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A World Lit Only by Fire (album)

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366:, Godflesh's other founding member, spent the time quietly, finishing school and focusing on his relationship with his partner. Though Broadrick quickly became interested in writing music under the Godflesh title again, he presumed the band to be permanently dead. He and Green remained friendly throughout the 2000s, but they rarely if ever spoke about the band. In 2009, though, Broadrick decided to approach Green with the idea of reforming Godflesh. The latter responded enthusiastically, and in November of that year, the reunion was made official with the announcement that Godflesh would be performing at a 2010 38: 644: 554: 799: 790: 374: 854:. Broadrick described the profusion of classic material as "necessary" while he and Green reacclimated to Godflesh in preparation of writing new songs. Another reason for leaning so heavily upon early Godflesh music was because Broadrick wanted to cover as much of the globe as possible, playing their more well-known early releases, so they could guiltlessly focus on performing much of the next album when it came out. 609:, "Like Rats", by Falzon. After the percussion introduction and incorporation of the same repeating riff, Broadrick's delivers guttural, typically sparse vocals with Biblical and medieval overtones. The second song on the album, "Deadend", immediately launches into a weighty barrage of downtuned guitar and crushing bass. Like that of "New Dark Ages", the riff repeats and dominates the sonic landscape. 489:; according to him, this choice was made so he could "tune even lower" than before and "achieve more complex dissonant chords and riffs". The album is slow and deliberately simple, focused on intense repetition; Broadrick regularly described it as direct, brutal, dissonant and minimal. Several noted the tone of the album as especially heavy and unforgiving. Many critics favourably compared 1179: 1141: 1041: 1252: 1247: 1242: 1174: 1169: 1164: 1159: 1136: 1131: 1126: 1121: 1079: 1074: 1069: 1064: 1059: 1036: 1031: 1026: 1021: 1237: 1232: 1227: 1222: 1217: 1212: 1207: 449:
facilitated Broadrick's groove- and beat-focused writing style, and it allowed him to be more deliberate in the composition process; this eased one of the primary difficulties in creating the album: the pressure to rush out a product and exploit the reunion's media attention. Broadrick was surprised
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shifts on its fourth track, "Life Giver Life Taker", which is less overtly heavy than the first three, focusing instead on post-punk dreariness and spectral sounds while further emphasising percussive repetition. This continues into "Obeyed", which features a more stretched and expansive tone. Lars
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Initially, both Broadrick and Green said that Godflesh would not commit to recording any new material, insisting that the chance of another studio album was unlikely. However, Broadrick later confirmed that the entire point of the reformation was "fundamentally about wanting to make new music". In
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Dean Brown praised the album for both respecting Godflesh's early material and focusing on the future. Broadrick and Green acknowledged the album's regressive attitude; about it, the former said, "It will definitely sound aggressive and it probably won't sound like any of the other records we've
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A lot of the frustration of Godflesh is internal – it's the human condition, the frailty, and that we're essentially amoral. There's so little to sway us. It's a resignation to the fact that we're just beasts, and the world always has been and always will be lit only by fire. We've always been
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into the band. Broadrick believed that the addition of a human drummer to the Godflesh dynamic was largely detrimental, calling it a dilution of his original goal that, despite yielding "quite amazing" results, took the project away from its initial point of man–machine fusion. The mechanical
460:" is getting straight back to the core of what this is all about It's like refocusing and obviously, we're somewhat older and wiser. It's going to be a really interesting record. It's extremely minimal and very, very brutal—a fairly unforgiving record, really, I think." 711:
wrote about the song that Broadrick and Green "both seem to be trying to set a new record for the heaviest tones ever achieved on their respective instruments; if they had a real drummer, he’d need to play on a kit made from rocks just to try and compete"; Kez Whelan of
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primal, and we still are. We see it in all four corners of the globe. Savagery happens everywhere, even in our own backyards. So, it's looking at oneself and being disgusted, but also resigned. You are good and you are evil, and there's very little in between sometimes.
731:, "Towers of Emptiness" and Forgive Our Fathers", are both weighty tracks that conclude with Broadrick melancholically repeating the titles over a background of sinister sounds. The former has a grinding riff and an expansive compositional structure. Jason Heller of 628:", from which it also derived its title. This sample is one of the only audible examples of a sound not produced by a drum machine, Broadrick's guitar and vocals or Green's bass. Like the preceding songs, "Shut Me Down" is heavily riff-focused. The atmosphere of 2622: 2253: 2725: 2287: 2325: 3544: 1321:
was "one of those reunion albums that wasn't only better than it should've been, but a reclamation and reinvention for Justin Broadrick and G. C. Green." Writing for Metal Injection, Jeremy Ulrey said,
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As Godflesh's comeback album after dissolving in 2002, it was the goal of Broadrick and Green to do more than just exploit the media attention of their reformation. Both the album and its preceding EP,
2426: 4117: 37: 869:, Green and Broadrick played over preprogrammed drum machine loops, and apocalyptic imagery was projected onto a backdrop. As he did on the album, Broadrick performed with an eight-string guitar. 2393: 1313:
is revisionist industrial and the soundscapes of this brittle disc leaves you wondering what on earth just hit you." Houle went on to say that the album "basically rewrites the rule book for
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is an exceptionally heavy, bleak and mechanical album driven, as Godflesh's earliest and most influential releases were, by machine percussion. Unlike those first EPs and albums, though,
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EP, featuring songs cut from the upcoming album for being colourful outliers that would have put it over Broadrick's desired ten-song length. On 7 October 2014, after several delays,
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critic James Barry described the album as "a brave record" and stated, "there’s nothing nostalgic here—it’s the sound of a band reborn, rather than one reformed." Denise Falzon of
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wrote, "Sculpted out of scrap metal and bloody sinew, it's a monument to what sees as a new Dark Age where humanity still breeds like rats under a fiery, polluted sky".
