297:
335:
1869:
314:
379:
280:
265:
29:
412:
436:
While Dallin's intentions in representing Native
Americans were initially viewed in positive terms, more recently his work has been critiqued as art that silences the voices of Native Americans, and overshadows their agency. It has also been pointed out that Dallin has made several generalizations in
432:
However, Dallin's unpublished manuscripts, newspaper interviews, and old letters have been used as evidence that he was an advocate for the
American indigenous people, and critiqued their mistreatment by white settlers. A reviewer in 1909 even praised Dallin for his work with Native Americans, saying
449:
The art historian Emily C. Burns argues that it is important to distinguish between the "intention and reception" of Dallin's work. She emphasizes that Dallin's statues were created as "ambivalent monuments that posed a subtle political challenge for those willing to engage in imaginative, critical
445:
people. Since Dallin never made any published statement regarding the correct interpretation of these works, it shows that he did not immediately strike down the interpretations that involved the "vanishing race mythology," possibly to gain favor with white patrons and increase the marketability of
369:
He first completed a plaster version of the statue and entered it into the Paris Salon of 1890, where it won honorable mention, which was uncommon for an
American artist to receive at the time. He then paid for a bronze version of the sculpture to be cast in Paris. The bronze was later exhibited at
358:, who worked alongside Dallin during this time, was similarly intrigued by the show and made sketches of Buffalo Bill with other Indigenous people, horses, and buffalo. Dallin elected to create a life-size equestrian statue depicting a
175:
Despite Dallin's admiration for
Indigenous people and his objection to their mistreatment by white settlers, the monument has sometimes been criticized as reinforcing stereotypes about Native Americans as "savages" and a "dying race."
237:
Dallin himself did not refer to the four sculptures as a series, but critics have often interpreted the works as a narrative about the fate of Native
Americans. According to this reading, the series begins with
390:
man who is barely clothed with just moccasins, a loincloth, and a feathered headpiece, riding on top of a horse. His left arm rests on the horse's neck, while his other hand is stretched upward holding a long
433:
that "Mr. Dallin knows the Indian psychically as well as physically. He has not only put himself inside his skin, as we say, but he has climbed into his consciousness and studied the way his kind works."
370:
the 1893 World's
Columbian Exposition. The Chicago judge Lambert Tree purchased this version of the sculpture and donated it to Lincoln Park, where it was dedicated on June 9, 1894.
399:. The statue is raised on a high granite pedestal, with a plaque reading: "A SIGNAL OF PEACE" with "The Gift of Lambert Tree" directly underneath. The statue overlooks the shore of
196:
tribes. His
English father, Thomas Dallin, encouraged Cyrus and his siblings to play with children from the tribes in the area. From these experiences, Dallin learned how to use a
1960:
694:
775:
769:
1199:
1791:
1477:
296:
395:. The expression on the individual's face is one of a friendly and welcoming nature, thought to be representing the first meeting with the Europeans who were
671:
1945:
1831:
1700:
1906:
1925:
1715:
1652:
762:
429:
has been criticized as contributing to the depiction of Native
Americans as a "defeated and dying race," supporting the "vanishing race mythology."
1940:
1786:
1119:
441:
is intended to represent the struggles and adversity of all of the western tribes in the U.S., but the end-title of the work just represents the
1955:
1950:
1935:
1781:
1683:
1658:
1099:
1089:
947:
1725:
1668:
1114:
1094:
396:
387:
243:
200:, ride a horse, and play Paiute and Ute games. Dallin cited this upbringing as the source of his interest in Indigenous people and culture.
1970:
1836:
1776:
1761:
822:
450:
looking." But she acknowledges that they have come to be perceived by many as problematic and disrespectful to the Native
American people.
