Knowledge (XXG)

A Woman of the World

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258:, and her annoyance builds when one curious old man offers to donate another quarter if she will show the tattoo mark that is the ineradicable reminder of the faithless foreign lover she wants to forget. Later, Sam seeks to console her and brings her laughter by showing that he has a railroad train tattoo running from his right wrist to his left hand, clear across his chest. After a series of innocent events between the Countess and his assistant Gareth Johns (Mack) arouses his jealousy, Richard denounces her alleged immorality and demands that she be ordered out of town. She avenges the insult with a 38: 504: 201: 253:
home. Richard Granger (Herbert), newly elected district attorney and crusading reformer, shocked when he sees her violating the town social norms he is enforcing by smoking a cigarette in public, finds that he is strongly attracted to her. At a community meeting, the Countess finds that the
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provincialism and its challenge to the latter's social and gender norms. The conflicting worlds of the decadent patrician and the principled plebeian are reconciled when the countess marries the small town prosecutor, and they remain in the fictional town of Maple Valley, Iowa.
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in some respects may seem dated in spite of their visual beauty. In keeping with the genre they are thin of plot and appealed to contemporary sensibility which was dazzled by richly lavish sets, costumes, and ‘decadent’ behavior…”—Film Historian Ruth Anne Dwyer in
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and director Malcolm St. Clair overhauled the original story. Rather than a countess in her early fifties, Pola Negri’s character is that of a beautiful young woman, though she retains her tattoos; rather than a serious dramatic romance,
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she gets from Lou, but when she draws blood from Richard she forgets all but her love, and we last see the pair in a hack on the way to the train station and the honeymoon, and he offers her the cigarettes he once denounced so strongly.
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As described in a review in a film magazine, Countess Natatorini (Negri) leaves France seeking to forget a faithless lover by visiting her distant American cousin Sam Poore (Conklin) and his wife Lou (Ward) in their
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is typical of St. Clair’s treatment of romantic themes in which “the plot hinges on the fact that there are fundamental differences” distinguishing Europeans vs. Americans “in the way they approach love and life.”
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Dwyer, 1996 p. 100: “...sophisticated comedy...”And p. 116: “...Unlike Lubitsch, St. Clair’s body of films in the 1920s where based on published fiction and original screenplays” rather than stage productions.
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Most of the humor of this “sophisticated comedy” derives from the collision between European upper-class cosmopolitan culture and American
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Dwyer, 1996 p. 116: See section of “Foreignness.” And p. 203-204: “sophisticated comedy” See synopsis.
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This article is about the film. For other works of the same or a similar name, see
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townspeople are selling the right to talk to a real Countess at a
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This article incorporates text from this source, which is in the
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The American Film Institute Catalog Feature Films: 1921-30
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as adapted from the 1924 sophisticated romance novel
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(December 26, 1925). 443:by The American Film Institute, (1971) 7: 1482:English-language comedy-drama films 1462:Films directed by Malcolm St. Clair 466:Dwyer, 1996 p. 203-204: Filmography 1477:Silent American comedy-drama films 453:The AFI Catalog of Feature Films: 376:typical of Paramount productions. 14: 204:Pola Negri, publicity photo from 1057:The Grand Duchess and the Waiter 502: 478:"Through the Box Office Window: 1457:American black-and-white films 742:Hungry Lions and Tender Hearts 276:as Countess Elenora Natatorini 1: 1447:American silent feature films 1296:The Jones Family in Hollywood 633:at silentfilmstillarchive.com 626:Swedish language lobby poster 1467:1920s English-language films 952:When Knighthood Was in Tower 926:When Gale and Hurricane Meet 321:May Foster as Mrs. Bierbauer 154:December 28, 1925 1498: 18: 1009:The Lighthouse by the Sea 920:The End of a Perfect Fray 778:Wedding Bells Out of Tune 713:Rip & Stitch: Tailors 35: 1113:Gentlemen Prefer Blondes 896:Two Stones with One Bird 569:Dwyer, Ruth Anne. 1996. 