316:
33:
308:
286:
278:
399:, God of Love, for which his fellow slave Diomed has acted as model. Maia has fallen in love with Diomed. The princess Antonia comes to the soothsayer in disguise and Maia, egged on by the Prefect Pomponius, who has been spurned by the princess, plans a humiliating trick. She announces to the princess that the God of Love has fallen in love with her. The statue is brought forth, and Heliodorus prepares to 'bring it to life'. Diomed is substituted and serenades the princess.
297:
189:
403:
luxurious new surroundings, pines for Maia, and
Antonia's love-making goes for nothing. Pomponius, who was anxious to see his marble lady wasting her affection on a marble statue, is furious at the social slight involved, and Heliodorus finds himself in hot water. Eventually, in the middle of the Roman
402:
But
Heliodorus is planning a double-cross. He disapproves of his daughter's fancy for a slave, and when the seance is over and Maia has intended that Antonia should walk off with the statue, Heliodorus arranges that the real Diomed falls to the princess. But it does her little good. The slave, in his
227:
rather than being appreciated on its own merits. Critics have stated that this show has Jones's best score, with additional hit songs by
Monckton, noting that the tunes are catchy, and while the lyrics are witty they also show an appreciation of the classical mythology of the set time period.
395:. His daughter Maia pretends to have the gifts of an oracle, and utters incomprehensible prophecies at a suitable price. Among their servants is one Archias, a talented sculptor, whose most recent achievement is a statue of
196:
The simple plot of the production was based around the tangled love lives and misunderstandings of a Roman household. The same themes and characterisations would resurface some 70 years later in the
Broadway show
557:
199:
269:
as Maia, with the intention of running the production at Daly's. However, the production was fraught with problems, and the London dates were cancelled.
673:
658:
315:
176:
668:
307:
630:
277:
653:
579:
663:
32:
285:
254:
122:
46:
648:
71:
617:
371:
248:
154:
391:
Heliodorus, a
Persian soothsayer, looks into the future love lives of his wealthy matrons of Imperial
376:
Manlius, Lollius, Curius, Silius (Patricians) – Charles
Magrath, Frank Boor, Donald Hall, Akerman May
380:
162:
535:
436:
No. 6. Oracle Scene—Maia, Roman Ladies, Licinia, Flavia, Tullia, Cornellia and Chorus of Slaves
594:
572:
258:
110:
396:
359:
244:
232:
204:
92:
87:
625:
296:
188:
130:
126:
118:
60:
50:
590:
365:
236:
170:
158:
106:
612:
476:
No. 17. Oh, What Will Be The End Of It?—Iris and
Heliodorus (Music by Lionel Monckton)
642:
531:
343:
328:
300:
240:
150:
142:
430:
No. 4. Confidential—Iris with Curius, Silius, Lollius, Manlius and Chorus of Slaves
266:
334:
319:
219:, also by Sidney Jones. This was the biggest stage hit of its era. Therefore,
134:
64:
404:
353:
289:
215:
146:
460:
No. 14. Finale: Bear the God of Love Along—Maia, Heliodorus, Chorus of Slaves
339:
Melanopis, Circe, Nepia (Slaves) – Gladys
Homfrey, Magie May, Elisabeth Kirby
165:
among other popular London stars. The show had a brief
Broadway run in 1899.
168:
The work's competition in London in 1898 included the long-running musicals
138:
76:
494:
No. 23. I Want to Be
Popular—Marcus and Chorus (Music by Lionel Monckton)
427:
No. 3. By Bacchus! -- Silius, Lollius, Curius, Manlius, Chorus of Slaves
497:
No. 24. I'm A Naughty Girl—Iris and Chorus (Music by Lionel Monckton)
114:
223:
is often remembered as being the show that was not as successful as
448:
No. 10. I Should Rather Like to Try—Iris (Music by Lionel Monckton)
314:
306:
295:
284:
276:
187:
454:
No. 12. Processional March and Chorus of Welcome—Chorus of Slaves
407:, all is cleared up, and the correct pairs of lovers are united.
