Knowledge (XXG)

A Month in the Country (ballet)

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148:(dance of two people) which carry the action forward: Natalia and her admirer Rakitin, followed by Belaiev and Vera, then Natalia's ward, Belaiev and the maid Katia, and finally Belaiev and Natalia. In the finale, Vera summons the household to witness the embraces of Natalia and Belaiev; Rakitin tells Belaiev that both should leave the house. Alone on stage, Natalia despairs at the young man's departure, but he returns unseen and unheard and leaves her the rose she had given him. 189:
An audio recording of the ballet score prepared by Lanchbery and conducted by him, with the Orchestra of the Royal Opera House, Covent Garden, and Philip Gammon (piano) was issued on the HMV Greensleeve label in 1977. It was filmed for television in May 1978 (after
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The story concerns the emotional disturbance caused by the presence of a tutor in the home of a country Russian family. Natalia Petrovna, a bored wife, falls for the young tutor of Kolia, Belaiev. The ballet contains a series of
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in the late 1960s helped him decide on the subject, and he took up Berlin's suggestion of using the music of Chopin. During the preparation of the ballet, Ashton encouraged the dancers to see the play in London with
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as Belaiev. The work was performed by the Royal Ballet every season from 1976 to 1979 and has been regularly revived at Covent Garden.
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Note by Ashton in the programme. Royal Opera House Covent Garden programme booklet, ballet triple bill, 28 January 1978.
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as Natalia and Robert Conn as Beliaev, the first time it had been performed by any other company.
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It has also been seen on tour in New York and Havana. In 1995, Dowell mounted the ballet for the
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The ballet was first performed on Thursday, 12 February 1976, by
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Lanchbery J. Programme note for Royal Ballet, 9 August 1984.
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The action takes place at Yslaev's country house in 1850.
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in the leading roles; later interpreters have included
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Sleevenote for LP ESD 7037. accessed 27 January 2017.
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Five Brahms Waltzes in the Manner of Isadora Duncan
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Ashton also credited 798:An Evening with the Royal Ballet 730:La chatte métamorphosée en femme 350:Threshold Books, London, 1981. 1: 926:List of compositions by genre 178:Ashton dedicated the work to 37:. 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Index

narrative ballet
Frederick Ashton
Frédéric Chopin
John Lanchbery
Ivan Turgenev
Westminster Theatre
Isaiah Berlin
Dorothy Tutin
Michael Somes
The Royal Ballet
Royal Opera House
Lynn Seymour
Anthony Dowell
Merle Park
Sylvie Guillem
Michael Coleman
Mikhail Baryshnikov
Bruce Sansom
Ivan Putrov
National Ballet of Canada
Karen Kain
Peggy Ashcroft
pas de deux
Variations on "LĂ  ci darem la mano"
Fantaisie brillante on Polish Airs
Andante spianato et grande polonaise brillante
Sophie Fedorovitch
Bronislava Nijinska
The Dream
Lynn Seymour

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