391:, and lots of warmth. When it begins to swing near the middle, it does so in such a relaxed and languid manner that the shift from soul-jazz on the preceding tune to the straight up fingerpopping nightclub swing on this one is seamless. "Not Yet" opens the second half of the set. It's a funky groove, but the easy, laid-back feel and chord changes in this Washington original make it irresistibly sexy. Once more, Gale's guitar pleases as it leads the horn section vamps that fill his sophisticated, soulful, bluesed-out solo. The lilt in Grusin's Rhodes piano is the perfect tastemaker, since Washington's tenor is so throaty and on the low-end growl. Harvey Mason's straight up funky soul number "Love Makes It Better," takes the set out on a high note, with gorgeous guitar vamps by Gale, the three-horn line playing a sparse but pronounced melody line, and Grusin filling the middle with enough sweetness and light to offer the drums and percussion room to really pop. Washington's tenor solo is sophisticated and tasteful; its emotion ratchets up the dynamic in the entire tune. The bottom line on
382:– in the style of the title tracks of both the previous albums. But he went in a different direction, at least partially. There are four cuts here, each between eight and nine minutes. The two which comprise side one of the LP, the title track and Hancock's tune, are a bit more laid-back and mysterious. Washington takes his time letting them unfold, utilizing dynamics. "A Secret Place" does have a slippery funky backbeat, and a killer guitar line by Gale, but the groove is nocturnal, spacy and soulful. His soprano sings over the backbeat as Grusin's
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really stretch out on his solos, blowing with a great deal of soul over some hip instrumentation that includes Dave Grusin on electric piano, Anthony
Jackson on bass, Harvey Mason on drums, and Ralph McDonald on percussion. There's a lean quality to the record that's completely sublime (why can't they make sets like this anymore?) – and although smooth, things are never slick – wonderfully soulful throughout, in that magic mode that Grover hit on a handful of key 70s albums!"
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commented "Washington's tenor solo is sophisticated and utterly tasteful; its emotion ratchets up the dynamic in the entire tune. The bottom line on A Secret Place is that while the set did well commercially, it got nowhere near the critical praise of its predecessors. That's a shame, because it is a
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noted 'Nothing too secret about this record – given that it was one of Grover
Washington's biggest hits of the 70s, and for good reason too! The album features four long tracks – all stretched out and layered together with washes of funky, yet subtle sounds – in a perfect blend that let Washington
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plays down a vamp for the rhythm section, and fills in the painted backdrop beautifully. The tempo picks up with
Jackson's bassline becoming more prominent in the mix, but it never overpowers the easy groove established at the beginning. "Dolphin Dance" begins every bit as sparely and exotically
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is that while the set did well commercially, it got nowhere near the critical praise of its predecessors. That's a shame, because it is a truly fine album whose grooves and pleasures stand the test of time easily. It's ripe for reappraisal."
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303:"Tenor and soprano saxophonist Grover Washington Jr. was faced with an almost impossible task in 1976: following up his two 1975 critically acclaimed and wildly successful commercial recordings
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This lineup may not be surprising, but the scope of the recording is. Washington could have gone the easy route and followed up his
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truly fine album whose grooves and pleasures stand the test of time easily. It's ripe for reappraisal". A reviewer of
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imprint, while the versatile David
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spacious as
Hancock's own version, with beautiful soprano and alto work, gorgeous floating
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chart success with a series of uptempo, rousing tracks that leaned heavier on
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Jazz Albums chart and reached number seven on the Soul Albums chart in 1977.
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and his last studio album for Kudu
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947:A House Full of Love: Music from The Cosby Show
787:Grover Washington Jr.-A Secret Place at Discogs
763:"Grover Washington Jr. US albums chart history"
671:The Rolling Stone Jazz & Blues Album Guide
245:The Rolling Stone Jazz & Blues Album Guide
23:1976 studio album by Grover Washington Jr.
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437:"Not Yet" (Grover Washington Jr.) – 8:36
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1125:Albums recorded at Van Gelder Studio
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1120:Albums produced by Creed Taylor
657:. Retrieved 19 September 2011.
552:Rene Schumacher – album design
18:A Secret Place (Megadeth song)
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1110:Grover Washington Jr. albums
630:"Cti Discography: 1975-1976"
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555:Richard Alcorn – photography
16:For the Megadeth song, see
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355:. Guests include bassist
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440:"Love Makes It Better" (
1083:The Best Is Yet to Come
931:The Best Is Yet to Come
647:Grover Washington Jr.:
543:Creed Taylor – producer
339:on percussion, bassist
667:Swenson, John (1999).
851:All the King's Horses
828:Grover Washington Jr.
694:Grover Washington Jr.
455:Grover Washington Jr.
425:Grover Washington Jr.
351:and alto saxophonist
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143:Grover Washington Jr.
49:Grover Washington Jr.
189:Professional ratings
1115:Kudu Records albums
533:– horn arrangements
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1076:Just the Two of Us
479:– guitar (1, 3, 4)
470:– acoustic piano,
423:"A Secret Place" (
323:and issued on his
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459:soprano saxophone
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418:Track listing
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369:Dolphin Dance
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312:Feels So Good
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963:Then and Now
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939:Inside Moves
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923:Come Morning
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867:Mister Magic
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767:. Retrieved
740:. Retrieved
737:Dusty Groove
727:
717:September 9,
715:. Retrieved
701:
693:
688:23 September
686:. Retrieved
670:
662:
648:
624:
603:
590:
578:
509:– percussion
501:Harvey Mason
485:– guitar (2)
442:Harvey Mason
411:Dusty Groove
403:
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389:Rhodes piano
384:Rhodes piano
373:
347:, trumpeter
343:, guitarist
333:Harvey Mason
321:Creed Taylor
316:
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306:Mister Magic
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136:Creed Taylor
67:October 1976
44:Studio album
1105:1976 albums
1014:Live albums
651:> Review
495:George Mraz
468:Dave Grusin
357:George Mraz
329:Dave Grusin
96:smooth jazz
92:Jazz fusion
1099:Categories
907:Skylarkin'
769:2011-08-26
742:16 January
616:References
581:Pop Albums
549:– engineer
538:Production
497:– bass (2)
483:Steve Khan
361:Steve Khan
331:, drummer
299:Background
145:chronology
1049:Anthology
979:Next Exit
915:Winelight
891:Reed Seed
604:Billboard
591:Billboard
579:Billboard
572:position
477:Eric Gale
449:Personnel
400:Reception
345:Eric Gale
293:Billboard
1085:" (1983)
1078:" (1981)
899:Paradise
859:Soul Box
712:Allmusic
655:AllMusic
444:) – 8:07
434:) – 8:50
427:) – 8:14
406:AllMusic
208:Allmusic
131:Producer
64:Recorded
56:Released
46: by
1068:Singles
1041:Baddest
526:trumpet
503:– drums
376:R&B
178:(1978)
169:(1976)
160:(1975)
1060:(1997)
1052:(1981)
1044:(1981)
1025:(1977)
1006:(2000)
998:(1996)
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974:(1989)
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870:(1975)
862:(1973)
854:(1972)
846:(1972)
679:
560:Charts
202:Rating
199:Source
102:Length
72:Studio
119:Label
87:Genre
1003:Aria
744:2019
719:2016
690:2019
677:ISBN
570:Peak
380:funk
367:'s "
325:Kudu
309:and
124:Kudu
653:at
585:31
371:."
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109::
20:.
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