482:
No. 19. Topsy-Turvy—Lucinia, Flavia, Manlius, Archias and Others
439:
No. 7. The Lost Pleiad—Maia with Heliodorus and Marcus Pomponius
392:
370:
Archias (A Greek Slave, Sculptor in Heliodorus' household) –
342:
Lucinia, Flavia, Tullia, Cornelia (Patricians) – Elise Cook,
457:
No. 13. Invocation—Maia, Antonia, Diomed, Chorus of Slaves
121:
and ran for 349 performances. The score was composed by
599:, Oxford University Press (2010) Google Books, p. 195
561:: Musical Comedy In 2 Acts With Music By Sidney Jones
352:
Iris (A Greek Slave, Confidential Maid of Antonia) –
451:
No. 11. Whirligig—Marcus Pomponius, Iris, Heliodorus
82:
70:
56:
42:
21:
358:Diomed (A Greek Slave in Heliodorus' household) –
500:No. 25. A Frog He Lived In a Pond—Iris and Chorus
424:No. 2. The Wizard—Heliodorus and Chorus of Slaves
488:No. 21. The Revels—Archias and Chorus of Slaves
433:No. 5. Freedom—Diomed (Words by Henry Hamilton)
109:in two acts, first performed on 8 June 1898 at
491:No. 22. The Girl of My Heart—Diomed and Chorus
200:A Funny Thing Happened on the Way to the Forum
485:No. 20. Chorus of Saturnalia—Chorus of Slaves
213:was in the unfortunate position of following
8:
553:
551:
31:
18:
634:plot summary and character descriptions
626:Web Other information about the musical
519:
506:No. 27. Forgive—Maia, Diomed and Chorus
470:No. 15. Here at Baiae On The Bay—Chorus
527:
525:
523:
265:in 1926 with a British tour, starring
596:American Musical Theatre: A Chronicle
503:No. 26. Nothing But Nerves—Heliodorus
379:Marcus Pomponius (Prefect of Rome) –
7:
364:Heliodorus (A Persian Soothsayer) –
37:Poster for a 1906 touring production
509:No. 28. Finale: Hail Antonia, Hail!
421:No. 1. On the Dial—Chorus of Slaves
442:No. 8. All Is Fair—Maia and Diomed
14:
333:Antonia (A relative of Cæsar) –
327:Maia (Daughter of Heliodorus) –
473:No. 16. A Song of Love—Antonia
281:Barrington as Marcus Pomponius
137:. The libretto was written by
1:
674:Musicals set in ancient Rome
479:No. 18. The Golden Isle—Maia
445:No. 9. I Cannot Love—Antonia
346:, Margaret Ruby, Alice Davis
311:Huntley Wright as Heliodorus
543:The British Musical Theatre
690:
618:Web Opera and photos from
580:Internet Broadway Database
563:, Operetta Research Center
231:In 1899 Fred C. Whitney's
125:with additional songs by
30:
659:Musicals by Sidney Jones
247:as Pomponius ran at the
545:, Vol 1., pp. 668 - 672
349:Nysa – Miss F. Jamieson
273:Roles and original cast
323:
312:
304:
293:
282:
193:
669:Musicals set in Italy
318:
310:
299:
288:
280:
251:for 29 performances.
249:Herald Square Theatre
191:
177:The Belle of New York
593:and Richard Norton.