1710:
1192:
914:
1741:
313:
99:
154:
1821:
630:
1465:
1663:
1471:
872:
830:
798:
700:
664:
1678:
242:
depicting the "naive" welcome of
Europeans by the Indian chief. This moment is followed by hesitancy and the realization that
169:
1491:
1433:
1185:
1899:
1688:
1208:
995:
459:
1766:
1642:
1526:
1305:
1109:
1104:
91:
1965:
1756:
1587:
1439:
1413:
1385:
1311:
1276:
657:
189:
350:
from 1888-1890. During this time, he made frequent visits to Buffalo Bill's Wild West Show, which was playing in the
258:
is then interpreted to represent the defeat of Indigenous people, as the Native American adopts a pose of surrender.
67:
150 cm Ă— 76 cm Ă— 150 cm (5 ft Ă— 2.5 ft Ă— 5 ft)
1801:
1617:
1545:
1338:
1025:
940:
791:
754:
320:
227:
1975:
1673:
1580:
1452:
1427:
1331:
1124:
1063:
985:
975:
838:
806:
730:
286:
215:
1930:
1892:
1748:
1705:
1359:
1012:
1771:
1647:
1539:
1156:
888:
464:
279:
1720:
1601:
1593:
1399:
1317:
1249:
1038:
980:
854:
723:
643:
638:
264:
1694:
1505:
1498:
1446:
1270:
1166:
1161:
933:
334:
1868:
172:
for $ 10,000, and donated it to Lincoln Park in Chicago, where it has stood since the summer of 1894.
1566:
1552:
1519:
1392:
1345:
1076:
738:
303:
221:
598:"Cyrus E. Dallin and the North American Indian: Four Statues Which Express the Fate of a Dying Race"
1841:
1796:
1734:
1293:
1222:
1031:
970:
898:
1379:
1051:
814:
680:
609:
578:
502:
146:
39:
378:
343:
338:
The Buffalo Bill Wild West Show in 1890, taking place in the Bois de Boulogne in Paris, France.
153:, Chicago. Dallin created the work while studying in Paris and based the figure on a member of
1287:
1235:
1228:
1019:
528:
185:
157:, which he attended often. He exhibited the original plaster version of the sculpture at the
1826:
1420:
990:
570:
351:
1609:
1533:
1299:
846:
784:
1876:
1484:
1352:
1256:
1140:
558:
1919:
1512:
1406:
1057:
582:
400:
197:
158:
83:
1559:
956:
893:
716:
363:
359:
355:
254:, the American Indian is seen as fighting back against mistreatment from settlers.
165:
150:
213:
is one of Dallin's four most prominent sculptures of Indigenous people, alongside
347:
1373:
1324:
1045:
746:
193:
114:
101:
1458:
1263:
1069:
142:
411:
1366:
1242:
79:
1177:
613:
597:
28:
1623:
532:
506:
490:
75:
527:. Cyrus Dallin Art Museum: Springville Museum of Art. pp. 39–40.
649:
138:
57:
231:(1908). The four works are sometimes described as a series known as
574:
442:
410:
392:
377:
333:
559:"Political Contestation Cyrus Dallin's American Indian Monuments"
1181:
929:
925:
653:
342:
Dallin conceived the sculpture while studying in Paris at the
382:
View of Lake Michigan from Lincoln Park in Chicago, Illinois.
437:
blending together different tribal cultures. For example,
386:
The monument is a life-size bronze statue that depicts a
1880:
491:"Cyrus E. Dallin, Master Sculptor of the Plains Indian"
585:– via The University of Chicago Press Journals.
425:, along with the three other monuments that make up
1814:
1633:
1215:
1149:
1133:
1004:
963:
907:
881:
865:
687:
89:
71:
63:
53:
45:
35:
21:
168:bought the bronze version of the statue at the
1900:
1478:Light of Truth Ida B. Wells National Monument
1193:
941:
665:
8:
1961:Sculptures of Native Americans in Illinois
1907:
1893:
1832:Cool Globes: Hot Ideas for a Cooler Planet
1630:
1200:
1186:
1178:
948:
934:
926:
672:
658:
650:
188:, where he lived in a settlement near the
18:
1855:: †No longer extant or on public display
495:Montana The Magazine of Western History
476:
260:
1115:Statue of Robert Cavelier de La Salle
418:displayed at the Paris Salon of 1890.
