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ASCII art

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191: 94: 215: 371: 1146: 885:. The Commodore 64 PETSCII scene did not make the transition to the Commodore Amiga as the C64 demo and warez scenes did. Among the first Amiga ASCII art groups were ART, Epsilon Design, Upper Class, Unreal (later known as "DeZign"). This means that the text art scene on the Amiga was actually younger than the text art scene on the PC. The Amiga artists also did not call their ASCII art style "Oldskool". That term was introduced on the PC. When and by whom is unknown and lost in history. 1139: 775: 47: 359: 737: 854: 458: 598:⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠿⠿⠿⠿⢿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣾⣿⣷⣦⣌⠙⢿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⣿⣿⣿⣿⣿⣷⡈⢻⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⠟⠋⣉⠙⢻⣿⣿⣿⣷⠀⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⠟⢁⣴⣿⣿⡷⢀⣿⣿⣿⡿⠀⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⠟⢁⣴⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣼⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⠟⢁⣴⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣴⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⠟⢁⣴⣿⣿⠟⢁⣴⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣴⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⠟⢁⣴⣿⣿⣿⣿⣶⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣴⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⠁⣴⣿⣿⣿⣿⣿⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⠀⢿⣿⣿⣿⣿⣿⡿⠋⣠⣾⣿⣿⠟⢁⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣧⡈⠻⢿⣿⡿⠋⣠⣾⣿⣿⡟⢁⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣷⣶⣶⣶⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ 86: 1558: 939: 1395: 386: 946:"Newskool" is a popular form of ASCII art which capitalizes on character strings like "$ #Xxo". In spite of its name, the style is not "new"; on the contrary, it was very old but fell out of favor and was replaced by "Oldskool" and "Block" style ASCII art. It was dubbed "Newskool" upon its comeback and renewed popularity at the end of the 1990s. 1350: 75: 67: 59: 1693:, with WOBTAX and VICTORY both producing convincing smiley faces. Overprinting had previously been used on typewriters, but the low-resolution pixelation of characters on video terminals meant that overprinting here produced seamless pixel graphics, rather than visibly overstruck combinations of letters on paper. 1335:. The IBM PC code pages also include characters intended for simple drawing which often made this art appear much cleaner than that made with more traditional character sets. Plain text files are also seen with these characters, though they have become far less common since Windows GUI text editors (using the 250:, which predated ASCII, were used. According to a chapter in the "RTTY Handbook", text images have been sent via teletypewriter as early as 1923. However, none of the "old" RTTY art has been discovered yet. What is known is that text images appeared frequently on radioteletype in the 1960s and the 1970s. 1684:
In the 1970s and early 1980s it was popular to produce a kind of text art that relied on overprinting. This could be produced either on a screen or on a printer by typing a character, backing up, and then typing another character, just as on a typewriter. This developed into sophisticated graphics in
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H H EEEEE L L OOO W W OOO RRRR L DDDD  !! H H E L L O O W W W O O R R L D D !! HHHHH EEEEE L L O O W W W O O RRRR L D D !! H H E L L O O ,, W W O O R R L D D H H EEEEE
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showcases various types of Unicode art, mainly for aesthetic purpose (Ɯıḳĭƥḙȡḯả Wîkipêȡıẚ Ẉǐḳîṗȅḍȉā Ẃįḵįṗẻḑìẵ Ẉĭḵɪṕḗdïą Ẇïƙỉpểɗĭà Ẅȉḱïṕȩđĩẵ etc.). Besides, the creations can be hand-crafted (by programming), or pasted from mobile applications (e.g. the category of 'fancy text' tools on Android). The
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There are a variety of other types of art using text symbols from character sets other than ASCII and/or some form of color coding. Despite not being pure ASCII, these are still often referred to as "ASCII art". The character set portion designed specifically for drawing is known as the line drawing
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Some ASCII artists have produced art for display in proportional fonts. These ASCIIs, rather than using a purely shade-based correspondence, use characters for slopes and borders and use block shading. These ASCIIs generally offer greater precision and attention to detail than fixed-width ASCIIs for
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could be used. The technique has fallen from popularity since all cheap printers can easily print photographs, and a normal text file (or an e-mail message or Usenet posting) cannot represent overprinted text. However, something similar has emerged to replace it: shaded or colored ASCII art, using
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to produce ASCII art, specialized programs, such as JavE have been developed that often simulate the features and tools in bitmap image editors. For Block ASCII art and ANSI art the artist almost always uses a special text editor, because to generate the required characters on a standard keyboard,
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of the late 1970s and early 1980s. The limitations of computers of that time period necessitated the use of text characters to represent images. Along with ASCII's use in communication, however, it also began to appear in the underground online art groups of the period. An ASCII comic is a form of
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Beyond pixel graphics, this was also used for printing photographs, as the overall darkness of a particular character space dependent on how many characters, as well as the choice of character, were printed in a particular place. Thanks to the increased granularity of tone, photographs were often
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would seem to offer the ultimate flexibility in producing text based art with its huge variety of characters. However, finding a suitable fixed-width font is likely to be difficult if a significant subset of Unicode is desired. (Modern UNIX-style operating systems do provide complete fixed-width
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There is some debate between ASCII and block ASCII artists, with "Hardcore" ASCII artists maintaining that block ASCII art is in fact not ASCII art, because it does not use the 128 characters of the original ASCII standard. On the other hand, block ASCII artists argue that if their art uses only
1216:, where all characters are identical in width. Early computers in use when ASCII art came into vogue had monospaced fonts for screen and printer displays. Today, most of the more commonly used fonts in word processors, web browsers and other programs are proportional fonts, such as 177:
ASCII art was invented, in large part, because early printers often lacked graphics ability and thus, characters were used in place of graphic marks. Also, to mark divisions between different print jobs from different users, bulk printers often used ASCII art to print large
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in 1979 (ANSI Standard x3.16) for the IBM PC DOS and MS-DOS operating systems. "Block ASCIIs" were widely used on the PC during the 1990s until the Internet replaced BBSes as the main communication platform. Until then, "block ASCIIs" dominated the
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terminals. These animations were simply text with cursor movement instructions, deleting and erasing the characters necessary to appear animated. Usually, they represented a long hand-crafted process undertaken by a single person to tell a story.
