187:. A shadow under the chair suggests that the sun is high in the sky, around noon. In the foreground, a yellow diving board slants away from lower right corner, leading the viewer's gaze towards the centre of a large swimming pool, where water fountains into the air, capturing the moment right after someone has dived in. The diver is not visible, presumably still under the water. The chair lies further back along the same diagonal line. A thickening in the white line atop the building's flat roof emphasizes the place where the diver has entered the water.
205:
in London). The canvas – almost a perfect square – is dominated by the strong vertical and horizontal lines of the trees, the building, and the edge of the pool; it is divided evenly into the sky, building and patio in the upper half, and the pool and diving board in the lower half. The rectilinear
209:
In a March 2009 interview for the Tate, to the question "Who jumped into the pool?" Hockney answers: "I don't know actually. It was done from a photograph of a splash. That I haven't taken, but that's what it's commenting on. The stillness of an image. (...) Most of the painting was spent on the
40:
206:
composition is broken by the oblique thrust of the diving board. The calmness of the overall composition contrasts with the violent explosion of water caused by diver. Hockney has expressed his pleasure at taking two weeks to paint a moment that lasted two seconds.
190:
Hockney's composition is based on a photograph of a swimming pool in a book and an earlier drawing by
Hockney of Californian buildings. It was created with meticulous care, simplified, but enlarging his earlier paintings entitled
273:. The central splash was heavily worked over a period of about two weeks using a variety of small brushes. A wide border and central narrow stripe at the pool's edge are left unpainted. The border creates an effect like a
294:
510:
496:
678:
371:
481:
Purchased from the
Marquis of Dufferin and Ava through the Knoedler Gallery (Grant-in-Aid) 1981 Prov: the Marquis of Dufferin and Ava (purchased from Kasmin Ltd, 1968)
638:
614:
646:
782:
210:
splash and the splash lasts two seconds and the building is permanent there. That's what it's about actually. You have to look in at the details."
201:(1966) (both are held in private collections; the latter was sold for £2.6 million in 2006 and for £23.1 million in 2020, both times by auction at
558:
527:
777:
582:
129:
451:
368:
120:
beside a modern house, disturbed by a large splash of water created by an unseen figure who has apparently just jumped in from a
20:
737:
265:– applied either mixed together or as tints. Apart from the splash, the painting was finished very evenly and flat with a
630:
428:
729:
551:
150:
134:
322:
792:
622:
277:
photograph. The painting has been viewed as a critical link in
Hockney's ruminations on time between his earlier
723:
670:
662:
772:
606:
544:
787:
654:
463:
171:
shows a typical
California day – warm and sunny, with a cloudless blue sky. In the background, two
697:
180:
176:
116:. Measuring 242.5 centimetres (95.5 in) by 243.9 centimetres (96.0 in), it depicts a
744:
447:
254:
156:
139:
443:
767:
238:
705:
432:
375:
145:
39:
388:
502:
356:
262:
761:
567:
258:
117:
113:
50:
274:
270:
269:, in two or three layers, with the few details – tree, grass, chair, reflections –
266:
246:
230:
91:
202:
83:
242.5 cm × 243.9 cm (95.5 in × 96.0 in)
298:
234:
223:
121:
590:
197:
125:
425:
250:
172:
219:
282:
109:
242:
226:
95:
285:
many photographs of the same subject taken over a period of hours.
184:
536:
468:
302:
540:
175:
loom over a large single-story house, with flat roof and large
138:, concentrating on the breakup of Hockney's relationship with
128:
between April and June 1967, when
Hockney was teaching at the
389:"David Hockney's The Splash fetches £23.1m at auction"
716:
689:
679:
A Bigger
Interior with Blue Terrace and Garden 2017
574:
87:
79:
71:
56:
46:
30:
446:, Paul Melia, Manchester University Press, 1995,
281:and his later "joiners" portraits, created by
639:Portrait of an Artist (Pool with Two Figures)
615:American Collectors (Fred and Marcia Weisman)
552:
183:with thin crossed legs stands on a wide pink
8:
426:Tate: The archive twitter with David Hockney
323:"A Bigger Splash: Luca Guadagnino Interview"
647:A Walk Around the Hotel Courtyard, Acatlan
559:
545:
537:
533:, BBC Nottingham, 30 November 2009 (video)
132:. Jack Hazan's fictionalised 1973 biopic,
38:
27:
314:
301:'s gallery in 1968, and sold it to the
511:Hockney, David: A Bigger Splash (1967)
160:) was also named after the painting.