7:
1865:
1863:
1837:Gold Star Families Memorial and Park
596:Pomeroy, E. Wilbur (February 1914).
552:
550:
548:
546:
544:
542:
525:Cyrus E. Dallin: Let Justice Be Done
518:
516:
484:
482:
480:
915:Archery at the 1904 Summer Olympics
161:, where it won honorable mention.
1946:Monuments and memorials in Chicago
14:
1822:Art Institute of Chicago Building
602:Arts & Decoration (1910-1918)
1867:
873:Pilgrim Tercentenary half dollar
831:Signing of the Mayflower Compact
563:Archives of American Art Journal
312:
295:
278:
263:
27:
1926:1890 establishments in Illinois
557:Burns, Emily C. (Spring 2018).
366:, as the model for the statue.
1941:Equestrian statues in Illinois
1492:Looking Into My Dreams, Awilda
1434:Governor Horner State Memorial
489:Ewers, John C. (Winter 1968).
1:
1956:Sculptures of men in Illinois
1951:Outdoor sculptures in Chicago
1936:Bronze sculptures in Illinois
1875:This public art article is a
1120:Statue of William Shakespeare
996:Peggy Notebaert Nature Museum
460:List of public art in Chicago
155:Buffalo Bill's Wild West Show
1879:. You can help Knowledge by
1777:Jean Baptiste Point du Sable
1527:Monument with Standing Beast
1466:Large Interior Form, 1953–54
1306:Chicago Rising from the Lake
1110:Statue of Richard J. Oglesby
1105:Statue of John Peter Altgeld
1100:Statue of Friedrich Schiller
1090:Statue of Alexander Hamilton
362:chief, using Philip, son of
170:World's Columbian Exposition
16:Equestrian statue in Chicago
1971:Works by Cyrus Edwin Dallin
1726:Robert Cavelier de La Salle
1414:Fountain of the Great Lakes
1312:Chicago Stock Exchange Arch
1095:Statue of Benjamin Franklin
1992:
1862:
1026:Bust of Emanuel Swedenborg
792:Robbins Memorial Flagstaff
755:Appeal to the Great Spirit
635:Chicago Outdoor Sculptures
330:Design process and funding
321:Appeal to the Great Spirit
256:Appeal to the Great Spirit
228:Appeal to the Great Spirit
1850:
1453:Joseph Rosenberg Fountain
1125:Ulysses S. Grant Monument
986:Lincoln Park Conservatory
976:Alfred Caldwell Lily Pool
894:Dallin House (birthplace)
839:Boy and His Dog Sculpture
777:An Incident at Gettysburg
704:(modeled 1885, cast 1940)
26:
1013:Abraham Lincoln: The Man
646:Arlington, Massachusetts
439:The Protest of the Sioux
397:colonizing North America
252:The Protest of the Sioux
1540:Mural of Robin Williams
1157:Chicago Lakefront Trail
889:Cyrus Dallin Art Museum
818:(1921, Plymouth, Mass.)
807:Anne Marbury Hutchinson
465:Cyrus Dallin Art Museum
427:The Epic of the Indian,
233:The Epic of the Indian.
1701:Alexander von Humboldt
1472:LGBT veterans monument
981:Chicago History Museum
855:Passing of the Buffalo
799:Winfield Scott Hancock
724:Brigham Young Monument
644:Cyrus E. Dallin Museum
523:Francis, Rell (1976).