1256:. Static ASCII art pictures are loaded and displayed one after another, creating the animation, very similar to how movie projectors unreel film reel and project the individual pictures on the big screen at movie theaters. A new term was born: " 888:
The Amiga style ASCII artwork was most often released in the form of a single text file, which included all the artwork (usually requested), with some design parts in between, as opposed to the PC art scene where the art work was released as a
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Many game walkthrough guides come as part of a basic .txt file; this file often contains the name of the game in ASCII art. Such as below, word art is created using backslashes and other ASCII values in order to create the illusion of 3D.
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font, which includes characters like ┌╥─╨┐♥☺Ƹ̵̡Ӝ̵̨̄Ʒ). Also, the common practice of rendering Unicode with a mixture of variable width fonts is likely to make predictable display hard, if more than a tiny subset of Unicode is used.
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to make the use of those characters easier for the artist who can switch between individual sets of characters via basic keyboard shortcuts. PabloDraw is one of the very few special ASCII/ANSI art editors that were developed for
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of computer programs for representation of company or product logos, and flow control or other diagrams. In some cases, the entire source code of a program is a piece of ASCII art – for instance, an entry to one of the earlier
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The IBM PC graphics hardware in text mode uses 16 bits per character. It supports a variety of configurations, but in its default mode under DOS they are used to give 256 glyphs from one of the IBM PC code pages
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These symbols, intruding up and down, are made by combining lots of diacritical marks. It’s a kind of art. There’s quite a lot of artists who use the Internet or specific social networks as their canvas.
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In the art scene one popular ASCII style that used the 7-bit standard ASCII character set was the so-called "Oldskool" style. It is also called "Amiga style", due to its origin and widespread use on the
1200:, that generate ASCII art in real-time using input from the phone's camera. These applications typically allow the ASCII art to be saved as either a text file or as an image made up of ASCII text. 581:|\_/| **************************** (\_/) / @ @ \ * "Purrrfectly pleasant" * (='.'=) ( > º < ) * Poppy Prinz * (")_(") `>>x<<´ * ( 182:, making the division easier to spot so that the results could be more easily separated by a computer operator or clerk. ASCII art was also used in early e-mail when images could not be embedded. 1224:, where different widths are used for different characters. ASCII art drawn for a fixed width font will usually appear distorted, or even unrecognizable when displayed in a proportional font. 1279:
There are now many tools and programs that can transform raster images into text symbols; some of these tools can operate on streaming video. For example, the music video for American singer
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ASCII art is used wherever text can be more readily printed or transmitted than graphics, or in some cases, where the transmission of pictures is not possible. This includes typewriters,
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or other general software reverse-engineering releases. The ASCII art will usually include the warez group's name and maybe some ASCII borders on the outsides of the release notes, etc.
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was producing realistic images, also on line printers, by overprinting several characters on top of one another. Note that it was not ASCII art in a sense that the 1403 was driven by an
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Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII). The term is also loosely used to refer to
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Since 1867, typewriters have been used for creating visual art. Typists could find guides in books or magazines with instructions on how to type portraits or other depictions.
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genre using ASCII art to visually represent dungeons and monsters within them. "0verkill" is a 2D platform multiplayer shooter game designed entirely in color ASCII art.
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were staples of the early technological era; terminal systems relied on coherent presentation using color and control signals standard in the terminal protocols.
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precision, and then assign a character for each value. Such ASCII art generators often allow users to choose the intensity and contrast of the generated image.
450: 3221: 3051: 2148: 662:, was an ASCII comic, published by Joaquim Gândara between 5 August 2001 and 17 July 2007, and consisting of 600 strips. They were posted to ASCII art 515:
Examples of ASCII-style art predating the modern computer era can be found in the June 1939, July 1948 and October 1948 editions of Popular Mechanics.
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which uses ASCII text to create images. In place of images in a regular comic, ASCII art is used, with the text or dialog usually placed underneath.
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with separate text files for each piece. Furthermore, the releases were usually called "ASCII collections" and not "art packs" like on the IBM PC.
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The simplest forms of ASCII art are combinations of two or three characters for expressing emotion in text. They are commonly referred to as '
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that were compatible with the 8-bit home computers. ATASCII text animations are also referred to as "break animations" by the Atari sceners.
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_____ ___ ____ _ _ | ___|_ _/ ___| | ___| |_ | |_ | | | _| |/ _ \ __| | _| | | |_| | | __/ |_ |_| |___\____|_|\___|\__|
1899: 620:'. There is another type of one-line ASCII art that does not require the mental rotation of pictures, which is widely known in Japan as 2487:[Wireless remote flash control PT-04 with Minolta flash 5600HS(D) - wireless triggering works, but still flash does not fire]. 3908: 3620: 3281:
translators: Ania Górecka , Asia Mazur , Błażej Kozłowski , Janusz , Łukasz Dąbrowski , Łukasz Tyrała , Łukasz Wilk , Marcin Gliński )
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by default), 16 foreground colors, eight background colors, and a flash option. Such art can be loaded into screen memory directly.
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Often, such artwork is designed to be viewed with the default Japanese font on a platform, such as the proportional MS P Gothic.
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characters of the computers character set, then it is to be called ASCII, regardless if the character set is proprietary or not.
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became increasingly popular, leading to a decline in ASCII art. Despite this, ASCII art continued to survive through online
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a lower character count, although they are not as universally accessible since they are usually relatively font-specific.
