178:
168:
introduced his 1954 cover version with this statement: "At this time we'd like to play a tune was written by the famous Dizzy
Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can." The audience laughs, but Blakey responds,
1063:
220:
Like many of
Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections β in this case, a twelve-bar sequence leading into a four-bar
147:
co-writer credit in compensation for some unrelated transcription work, but
Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's
1298:
1442:
1354:
1330:
1135:
1207:
679:
1306:
1071:
1741:
1231:
1322:
631:
1527:
1151:
823:
1721:
1503:
1247:
245:
Sarah
Vaughan, backed by Gillespie, recorded a vocal version of "Interlude" on 31 December 1944, which was issued on the Continental label in 1946.
151:
big band, and he also played it with his small groups. In
January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the
139:
Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in
Tunisia'". He said the tune was composed at the piano at
780:
1095:
1079:
1736:
943:
749:
544:
466:
1346:
1031:
1402:
1007:
17:
1519:
1386:
1127:
140:
1378:
1255:
1119:
680:"Dizzy Gillespie and His Orchestra / Coleman Hawkins' 52nd Street All Stars β New 52nd Street Jazz (1946, Camden Pressing, Shellac)"
209:
chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor
1687:
1511:
1458:
1023:
959:
935:
699:
394:
312:
1362:
1731:
1726:
1588:
1426:
951:
816:
991:
1554:
1314:
975:
1581:
1370:
1290:
1111:
983:
214:
160:
1418:
1394:
1338:
290:
293:" was on the B-side. This session included the so-called "famous alto break" that became synonymous with Parker.
1450:
809:
600:"Original versions of Interlude by Sarah Vaughan with Dizzy Gillespie and His Orchestra | SecondHandSongs"
248:
In
January 1945 Gillespie and Pettiford made a studio recording of "Interlude (Night in Tunisia)" as part of '
1434:
1175:
895:
632:"Boyd Raeburn and His Orchestra β I Didn't Know About You / Interlude (Night in Tunisia) (1945, Shellac)"
1159:
1595:
617:
519:
1562:
1495:
1223:
1039:
275:
1716:
1669:
1410:
1282:
1215:
430:
370:
282:
152:
108:
1651:
1087:
919:
488:
206:
1637:
1466:
1239:
1191:
1103:
1015:
871:
745:
540:
534:
462:
458:
What Is This Thing Called Jazz?: African
American Musicians as Artists, Critics, and Activists
407:
210:
456:
1693:
1616:
1609:
1535:
1474:
1183:
338:
213:, since the chord progression of the B section is taken from the B section of the standard "
1199:
1143:
1055:
911:
903:
832:
365:
345:
239:
144:
112:
92:
87:
38:
927:
665:
651:
1623:
765:
567:
361:
319:
256:
1710:
967:
401:
389:
329:
221:
198:
128:
120:
1644:
1263:
1047:
887:
863:
855:
847:
383:
355:
271:
249:
238:
A live recording of "A Night in
Tunisia" was made in January 1944 of the Gillespie-
194:
190:
169:"Seriously." The liner notes say, "The sanitation department can take a low bow."
116:
34:
581:
502:"Original versions of Interlude written by Raymond Leveen | SecondHandSongs"
999:
879:
417:
286:
62:
1064:
Gil Fuller & the
Monterey Jazz Festival Orchestra featuring Dizzy Gillespie
599:
177:
582:"Cover versions of Night in Tunisia by Dizzy Gillespie | SecondHandSongs"
377:
333:
307:
303:
263:
259:
performing "A Night in Tunisia" was made at the NYC Town Hall on 22 June 1945,
165:
781:"IMPERIAL TRIUMPHANT Streams Cover Of DIZZY GILLESPIE's "A Night In Tunisia""
186:
700:"Charlie Parker Septet β A Night in Tunisia / Ornithology (1946, Shellac)"
501:
266:, was inducted to the Grammy Hall of Fame in 2004. The personnel included
1602:
267:
79:
1167:
704:
684:
636:
217:", causing the V chord to lead back into the Sub V of the A section.