419:
407:Political contestation
383:
339:
205:The Epic of the Indian
1695:Heald Square Monument
1506:Man Enters the Cosmos
1271:Big Beaver Totem Pole
1209:Public art in Chicago
1167:Lincoln Park, Chicago
1162:Chicago Park District
414:
381:
337:
1653:Christopher Columbus
1553:Olmec Head, Number 8
739:Protest of the Sioux
304:Protest of the Sioux
222:Protest of the Sioux
115:41.9332°N 87.63145°W
1842:Graffiti in Chicago
1787:William Shakespeare
1735:The Chicago Lincoln
1659:Nicolaus Copernicus
1318:Children's Fountain
1250:America's Courtyard
1223:8th Street Fountain
1039:Children's Fountain
971:AIDS Garden Chicago
899:Taylor-Dallin House
159:Paris Salon of 1890
111: /
1966:Statues in Chicago
1802:Emanuel Swedenborg
1782:Friedrich Schiller
1767:Richard J. Oglesby
1716:Tadeusz Kościuszko
1684:Alexander Hamilton
1643:John Peter Altgeld
1380:Eli Bates Fountain
1052:Eli Bates Fountain
681:Cyrus Edwin Dallin
509:– via JSTOR.
420:
384:
348:Henri Michel Chapu
340:
246:may cause harm in
184:Dallin grew up in
147:Cyrus Edwin Dallin
120:41.9332; -87.63145
40:Cyrus Edwin Dallin
1888:
1887:
1860:
1859:
1810:
1809:
1742:The Head of State
1669:Benjamin Franklin
1574:A Signal of Peace
1288:Burnham Pavilions
1175:
1174:
1084:A Signal of Peace
923:
922:
882:Homes and museums
709:A Signal of Peace
632:A Signal of Peace
423:A Signal of Peace
416:A Signal of Peace
374:Visual properties
271:A Signal of Peace
240:A Signal of Peace
211:A Signal of Peace
186:Springville, Utah
134:A Signal of Peace
130:
129:
22:A Signal of Peace
1983:
1976:Public art stubs
1909:
1902:
1895:
1871:
1864:
1827:Boeing Galleries
1762:William McKinley
1730:Abraham Lincoln
1674:Ulysses S. Grant
1631:
1618:Victory Monument
1421:Fountain of Time
1202:
1195:
1188:
1179:
991:Lincoln Park Zoo
950:
943:
936:
927:
826:(Salt Lake City)
771:The Call to Arms
731:The Medicine Man
695:In Massachusetts
674:
667:
660:
651:
618:
617:
593:
587:
586:
554:
537:
536:
520:
511:
510:
486:
352:Bois de Boulogne
316:
299:
287:The Medicine Man
282:
267:
248:The Medicine Man
216:The Medicine Man
126:
125:
123:
122:
121:
116:
112:
109:
108:
107:
104:
94:
31:
19:
1991:
1990:
1986:
1985:
1984:
1982:
1981:
1980:
1931:1890 sculptures
1916:
1915:
1914:
1913:
1861:
1856:
1846:
1806:
1792:Philip Sheridan
1648:Jack Brickhouse
1635:
1629:
1588:Spirit of Music
1534:Moose (W-02-03)
1447:Horse and Rider
1440:Green Lightning
1428:Goethe Monument
1386:Eternal Silence
1300:Chicago Picasso
1211:
1206:
1176:
1171:
1145:
1129:
1064:Goethe Monument
1000:
959:
954:
924:
919:
903:
877:
861:
847:Memory (Dallin)
785:Menotomy Hunter
683:
678:
627:
622:
621:
595:
594:
590:
556:
555:
540:
522:
521:
514:
488:
487:
478:
473:
456:
409:
388:Native American
376:
344:Académie Julian
332:
325:
317:
308:
300:
291:
283:
274:
268:
208:
182:
119:
117:
113:
110:
105:
102:
100:
98:
97:
90:
17:
12:
11:
5:
1989:
1987:
1979:
1978:
1973:
1968:
1963:
1958:
1953:
1948:
1943:
1938:
1933:
1928:
1918:
1917:
1912:
1911:
1904:
1897:
1889:
1886:
1885:
1872:
1858:
1857:
1851:
1848:
1847:
1845:
1844:
1839:
1834:
1829:
1824:
1818:
1816:
1812:
1811:
1808:
1807:
1805:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1753:
1752:
1745:
1738:
1728:
1723:
1718:
1713:
1708:
1706:Michael Jordan
1703:
1698:
1691:
1689:Karel HavlĂÄŤek
1686:
1681:
1676:
1671:
1666:
1661:
1656:
1650:
1645:
1639:
1637:
1628:
1627:
1620:
1615:
1607:
1599:
1591:
1584:
1577:
1570:
1563:
1556:
1549:
1546:Nuclear Energy
1542:
1537:
1530:
1523:
1520:MirĂł's Chicago
1516:
1509:
1502:
1495:
1488:
1481:
1474:
1469:
1462:
1455:
1450:
1443:
1436:
1431:
1424:
1417:
1410:
1403:
1396:
1389:
1382:
1377:
1370:
1363:
1356:
1353:Crown Fountain
1349:
1342:
1339:Crack the Whip
1335:
1328:
1321:
1314:
1309:
1302:
1297:
1290:
1285:
1274:
1267:
1260:
1257:Balbo Monument
1253:
1246:
1239:
1232:
1225:
1219:
1217:
1213:
1212:
1207:
1205:
1204:
1197:
1190:
1182:
1173:
1172:
1170:
1169:
1164:
1159:
1153:
1151:
1147:
1146:
1144:
1143:
1141:Bike the Drive
1137:
1135:
1131:
1130:
1128:
1127:
1122:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1080:
1073:
1066:
1061:
1054:
1049:
1042:
1035:
1028:
1023:
1016:
1008:
1006:
1002:
1001:
999:
998:
993:
988:
983:
978:
973:
967:
965:
961:
960:
955:
953:
952:
945:
938:
930:
921:
920:
918:
917:
911:
909:
905:
904:
902:
901:
896:
891:
885:
883:
879:
878:
876:
875:
869:
867:
863:
862:
860:
859:
851:
843:
835:
827:
819:
811:
803:
795:
789:
781:
767:
759:
751:
743:
735:
727:
721:
713:
705:
697:
691:
689:
685:
684:
679:
677:
676:
669:
662:
654:
648:
647:
641:
636:
626:
625:External links
623:
620:
619:
608:(4): 152–153.
588:
575:10.1086/698333
538:
512:
475:
474:
472:
469:
468:
467:
462:
455:
452:
408:
405:
375:
372:
331:
328:
327:
326:
318:
311:
309:
301:
294:
292:
284:
277:
275:
269:
262:
244:white settlers
207:
202:
181:
178:
128:
127:
95:
87:
86:
73:
69:
68:
65:
61:
60:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1988:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1923:
1921:
1910:
1905:
1903:
1898:
1896:
1891:
1890:
1884:
1882:
1878:
1873:
1870:
1866:
1854:
1849:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1819:
1817:
1813:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1772:Ryne Sandberg
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1751:
1750:
1746:
1744:
1743:
1739:
1737:
1736:
1732:
1731:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1712:
1711:Benito Juárez
1709:
1707:
1704:
1702:
1699:
1697:
1696:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1657:
1654:
1651:
1649:
1646:
1644:
1641:
1640:
1638:
1632:
1626:
1625:
1621:
1619:
1616:
1614:
1612:
1608:
1606:
1604:
1600:
1598:
1597:
1592:
1590:
1589:
1585:
1583:
1582:
1581:Spiral Galaxy
1578:
1576:
1575:
1571:
1569:
1568:
1564:
1562:
1561:
1557:
1555:
1554:
1550:
1548:
1547:
1543:
1541:
1538:
1536:
1535:
1531:
1529:
1528:
1524:
1522:
1521:
1517:
1515:
1514:
1513:Man with Fish
1510:
1508:
1507:
1503:
1501:
1500:
1496:
1494:
1493:
1489:
1487:
1486:
1482:
1480:
1479:
1475:
1473:
1470:
1468:
1467:
1463:
1461:
1460:
1456:
1454:
1451:
1449:
1448:
1444:
1442:
1441:
1437:
1435:
1432:
1430:
1429:
1425:
1423:
1422:
1418:
1416:
1415:
1411:
1409:
1408:
1407:Fountain Girl
1404:
1402:
1401:
1400:Flying Dragon
1397:
1395:
1394:
1390:
1388:
1387:
1383:
1381:
1378:
1376:
1375:
1371:
1369:
1368:
1364:
1362:
1361:
1357:
1355:
1354:
1350:
1348:
1347:
1343:
1341:
1340:
1336:
1334:
1333:
1332:Constellation
1329:
1327:
1326:
1322:
1320:
1319:
1315:
1313:
1310:
1308:
1307:
1303:
1301:
1298:
1296:
1295:
1291:
1289:
1286:
1284:
1283:
1279:
1275:
1273:
1272:
1268:
1266:
1265:
1261:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1221:
1220:
1218:
1214:
1210:
1203:
1198:
1196:
1191:
1189:
1184:
1183:
1180:
1168:
1165:
1163:
1160:
1158:
1155:
1154:
1152:
1148:
1142:
1139:
1138:
1136:
1132:
1126:
1123:
1121:
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1085:
1081:
1079:
1078:
1074:
1072:
1071:
1067:
1065:
1062:
1060:
1059:
1058:Fountain Girl
1055:
1053:
1050:
1048:
1047:
1043:
1041:
1040:
1036:
1034:
1033:
1029:
1027:
1024:
1022:
1021:
1017:
1015:
1014:
1010:
1009:
1007:
1003:
997:
994:
992:
989:
987:
984:
982:
979:
977:
974:
972:
969:
968:
966:
962:
958:
951:
946:
944:
939:
937:
932:
931:
928:
916:
913:
912:
910:
906:
900:
897:
895:
892:
890:
887:
886:
884:
880:
874:
871:
870:
868:
864:
857:
856:
852:
849:
848:
844:
841:
840:
836:
833:
832:
828:
825:
824:
820:
817:
816:
812:
809:
808:
804:
801:
800:
796:
793:
790:
787:
786:
782:
779:
778:
773:
772:
768:
765:
764:
760:
757:
756:
752:
749:
748:
744:
741:
740:
736:
733:
732:
728:
725:
722:
719:
718:
714:
711:
710:
706:
703:
702:
698:
696:
693:
692:
690:
686:
682:
675:
670:
668:
663:
661:
656:
655:
652:
645:
642:
640:
637:
634:
633:
629:
628:
624:
615:
611:
607:
603:
599:
592:
589:
584:
580:
576:
572:
568:
564:
560:
553:
551:
549:
547:
545:
543:
539:
534:
530:
526:
519:
517:
513:
508:
504:
500:
496:
492:
485:
483:
481:
477:
470:
466:
463:
461:
458:
457:
453:
451:
447:
444:
440:
434:
430:
428:
424:
417:
413:
406:
404:
402:
401:Lake Michigan
398:
394:
389:
380:
373:
371:
367:
365:
361:
357:
353:
349:
345:
336:
329:
323:
322:
315:
310:
306:
305:
298:
293:
289:
288:
281:
276:
272:
266:
261:
259:
257:
253:
249:
245:
241:
235:
234:
230:
229:
224:
223:
218:
217:
212:
206:
203:
201:
199:
198:bow and arrow
195:
191:
187:
179:
177:
173:
171:
167:
162:
160:
156:
152:
148:
144:
140:
136:
135:
124:
96:
93:
88:
85:
84:United States
81:
77:
74:
70:
66:
62:
59:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
1881:expanding it
1874:
1852:
1747:
1740:
1733:
1721:Irv Kupcinet
1693:
1664:Leif Erikson
1622:
1610:
1602:
1596:The Republic
1595:
1586:
1579:
1573:
1572:
1565:
1560:San Marco II
1558:
1551:
1544:
1532:
1525:
1518:
1511:
1504:
1497:
1490:
1483:
1476:
1464:
1457:
1445:
1438:
1426:
1419:
1412:
1405:
1398:
1391:
1384:
1372:
1365:
1360:The Crusader
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1304:
1292:
1282:The Spearman
1281:
1277:
1269:
1262:
1255:
1248:
1241:
1234:
1227:
1083:
1082:
1075:
1068:
1056:
1044:
1037:
1030:
1018:
1011:
957:Lincoln Park
853:
845:
837:
829:
821:
813:
805:
797:
783:
776:
770:
761:
753:
745:
737:
729:
717:Angel Moroni
715:
708:
707:
699:
631:
605:
601:
591:
566:
562:
524:
501:(1): 34–43.