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system (circa 1973), where superscript and subscript allowed a wide variety of graphic effects. A common use was for
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This kind of ASCII art is handmade in a text editor. Popular editors used to make this kind of ASCII art include
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NWDOS-TIPs – Tips & Tricks rund um Novell DOS 7, mit Blick auf undokumentierte Details, Bugs und Workarounds
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ASCIImation. More complicated routines in JavaScript generate more elaborate ASCIImations showing effects like
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The first art scene group that focused on the extended character set of the PC in their art work was called "
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The special text editors have sets of special characters assigned to existing keys on the keyboard. Popular
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Oldschool/Amiga ASCII look on Commodore Amiga Computer versus look on the IBM PC (notice the tight spacing)
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Other programs allow one to automatically convert an image to text characters, which is a special case of
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Early computer games played on terminals frequently used ASCII art to simulate graphics, most notably the
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with a photograph printed in ASCII art on it from an automated kiosk containing a computer, and London's
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for presentation and consists of pictures pieced together from the 95 printable (from a total of 128)
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stylized usernames for social networks. With a fair compatibility, and among different online tools,
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The corresponding creations are favored in web browsers (thanks to their always better support), as
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More complex examples use several lines of text to draw large symbols or more complex figures.
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depth (solutions: reduced line spacing; bold style; block elements; colored background; good
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is a program that adds numbers, but visually looks like a binary adder drawn in logic ports.
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ratio (solutions with compatibility issues: font with a square grid; stylized without extra
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The Amiga ASCII scene surfaced in 1992, seven years after the introduction of the Commodore
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revitalized animated ASCII art again. It became possible to display animated ASCII art via
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This is one of the earliest forms of ASCII art, dating back to the early days of the 1960s
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in appearance is part of this article. Alternatively, one could look at the file using the
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Combinations of the above, often used as signatures, for example, at the end of an email:
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the text (e.g. via an online generator like Obfuscator, which focuses on the filters).
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sharpness (solutions: a longer text, with a smaller font; a greater set of characters;
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Among the oldest known examples of ASCII art are the creations by computer-art pioneer
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have developed over time, but only a few are generally accepted, used and understood.
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Different techniques could be used in ASCII art to obtain different artistic effects.
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Shading, using symbols with various intensities for creating gradients or contrasts:
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So-called "block ASCII" or "high ASCII" uses the extended characters of the 8-bit
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had a similar service to produce printed portraits. With the advent of the web,
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Animated ASCII art started in 1970 from so-called VT100 animations produced on
814:). In that same year the second major underground art scene group was founded, 3918: 3796: 3741: 3635: 3398: 2970: 2379: 2056: 1951: 1786: 1764: 1615: 1272:
effects, star field emulations, fading effects and calculated images, such as
1253: 1249: 1190: 1033: 882: 377: 152: 1291:, a media player software, can render any video in colored ASCII through the 1027:
and ACiDDraw had multiple sets of different special characters mapped to the
3883: 3811: 3670: 3565: 3484: 3333: 2457:[Building your own remote camera trigger - problem with function…]. 2397:[Using a Bandgap voltage reference as Mercury battery replacement]. 1895:"1966 Studies in Perception I by Ken Knowlton and Leon Harmon (Bell Labs)", 1836: 1756: 1669: 1431: 1265: 1217: 1159: 1049: 938: 663: 553:"Typewriter-style" lettering, made from individual letter characters:  519: 194: 167: 2269:
NFO Files collection at Defacto2.net, with NFO files that date back to 1989
2085: 1507:(^_^) (^^ゞ (^_^;) (-_-;) (~_~;) (・。・;) (・_・;) (・・;) ^^; ^_^; (#^.^#) (^ ^;) 327:, and other forms of online communication which commonly employ the needed 17: 30:"Text Art" redirects here. For the art form also known as "text art", see 3923: 3888: 3746: 3535: 2712: 1782: 1741: 1729: 1690: 1454: 1371: 1332: 1328: 1317: 1269: 977: 909: 747: 644: 613: 607: 341: 291: 263: 148: 116: 79: 31: 3361: 2268: 2230: 1186:; all of which render the screen using ASCII symbols instead of pixels. 695:. The emergence of ATASCII art coincided with the growing popularity of 563:.--. /\ ____ '--' /__\ (^._.^)~ <(o.o )> 415:
groups began to enter the ASCII art scene. Warez groups usually release
74: 66: 58: 3630: 3312: 2902:"54. Watch Videos in ASCII Art - Linux Multimedia Hacks [Book]" 2863: 2855: 2282: 1798: 1794: 1790: 1625: 1527: 1522: 1394: 1292: 1179: 1167: 1105: 1082: 1024: 954: 716: 692: 621: 523: 2149:"Neofetch Creates Colorful System Information Screens using Ascii Art" 666:
alt.ascii-art and on the website. Some strips have been translated to
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underlying technique dates back to the old systems that incorporated
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and do not remove this message until the contradictions are resolved.
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includes fading effect and horizontal scrolling star field emulation
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offers a larger selection of characters than plain ASCII (including
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Newskool changed significantly as the result of the introduction of
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x3.16. One can view block ASCIIs with a text editor using the font "
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TTY stands for "TeleTYpe" or "TeleTYpewriter", and is also known as
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published a representation of an electronic circuit produced on an
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ANSI video terminal markup or color codes (such as those found in
1532: 1393: 1349: 1348: 1284: 1237: 1183: 1163: 937: 913: 871: 863: 852: 803: 773: 720: 531: 489: 456: 448: 412: 320: 222:, 6 January 1875, showing advertisements made from typewriter art. 213: 189: 124: 92: 3351: 3197: 2174:"NeoFetch: See System Information from the Command Line on Linux" 1154:
Still images or movies can also be converted to ASCII on various
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The widespread usage of ASCII art can be traced to the computer
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converted to this type of printout. Even manual typewriters or
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The alphabet in Newskool (Note: artificially shrunk vertically)
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style" (also referred to as "old school" or "oldskool" style)
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by Napalm, 11 October 1998, The History of Art and Technology
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LLLLL LLLLL OOO ,, W W OOO R R LLLLL DDDD  !!
