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The show's length, strenuous performance, and strong audience participation are intended to make the audience build bonds at having gone through "a dire circumstance with us over a 24-hour period." Mac says, "I believe theater is community and I think of myself as a community activist; someone
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is a reenactment of how the individual(s) may lose the long game but communities and movements, if continually brought together, have the potential to thrive while bending towards justice." Presented in eight acts and featuring 246 songs, the production is intended to last twenty-four hours when
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15 years old, 14 years old, I went to the first or second AIDS walk that was in San
Francisco, and I had never met an out homosexual before. It was a pretty profound experience for a little kid that grew up in suburbia and a pretty normative, slightly oppressive environment. Even ... It was
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Many productions of the show are abridged versions, with the songs and subject matter confined to specific decades or themes. At different touring sites, local performers and artists participate, and the show is modified to incorporate local history and songs from the region.
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discovering queer history, queer agency, queer community because it was deteriorating from this epidemic. So I wanted to make a show about it. So this is what the show is: its a metaphorical representation of that experience from a 15-year-old kid's perspective.
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130:. The production has been performed at festivals and performance venues in the U.S. and internationally, often in abbreviated versions or separate acts, and occasionally in full. In 2023, a concert film directed by Academy Award winners
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Since the premiere performance, the 24-hour production has been staged several times, though broken up into four chapters of six hours each, spread over several days. The first of these stagings took place at the
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in
Brooklyn, New York. Before the marathon performance, St. Ann's Warehouse also hosted the first complete presentation of the show, albeit in parts from September 15 through October 3, 2016.
288:, and co-director Niegel Smith developed the show over five years, holding workshops and performing abridged versions at festivals and small venues. The show was workshopped as part of the
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374:, being performed on June 28, 29, and 30, 2019. In September 2019, abridged versions were performed at four tour stops in the United States, as well as five performances of Mac's
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363:. For this production, the performance was divided into two twelve-hour parts, with the first part beginning on June 2, and the second part beginning on June 9, 2018.
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whose job it is to bring people together, give them a shared experience and remind them of the things they've forgotten, dismissed or buried."
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1298:"'Taylor Mac's 24-Decade History of Popular Music' Review: Exhilarating Concert Doc Explores America Through a Queer Lens"
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740:"Sundance Institute Announces Nine Projects Selected for 2015 Theatre Lab at Sundance Mountain Resort in Utah, July 6-26"
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has received acclaim and numerous awards, including the Edward M. Kennedy Prize, as well as becoming a finalist for the
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The complete production is performed over eight acts, with each act representing three decades of U.S. history.
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hosted the production, playing the four chapters between
October 11 and 20, 2017. Also during the festival,
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to examine and reframe
American history through the experiences of marginalized communities. Mac says that "
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518:"Taylor Mac's 24-Decade History of Popular Music Makes Philadelphia Premiere at Kimmel Center's PIFA 2018"
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1103:"2017 – A 24-Decade History of Popular Music: A Radical Fairy Realness Ritual by Taylor Mac and Matt Ray"
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on
October 5, an abbreviated version of the show that lasted from 90 minutes to two hours, as well as
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has been performed as a 24-hour marathon performance only once, from
October 8–9, 2016, at
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1047:"Taylor Mac on bringing danger to the stage: 'My shows are the opposite of safe spaces'"
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s development began in 2011, with the goal of holding one marathon performance in 2016.
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was hosted by the 2018 Philadelphia
International Festival of the Arts, playing at the
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998:"Decoding Taylor Mac's "24-Decade History of Popular Music" - a Philadelphia debut!"