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described the latter as "particularly gorgeous", with a sound of "lingering anguish in an apocalyptic fugue", and Barry called it "epic". Included on the Japanese and
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called the track "high-grade industrial damage", and wrote, "thick and meaty, detuned guitar chug is paired with a percussive stomp of a million-robot-deep militia".
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called incredibly effective in its simplicity. "Curse Us All" flows into "Carrion", a song that Barry called "a horrific robotic monster". Like "Head Dirt" from
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represents music converted into motion—kinetic and mechanical, inexorable and inhuman." Heller further stated that Godflesh "has never sounded so relentless."
265:. It was preceded by the digital singles "New Dark Ages" in August 2014 and "Imperator" in September 2014, and it was followed by several international tours. 2844: 2416: 450:
that interest in the band persisted even while he and Green were in their private studio, writing and deconstructing and rewriting songs multiple times over.
288:'s distorted bass. Broadrick's low, guttural vocals explore the brutality of humankind and the corruption power brings, an approach partially inspired by the 4743: 4109: 703:, "Imperator", is a droning song with Broadrick employing a clean, eerily tranquil style of singing rather than his characteristic growls. Gregory Adams of 3659: 3079: 2026: 3312: 2466: 1958: 4262: 3823: 2385: 2219: 515:
wrote, "it's as if no time has passed; it could be mistaken for a lost recording from the band's early days if not for the impeccable production", and
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were taken up with new songs. This trend continued through 2015, with Godflesh performing half the album per concert. For the shows in support of
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appreciated how the album began as impressively heavy, forming "a sea of heaving industrial", and managed to maintain the aggression throughout.
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Brandon Stosuy said that the band "managed to expand upon what they did best without losing any of the original burn". José Carlos Santos of
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will eventually go down as an elite Godflesh album not for the era(s) it recreates, but for the strength of material. Much like the
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were three remixes done by Broadrick. These versions are stripped down and extended from the original tracks, with two bearing the
2048: 4738: 3276: 2145: 367: 685:"Curse Us All" the album's sixth and shortest track, is acutely aggressive and unrelenting with a structure that James Barry of 3624: 595:
The album's first song and lead single, "New Dark Ages", is a slowly building piece with a guitar sound that Gregory Heaney of
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and Melville Webber. The Japanese and digital versions included three remixes done by Broadrick. In 2019, Broadrick's label,
3374: 933:, "New Dark Ages", was released for streaming. It was followed by a second single, "Imperator", on 17 September 2014.   616:, "Shut Me Down", was the only song of the album to be conceived of prior to Godflesh's split in 2002. It is based around a 599:
described as an "impossibly detuned, nearly atonal chug". The song, focused on a simple, looping groove that Tom Breihan of
425:(2001) and toured with Godflesh, was set to provide additional live percussion. In an interview with the French publication 3575: 3232: 1872: 4748: 3105: 2496: 4416: 4009: 3414: 3194: 2811: 1988: 1272:
makes it crystal clear that Godflesh have a long, unfailing memory, and that their punishing work has only just begun."
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made, but it will have the minimalism of the first few records". Green echoed his bandmate's sentiment, saying that
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saw worldwide release on 7 October 2014, and all versions featured cover art taken from the 1933 experimental film
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deals with corruption of religion and the savagery of people. Broadrick described the theme by saying:
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issues, Godflesh toured North America and Europe throughout 2014. The band coheadlined shows with
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concurred, calling Green's bass "thunderous" and Broadrick's riffs "humongous". Andy O'Connor of
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was met with very positive reception; it received an average score of 84/100 from 10 reviews on
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as their album of the year and said that it ruled "over anything else the year had to offer".
3931: 1290:, Dom Lawson described the album as "a sustained and hypnotic march through minimalist, post- 4557: 4402: 4341: 4029: 3474: 2995: 2574: 2389: 2356: 2115: 2052: 1832: 1789: 1562: 1314: 1088: 811: 687: 617: 466: 377: 343: 297: 277: 252: 244: 140: 100: 84: 3877: 4476: 4093: 4033: 3598: 3074: 2720: 2684: 2183: 1846: 1332: 1188: 1150: 301: 135: 2716:"Godflesh and Angel Dust to Jesu and Children's Music: The Evolution of Justin Broadrick" 2497:"Godflesh: A World Lit Only by Fire review – Pioneers of Heavy Experimental Music Return" 2318:"Godflesh: Justin K. Broadrick Talks to Dave Bowes About the Past, Present & Future" 440:
A key component to Godflesh's reformation and comeback album was the reintegration of a
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was the band's first album to chart in America, peaking at positions 25 and 22 on the
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is every bit the record fans have been waiting over a dozen years for." Writing for
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gave the album a perfect score and said, "Complete with bleak, nihilistic themes,
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wrote that it "effortlessly recaptures the visceral appeal of their early days".