16:
This article is about the Dizzy Gillespie song. For other uses, see
801:
202:
148:
71:
67:
805:
427:
Art Turk Burton, Ancestral Spirits (feat. Maggie Brown) (2019)
181:
Bass vamp underpinning the A sections of "A Night in Tunisia"
744:. New York City: Oxford University Press. pp. 299β300.
115:
around 1940β1942. He wrote it while he was playing with the
197:, and the use of oscillating half-step-up/half-step-down
1299:
An Electrifying Evening with the Dizzy Gillespie Quintet
189:
in the "A section" is notable for avoiding the standard
262:
Gillespieβs studio recording of 22 February 1946, for
127:", and with lyrics by Raymond Leveen was recorded by
23:
1942 instrumental by Dizzy Gillespie & His Sextet
1355:
Dizzy Gillespie and the Mitchell Ruff Duo in Concert
1680:
1661:
1573:
1546:
1485:
1274:
839:
539:. University of Minnesota Press. pp. 171β172.
77:
61:
53:
45:
33:
28:
1208:The Trumpet Summit Meets the Oscar Peterson Big 4
461:. University of California Press. pp. 74β.
491:at jazzstandards.com. Accessed 10 January 2008.
1136:Oscar Peterson and the Trumpet Kings β Jousts
817:
742:The Jazz Standards: A Guide to the Repertoire
735:
8:
733:
731:
729:
727:
725:
723:
721:
719:
717:
715:
1323:Dizzy Gillespie and the Double Six of Paris
824:
810:
802:
242:Quintet at the Onyx Club in New York City.
25:
281:Parkerβs recording of 28 March 1946, for
1248:Dizzy Gillespie Meets Phil Woods Quintet
618:"Sarah Vaughan Discography: Early Years"
520:"Sarah Vaughan Discography: Early Years"
176:
447:
32:
1528:The Great Blue Star Sessions 1952β1953
1152:Jazz Maturity...Where It's Coming From
7:
1347:The Dizzy Gillespie Reunion Big Band
1742:Songs with lyrics by Raymond Leveen
18:A Night in Tunisia (disambiguation)
1520:The Complete RCA Victor Recordings
1128:Oscar Peterson and Dizzy Gillespie
255:A live recording of Gillespie and
14:
1403:The Trumpet Kings at Montreux '75
1120:The Trumpet Kings Meet Joe Turner
1512:Dee Gee Days: The Savoy Sessions
1459:Bird Songs: The Final Recordings
960:The Greatest Trumpet of Them All
455:Porter, Eric (31 January 2002).
1722:Compositions by Dizzy Gillespie
1443:Live at the Royal Festival Hall
936:Dizzy Gillespie and Stuff Smith
395:A Night at the Village Vanguard
111:written by American trumpeter
1:
1427:Musician, Composer, Raconteur
666:"Dizzy Gillespie Discography"
652:"Dizzy Gillespie Discography"
1737:Jazz compositions in D minor
1331:Live at the Village Vanguard
1032:Something Old, Something New
992:A Portrait of Duke Ellington
1315:Dizzy on the French Riviera
976:The Ebullient Mr. Gillespie
412:Live at the Keystone Korner
1760:
1291:Dizzy Gillespie at Newport
984:Have Trumpet, Will Excite!
386:with Dizzy Gillespie, 1945
233:Early recordings 1944β1946
161:A Night at Birdland Vol. 1
15:
1419:Digital at Montreux, 1980
1395:The Dizzy Gillespie Big 7
1339:Swing Low, Sweet Cadillac
533:Gillespie, Dizzy (2009).
324:The Beginning and the End
1451:Max + Dizzy: Paris 1989
1435:One Night in Washington
1112:Dizzy Gillespie's Big 4
123:. It is also known as "
1176:Carter, Gillespie Inc.
896:The Modern Jazz Sextet
536:To Be, or Not β to Bop
224:for the next soloist.