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From March 15 to 24, 2018, the four-chapter production played at the
Theater at the
869:"'Almost a religious experience': Taylor Mac opus leaves audience weeping for more"
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1020:"Taylor Mac — A 24-Decade History of Popular Music: The First Act (LIFT 2018)"
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677:"The Brooklyn Marathon: Taylor Mac's A 24-Decade History of Popular Music"
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Sundance
Theatre Lab: Taylor Mac and A 24-Decade History of Popular Music
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From
October 10 to 20, 2019, the four-chapter show played as part of The
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ACT VI: 1926-1956 – The Depression, Prison Fantasies, and the Atomic Bomb
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Outstanding Costumes for Variety, Nonfiction, or Reality Programming
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ACT VIII: 1986-2016 – Direct Action, Radical Lesbians, and Originals
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ACT I: 1776-1806 – Founding Father Drag, Women's Lib, and Crazy Jane
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2017 Edward M. Kennedy Prize for Drama Inspired by American History
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Premiered in full in 2016, the musical uses mainly pre-existing
1129:"Finalist: A 24-Decade History of Popular Music, by Taylor Mac"
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ACT VII: 1956-1986 – A March, a Riot, and a Backroom Sex Party
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ACT IV: 1866-1896 – Circus, Mikado, and the Oklahoma Land Rush
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ACT II: 1806-1836 – Young Love, Blindfolds, and Murder Ballads
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835:"A Trip Around the Sun With Taylor Mac's '24-Decade History'"
1208:. The New York Dance and Performance Awards. October 9, 2017
583:"A 24-Decade History of Popular Music - St. Ann's Warehouse"
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1186:. The Village Voice and American Theatre Wing. 22 May 2017
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work by American actor, playwright, and cabaret performer
618:. Vol. 49, no. 19. 2016-09-19. pp. 92–93.
427:– Best Cabaret Performer (for Mac) and Best Special Event
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songs popular throughout the history of the United States
920:"Taylor Mac makes history at Melbourne Festival opening"
771:. University of California, Los Angeles. March 15, 2018
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ACT V: 1896-1926 – Tenements, Trenches, and Speakeasies
828:
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421:– Outstanding Production and Outstanding Visual Design
1078:""Oh they love it when things go wrong!": Taylor Mac"
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in San Francisco, between September 15 and 24, 2017.
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Matt Ray – Musical direction, arrangements, performer
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premiere performance. On June 27, the film aired on
226:
ACT III: 1836-1866 – Puppets, Whitman, and Civil War
1229:"2018 Nominees and Winners: Best Cabaret Performer"
972:"Melbourne Festival: The Wrap featuring Taylor Mac"
894:"Taylor Mac's A 24-Decade History of Popular Music"
790:
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342:on October 22, also featuring songs from the show.
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946:"Taylor Mac: A 24-Decade History of Popular Music"
765:"Taylor Mac: A 24-Decade History of Popular Music"
1275:"TAYLOR MAC'S 24-DECADE HISTORY OF POPULAR MUSIC"
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1323:"Juried Winners for 76th Emmy Awards Announced"
1249:"2018 Nominees and Winners: Best Special Event"
1156:. New York Drama Critics Circle. Archived from
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1109:. Columbia University Libraries. 7 April 2017
8:
366:The first act only debuted in London at the
284:, music director Matt Ray, costume designer
1255:. Live Performance Australia. July 16, 2018
1235:. Live Performance Australia. July 16, 2018
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353:Center for the Performing Arts (CAP UCLA).
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769:UCLA School of the Arts and Architecture
656:. Sundance Institute. September 16, 2016
473:76th Primetime Creative Arts Emmy Awards
372:London International Festival of Theatre
1418:Primetime Emmy Award-winning broadcasts
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1057:from the original on February 17, 2019
867:Woodhead, Cameron (October 21, 2017).
548:"A 24-Decade History of Popular Music"
845:from the original on October 17, 2016
593:from the original on November 1, 2016
528:from the original on October 14, 2023
361:Kimmel Center for the Performing Arts
328:Melbourne International Arts Festival
7:
996:Reyes, Breanna (November 14, 2017).
799:A 24-Decade History of Popular Music
742:. Sundance Institute. April 23, 2015
444:. Directed by Academy Award winners
309:A 24-Decade History of Popular Music
175:– Playwright, performer, co-director
160:A 24-Decade History of Popular Music
124:A 24-Decade History of Popular Music
107:A 24-Decade History of Popular Music
24:A 24-Decade History of Popular Music
1026:from the original on March 17, 2018
138:premiered and was released through
970:Zagoda, Tomas (October 23, 2017).
811:from the original on July 23, 2019
494:Protest songs in the United States
14:
944:Johnstone, Rose (July 25, 2017).
918:Balkin, Sarah (October 5, 2017).
349:in Los Angeles, presented by the
16:2016 Musical/performance art work
841:. Theatre Communications Group.