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played was "New Dark Ages", the album's lead single, while most others were from
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called a "ferocious methodical pummel", was compared to the opening track from
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and extremes degrees of distortion. The eighth track and second single of
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noted that the "grating repetition" of "Imperator" was reminiscent of
3497:"Playing with Fire: An Interview with Godflesh's Justin K. Broadrick" 4110:"Godflesh, the Mutants of Industrial Metal, Return with 'Post Self'" 3783:"Godflesh: Sound Control, Manchester: 12 December 2014: Live Review" 759:
is a reflection on the brutality of humankind. Inspired by the 1992
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praised the album for living up to Godflesh's early releases, and
404: 390: 372: 88: 45: 4302: 3409:(CD liner notes). Godflesh. Daymare Recordings. 2014. DYMC-230. 2049:"Godflesh Mainman Doesn't Rule Out Possibility of New Material" 4113: 4091:"Godflesh – A World Lit Only by Fire (Avalanche Recordings)". 3109: 2146:"Quite Annihilating: A Chat with Justin Broadrick of Godflesh" 857:
When the tour picked back up in December after the release of
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charts respectively. Despite this relative success, a planned
578:"Deadend" is an example of the album's heightened aggression. 429:, Broadrick stated that the release would explore Godflesh's 3625:"Loopflesh: Justin Broadrick and Robert Hampson Interviewed" 642: 552: 403:
was released. Originally, the album was to be followed by a
4298: 3233:"Godflesh Lays Down the Industrial Groove with 'Imperator'" 836:, toured with Godflesh in 1991 and 1992 and contributed on 724:, a band that was a major early inspiration for Godflesh. 259:, and was the band's first full-length album since 2001's 3214:
Fisher, Mark (August 2010). "Godflesh – Streetcleaner".
2246:"Justin K. Broadrick, Guitarist and Singer of Godflesh" 2904: 2902: 2900: 354:
and released music under various monikers, including
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landscapes, and crucifyingly heavy on every level."
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called the balance of past and present perfect, and
4660: 4642: 4617: 4592: 4574: 4507: 4454: 4380: 2749:"Interview with Justin Broadrick (Godflesh, Zonal)" 1873:"Voidhead: Justin Broadrick on the End of Godflesh" 1725: 1717: 1583: 1575: 272:is a particularly heavy album driven by repetitive 195: 146: 134: 122: 106: 94: 80: 72: 57: 44: 30: 2490: 2488: 2486: 2484: 959:; it is composed entirely of ambient samples from 3686:"Godflesh: Rescue Rooms Nottingham – Live Review" 3148:"Album Review: Godflesh A World Lit Only by Fire" 1336:described the album as "brilliantly brutal", and 493:to Godflesh's first few releases (namely, 1988's 3878:"Godflesh at the National – 18th September 2015" 3816:"Godflesh: Live at Sound Control, Manchester UK" 1989:"Justin Broadrick Talks the Rebirth of Godflesh" 1330:EP, this album has an embarrassment of riches". 4014:: CS1 maint: others in cite AV media (notes) ( 3419:: CS1 maint: others in cite AV media (notes) ( 3199:: CS1 maint: others in cite AV media (notes) ( 2080:"Justin Broadrick of Godflesh: Australia bound" 1354:appeared on many publications' year-end lists. 925:On 5 August 2014 (a month after the release of 772: 458: 3106:"Review: Godflesh, 'A World Lit Only by Fire'" 2940: 2938: 1056: 4314: 4139:"Godflesh: A World Lit Only by Fire Review". 3336:"'Imperator': New Godflesh for Your Earflesh" 3063: 3061: 3059: 3057: 3055: 3053: 3051: 2809:"Godflesh: A World Lit Only by Fire Review". 2780:"Godflesh Unveil First New Album in 13 Years" 2450: 2448: 2446: 2444: 1204: 8: 3652:"Prurient Announced U.S. Tour with Godflesh" 2911:"Terrorizer's Top 50 Albums of 2014: Part 3" 2868: 2866: 2864: 2862: 1156: 1118: 1018: 846:and Khost. Through June, the only song from 637:described the song as haunted and scourged. 