381:Rutland Barrington
324:
313:
305:
294:
283:
261:in London revived
243:as Heliodorus and
194:
163:Rutland Barrington
654:West End musicals
98:
97:
681:
664:British musicals
600:
588:
582:
570:
564:
555:
546:
529:
360:C. Hayden Coffin
245:Herbert Sparling
235:production with
205:Stephen Sondheim
35:
25:
19:
689:
688:
684:
683:
682:
680:
679:
678:
639:
638:
609:
604:
603:
591:Bordman, Gerald
589:
585:
571:
567:
556:
549:
530:
521:
516:
413:
411:Musical numbers
389:
275:
257:, the owner of
192:Tempest as Maia
186:
131:Harry Greenbank
127:Lionel Monckton
119:George Edwardes
90:
63:
61:Harry Greenbank
51:Lionel Monckton
49:
38:
23:
17:
12:
11:
5:
687:
685:
677:
676:
671:
666:
661:
656:
651:
641:
640:
637:
636:
628:
623:
615:
608:
607:External links
605:
602:
601:
583:
565:
547:
518:
517:
515:
512:
511:
510:
507:
504:
501:
498:
495:
492:
489:
486:
483:
480:
477:
474:
471:
462:
461:
458:
455:
452:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
412:
409:
388:
385:
384:
383:
377:
374:
368:
366:Huntley Wright
362:
356:
350:
347:
340:
337:
331:
274:
271:
259:Daly's Theatre
237:Dorothy Morton
221:A Greek Slave
185:
182:
171:A Runaway Girl
159:Huntley Wright
129:and lyrics by
117:, produced by
111:Daly's Theatre
107:musical comedy
96:
95:
84:
80:
79:
74:
68:
67:
58:
54:
53:
44:
40:
39:
36:
28:
27:
15:
13:
10:
9:
6:
4:
3:
2:
686:
675:
672:
670:
667:
665:
662:
660:
657:
655:
652:
650:
649:1898 musicals
647:
646:
644:
635:
633:
632:A Greek Slave
629:
627:
624:
622:
621:
620:A Greek Slave
616:
614:
611:
610:
606:
598:
597:
592:
587:
584:
581:
577:
575:
574:A Greek Slave
569:
566:
562:
560:
559:A Greek Slave
554:
552:
548:
544:
540:
539:
538:A Greek Slave
533:
528:
526:
524:
520:
513:
508:
505:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
468:
467:
466:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
419:
418:
417:
410:
408:
406:
400:
398:
394:
386:
382:
378:
375:
373:
372:Scott Russell
369:
367:
363:
361:
357:
355:
351:
348:
345:
344:Olive Morrell
341:
338:
336:
332:
330:
329:Marie Tempest
326:
325:
321:
317:
309:
302:
301:Hayden Coffin
298:
291:
287:
279:
272:
270:
268:
264:
263:A Greek Slave
260:
256:
252:
250:
246:
242:
241:Richard Carle
238:
234:
229:
226:
222:
218:
217:
212:
211:A Greek Slave
208:
206:
202:
201:
190:
183:
181:
179:
178:
173:
172:
166:
164:
160:
156:
155:Scott Russell
152:
151:Hayden Coffin
148:
144:
143:Marie Tempest
141:. It starred
140:
136:
132:
128:
124:
120:
116:
112:
108:
104:
103:
102:A Greek Slave
94:
89:
85:
81:
78:
75:
73:
69:
66:
62:
59:
55:
52:
48:
45:
41:
34:
29:
26:
24:A Greek Slave
20:
631:
619:
595:
586:
573:
568:
558:
542:
537:
464:
463:
415:
414:
401:
390:
267:Jose Collins
262:
253:
230:
224:
220:
214:
210:
209:
198:
195:
175:
169:
167:
123:Sidney Jones
101:
100:
99:
47:Sidney Jones
22:
613:Vocal score
335:Hilda Moody
320:Hilda Moody
255:James White
225:The Geisha,
135:Adrian Ross
83:Productions
65:Adrian Ross
643:Categories
536:Review of
532:Kurt Gänzl
514:References
405:Saturnalia
354:Letty Lind
322:as Antonia
290:Letty Lind
216:The Geisha
184:Background
147:Letty Lind
303:as Diomed
239:as Maia,
139:Owen Hall
77:Owen Hall
387:Synopsis
233:Broadway
93:Broadway
88:West End
292:as Iris
16:Musical
576:(1899)
465:Act II
115:London
57:Lyrics
416:Act I
105:is a
91:1899
86:1898
43:Music
397:Eros
393:Rome
174:and
161:and
133:and
72:Book
203:by
113:in
645::
578:,
550:^
541:,
534:,
522:^
207:.
180:.
157:,
153:,
149:,
145:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