675:Neher, Erick (21 January 2017).
33:A Radical Faerie Realness Ritual
1296:Rooney, David (June 16, 2023).
1076:Borden, Dan (October 7, 2019).
833:Evans, Suzy (14 October 2016).
795:Hetrick, Adam (July 23, 2019).
554:. 7 August 2014. Archived from
1045:Gardner, Lyn (June 22, 2018).
440:of the same name premiered at
405:New York Drama Critics' Circle
1:
1358:The 2023 film version at IMDb
385:'s Immersion program series.
202:John Torres – Lighting design
1413:American LGBT-related films
452:, the film covers the 2016
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1403:LGBT-related musical films
181:Niegel Smith – Co-director
873:The Sydney Morning Herald
163:performed to completion.
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1206:"The 2017 Bessie Awards"
1000:. Kimmel Cultural Campus
399:Pulitzer Prize for Drama
128:Pulitzer Prize for Drama
95:Pulitzer Prize for Drama
1398:2023 LGBT-related films
1107:Edward M. Kennedy Prize
801:Across U.S. and Europe"
460:and began streaming on
90:Edward M. Kennedy Prize
1408:American musical films
1302:The Hollywood Reporter
797:"Taylor Mac Will Tour
484:American popular music
436:On June 14, 2023, the
407:Award Special Citation
397:2017 Finalist for the
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1378:Off-Broadway musicals
612:"America's Top 240".
292:'s 2015 Theatre Lab.
664:– via YouTube.
558:on September 3, 2017
524:. November 9, 2017.
425:18th Helpmann Awards
276:A 24-Decade History'
1180:"2017 Obie Winners"
1022:. Barbican Centre.
720:on January 24, 2015
587:St. Ann's Warehouse
489:American folk music
454:St. Ann's Warehouse
383:Berliner Festspiele
357:A 24-Decade History
313:St. Ann's Warehouse
75:St. Ann's Warehouse
72:October 8–9, 2016:
1277:. Tribeca Festival
1246: •
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1154:"2016-2017 Awards"
467:It won the juried
378:show in December.
290:Sundance Institute
187:– Costume designer
1331:. August 14, 2024
681:The Hudson Review
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190:Jocelyn Clarke –
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1383:Jukebox musicals
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1335:1 September
1307:October 13,
1281:October 13,
1259:October 13,
1239:October 13,
1212:October 13,
1190:3 September
1184:Obie Awards
1164:3 September
1138:3 September
1113:3 September
1087:October 13,
1061:October 14,
1030:October 14,
1004:October 13,
981:October 13,
955:October 11,
929:October 13,
903:October 13,
878:October 13,
815:October 13,
775:October 13,
724:October 13,
660:3 September
597:3 September
562:3 September
532:October 13,
446:Rob Epstein
432:Documentary
300:Productions
270:—Taylor Mac
258:Development
132:Rob Epstein
1367:Categories
1082:Exberliner
849:18 October
691:11 October
500:References
412:Obie Award
334:performed
332:Taylor Mac
282:Taylor Mac
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635:121770027
624:0028-7369
347:Ace Hotel
197:Mimi Lien
192:Dramaturg
167:Personnel
1055:Archived
1024:Archived
950:Time Out
843:Archived
809:Archived
805:Playbill
615:New York
591:Archived
526:Archived
478:See also
340:The Wrap
207:Overview
68:Premiere
471:at the
150:Summary
112:musical
51:Various
43:Various
898:Curran
633:
622:
389:Awards
249:
84:Awards
48:Lyrics
628:EBSCO
417:2017
410:2017
403:2017
110:is a
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1337:2024
1309:2023
1283:2023
1261:2023
1241:2023
1214:2023
1192:2017
1166:2017
1140:2017
1115:2017
1089:2023
1063:2023
1032:2023
1006:2023
983:2023
957:2023
931:2023
905:2023
880:2023
851:2017
817:2023
777:2023
748:2017
726:2023
693:2017
685:LXIX
662:2017
630:host
620:ISSN
599:2017
564:2017
534:2023
448:and
351:UCLA
326:The
142:and
134:and
114:and
57:Book
687:(4)
462:Max
458:HBO
144:Max
140:HBO
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