342:After dissolving Godflesh in 2002, frontman 3599:"Loop & Godflesh for Co-Headline Dates" 3568:"Godflesh Announced Rescheduled Tour Dates" 3260: 3258: 2804: 2802: 2532: 2530: 2528: 2526: 2524: 4321: 4307: 4299: 3465: 3463: 3296: 3294: 2351: 2349: 2347: 2345: 2343: 2311: 2309: 2307: 2305: 2273: 2271: 1378: 970: 842:) and was later supported by opening acts 36: 27: 3966:and Webber, Melville (Directors) (1933). 2828: 2826: 2824: 2822: 2606: 2604: 2602: 2600: 1942: 1940: 1938: 1936: 3398: 3396: 3394: 3392: 3177: 3175: 3173: 2984: 2982: 2980: 2978: 2976: 2974: 2909:Santos, JosĂ© Carlos (19 December 2014). 2709: 2707: 2673: 2671: 2642: 2640: 2019:"Godflesh Reunite for France's Hellfest" 1949:"Godflesh: Interview & Album Stream" 1814: 1711: 1572: 1403: 393:. On 2 June 2014, Godflesh released the 292:from which the album derives its title. 16:For the book by William Manchester, see 3679: 3677: 3099: 3097: 2239: 2237: 2179:"Stream Godflesh's Decline and Fall EP" 2111:"A New Beginning: Godflesh Interviewed" 1902: 1900: 1863: 1762: 1697: 1396: 1393: 1390: 1298:critic Jason Heller said, "As a whole, 243:is the seventh studio album by English 4253:"Godflesh Chart History – Heatseekers" 4221:"Godflesh Chart History – Tastemakers" 4056: 4054: 4007: 3528: 3526: 3524: 3412: 3303:"Godflesh Reveal New Song 'Imperator'" 3192: 3141: 3139: 3137: 3135: 3133: 3131: 2568: 2566: 1909:"Justin Broadrick: Past Meets Present" 675: 585: 4062:"A World Lit Only by Fire – Godflesh" 4034:"New Release on Avalanche Recordings" 3972:(Short film). Event occurs at 24:23. 3509:from the original on 20 February 2018 3448:from the original on 20 February 2018 3070:"Godflesh – A World Lit Only by Fire" 2991:"Godflesh – A World Lit Only by Fire" 2875:"Godflesh – A World Lit Only by Fire" 2759:from the original on 13 November 2017 2728:from the original on 11 February 2018 2692:from the original on 19 February 2018 2585:from the original on 10 November 2017 2429:from the original on 14 December 2017 2158:from the original on 27 December 2017 2140: 2138: 2090:from the original on 27 February 2018 2029:from the original on 19 February 2018 1982: 1980: 1978: 1976: 1961:from the original on 7 September 2017 1763: 1698: 999: 976: 7: 4583:Streetcleaner: Live at Roadburn 2011 2509:from the original on 1 December 2017 2457:"Godflesh: A World Lit Only by Fire" 437:album ultimately never saw release. 4744:Albums produced by Justin Broadrick 4072:from the original on 8 October 2014 3847:"Concert Review: Godflesh/Prurient" 3826:from the original on 10 August 2018 3533:Geist, Brandon (11 December 2014). 2611:Nelson, Michael (3 December 2014). 2551:from the original on 5 October 2014 2539:"Godflesh A World Lit Only by Fire" 2396:from the original on 11 August 2014 1525:"The 50 Best Metal Albums of 2014" 1058: 873:Typical 2014–2015 Godflesh set list 727:The two final and longest songs of 4201:from the original on 2 August 2018 3904:"Listen: Godflesh – New Dark Ages" 3729:from the original on 18 March 2018 3547:from the original on 9 August 2018 3346:from the original on 9 August 2018 3315:from the original on 9 August 2018 3279:from the original on 9 August 2018 3243:from the original on 9 August 2018 3158:from the original on 9 August 2018 3116:from the original on 9 August 2018 3036:from the original on 9 August 2018 3003:from the original on 9 August 2018 2959:from the original on 1 August 2018 2625:from the original on 1 August 2018 2613:"The 50 Best Metal Albums of 2014" 2256:from the original on 18 March 2018 2222:from the original on 9 August 2018 1713:Bandcamp and Japanese bonus tracks 1206: 14: 4233:from the original on 20 July 2018 4169:from the original on 13 July 2018 4157:"Decibel's Top 40 Albums of 2014" 4120:from the original on 13 June 2018 3944:from the original on 12 July 2018 3857:from the original on 27 July 2018 3795:from the original on 27 July 2018 3762:from the original on 27 July 2018 3698:from the original on 27 July 2018 3662:from the original on 27 July 2018 3578:from the original on 27 July 2018 3377:from the original on 28 June 2012 3365:Babcock, Jay W. (December 1996). 