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An Abbreviated History of the Underground Computer Art Scene
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There are 95 printable ASCII characters, numbered 32 to 126.
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example from the PC, which was taken from the ASCII editor
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Block ASCII display via Notepad versus ACiDView for Windows
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provides considerable ways of customizing the style, even
727:"Block ASCII" / "High ASCII" style ASCII art on the IBM PC 308:, an acronym for "Multi-User Dungeon", (which are textual 3346: 2124:
Comics & Media: A Special Issue of "Critical Inquiry"
806:). Some members left in 1990, and formed a group called " 3033:"web services - Should Unicode be allowed in usernames?" 2957:
ASCII Animation Starfield by SkyLined (using JavaScript)
1510:
Smiley, nervous, embarrassed, troubled, shy, sweat drop
453:
A self-propelled howitzer and truck made using ASCII art
174:
from 1966 shows some examples of their early ASCII art.
3393: 2947:
includes morph effects and mandelbrot fractal animation
2575:"Keyboard Text Art From Over Twenty Years Before ASCII" 1575: 1493:
in which the face appears upright rather than rotated.
429:
systems were based on ASCII and ANSI art, as were most
170:
at the time. "Studies in Perception I" by Knowlton and
2945:
ASCII Animation "Morph" by SkyLined (using JavaScript)
587:
As-pixel characters use combinations of ░ , █ , ▄, ▀ (
534:
library. ASCII art is used in the making of DOS-based
2866:
Conference – Cleveland, Ohio, USA, 23–25 April 2004.
2545:"Innenschaltung Minolta PC Terminal Adapter PCT-100" 866:
computers. The style uses primarily the characters:
3874: 3830: 3704: 3528: 3498: 3448: 3441: 2879:. asciiartgenerator.net. 2012-01-12. Archived from 1916: 1473:American Standard Code for Information Interchange 584:) * / O \ **************************** 2121:Chute, Hillary L.; Jagoda, Patrick (2014-07-11). 678:Styles of the computer underground text art scene 512:archives represent the circuits using ASCII art. 496:news messages. ASCII art is also used within the 2333:"Sci.electronics FAQ: Assorted ASCII Schematics" 2231:"Defacto2 – Scene Documents, text and NFO files" 1866:Department of Design - The Ohio State University 838: 786:, which is a proprietary standard introduced by 128: 3384:ASCII Art Animation of Star Wars, "ASCIIMATION" 2744: 1486: 1409: 1383: 1353: 2806: 2804: 2802: 1478: 1403: 1377: 1362: 1089:Examples of converted images are given below. 1063:of the conversion, especially of photographs: 967:List of text editors § ASCII and ANSI art 3419: 3357:Sixteen Colors ANSI Art and ASCII Art Archive 3218:"History of Text Art Video by RaD Man / ACiD" 2660:]. Release 157 (in German) (3 ed.). 1124:colorspace, enabling colorized ASCII images. 51:ASCII art version of the Knowledge (XXG) logo 8: 1426:In Japan, ASCII art (AA) is mainly known as 530:can display videos as ASCII art through the 205:" from a 9th-century astronomical manuscript 39: 3308:Building Character: ANSI From the Ground Up 3287:"Strona grupy dyskusyjnej PL.REC.ASCII-ART" 2713:"The Adventures of Nerd Boy—Episodes 1-635" 2600:"Roguelikes Aren't Done With ASCII Art Yet" 2254:: CS1 maint: numeric names: authors list ( 3445: 3426: 3412: 3404: 3372:"As-Pixel Characters" ASCII art collection 3343:(ASCII Art Movie. The Matrix in ASCII Art) 3196:Carlsson, Anders; Miller, A. Bill (2012). 3113:"fancy text - Android Apps on Google Play" 2784:Moeser, David; Fusik, Piotr (2007-05-13). 1075: 1048:. A method is to sample the image down to 2786:"7.2: What is the ATASCII character set?" 1602:Learn how and when to remove this message 1100:. During the 1970s, it was popular in US 297:During the 1990s, graphical browsing and 3399:Video to ASCII Demonstration in 4 stages 1495: 1339:) have largely replaced DOS-based ones. 1170:(colour) graphics device driver, or the 1013: 1009: 1005: 1002: 999: 995: 991: 988: 985: 981: 736: 566:Solid art, for creating filled objects: 84: 73: 65: 57: 3052:"Facebook Page Performance Art Glitchr" 1892: 1852: 825:Microsoft Windows does not support the 503:International Obfuscated C Code Contest 354: 27:Computer art form using text characters 2352:"Schematics just look cooler in ASCII" 2247: 1888: 1886: 1463:Users on ASCII-NET, in which the word 1264:. A seminal work in this arena is the 166:from around 1966, who was working for 38: 3153:PLATO History: Remembering the future 2654:NWDOS-TIPs - — Tips & tricks for 1068: 7: 3362:Defacto2.net Scene NFO Files Archive 2732: 2111:by Andries Van Dam & David Evans 1656:, though. E.g. the German composite 575::$ #$ : "4b. ':. :$ #$ : "4b. ':. 