182:
119:band. It has become a
1307:Carnegie Hall Concert
1160:Afro-Cuban Jazz Moods
1072:The Melody Lingers On
568:"GRAMMY Hall of Fame"
185:The complex ostinato
180:
143:in New York. He gave
1732:1940s jazz standards
1727:Bebop jazz standards
1563:The Winter in Lisbon
1496:Modern Jazz Trumpets
1232:Closer to the Source
1224:To a Finland Station
1040:Dizzy Goes Hollywood
766:"Today and Tomorrow"
193:pattern of straight
29:"A Night in Tunisia"
1670:To Be or Not to Bop
1411:Dizzy Gillespie Jam
1283:Jazz at Massey Hall
1216:The Alternate Blues
740:Gioia, Ted (2012).
431:Imperial Triumphant
371:Jazz at Massey Hall
252:and His Orchestra'.
153:Grammy Hall of Fame
109:musical composition
1631:A Night in Tunisia
1371:The Giants of Jazz
920:For Musicians Only
570:. 18 October 2010.
489:"Night in Tunisia"
435:A Night in Tunisia
422:Today and Tomorrow
313:A Night in Tunisia
228:Notable recordings
207:tritone substitute
183:
105:A Night in Tunisia
1704:
1703:
1467:To Bird with Love
1104:Portrait of Jenny
1016:The New Continent
872:Dizzy and Strings
751:978-0-19-993739-4
546:978-0-8166-6547-1
468:978-0-520-92840-4
408:Mary Lou Williams
350:Real Life Stories
101:
100:
1749:
1681:Related articles
1610:Dizzy Atmosphere
1536:Dizzy Digs Paris
1475:To Diz with Love
826:
819:
812:
803:
796:
795:
793:
791:
779:Kennelty, Greg.
776:
770:
769:
762:
756:
755:
737:
710:
709:
696:
690:
689:
676:
670:
669:
662:
656:
655:
648:
642:
641:
628:
622:
621:
614:
608:
607:
596:
590:
589:
578:
572:
571:
564:
558:
557:
555:
553:
530:
524:
523:
516:
510:
509:
498:
492:
486:
480:
479:
477:
475:
452:
339:Our Man in Paris
82:
41:& His Sextet
26:
1759:
1758:
1752:
1751:
1750:
1748:
1747:
1746:
1707:
1706:
1705:
1700:
1676:
1657:
1596:Blue 'n' Boogie
1569:
1542:
1487:
1481:
1270:
1200:The Gifted Ones
1144:The Bop Session
1056:I/We Had a Ball
912:Dizzy in Greece
904:World Statesman
835:
833:Dizzy Gillespie
830:
800:
799:
789:
787:
785:Metal Injection
778:
777:
773:
764:
763:
759:
752:
739:
738:
713:
698:
697:
693:
678:
677:
673:
664:
663:
659:
650:
649:
645:
630:
629:
625:
616:
615:
611:
604:SecondHandSongs
598:
597:
593:
586:SecondHandSongs
580:
579:
575:
566:
565:
561:
551:
549:
547:
532:
531:
527:
518:
517:
513:
506:SecondHandSongs
500:
499:
495:
487:
483:
473:
471:
469:
454:
453:
449:
444:
366:Dizzy Gillespie
346:Donald Harrison
300:
235:
230:
175:
145:Frank Paparelli
141:Kelly's Stables
137:
113:Dizzy Gillespie
93:Frank Paparelli
88:Dizzy Gillespie
78:
39:Dizzy Gillespie
24:
21:
12:
11:
5:
1757:
1756:
1753:
1745:
1744:
1739:
1734:
1729:
1724:
1719:
1709:
1708:
1702:
1701:
1699:
1698:
1690:
1684:
1682:
1678:
1677:
1675:
1674:
1665:
1663:
1659:
1658:
1656:
1655:
1648:
1641:
1638:Oop Bop Sh'Bam
1634:
1627:
1620:
1613:
1606:
1599:
1592:
1585:
1577:
1575:
1571:
1570:
1568:
1567:
1559:
1555:The Cool World
1550:
1548:
1544:
1543:
1541:
1540:
1532:
1524:
1516:
1508:
1500:
1491:
1489:
1483:
1482:
1480:
1479:
1471:
1463:
1455:
1447:
1439:
1431:
1423:
1415:
1407:
1399:
1391:
1383:
1375:
1367:
1359:
1351:
1343:
1335:
1327:
1319:
1311:
1303:
1295:
1287:
1278:
1276:
1272:
1271:
1269:
1268:
1260:
1252:
1244:
1236:
1228:
1220:
1212:
1204:
1196:
1188:
1180:
1172:
1164:
1156:
1148:
1140:
1132:
1124:
1116:
1108:
1100:
1096:The Real Thing
1092:
1084:
1076:
1068:
1060:
1052:
1044:
1036:
1028:
1020:
1012:
1004:
996:
988:
980:
972:
964:
956:
948:
940:
932:
924:
916:
908:
900:
892:
884:
876:
868:
860:
852:
843:
841:
837:
836:
831:
829:
828:
821:
814:
806:
798:
797:
771:
757:
750:
711:
691:
671:
657:
643:
623:
609:
591:
573:
559:
545:
525:
511:
493:
481:
467:
446:
445:
443:
440:
439:
438:
428:
425:
415:
405:
399:
387:
381:
375:
362:Charlie Parker
359:
353:
343:
327:
320:Clifford Brown
317:
299:
298:Cover versions
296:
295:
294:
279:
260:
257:Charlie Parker
253:
246:
243:
234:
231:
229:
226:
215:Alone Together
174:
171:
136:
133:
99:
98:
97:
96:
90:
83:
75:
74:
65:
59:
58:
55:
51:
50:
47:
43:
42:
31:
30:
22:
13:
10:
9:
6:
4:
3:
2:
1755:
1754:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1714:
1712:
1696:
1695:
1691:
1689:
1688:List of works
1686:
1685:
1683:
1679:
1672:
1671:
1667:
1666:
1664:
1660:
1653:
1652:Woody 'n' You
1649:
1646:
1642:
1639:
1635:
1632:
1628:
1625:
1621:
1618:
1617:Groovin' High
1614:
1611:
1607:
1604:
1600:
1597:
1593:
1590:
1586:
1583:
1579:
1578:
1576:
1572:
1565:
1564:
1560:
1557:
1556:
1552:
1551:
1549:
1545:
1538:
1537:
1533:
1530:
1529:
1525:
1522:
1521:
1517:
1514:
1513:
1509:
1506:
1505:
1504:Groovin' High
1501:
1498:
1497:
1493:
1492:
1490:
1484:
1477:
1476:
1472:
1469:
1468:
1464:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1437:
1436:
1432:
1429:
1428:
1424:
1421:
1420:
1416:
1413:
1412:
1408:
1405:
1404:
1400:
1397:
1396:
1392:
1389:
1388:
1384:
1381:
1380:
1376:
1373:
1372:
1368:
1365:
1364:
1360:
1357:
1356:
1352:
1349:
1348:
1344:
1341:
1340:
1336:
1333:
1332:
1328:
1325:
1324:
1320:
1317:
1316:
1312:
1309:
1308:
1304:
1301:
1300:
1296:
1293:
1292:
1288:
1285:
1284:
1280:
1279:
1277:
1273:
1266:
1265:
1261:
1258:
1257:
1253:
1250:
1249:
1245:
1242:
1241:
1237:
1234:
1233:
1229:
1226:
1225:
1221:
1218:
1217:
1213:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1193:
1189:
1186:
1185:
1184:Dizzy's Party
1181:
1178:
1177:
1173:
1170:
1169:
1165:
1162:
1161:
1157:
1154:
1153:
1149:
1146:
1145:
1141:
1138:
1137:
1133:
1130:
1129:
1125:
1122:
1121:
1117:
1114:
1113:
1109:
1106:
1105:
1101:
1098:
1097:
1093:
1090:
1089:
1085:
1082:
1081:
1077:
1074:
1073:
1069:
1066:
1065:
1061:
1058:
1057:
1053:
1050:
1049:
1045:
1042:
1041:
1037:
1034:
1033:
1029:
1026:
1025:
1021:
1018:
1017:
1013:
1010:
1009:
1005:
1002:
1001:
997:
994:
993:
989:
986:
985:
981:
978:
977:
973:
970:
969:
968:Sonny Side Up
965:
962:
961:
957:
954:
953:
949:
946:
945:
941:
938:
937:
933:
930:
929:
925:
922:
921:
917:
914:
913:
909:
906:
905:
901:
898:
897:
893:
890:
889:
885:
882:
881:
877:
874:
873:
869:
866:
865:
861:
858:
857:
853:
850:
849:
845:
844:
842:
840:Studio albums
838:
834:
827:
822:
820:
815:
813:
808:
807:
804:
786:
782:
775:
772:
767:
761:
758:
753:
747:
743:
736:
734:
732:
730:
728:
726:
724:
722:
720:
718:
716:
712:
707:
706:
701:
695:
692:
687:
686:
681:
675:
672:
667:
661:
658:
653:
647:
644:
639:
638:
633:
627:
624:
619:
613:
610:
605:
601:
595:
592:
587:
583:
577:
574:
569:
563:
560:
548:
542:
538:
537:
529:
526:
521:
515:
512:
507:
503:
497:
494:
490:
485:
482:
470:
464:
460:
459:
451:
448:
441:
436:
432:
429:
426:
423:
419:
416:
413:
409:
406:
403:
402:Sarah Vaughan
400:
397:
396:
391:
390:Sonny Rollins
388:
385:
382:
379:
376:
373:
372:
367:
363:
360:
357:
354:
351:
347:
344:
341:
340:
335:
331:
330:Dexter Gordon
328:
325:
321:
318:
315:
314:
309:
305:
302:
301:
297:
292:
288:
284:
280:
277:
273:
269:
265:
261:
258:
254:
251:
247:
244:
241:
237:
236:
232:
227:
225:
223:
218:
216:
212:
208:
204:
200:
199:chord changes
196:
195:quarter notes
192:
188:
179:
172:
170:
167:
163:
162:
158:On the album
156:
154:
150:
146:
142:
134:
132:
130:
129:Sarah Vaughan
126:
122:
121:jazz standard
118:
114:
110:
106:
94:
91:
89:
86:
85:
84:
81:
76:
73:
69:
66:
64:
60:
56:
52:
48:
44:
40:
36:
27:
19:
1692:
1668:
1645:Salt Peanuts
1630:
1589:Birks' Works
1582:Anthropology
1574:Compositions
1561:
1553:
1534:
1526:
1518:
1510:
1502:
1494:
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1393:
1385:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1321:
1313:
1305:
1297:
1289:
1281:
1264:Oop-Pop-A-Da
1262:
1254:
1246:
1238:
1230:
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1158:
1150:
1142:
1134:
1126:
1118:
1110:
1102:
1094:
1086:
1078:
1070:
1062:
1054:
1048:Jambo Caribe
1046:
1038:
1030:
1022:
1014:
1006:
998:
990:
982:
974:
966:
958:
950:
942:
934:
928:Birks' Works
926:
918:
910:
902:
894:
888:Jazz Recital
886:
878:
870:
864:Diz and Getz
862:
854:
848:Bird and Diz
846:
790:12 September
788:. Retrieved
784:
774:
760:
741:
703:
694:
683:
674:
660:
646:
635:
626:
612:
603:
594:
585:
576:
562:
550:. Retrieved
535:
528:
514:
505:
496:
484:
472:. Retrieved
457:
450:
434:
421:
411:
393:
384:Boyd Raeburn
369:
356:Fats Navarro
349:
337:
323:
311:
283:Dial Records
272:Milt Jackson
250:Boyd Raeburn
219:
191:walking bass
184:
159:
157:
138:
124:
117:Benny Carter
104:
102:
35:Instrumental
1697:(1988 film)
1547:Soundtracks
1486:Compilation
1275:Live albums
1080:It's My Way
1008:Perceptions
1000:Gillespiana
880:Roy and Diz
418:McCoy Tyner
291:Ornithology
287:Miles Davis
285:, includes
201:(using the
80:Composer(s)
1717:1942 songs
1711:Categories
1387:The Source
1088:Cornucopia
944:Sittin' In
552:14 October
474:14 October
442:References
378:Bud Powell
334:Bud Powell
308:Lee Morgan
304:Art Blakey
264:RCA Victor
166:Art Blakey
135:Background
95:(credited)
1379:The Giant
1256:Endlessly
1240:New Faces
1192:Free Ride
276:Ray Brown
240:Pettiford
187:bass line
131:in 1944.