2923:from the original on 30 June 2018 2885:from the original on 20 July 2018 2847:from the original on 12 June 2018 2469:from the original on 24 June 2016 2290:from the original on 25 July 2015 2191:from the original on 11 July 2018 2123:from the original on 12 June 2018 2059:from the original on 12 June 2018 1999:from the original on 12 June 2018 1921:from the original on 16 July 2018 1885:from the original on 12 June 2018 1545:"Critics' Top 50 Albums of 2014" 1397: 1350:Along with acclaim upon release, 1317:". Lars Gotrich of NPR said that 1158: 1120: 1020: 385:2012, the band started recording 334:named it the best album of 2014. 25:2014 studio album by Godflesh 4265:from the original on 18 May 2018 3082:from the original on 4 July 2018 2328:from the original on 4 June 2016 1434:"The Best Metal Albums of 2014" 1250: 1245: 1240: 1235: 1230: 1225: 1220: 1215: 1210: 1205: 1177: 1172: 1167: 1162: 1157: 1139: 1134: 1129: 1124: 1119: 1077: 1072: 1067: 1062: 1057: 1039: 1034: 1029: 1024: 1019: 797: 788: 676:Problems playing this file? See 658: 586:Problems playing this file? See 568: 419:, who had previously drummed on 380:performing with Godflesh in 2014 2945:Brown, Dean (5 December 2014). 2835:"The Best Metal Albums of 2014" 2212:"Godflesh by Mail October 2014" 1508:"20 Best Metal Albums of 2014" 409:A World Lit Only by Fire in Dub 3535:"20 Best Metal Albums of 2014" 2177:Gordon, Jeremy (3 June 2014). 1718: 1576: 389:in Broadrick's home studio in 1: 3185:(CD liner notes). Godflesh. 3024:"Godflesh – 'New Dark Ages'" 2364:"Godflesh – Interview Lomax" 1850: 1836: 1550: 1547: 1530: 1527: 1513: 1510: 1496: 1493: 1476: 1473: 1456: 1453: 1439: 1436: 1422: 1419: 485:features Broadrick using an 4036:(Press release). Facebook. 3719:"Godflesh at Hellfest 2014" 224:Released: 17 September 2014 4765: 3436:"Godflesh – Show No Mercy" 1471:"Albums of the Year 2014" 912:"*" indicates a song from 15: 4336: 3404:A World Lit Only by Fire 1781:All credits adapted from 1756:"Imperator" (Version Dub) 1752: 1741: 1730: 1722: 1687: 1676: 1665: 1654: 1643: 1632: 1621: 1610: 1599: 1588: 1580: 1491:"20 Best Albums of 2014" 1487: 1451:"The Best Metal of 2014" 1413: 1007: 1004: 984: 981: 232: 206: 201:A World Lit Only by Fire 191: 154: 35: 4431:A World Lit Only by Fire 4289:A World Lit Only by Fire 3932:"Godflesh – 'Imperator'" 3183:A World Lit Only by Fire 2947:"The Best Metal of 2014" 1783:A World Lit Only by Fire 1734:"Shut Me Down" (Version) 1417:"Top 40 Albums of 2014" 1374:A World Lit Only by Fire 1352:A World Lit Only by Fire 1324:A World Lit Only by Fire 1319:A World Lit Only by Fire 1311:A World Lit Only by Fire 1300:A World Lit Only by Fire 1282:A World Lit Only by Fire 1270:A World Lit Only by Fire 1262:A World Lit Only by Fire 961:A World Lit Only by Fire 935:A World Lit Only by Fire 931:A World Lit Only by Fire 929:), the first track from 914:A World Lit Only by Fire 887:"Life Give Life Taker" * 867:A World Lit Only by Fire 859:A World Lit Only by Fire 848:A World Lit Only by Fire 816:A World Lit Only by Fire 768:A World Lit Only by Fire 757:A World Lit Only by Fire 741:A World Lit Only by Fire 729:A World Lit Only by Fire 701:A World Lit Only by Fire 630:A World Lit Only by Fire 614:A World Lit Only by Fire 537:A World Lit Only by Fire 491:A World Lit Only by Fire 483:A World Lit Only by Fire 479:A World Lit Only by Fire 471:A World Lit Only by Fire 447:A World Lit Only by Fire 401:A World Lit Only by Fire 387:A World Lit Only by Fire 326:A World Lit Only by Fire 294:A World Lit Only by Fire 270:A World Lit Only by Fire 240:A World Lit Only by Fire 170:A World Lit Only by Fire 61:7 October 2014 31:A World Lit Only by Fire 18:A World Lit Only by Fire 4739:Justin Broadrick albums 3988:(Digital liner notes). 