Estate; Latin American Art (Cisneros Collection);
838:
Kuan, Christine. ARTstor: Collections and the New Curatorial Workspace. Paper presented at the International Federation of Library Associations and Institutions (IFLA) Pre-Conference at the Villa I Tatti, Florence, Italy (2009).
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that builds and distributes the Digital Library, an online resource of more than 2.5 million images in the arts, architecture, humanities, and sciences, and Shared Shelf, a Web-based cataloging and image management
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Artstor's Images for Academic Publishing (IAP) program makes available publication-quality images for use in scholarly publications free of charge. The IAP program was initiated by the
354:(GRI), nine other institutions, and an international advisory board will also participate throughout the three-year project development cycle. BWR data will be contributed to the
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gallery exhibitions); architectural photography from Esto, Canyonlights and ART on FILE; university collections from Harvard and Yale; and historical photo archives such as the
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Since 2003, the organization has been an independent non-profit 501(C)(3) organization based in New York. Starting in 2016, it joined in a strategic alliance with
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The SAH Architecture Resources Archive (SAHARA), an online library of architectural and landscape images for research and teaching, is a collaboration among The
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information in image data records. They can also export images for use in classroom presentations and other non-commercial, educational uses, either as
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Shulman, James. Words... will not stay in place: cataloging and sharing image collections, “Art Libraries Journal”, vol. 36, no. 32. (2011): 25–32.
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In 2024, the Artstor platform and content became available as part of the JSTOR platform as part of JSTOR's broader multimedia content offerings.
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Marmor, Max. The ARTstor Digital Library: A case study in digital curation. Paper presented at DigCCurr2007, Chapel Hill, NC (2007).
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387:(NDIIPP). For programmers interested in reviewing and customizing the code, EMET is also available as an open source application on
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291:
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374:(SAH), scholars of architectural history, librarians, and Artstor, funded by a grant from The Andrew W. Mellon Foundation.
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680:"Avery Architectural & Fine Arts Library and Artstor Awarded IMLS National Leadership Grant For Built Works Registry"
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Kuan, Christine. A Question of Practice: The Gernsheim Photographic Corpus of Drawings in the ARTstor Digital Library.
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246:(DPLA) is providing free access to more than 10,000 high-quality images and data records from six leading museums: the
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Wagner, Gretchen. Who Owns this Image? Art, Access and the Public Domain after Bridgeman v. Corel.
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Wagner, Gretchen. Sharing visual arts images for educational use: Finding a new angle of repose.
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362:(CONA) and will be a critical component to the controlled vocabulary warehouse in Shared Shelf.
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Rockenbach, Barbara and Carole Ann Fabian. Visual Literacy in the Age of Participation.
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service that allows institutions to catalog, edit, store, and share local collections.
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Society of Architectural Historians Architecture Resources Archive (SAHARA)
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818:, ”The Charleston Advisor”, Volume 13, Number 2. (2011): pp. 63–65.
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Marmor, Max. Six lessons learned: an (early) ARTstor retrospective.?
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Rockenbach, Barbara. ARTstor: A Cross-Campus Digital Image Library.
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National Digital Information Infrastructure and Preservation Program
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49:
168:
624:"ARTstor to Help Launch the Digital Public Library of America"
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The Charleston Advisor Interview with ARTstor's James Shulman
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138:(SFMOMA); Christopher Roy: African Art and Architecture;
775:"For Art History Scholars, Illumination is a Click Away"
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Archive, The Huntington Archive of Asian Art, and The
972:Non-profit organizations based in New York (state)
796:"Departing Harvard Leader to Organize Digital Art"
435:"Departing Harvard Leader to Organize Digital Art"
290:Current IAP contributors include Frank Cancian (
146:Archive (100,000 images documenting 30 years of
122:(MoMA) Architecture and Design Collection, the
705:"Society of Architectural Historians - SAHARA"
509:"ARTstor Collection descriptions & status"
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242:Through a collaboration with Artstor, the
861:"Far-Flung Artworks, Side by Side Online"
725:"EMET: Embedded Metadata Extraction Tool"
340:Avery Architectural and Fine Arts Library
378:EMET (Embedded Metadata Extraction Tool)
345:Institute of Museum and Library Services
238:Digital Public Library of America (DPLA)
62:, which currently operates the services
604:"Beta testing of Shared Shelf software"
400:
215:University of Illinois Urbana-Champaign
947:Arts organizations established in 2004
655:"Images for Academic Publishing (IAP)"
110:, Carnegie Arts of the United States,
773:Arenson, Karen W. (August 14, 2004).
7:
484:"Current Participating institutions"
459:"JSTOR announces "Artstor on JSTOR""
278:Images for Academic Publishing (IAP)
794:Arenson, Karen W. (April 5, 2001).
372:Society of Architectural Historians
211:Society of Architectural Historians
859:Mirapaul, Matthew (May 22, 2003).
534:"Access Artstor-anywhere, anytime"
136:San Francisco Museum of Modern Art
25:
905:Images, the Newsletter of the VRA
244:Digital Public Library of America
832:, vol. 48, no. 3 (2010): 374–9.
433:Arenson, Karen W. (2001-04-05).
409:"Artstor and ITHAKA join forces"
292:University of California, Irvine
750:"EMET – Free software download"
461:. 5 August 2024. Archived from
360:Cultural Objects Name Authority
320:Princeton University Art Museum
316:Northwestern University Library
27:Non-profit digital art archive
1:
559:"ARTstor Mobile-Artstor Help"
952:Andrew W. Mellon Foundation
584:"Shared Shelf is Launched!"
328:Yale University Art Gallery
272:Yale University Art Gallery
268:Yale Center for British Art
156:Frick Art Reference Library
114:, the Mellon International
66:, Portico, and Ithaka S+R.
993:
967:American digital libraries
855:10 no. 2 (April 15, 2006).
334:Built Works Registry (BWR)
312:Metropolitan Museum of Art
304:Indianapolis Museum of Art
284:Metropolitan Museum of Art
256:Samuel H. Kress Collection
252:Indianapolis Museum of Art
124:Metropolitan Museum of Art
916:42, no. 6 (2007): 84-104.
883:31, no. 3 (2007): 42–45.
356:Getty Vocabulary Program
352:Getty Research Institute
300:Getty Research Institute
102:, primary and secondary
890:. 27: 2 (2008): 26–31.
260:National Gallery of Art
171:, or presentations for
152:National Gallery of Art
112:The Illustrated Bartsch
55:
35:nonprofit organization
824:10.5260/chara.13.2.63
158:, among many others.
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962:Museum organizations
907:5, no. 3 (June 2008)
296:Dallas Museum of Art
248:Dallas Museum of Art
140:Berlin State Museums
120:Museum of Modern Art
881:Art Library Journal
540:on 26 December 2010
515:on 26 December 2010
490:on 26 December 2010
322:(forthcoming), the
306:, Mellink Archive (
219:University of Miami
207:New York University
977:Museum informatics
865:The New York Times
814:Brunning, Dennis.
439:The New York Times
324:Walters Art Museum
264:Walters Art Museum
203:Middlebury College
199:Harvard University
195:Cornell University
162:Tools and features
56:
888:Art Documentation
308:Bryn Mawr College
294:) (forthcoming),
229:Other initiatives
16:(Redirected from
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