7:
464:"David Hockney A Bigger Splash 1967"
233:. Hockney uses a limited palette –
218:The painting was made using acrylic
130:University of California, Berkeley
14:
783:Collection of the Tate galleries
583:Peter Getting Out of Nick's Pool
528:British artist David Hockney on
357:Hockney painting sells for £2.6m
142:, was named after the painting.
21:A Bigger Splash (disambiguation)
738:David Hockney: A Bigger Picture
415:David Hockney by David Hockney
297:bought the finished work from
16:1967 painting by David Hockney
1:
631:Portrait of Sir David Webster
279:Picture Emphasising Stillness
179:, in front of which an empty
295:Marquess of Dufferin and Ava
112:painting by British artist
809:
778:Paintings by David Hockney
623:Mr and Mrs Clark and Percy
18:
378:, Sotheby's, 21 June 2006
37:
671:Bigger Trees Near Warter
413:Tate catalogue, quoting
359:, BBC News, 22 June 2006
607:Beverly Hills Housewife
431:March 3, 2016, at the
655:A Bigger Grand Canyon
374:25 April 2018 at the
124:. It was painted in
724:Hockney–Falco thesis
497:Full catalogue entry
19:For other uses, see
698:In the dull village
177:sliding glass doors
154:(a loose remake of
395:. 11 February 2020
793:California in art
753:
752:
745:Peter Schlesinger
741:(2012 exhibition)
140:Peter Schlesinger
101:
100:
75:Acrylic on canvas
800:
561:
554:
547:
538:
484:
483:
478:
476:
460:
454:
441:
435:
423:
417:
411:
405:
404:
402:
400:
385:
379:
366:
360:
354:
348:
345:
339:
338:
336:
334:
319:
239:ultramarine blue
181:director's chair
67:
65:
42:
28:
808:
807:
803:
802:
801:
799:
798:
797:
758:
757:
754:
749:
730:A Bigger Splash
712:
709:(1976–77 suite)
706:The Blue Guitar
685:
599:A Bigger Splash
570:
565:
530:A Bigger Splash
524:
515:The Independent
504:A Bigger Splash
493:
488:
487:
474:
472:
462:
461:
457:
442:
438:
433:Wayback Machine
424:
420:
412:
408:
398:
396:
387:
386:
382:
376:Wayback Machine
367:
363:
355:
351:
346:
342:
332:
330:
321:
320:
316:
311:
291:
216:
193:A Little Splash
169:A Bigger Splash
166:
151:A Bigger Splash
146:Luca Guadagnino
135:A Bigger Splash
105:A Bigger Splash
63:
61:
32:A Bigger Splash
24:
17:
12:
11:
5:
806:
804:
796:
795:
790:
785:
780:
775:
773:1967 paintings
770:
760:
759:
751:
750:
748:
747:
742:
734:
726:
720:
718:
714:
713:
711:
710:
702:
701:(1966 etching)
693:
691:
687:
686:
684:
683:
675:
667:
659:
651:
643:
635:
627:
619:
611:
603:
595:
587:
578:
576:
572:
571:
566:
564:
563:
556:
549:
541:
535:
534:
523:
522:External links
520:
519:
518:
508:
500:
492:
489:
486:
485:
455:
436:
418:
406:
380:
361:
349:
340:
329:. 28 June 2016
327:The Arts Shelf
313:
312:
310:
307:
290:
287:
263:titanium white
255:Hooker's green
215:
212:
165:
162:
99:
98:
89:
85:
84:
81:
77:
76:
73:
69:
68:
58:
54:
53:
48:
44:
43:
35:
34:
15:
13:
10:
9:
6:
4:
3:
2:
805:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
769:
766:
765:
763:
756:
746:
743:
740:
739:
735:
732:
731:
727:
725:
722:
721:
719:
715:
708:
707:
703:
700:
699:
695:
694:
692:
688:
681:
680:
676:
673:
672:
668:
665:
664:
663:Garrowby Hill
660:
657:
656:
652:
649:
648:
644:
641:
640:
636:
633:
632:
628:
625:
624:
620:
617:
616:
612:
609:
608:
604:
601:
600:
596:
593:
592:
588:
585:
584:
580:
579:
577:
573:
569:
568:David Hockney
562:
557:
555:
550:
548:
543:
542:
539:
532:
531:
526:
525:
521:
517:, 11 May 2007
516:
512:
509:
507:
505:
501:
499:from The Tate
498:
495:
494:
490:
482:
471:
470:
465:
459:
456:
453:
452:0-7190-4405-7
449:
445:
444:David Hockney
440:
437:
434:
430:
427:
422:
419:
416:
410:
407:
394:
390:
384:
381:
377:
373:
370:
365:
362:
358:
353:
350:
344:
341:
328:
324:
318:
315:
308:
306:
304:
300:
296:
288:
286:
284:
280:
276:
272:
268:
264:
260:
259:Naples yellow
256:
252:
248:
244:
240:
236:
232:
228:
225:
221:
213:
211:
207:
204:
200:
199:
194:
188:
186:
182:
178:
174:
170:
163:
161:
159:
158:
153:
152:
148:'s 2015 film
147:
143:
141:
137:
136:
131:
127:
123:
119:
118:swimming pool
115:
114:David Hockney
111:
107:
106:
97:
93:
90:
86:
82:
78:
74:
70:
59:
55:
52:
51:David Hockney
49:
45:
41:
36:
33:
29:
26:
22:
788:Water in art
755:
736:
728:
704:
696:
677:
669:
661:
653:
645:
637:
629:
621:
613:
605:
598:
597:
589:
581:
529:
514:
503:
480:
473:. Retrieved
467:
458:
439:
421:
414:
409:
397:. Retrieved
392:
383:
364:
352:
343:
333:15 September
331:. Retrieved
326:
317:
292:
289:Sale history
278:
267:paint roller
247:burnt sienna
231:underdrawing
217:
208:
196:
192:
189:
168:
167:
155:
149:
144:
133:
122:diving board
104:
103:
102:
92:Tate Britain
31:
25:
733:(1973 film)
506:, WebMuseum
399:11 February
299:John Kasmin
271:overpainted
235:cobalt blue
224:cotton duck
222:on a white
214:Composition
195:(1966) and
164:Description
108:is a large
762:Categories
591:The Splash
491:References
369:The Splash
243:raw sienna
229:, with no
198:The Splash
173:palm trees
157:La Piscine
126:California
80:Dimensions
575:Paintings
347:WebMuseum
305:in 1981.
283:collaging
251:raw umber
203:Sotheby's
475:19 March
429:Archived
393:BBC News
372:Archived
275:Polaroid
220:Liquitex
88:Location
768:Pop art
717:Related
110:pop art
62: (
690:Prints
682:(2017)
674:(2007)
666:(1998)
658:(1998)
650:(1985)
642:(1972)
634:(1971)
626:(1971)
618:(1968)
610:(1967)
602:(1967)
594:(1966)
586:(1966)
450:
227:canvas
96:London
72:Medium
47:Artist
309:Notes
185:patio
477:2023
469:Tate
448:ISBN
401:2020
335:2016
303:Tate
293:The
261:and
64:1967
60:1967
57:Year
764::
513:,
479:.
466:.
391:.
325:.
257:,
253:,
249:,
245:,
241:,
237:,
94:,
560:e
553:t
546:v
403:.
337:.
66:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