3750:"Godflesh: 'Imperator'" 3267:"Godflesh: 'Imperator'" 1625:"Life Giver Life Taker" 951:, released an album by 893:"Towers of Emptiness" * 215:Released: 5 August 2014 4544:F.O.D. (Fuck of Death) 4410:Songs of Love and Hate 4145:: 55. 11 October 2014. 3367:"In Godflesh We Trust" 861:, the majority of the 777: 647: 557: 462: 381: 4189:"Best Albums of 2014" 3656:Profound Lore Records 2575:"OMG New Godflesh EP" 1691:"Forgive Our Fathers" 1680:"Towers of Emptiness" 1561:All songs written by 824:Despite encountering 764:book of the same name 646: 556: 454:Composition and style 376: 328:a perfect score, and 308:was never completed. 4749:Self-released albums 4678:Avalanche Recordings 4608:Love and Hate in Dub 4197:. 21 November 2014. 4038:Avalanche Recordings 3994:Avalanche Recordings 3964:Watson, James Sibley 3187:Avalanche Recordings 1878:Consequence of Sound 972:Professional ratings 949:Avalanche Recordings 539:is in the spirit of 509:). Denise Falzon of 280:'s employment of an 257:Avalanche Recordings 4651:Loopflesh/Fleshloop 4097:: 92. October 2014. 4010:cite AV media notes 3820:Ghost Cult Magazine 3415:cite AV media notes 3195:cite AV media notes 2366:(Interview). Le 106 2322:The Sleeping Shaman 1794:eight-string guitar 1714: 973: 945:James Sibley Watson 896:"Christbait Rising" 612:The third track of 487:eight-string guitar 445:percussion used on 282:eight-string guitar 4618:Compilation albums 4601:Slavestate Remixes 4498:Decline & Fall 3406:(Japanese edition) 2078:Petersen, Albert. 1712: 1328:Decline & Fall 971: 967:Critical reception 927:Decline & Fall 761:William Manchester 648: 558: 396:Decline & Fall 382: 315:Decline & Fall 274:machine percussion 161:Decline & Fall 87:'s home studio in 4716: 4715: 4030:Broadrick, Justin 3902:Tuffrey, Laurie. 3684:Bloxham, Adrian. 3597:Tuffrey, Laurie. 3434:Stosuy, Brandon. 2873:Heaney, Gregory. 2833:Stosuy, Brandon. 2812:Alternative Press 2415:Cimarusti, Luca. 2357:Broadrick, Justin 2151:Invisible Oranges 1987:Teitelman, Bram. 1855: 1854: 1773: 1772: 1708: 1707: 1554: 1553: 1305:Zachary Houle of 1259: 1258: 1051:Alternative Press 916: 878:"New Dark Ages" * 832:(whose frontman, 663: 573: 346:formed the bands 236: 235: 187: 186: 4756: 4661:Related articles 4633:In All Languages 4342:Justin Broadrick 4323: 4316: 4309: 4300: 4275: 4274: 4272: 4270: 4249: 4243: 4242: 4240: 4238: 4217: 4211: 4210: 4208: 4206: 4185: 4179: 4178: 4176: 4174: 4153: 4147: 4146: 4136: 4130: 4129: 4127: 4125: 4105: 4099: 4098: 4088: 4082: 4081: 4079: 4077: 4058: 4049: 4048: 4046: 4044: 4026: 4020: 4019: 4013: 4005: 4003: 4001: 3980: 3974: 3973: 3960: 3954: 3953: 3951: 3949: 3927: 3921: 3920: 3918: 3916: 3899: 3893: 3892: 3890: 3888: 3876:Gerrard, Steve. 3873: 3867: 3866: 3864: 3862: 3851:Spectrum Culture 3845:Staples, Derek. 3842: 3836: 3835: 3833: 3831: 3811: 3805: 3804: 3802: 3800: 3778: 3772: 3771: 3769: 3767: 3748:O'Connor, Andy. 3745: 3739: 3738: 3736: 3734: 3714: 3708: 3707: 3705: 3703: 3681: 3672: 3671: 3669: 3667: 3648: 3642: 3641: 3639: 3637: 3623:Kulkarni, Neil. 3620: 3614: 3613: 3611: 3609: 3594: 3588: 3587: 3585: 3583: 3563: 3557: 3556: 3554: 3552: 3530: 3519: 3518: 3516: 3514: 3495:Wharton, Bryer. 3492: 3486: 3485: 3483: 3481: 3475:Blabbermouth.net 3467: 3458: 3457: 3455: 3453: 3431: 3425: 3424: 3418: 3410: 3400: 3387: 3386: 3384: 3382: 3362: 3356: 3355: 3353: 3351: 3334:Rosenberg, Axl. 3331: 3325: 3324: 3322: 3320: 3298: 3289: 3288: 3286: 3284: 3265:Adams, Gregory. 3262: 3253: 3252: 3250: 3248: 3231:Kennelty, Greg. 3228: 3222: 3221: 3211: 3205: 3204: 3198: 3190: 3189:. 2014. AREC034. 3179: 3168: 3167: 3165: 3163: 3143: 3126: 3125: 3123: 3121: 3101: 3092: 3091: 3089: 3087: 3065: 3046: 3045: 3043: 3041: 3019: 3013: 3012: 3010: 3008: 2986: 2969: 2968: 2966: 2964: 2942: 2933: 2932: 2930: 2928: 2906: 2895: 2894: 2892: 2890: 2870: 2857: 2856: 2854: 2852: 2830: 2817: 2816: 2806: 2797: 2796: 2794: 2792: 2775: 2769: 2768: 2766: 2764: 2747:Mitras, Thanos. 2744: 2738: 2737: 2735: 2733: 2711: 2702: 2701: 2699: 2697: 2678:Hassan, Marcos. 