125:Interlude
1603:Con Alma
1024:New Wave
268:Don Byas
173:Analysis
54:Recorded
46:Released
1624:Manteca
1168:Bahiana
708:. 1946.
705:Discogs
688:. 1946.
685:Discogs
640:. 1945.
637:Discogs
107:" is a
1673:(1979)
1566:(1990)
1558:(1964)
1539:(2006)
1531:(2004)
1523:(1995)
1515:(1976)
1507:(1955)
1499:(1951)
1488:albums
1478:(1992)
1470:(1992)
1462:(1992)
1454:(1989)
1446:(1989)
1438:(1983)
1430:(1981)
1422:(1980)
1414:(1977)
1406:(1975)
1398:(1975)
1390:(1973)
1382:(1973)
1374:(1971)
1366:(1971)
1363:Giants
1358:(1971)
1350:(1968)
1342:(1967)
1334:(1967)
1326:(1963)
1318:(1962)
1310:(1961)
1302:(1961)
1294:(1957)
1286:(1953)
1267:(1988)
1259:(1988)
1251:(1986)
1243:(1985)
1235:(1984)
1227:(1983)
1219:(1980)
1211:(1980)
1203:(1977)
1195:(1977)
1187:(1976)
1179:(1976)
1171:(1975)
1163:(1975)
1155:(1975)
1147:(1975)
1139:(1974)
1131:(1974)
1123:(1974)
1115:(1974)
1107:(1970)
1099:(1970)
1091:(1969)
1083:(1969)
1075:(1966)
1067:(1965)
1059:(1965)
1051:(1964)
1043:(1964)
1035:(1963)
1027:(1963)
1019:(1962)
1011:(1961)
1003:(1960)
995:(1960)
987:(1959)
979:(1959)
971:(1959)
963:(1957)
955:(1957)
947:(1957)
939:(1957)
931:(1957)
923:(1956)
915:(1956)
907:(1956)
899:(1956)
891:(1956)
883:(1954)
875:(1954)
867:(1955)
859:(1954)
851:(1952)
748:
543:
465:
437:(2023)
424:(1964)
414:(1977)
404:, 1944
398:(1957)
380:(1951)
374:(1953)
358:(1950)
352:(2001)
342:(1963)
326:(1955)
316:(1960)
274:, and
1662:Books
952:Duets
332:with
306:with
222:break
203:Sub V
149:bebop
72:bebop
63:Genre
1694:Bird
856:Afro
792:2023
746:ISBN
554:2018
541:ISBN
476:2018
463:ISBN
364:and
211:II-V
205:, a
68:Jazz
57:1944
49:1942
289:. "
37:by
1713::
783:.
714:^
702:.
682:.
634:.
602:.
584:.
504:.
433:,
420:,
410:,
392:,
368:,
348:,
336:,
322:,
310:,
270:,
164:,
155:.
70:,
1654:"
1650:"
1647:"
1643:"
1640:"
1636:"
1633:"
1629:"
1626:"
1622:"
1619:"
1615:"
1612:"
1608:"
1605:"
1601:"
1598:"
1594:"
1591:"
1587:"
1584:"
1580:"
825:e
818:t
811:v
794:.
768:.
754:.
668:.
654:.
620:.
606:.
588:.
556:.
522:.
508:.
478:.
278:.
103:"
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.