131:. ASCII art can be created with any 2848:100 YEARS OF THE COMPUTER ART SCENE 2283:"16 bit addition the easy/hard way" 1440:fullwidth forms of ASCII characters 437:applications, and the precursor to 78:"Block" or "High ASCII" style, cf. 3909:Los Angeles Center for Digital Art 3621:Generative artificial intelligence 3216:Cumbrowski, Carsten (2007-11-02). 2877:"ASCII Art Generator: An Overview" 2598:Valentin, Christian (2016-10-17). 2573:Cumbrowski, Carsten (2007-02-14). 2315:"Circuits in the Circuits Archive" 1208:Most ASCII art is created using a 971:While some prefer to use a simple 849:"Amiga"/"Oldskool" style ASCII art 746:appears to contradict the article 629:Hundreds of different text smileys 25: 3198:"Future Potentials for ASCII art" 2646:Paul, Matthias R. (1997-07-30) . 2513:Paul, Matthias R. (2010-04-09) . 2483:Paul, Matthias R. (2009-04-26) . 2350:Cunningham, Collin (2010-02-04). 2061:"DEVELOPMENT OF (ASCII) TEXT ART" 1956:"The History of ASCII (Text) Art" 1475:, popularised a style of emoticon 980:for each character. For example, 2543:Paul, Matthias R. (2012-05-09). 2453:Paul, Matthias R. (2005-03-07). 2423:Paul, Matthias R. (2009-03-14). 2393:Paul, Matthias R. (2005-12-12). 2364:from the original on 2016-09-11. 2303:from the original on 2004-06-26. 1897:Image of Studies in Perception I 1556: 1548:Control and combining characters 1459:List of emoticons § Eastern 1436:characters from Japanese scripts 1144: 1137: 1130: 961:Methods for generating ASCII art 818:, "Insane Creators Enterprise". 735: 560:Line art, for creating shapes: 384: 369: 357: 129:text-based visual art in general 45: 3248:from the original on 2008-03-05 3224:from the original on 2008-03-02 3204:from the original on 2014-07-08 3184:from the original on 2008-03-06 2927:from the original on 2008-12-09 2693:from the original on 2008-03-10 2664:from the original on 2017-09-10 2625:Hanselman, Scott (2018-01-12). 2237:from the original on 2008-03-12 2211:from the original on 2008-02-15 2199:"History of the PC Ascii Scene" 2127:. University of Chicago Press. 2033:Blue Ridge Summit, Pennsylvania 1984:. The Virtual Typewriter Museum 1841:Duplicate characters in Unicode 951:extended proprietary characters 845:command in the command prompt. 624:(literally "face characters".) 3367:Chris.com ASCII art collection 3347:TexArt.io ASCII Art collection 3050:Zakas, Laimonas (2012-01-12). 2425:"Minolta SR-T Batterieadapter" 2395:"Minolta SR-T Batterieadapter" 1455:Emoticon § Japanese_style 699:caused by availability of the 334:It is seen to this day on the 1: 3389:ASCII Keyboard Art Collection 2687:"Collection of ASCII Smileys" 2271:. Retrieved 17 February 2008. 238:or Teletype. RTTY stands for 3894:Austin Museum of Digital Art 2919:Jansen, Simon (2006-04-18). 2757:Štěrba, Radek (2005-12-20). 2378:. 2015-02-13. Archived from 2376:"AACircuit - ASCII-Circuits" 2317:. 2013-01-09. Archived from 2172:Sneddon, Joey (2020-05-15). 404:ASCII and more importantly, 3541:Artificial intelligence art 3511:Fractal-generating software 3289:(in Polish). Archived from 3238:"The First Smiley :-)" 2551:(in German). Archived from 2521:(in German). Archived from 2491:(in German). Archived from 2461:(in German). Archived from 2431:(in German). Archived from 2401:(in German). Archived from 1980:Robert, Paul (2005-05-11). 1923:. Que Publishing. pp.  1582:the claims made and adding 1487: 1410: 1384: 1354: 1299:Other text-based visual art 1189:There are also a number of 419:files with their software, 62:"Oldskool" or "Amiga" style 3991: 3236:Jones, Mike (2002-09-12). 3148:PLATO Emoticons, revisited 2197:Necromancer (1998-03-06). 2027:Green, Wayne (June 1972). 1860:Carlson, Wayne E. (2003). 1613: 1520: 1452: 1419: 1416:Posted on 2channel in 2000 1315: 964: 839:illustrates the difference 835:ASCII and ANSI art viewers 656:The Adventures of Nerd Boy 651:The Adventures of Nerd Boy 605: 29: 3305:Wirth, Christian (2007). 2971:"Beck - Black Tambourine" 2921:"Star "ASCIImation" Wars" 2711:Gândara, Joaquim (2006). 1915:Moritsugu, Steve (2000). 