2675: 2666: 2665: 2663: 2661: 2644: 2635: 2634: 2632: 2630: 2608: 2595: 2594: 2592: 2590: 2573:Rosenberg, Axl. 2570: 2561: 2560: 2558: 2556: 2537:Falzon, Denise. 2534: 2519: 2518: 2516: 2514: 2492: 2479: 2478: 2476: 2474: 2455:Houle, Zachary. 2452: 2439: 2438: 2436: 2434: 2412: 2406: 2405: 2403: 2401: 2390:Blabbermouth.net 2382: 2376: 2375: 2373: 2371: 2353: 2338: 2337: 2335: 2333: 2313: 2300: 2299: 2297: 2295: 2275: 2266: 2265: 2263: 2261: 2241: 2232: 2231: 2229: 2227: 2207: 2201: 2200: 2198: 2196: 2174: 2168: 2167: 2165: 2163: 2142: 2133: 2132: 2130: 2128: 2106: 2100: 2099: 2097: 2095: 2075: 2069: 2068: 2066: 2064: 2053:Blabbermouth.net 2045: 2039: 2038: 2036: 2034: 2015: 2009: 2008: 2006: 2004: 1984: 1971: 1970: 1968: 1966: 1944: 1931: 1930: 1928: 1926: 1904: 1895: 1894: 1892: 1890: 1868: 1815: 1790:Justin Broadrick 1766: 1720: 1715: 1701: 1578: 1573: 1563:Justin Broadrick 1399: 1379: 1255: 1254: 1253: 1249: 1248: 1244: 1243: 1239: 1238: 1234: 1233: 1229: 1228: 1224: 1223: 1219: 1218: 1214: 1213: 1209: 1208: 1182: 1181: 1180: 1176: 1175: 1171: 1170: 1166: 1165: 1161: 1160: 1144: 1143: 1142: 1138: 1137: 1133: 1132: 1128: 1127: 1123: 1122: 1082: 1081: 1080: 1076: 1075: 1071: 1070: 1066: 1065: 1061: 1060: 1044: 1043: 1042: 1038: 1037: 1033: 1032: 1028: 1027: 1023: 1022: 977:Aggregate scores 974: 911: 884:"Shut Me Down" * 812:Justin Broadrick 801: 792: 665: 664: 645: 575: 574: 555: 473: 467:Justin Broadrick 378:Justin Broadrick 344:Justin Broadrick 278:Justin Broadrick 253:Justin Broadrick 245:industrial metal 225: 222: 216: 213: 156: 155: 141:Justin Broadrick 118: 117: 113: 101:Industrial metal 85:Justin Broadrick 68: 66: 40: 28: 4764: 4763: 4759: 4758: 4757: 4755: 4754: 4753: 4734:Godflesh albums 4719: 4718: 4717: 4712: 4656: 4638: 4613: 4588: 4570: 4503: 4450: 4376: 4332: 4327: 4284: 4279: 4278: 4268: 4266: 4251: 4250: 4246: 4236: 4234: 4219: 4218: 4214: 4204: 4202: 4187: 4186: 4182: 4172: 4170: 4155: 4154: 4150: 4138: 4137: 4133: 4123: 4121: 4108:Gotrich, Lars. 4107: 4106: 4102: 4090: 4089: 4085: 4075: 4073: 4060: 4059: 4052: 4042: 4040: 4028: 4027: 4023: 4006: 3999: 3997: 3996:. 2019. AREC041 3982: 3981: 3977: 3962: 3961: 3957: 3947: 3945: 3929: 3928: 3924: 3914: 3912: 3901: 3900: 3896: 3886: 3884: 3875: 3874: 3870: 3860: 3858: 3844: 3843: 3839: 3829: 3827: 3813: 3812: 3808: 3798: 3796: 3788:Louder Than War 3780: 3779: 3775: 3765: 3763: 3747: 3746: 3742: 3732: 3730: 3723:La Grosse Radio 3716: 3715: 3711: 3701: 3699: 3691:Louder Than War 3683: 3682: 3675: 3665: 3663: 3650: 3649: 3645: 3635: 3633: 3622: 3621: 3617: 3607: 3605: 3596: 3595: 3591: 3581: 3579: 3565: 3564: 3560: 3550: 3548: 3532: 3531: 3522: 3512: 3510: 3494: 3493: 3489: 3479: 3477: 3469: 3468: 3461: 3451: 3449: 3433: 3432: 3428: 3411: 3402: 3401: 3390: 3380: 3378: 3364: 3363: 3359: 3349: 3347: 3333: 3332: 3328: 3318: 3316: 3300: 3299: 3292: 3282: 3280: 3264: 3263: 3256: 3246: 3244: 3237:Metal Injection 3230: 3229: 3225: 3213: 3212: 3208: 3191: 3181: 3180: 3171: 3161: 3159: 3152:Metal Injection 3146:Ulrey, Jeremy. 3145: 3144: 3129: 3119: 3117: 3104:Gotrich, Lars. 3103: 3102: 3095: 3085: 3083: 3068:Heller, Jason. 3067: 3066: 3049: 3039: 3037: 3021: 3020: 3016: 3006: 3004: 2988: 2987: 2972: 2962: 2960: 2944: 2943: 2936: 2926: 2924: 2908: 2907: 2898: 2888: 2886: 2872: 2871: 2860: 2850: 2848: 2832: 2831: 2820: 2808: 2807: 2800: 2790: 2788: 2777: 2776: 2772: 2762: 2760: 2746: 2745: 2741: 2731: 2729: 2713: 2712: 2705: 2695: 2693: 2677: 2676: 2669: 2659: 2657: 2646: 2645: 2638: 2628: 2626: 2610: 2609: 2598: 2588: 2586: 2572: 2571: 2564: 2554: 2552: 2536: 2535: 2522: 2512: 2510: 2494: 2493: 2482: 2472: 2470: 2454: 2453: 2442: 2432: 2430: 2414: 2413: 2409: 2399: 2397: 2384: 2383: 2379: 2369: 2367: 2355: 2354: 2341: 2331: 2329: 2315: 2314: 2303: 2293: 2291: 2284:Metal Obsession 2277: 2276: 2269: 2259: 2257: 2250:La Grosse Radio 2243: 2242: 2235: 2225: 2223: 2210:Valjean, Jean. 2209: 2208: 2204: 2194: 2192: 2176: 2175: 2171: 2161: 2159: 2144: 2143: 2136: 2126: 2124: 2108: 2107: 2103: 2093: 2091: 2077: 2076: 2072: 2062: 2060: 2047: 