486:The Moving Picture World 339:as Townsman (uncredited) 1452:1925 comedy-drama films 1145:The Canary Murder Case 1041:The Trouble with Wives 884:The Knight That Failed 725:No Mother to Guide Him 580:Lantham, Md., London. 397: 209: 939:George Washington Jr. 902:Some Punches and Judy 854:Entertaining the Boss 748:He Loved Like He Lied 622:at moviessilently.com 357:The Tattooed Countess 236:, and distributed by 203: 75:The Tattooed Countess 1472:1920s American films 1351:The Man in the Trunk 1343:The Bashful Bachelor 1244:Time Out for Romance 1212:The Boudoir Diplomat 1196:Dangerous Nan McGrew 1105:Breakfast at Sunrise 1049:A Woman of the World 1033:After Business Hours 982:For the Love of Mike 842:Their First Vacation 772:A Kitchen Cinderella 657:A Woman Of The World 644:A Woman of the World 599:A Woman of the World 480:A Woman of the World 455:A Woman of the World 429:A Woman of the World 401:A Woman of the World 388:A Woman of the World 370:A Woman of the World 353:A Woman of the World 234:Famous Players–Lasky 214:A Woman of the World 206:A Woman of the World 31:A Woman of the World 1388:Swing Out the Blues 1381:The Dancing Masters 1310:Hollywood Cavalcade 1025:Are Parents People? 576:The Scarecrow Press 286:Charles Emmett Mack 217:is a 1925 American 112:Charles Emmett Mack 42:Swedish film poster 1220:Olsen's Big Moment 1207:(1930; uncredited) 1164:(1929; uncredited) 1065:A Social Celebrity 914:Rice and Old Shoes 878:The Knight in Gale 828:Wedding Dumb Bells 816:You'd Be Surprised 754:His Youthful Fancy 697:Films directed by 620:Review with stills 547:Dwyer, 1996 p. 117 538:Dwyer, 1996 p. 160 282:as Richard Granger 238:Paramount Pictures 210: 140:Paramount Pictures 21:Woman of the World 1429: 1428: 1411:Arthur Takes Over 1365:Two Weeks to Live 1358:Over My Dead Body 1328:Young as You Feel 1277:Safety in Numbers 1265:Dangerously Yours 1228:Goldie Gets Along 699:Malcolm St. Clair 222:comedy-drama film 198: 197: 1489: 1403:The Bullfighters 1289:Everybody's Baby 1283:Down on the Farm 1073:Good and Naughty 908:Gall of the Wild 890:Six Second Smith 822:Don't Be Foolish 798:The Night Before 719:The Little Widow 691: 684: 677: 668: 662:Internet Archive 647: 557: 554: 548: 545: 539: 536: 530: 527: 521: 518: 512: 506: 505: 501: 499: 497: 473: 467: 464: 458: 450: 444: 438: 432: 431:at silentera.com 426: 361:Carl Van Vechten 325:Dorothea Wolbert 300:as Lennie Porter 298:Blanche Mehaffey 190:Silent (English 161: 159: 80:Carl Van Vechten 40: 28: 1497: 1496: 1492: 1491: 1490: 1488: 1487: 1486: 1432: 1431: 1430: 1425: 1335:Meet the Missus 1316: 1271:A Trip to Paris 1175: 1097:Knockout Reilly 1089:The Popular Sin 976:Sherlock's Home 946:Julius Sees Her 784:Sweetheart Days 730: 701: 695: 642: 594: 566: 561: 560: 555: 551: 546: 542: 537: 533: 528: 524: 519: 515: 503: 495: 493: 475: 474: 470: 465: 461: 451: 447: 439: 435: 427: 423: 418: 398: 382: 365:Pierre Collings 350: 345: 306:as Judge Porter 292:Chester Conklin 288:as Gareth Johns 269: 246: 171: 164: 157: 155: 148: 118: 116:Chester Conklin 114: 110: 106: 92: 77: 62: 61:Pierre Collings 43: 24: 17: 12: 11: 5: 1495: 1493: 1485: 1484: 1479: 1474: 1469: 1464: 1459: 1454: 1449: 1444: 1434: 1433: 1427: 1426: 1424: 1423: 1415: 1407: 1399: 1391: 1385: 1377: 1369: 1361: 1355: 1347: 1339: 1331: 1324: 1322: 1318: 1317: 1315: 1314: 1306: 1303:Quick Millions 1300: 1292: 1286: 1280: 1274: 1268: 1262: 1258:She Had to Eat 1254: 1248: 1240: 1232: 1224: 1216: 1208: 1204:Remote Control 1200: 1192: 1183: 1181: 1177: 1176: 1174: 1173: 1165: 1161:Welcome Danger 1157: 1149: 1141: 1137:The Fleet's In 1133: 1125: 1121:Sporting Goods 1117: 1109: 1101: 1093: 1085: 1077: 1069: 1061: 1053: 1045: 1037: 1029: 1021: 1013: 1005: 997: 991: 988:The Square Sex 985: 979: 973: 967: 961: 958:Money to Burns 955: 949: 943: 935: 929: 923: 917: 911: 905: 899: 893: 887: 881: 875: 872:Fighting Blood 869: 863: 857: 851: 845: 839: 835:The Blacksmith 831: 825: 819: 813: 807: 801: 795: 787: 781: 775: 769: 763: 757: 751: 745: 738: 736: 732: 731: 729: 728: 722: 716: 709: 707: 703: 702: 696: 694: 693: 686: 679: 671: 665: 664: 653: 639: 634: 628: 623: 617: 606: 593: 592:External links 590: 589: 588: 565: 562: 559: 558: 549: 540: 531: 522: 513: 468: 459: 445: 433: 420: 419: 417: 414: 383: 381: 378: 374:Lubitsch touch 349: 346: 344: 343: 340: 334: 328: 322: 319: 313: 307: 301: 295: 289: 283: 280:Holmes Herbert 277: 270: 268: 265: 256:quarter a head 245: 242: 232:, produced by 228:, directed by 196: 195: 188: 184: 183: 180: 176: 175: 172: 169: 166: 165: 163: 162: 151: 149: 146: 143: 142: 137: 136:Distributed by 133: 132: 127: 126:Cinematography 123: 122: 108:Holmes Herbert 101: 97: 96: 94:Jesse L. 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Index

Woman of the World

Mal St. Clair
Morris Ryskind
Carl Van Vechten
Adolph Zukor
Jesse L. Lasky
Pola Negri
Holmes Herbert
Charles Emmett Mack
Chester Conklin
Dot Farley
Bert Glennon
Paramount Pictures
intertitles

silent
comedy-drama film
Pola Negri
Mal St. Clair
Famous Players–Lasky
Paramount Pictures
Midwestern
quarter a head
horsewhip
Pola Negri
Holmes Herbert
Charles Emmett Mack
Chester Conklin
Blanche Mehaffey

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