1479: 1404: 1378: 1363: 942:Newskool ASCII screenshot 139:. Most examples of ASCII 135:, and is often used with 44: 3858:Listening Post (artwork) 3262:"[ Nerdboy PL ]" 3260:nb-pl.jogger.pl (2006). 3015:"Online Text Obfuscator" 2995:monafont.sourceforge.net 2297:"Document Markup Format" 1821:Category:Artscene groups 1685:some cases, such as the 1531:Unicode fonts, e.g. for 1196:, such as ASCII cam for 1059:Three factors limit the 1040:Image to text conversion 1023:-based editors, such as 934:Newskool style ASCII art 591:), and/or ⣿, ⣴, ⢁, etc ( 352:on which it is invoked. 313:role-playing video games 3929:V&A Digital Futures 3666:Photograph manipulation 3135:www.worldofspectrum.org 3077:"Unicode 3.2 test page" 2969:BeckVEVO (2009-10-07). 2003:"D.I.Y. Typewriter Art" 1769:Typewriter mystery game 1680:Overprinting (surprint) 808:ANSI Creators in Demand 569:.g@8g. db 'Y8@P' d88b 3334:media4u.ch - ASCII Art 1738:box-drawing characters 1417: 1391: 1337:Windows ANSI code page 976:one needs to know the 943: 858: 779: 753:Please discuss at the 719:, an extended form of 465: 454: 287:bulletin board systems 223: 206: 151:, as on a traditional 105: 90: 82: 71: 63: 3899:Computer Arts Society 3352:Textfiles.com archive 3285:Wilk, Łukasz (2006). 3172:Beal, Vangie (2008). 2923:. Asciimation.co.nz. 1813:Bulletin board system 1660:would be imitated on 1640:, initiated in 2012: 1614:Further information: 1521:Further information: 1453:Further information: 1397: 1352: 1204:Non fixed-width ASCII 1166:(black and white) or 941: 856: 777: 683:Atari 400/800 ATASCII 460: 452: 344:, which displays the 217: 193: 96: 88: 77: 69: 61: 3787:Hamid Naderi Yeganeh 3762:Lynn Hershman Leeson 3596:Digital architecture 3571:Digital illustration 3506:Graphic art software 2979:– via YouTube. 2852:Jason Scott Sadofsky 2745:nb-pl.jogger.pl 2006 1902:4 March 2016 at the 1710:, and many internet 1699:daisy wheel printers 1622:combining characters 1260:" – another name of 1008:will produce ▒, and 595:) to make pictures: 510:electronic schematic 269:. At the same time, 220:Brooklyn Daily Eagle 115:technique that uses 3661:Music visualization 3586:Digital photography 2747:episodes 208 to 470 1755:Pre-ASCII history: 1752:(release info file) 1343:Shift_JIS and Japan 1046:vector quantization 482:computer networking 317:Internet Relay Chat 137:free-form languages 41: 3807:Ben Rubin (artist) 3752:Desmond Paul Henry 3551:Computer art scene 3516:Animation software 3377:2019-07-06 at the 3339:2019-08-21 at the 3242:Microsoft Research 3019:obfuscator.uo1.net 2685:textfiles (2008). 1817:Computer art scene 1728:Types and styles: 1654:control characters 1636:is one example of 1567:possibly contains 1535:. Windows has the 1418: 1392: 1274:mandelbrot fractal 1262:animated ASCII art 1232:Animated ASCII art 1162:systems using the 944: 916:), and EditPlus2 ( 868:_/\-+=.()<>: 859: 780: 478:printer separators 474:computer terminals 466: 455: 224: 207: 159:for presentation. 147:(non-proportional 106: 91: 83: 72: 64: 3937: 3936: 3817:Camille Utterback 3767:Zachary Lieberman 3737:Stephanie Dinkins 3524: 3523: 3157:19 September 2012 2735:episodes 1 to 172 2337:www.repairfaq.org 2281:Downs, Makarios. 2229:Defacto2 (2008). 2134:978-0-226-23908-8 2035:: G/L Tab Books. 1811:Related context: 1807:Text semigraphics 1612: 1611: 1604: 1569:original research 1514: 1513: 1469:ASCII Corporation 1152: 1151: 906:Microsoft Notepad 793:PC Text Art Scene 772: 771: 701:acoustic couplers 616:', 'smilie', or ' 218:A portion of the 56: 55: 16:(Redirected from 3982: 3865:Remember To Rise 3839:Edmond de Belamy 3831:Notable artworks 3822:Pindar Van Arman 3757:Mario Klingemann 3626:Generative music 3606:Evolutionary art 3601:Electronic music 3581:Digital painting 3446: 3428: 3421: 3414: 3405: 3322: 3320: 3319: 3301: 3299: 3298: 3276: 3274: 3273: 3264:. Archived from 3256: 3254: 3253: 3232: 3230: 3229: 3212: 3210: 3209: 3192: 3190: 3189: 3158: 3145: 3139: 3138: 3127: 3121: 3120: 3109: 3103: 3102: 3091: 3085: 3084: 3081:www.ltg.ed.ac.uk 3073: 3067: 3066: 3064: 3063: 3047: 3041: 3040: 3029: 3023: 3022: 3011: 3005: 3004: 3002: 3001: 2987: 2981: 2980: 2978: 2977: 2966: 2960: 2954: 2948: 2942: 2936: 2935: 2933: 2932: 2916: 2910: 2909: 2898: 2892: 2891: 2889: 2888: 2873: 2867: 2845: 2839: 2833: 2827: 2826: 2824: 2823: 2808: 2797: 2796: 2794: 2793: 2781: 2775: 2773: 2771: 2770: 2761:. Archived from 2754: 2748: 2742: 2736: 2730: 2724: 2723: 2721: 2720: 