498:
494:
448:
438:
435:
431:
426:
422:
421:
415:
385:
368:
364:Kicking Bear
360:Sioux Indian
356:Rosa Bonheur
341:
319:
302:
285:
270:
255:
251:
247:
239:
236:
232:
226:
225:(1904), and
220:
214:
210:
209:
204:
183:
174:
166:Lambert Tree
163:
151:Lincoln Park
133:
132:
131:
1797:Georg Solti
1679:Nathan Hale
964:Attractions
701:Paul Revere
569:(1): 4–21.
446:his work.
149:located in
141:equestrian
137:is an 1890
118: /
92:Coordinates
1920:Categories
1757:John Logan
1636:sculptures
1605:(RĂĽckriem)
1594:Statue of
1374:Dream Lady
1325:Cloud Gate
1278:The Bowman
1046:Dream Lady
1005:Public art
747:The Picket
688:Sculptures
639:waymarking
533:B001P4T6JQ
471:References
180:Background
106:87°37′53″W
103:41°56′00″N
64:Dimensions
1499:Magdalene
1459:Kwanusila
1264:Batcolumn
1236:The Alarm
1070:Kwanusila
1020:The Alarm
823:Massasoit
815:Massasoit
763:The Scout
583:158388796
164:In 1893,
143:sculpture
1634:Portrait
1611:Untitled
1603:Untitled
1567:Siblings
1393:Flamingo
1367:Cubi VII
1346:Crossing
1243:Allow Me
1077:Siblings
614:43807357
454:See also
219:(1899),
80:Illinois
72:Location
1815:Related
1749:The Man
1624:We Will
1294:Chevron
1032:Chevron
908:Related
507:4517220
324:(1908)
250:. With
76:Chicago
1613:(Wool)
1134:Events
858:(1929)
850:(1924)
842:(1923)
834:(1922)
810:(1915)
802:(1913)
794:(1913)
788:(1911)
780:(1910)
766:(1910)
758:(1908)
750:(1905)
742:(1904)
734:(1899)
726:(1893)
720:(1892)
712:(1890)
612:
581:
531:
505:
307:(1904)
290:(1899)
273:(1890)
190:Paiute
139:bronze
58:Bronze
36:Artist
1485:Lions
1229:Agora
1216:Works
1150:Other
866:Coins
610:JSTOR
579:S2CID
503:JSTOR
443:Sioux
393:spear
346:with
1877:stub
1280:and
774:and
529:ASIN
192:and
54:Type
49:1890
46:Year
1853:Key
571:doi
403:.
194:Ute
145:by
1922::
604:.
600:.
577:.
567:57
565:.
561:.
541:^
515:^
499:18
497:.
493:.
479:^
354:.
82:,
78:,
1908:e
1901:t
1894:v
1883:.
1655:â€
1201:e
1194:t
1187:v
949:e
942:t
935:v
673:e
666:t
659:v
616:.
606:4
573::
535:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