2708: 2702: 2701: 2699: 2698: 2682: 2676: 2672: 2670: 2669: 2643: 2637: 2636: 2634: 2633: 2622: 2616: 2615: 2613: 2612: 2595: 2589: 2588: 2586: 2585: 2570: 2564: 2563: 2561: 2560: 2540: 2534: 2533: 2531: 2530: 2510: 2504: 2503: 2501: 2500: 2480: 2474: 2473: 2471: 2470: 2450: 2444: 2443: 2441: 2440: 2420: 2414: 2413: 2411: 2410: 2390: 2384: 2383: 2372: 2366: 2365: 2347: 2341: 2340: 2329: 2323: 2322: 2311: 2305: 2304: 2293: 2287: 2286: 2278: 2272: 2266: 2260: 2259: 2253: 2245: 2243: 2242: 2233:. defacto2.net. 2226: 2220: 2219: 2217: 2216: 2194: 2188: 2187: 2185: 2184: 2169: 2163: 2162: 2160: 2159: 2153:BleepingComputer 2145: 2139: 2138: 2118: 2112: 2106: 2100: 2099: 2097: 2096: 2082: 2076: 2075: 2073: 2072: 2063:. Archived from 2053: 2047: 2046: 2024: 2018: 2017: 2015: 2014: 1999: 1993: 1992: 1990: 1989: 1982:"Typewriter Art" 1977: 1971: 1970: 1968: 1967: 1958:. Archived from 1948: 1942: 1941: 1922: 1912: 1906: 1890: 1881: 1880: 1878: 1877: 1868:. Archived from 1857: 1734:ASCII stereogram 1675: 1667: 1659: 1607: 1600: 1596: 1593: 1587: 1584:inline citations 1560: 1559: 1552: 1496: 1492: 1490: 1484: 1483: 1471:rather than the 1415: 1413: 1407: 1406: 1389: 1387: 1381: 1380: 1368: 1366: 1365: 1359: 1285:Black Tambourine 1172:VLC media player 1148: 1141: 1134: 1127: 1126: 1016:will produce ◘. 994:will produce ▓, 869: 800:Aces of ANSI Art 767: 764: 758: 739: 738: 731: 546:Types and styles 528:VLC media player 411:Over the years, 388: 373: 361: 271:Kenneth Knowlton 254:Line-printer art 164:Kenneth Knowlton 145:fixed-width font 100:, printout from 98:Dag Hammarskjöld 70:"Newskool" style 49: 42: 21: 3990: 3989: 3985: 3984: 3983: 3981: 3980: 3979: 3940: 3939: 3938: 3933: 3904:EVA Conferences 3877:and conferences 3876: 3870: 3826: 3705:Notable artists 3700: 3691:Texture mapping 3656:Motion graphics 3646:Interactive art 3576:Digital imaging 3520: 3494: 3437: 3432: 3379:Wayback Machine 3341:Wayback Machine 3330: 3325: 3317: 3315: 3304: 3296: 3294: 3284: 3271: 3269: 3259: 3251: 3249: 3235: 3227: 3225: 3215: 3207: 3205: 3195: 3187: 3185: 3171: 3167: 3165:Further reading 3162: 3161: 3146: 3142: 3129: 3128: 3124: 3117:play.google.com 3111: 3110: 3106: 3093: 3092: 3088: 3075: 3074: 3070: 3061: 3059: 3049: 3048: 3044: 3031: 3030: 3026: 3013: 3012: 3008: 2999: 2997: 2989: 2988: 2984: 2975: 2973: 2968: 2967: 2963: 2955: 2951: 2943: 2939: 2930: 2928: 2918: 2917: 2913: 2906:www.oreilly.com 2900: 2899: 2895: 2886: 2884: 2875: 2874: 2870: 2850:, Presented by 2846: 2842: 2834: 2830: 2821: 2819: 2810: 2809: 2800: 2791: 2789: 2783: 2782: 2778: 2768: 2766: 2756: 2755: 2751: 2743: 2739: 2731: 2727: 2718: 2716: 2710: 2709: 2705: 2696: 2694: 2684: 2683: 2679: 2667: 2665: 2645: 2644: 2640: 2631: 2629: 2624: 2623: 2619: 2610: 2608: 2597: 2596: 2592: 2583: 2581: 2572: 2571: 2567: 2558: 2556: 2542: 2541: 2537: 2528: 2526: 2512: 2511: 2507: 2498: 2496: 2482: 2481: 2477: 2468: 2466: 2452: 2451: 2447: 2438: 2436: 2422: 2421: 2417: 2408: 2406: 2392: 2391: 2387: 2374: 2373: 2369: 2349: 2348: 2344: 2331: 2330: 2326: 2313: 2312: 2308: 2295: 2294: 2290: 2280: 2279: 2275: 2267: 2263: 2246: 2240: 2238: 2228: 2227: 2223: 2214: 2212: 2196: 2195: 2191: 2182: 2180: 2171: 2170: 2166: 2157: 2155: 2147: 2146: 2142: 2135: 2120: 2119: 2115: 2107: 2103: 2094: 2092: 2084: 2083: 2079: 2070: 2068: 2055: 2054: 2050: 2043: 2026: 2025: 2021: 2012: 2010: 2001: 2000: 1996: 1987: 1985: 1979: 1978: 1974: 1965: 1963: 1950: 1949: 1945: 1935: 1914: 1913: 1909: 1904:Wayback Machine 1891: 1884: 1875: 1873: 1859: 1858: 1854: 1849: 1761:Concrete poetry 1720: 1682: 1673: 1665: 1664:by overwriting 1657: 1618: 1608: 1597: 1591: 1588: 1573: 1561: 1557: 1550: 1543: 1525: 1519: 1476: 1461: 1451: 1424: 1401: 1375: 1360: 1345: 1320: 1314: 1306:pseudo-graphics 1301: 1234: 1210:monospaced font 1206: 1052:with less than 1042: 1015: 1011: 1007: 1004: 1001: 997: 993: 990: 987: 983: 969: 963: 936: 902: 899: 897:In text editors 867: 864:Commodore Amiga 851: 768: 762: 759: 752: 740: 729: 709: 685: 680: 653: 637: 610: 604: 599: 585: 576: 570: 564: 558: 548: 447: 402: 395: 389: 380: 374: 365: 362: 283: 260:Andries van Dam 256: 232: 212: 188: 123:defined by the 52: 35: 28: 23: 22: 15: 12: 11: 5: 3988: 3986: 3978: 3977: 3972: 3967: 3962: 3957: 3952: 3942: 3941: 3935: 3934: 3932: 3931: 3926: 3921: 3916: 3911: 3906: 3901: 3896: 3891: 3886: 3880: 3878: 3872: 3871: 3869: 3868: 3861: 3854: 3851:Jesus Dress Up 3847: 3842: 3834: 3832: 3828: 3827: 3825: 3824: 3819: 3814: 3809: 3804: 3799: 3794: 3789: 3784: 3779: 3774: 3772:Margot Lovejoy 3769: 3764: 3759: 3754: 3749: 3744: 3739: 3734: 3729: 3724: 3719: 3714: 3708: 3706: 3702: 3701: 3699: 3698: 3693: 3688: 3683: 3678: 3673: 3668: 3663: 3658: 3653: 3648: 3643: 3638: 3633: 3628: 3623: 3618: 3616:Generative art 3613: 3608: 3603: 3598: 3593: 3591:Digital poetry 3588: 3583: 3578: 3573: 3568: 3563: 3558: 3556:Computer music 3553: 3548: 3543: 3538: 3532: 3530: 3526: 3525: 3522: 3521: 3519: 3518: 3513: 3508: 3502: 3500: 3496: 3495: 3493: 3492: 3487: 3482: 3481: 3480: 3475: 3474: 3473: 3463: 3452: 3450: 3443: 3439: 3438: 3433: 3431: 3430: 3423: 3416: 3408: 3402: 3401: 3396: 3391: 3386: 3381: 3369: 3364: 3359: 3354: 3349: 3344: 3329: 3328:External links 3326: 3324: 3323: 3302: 3282: 3257: 3233: 3220:. roysac.com. 3213: 3193: 3168: 3166: 3163: 3160: 3159: 3150:, Brian Dear, 3140: 3122: 3104: 3086: 3068: 3042: 3037:Stack Overflow 3024: 3006: 2982: 2961: 2949: 2937: 2911: 2893: 2868: 2840: 2828: 2817:www.roysac.com 2798: 2776: 2749: 2737: 2725: 2715:. Nerd-Boy.net 2703: 2677: 2638: 2617: 2590: 2565: 2535: 2505: 2475: 2445: 2415: 2385: 2382:on 2015-02-13. 2367: 2342: 2324: 2321:on 2013-01-09. 2306: 2288: 2273: 2261: 2221: 2189: 2164: 2140: 2133: 2113: 2101: 2077: 2057:Stark, Joan G. 2048: 2041: 2019: 1994: 1972: 1952:Stark, Joan G. 1943: 1933: 1919:Practical UNIX 1907: 1882: 1851: 1850: 1848: 1845: 1844: 1843: 1833: 1823: 1809: 1779: 1753: 1726: 1719: 1716: 1712:message boards 1681: 1678: 1610: 1609: 1564: 1562: 1555: 1549: 1546: 1541: 1518: 1515: 1512: 1511: 1508: 1504: 1503: 1500: 1467:refers to the 1450: 1447: 1420:Main article: 1344: 1341: 1316:Main article: 1313: 1310: 1304:characters or 1300: 1297: 1233: 1230: 1205: 1202: 1150: 1149: 1142: 1135: 1110:Science Museum 1087: 1086: 1079: 1076:variable width 1072: 1041: 1038: 965:Main article: 962: 959: 935: 932: 900: 898: 895: 850: 847: 770: 769: 743: 741: 734: 728: 725: 708: 705: 684: 681: 679: 676: 652: 649: 636: 633: 606:Main article: 603: 600: 597: 589:Block Elements 580: 574: 568: 562: 555: 547: 544: 472:, non-graphic 446: 443: 401: 398: 397: 396: 390: 383: 381: 375: 368: 366: 363: 356: 325:message boards 299:variable-width 282: 279: 258:In the 1960s, 255: 252: 244:character sets 231: 228: 211: 210:Typewriter art 208: 187: 184: 113:graphic design 54: 53: 50: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3987: 3976: 3973: 3971: 3968: 3966: 3965:New media art 3963: 3961: 3958: 3956: 3953: 3951: 3948: 3947: 3945: 3930: 3927: 3925: 3922: 3920: 3917: 3915: 3912: 3910: 3907: 3905: 3902: 3900: 3897: 3895: 3892: 3890: 3887: 3885: 3882: 3881: 3879: 3875:Organizations 3873: 3867: 3866: 3862: 3860: 3859: 3855: 3853: 3852: 3848: 3846: 3845:Barnsley fern 3843: 3841: 3840: 3836: 3835: 3833: 3829: 3823: 3820: 3818: 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3793: 3792:Trevor Paglen 3790: 3788: 3785: 3783: 3782:Eric Millikin 3780: 3778: 3777:Mauro Martino 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3758: 3755: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3722:Sougwen Chung 3720: 3718: 3717:Cory Arcangel 3715: 3713: 3710: 3709: 3707: 3703: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3672: 3669: 3667: 3664: 3662: 3659: 3657: 3654: 3652: 3649: 3647: 3644: 3642: 3639: 3637: 3634: 3632: 3629: 3627: 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3599: 3597: 3594: 3592: 3589: 3587: 3584: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3534: 3533: 3531: 3527: 3517: 3514: 3512: 3509: 3507: 3504: 3503: 3501: 3497: 3491: 3488: 3486: 3483: 3479: 3476: 3472: 3469: 3468: 3467: 3464: 3462: 3459: 3458: 3457: 3454: 3453: 3451: 3447: 3444: 3440: 3436: 3429: 3424: 3422: 3417: 3415: 3410: 3409: 3406: 3400: 3397: 3395: 3392: 3390: 3387: 3385: 3382: 3380: 3376: 3373: 3370: 3368: 3365: 3363: 3360: 3358: 3355: 3353: 3350: 3348: 3345: 3342: 3338: 3335: 3332: 3331: 3327: 3314: 3310: 3309: 3303: 3293:on 2006-01-15 3292: 3288: 3283: 3280: 3268:on 2006-05-14 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Index

ASCII comic
Word art




ANSI art


Dag Hammarskjöld
teleprinter
graphic design
computers
characters
ASCII
text-based visual art in general
text editor
free-form languages
art
fixed-width font
fonts
typewriter
Courier
Kenneth Knowlton
Bell Labs
Leon Harmon
banner pages

Calligram
constellation

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