2046: 2042: 2032: 2030: 2023:Metal Injection 2017: 2016: 2012: 2002: 2000: 1986: 1985: 1974: 1964: 1962: 1946: 1945: 1934: 1924: 1922: 1906: 1905: 1898: 1888: 1886: 1870: 1869: 1865: 1860: 1822: 1813: 1779: 1774: 1764: 1709: 1699: 1592:"New Dark Ages" 1559: 1542:United Kingdom 1468:United Kingdom 1348: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1178: 1173: 1168: 1163: 1140: 1135: 1130: 1125: 1078: 1073: 1068: 1063: 1040: 1035: 1030: 1025: 969: 923: 918: 917: 905:"Crush My Soul" 899:"Streetcleaner" 874: 822: 821: 820: 819: 804: 803: 802: 794: 793: 782: 753: 751:Theme and title 683: 682: 674: 672: 671: 670: 669: 666: 659: 656: 649: 643: 593: 592: 584: 582: 581: 580: 579: 576: 569: 566: 559: 553: 475: 469:on the tone of 464: 456: 427:La Grosse Radio 407:release titled 340: 302:Top Heatseekers 228: 223: 220: 219: 214: 212:"New Dark Ages" 211: 210: 182: 173: 164: 115: 111: 110: 64: 62: 53: 26: 21: 12: 11: 5: 4762: 4760: 4752: 4751: 4746: 4741: 4736: 4731: 4721: 4720: 4714: 4713: 4711: 4710: 4705: 4700: 4695: 4690: 4685: 4680: 4675: 4670: 4664: 4662: 4658: 4657: 4655: 4654: 4646: 4644: 4640: 4639: 4637: 4636: 4629: 4621: 4619: 4615: 4614: 4612: 4611: 4604: 4596: 4594: 4590: 4589: 4587: 4586: 4578: 4576: 4572: 4571: 4569: 4568: 4561: 4554: 4547: 4540: 4533: 4526: 4519: 4511: 4509: 4505: 4504: 4502: 4501: 4494: 4487: 4480: 4473: 4466: 4458: 4456: 4455:Extended plays 4452: 4451: 4449: 4448: 4441: 4434: 4427: 4420: 4413: 4406: 4399: 4392: 4384: 4382: 4378: 4377: 4375: 4374: 4369: 4364: 4362:Robert Hampson 4359: 4353: 4352: 4345: 4337: 4334: 4333: 4328: 4326: 4325: 4318: 4311: 4303: 4297: 4296: 4283: 4282:External links 4280: 4277: 4276: 4244: 4212: 4180: 4148: 4131: 4100: 4083: 4050: 4021: 3985:Plays Godflesh 3975: 3955: 3922: 3894: 3882:Montreal Rocks 3868: 3837: 3806: 3773: 3740: 3709: 3673: 3643: 3615: 3589: 3558: 3520: 3487: 3459: 3426: 3388: 3357: 3326: 3290: 3254: 3223: 3206: 3169: 3127: 3093: 3047: 3022:Breihan, Tom. 3014: 2989:Barry, James. 2970: 2934: 2896: 2858: 2818: 2798: 2778:Hudson, Alex. 2770: 2739: 2714:Lindsay, Cam. 2703: 2667: 2636: 2596: 2562: 2520: 2480: 2440: 2422:Chicago Reader 2407: 2377: 2339: 2316:Bowes, David. 2301: 2267: 2233: 2202: 2169: 2134: 2109:Barry, James. 2101: 2070: 2040: 2010: 1972: 1932: 1907:Jahdi, Robin. 1896: 1871:Suarez, Gary. 1862: 1861: 1859: 1856: 1853: 1852: 1849: 1839: 1838: 1835: 1825: 1824: 1819: 1812: 1809: 1808: 1807: 1801: 1800:and production 1778: 1775: 1771: 1770: 1767: 1761: 1760: 1757: 1754: 1750: 1749: 1746: 1745:"New Dark Dub" 1743: 1739: 1738: 1735: 1732: 1728: 1727: 1724: 1721: 1710: 1706: 1705: 1702: 1696: 1695: 1692: 1689: 1685: 1684: 1681: 1678: 1674: 1673: 1670: 1667: 1663: 1662: 1659: 1656: 1652: 1651: 1648: 1647:"Curse Us All" 1645: 1641: 1640: 1637: 1634: 1630: 1629: 1626: 1623: 1619: 1618: 1615: 1614:"Shut Me Down" 1612: 1608: 1607: 1604: 1601: 1597: 1596: 1593: 1590: 1586: 1585: 1582: 1579: 1571: 1558: 1555: 1552: 1551: 1549: 1546: 1543: 1540: 1532: 1531: 1529: 1526: 1523: 1515: 1514: 1512: 1509: 1506: 1498: 1497: 1495: 1492: 1489: 1488:United States 1486: 1478: 1477: 1475: 1472: 1469: 1466: 1458: 1457: 1455: 1452: 1449: 1441: 1440: 1438: 1435: 1432: 1424: 1423: 1421: 1418: 1415: 1414:United States 1412: 1405: 1401: 1400: 1395: 1392: 1389: 1386: 1383: 1347: 1344: 1257: 1256: 1202: 1196: 1195: 1192: 1184: 1183: 1154: 1146: 1145: 1116: 1108: 1107: 1104: 1096: 1095: 1092: 1084: 1083: 1054: 1046: 1045: 1016: 1010: 1009: 1006: 1002: 1001: 997: 996: 993: 987: 986: 983: 979: 978: 968: 965: 957:Plays Godflesh 922: 919: 910: 909: 906: 903: 900: 897: 894: 891: 888: 885: 882: 879: 875: 872: 871: 834:Robert Hampson 806: 805: 796: 795: 787: 786: 785: 784: 783: 781: 778: 755:Thematically, 752: 749: 673: 667: 657: 652: 651: 650: 641: 640: 639: 622:Public Enemy's 583: 577: 567: 562: 561: 560: 551: 550: 549: 495:self-titled EP 457: 455: 452: 339: 336: 255:'s own label, 234: 233: 230: 229: 227: 226: 217: 207: 204: 203: 193: 192: 189: 188: 185: 184: 175: 166: 152: 151: 144: 143: 138: 132: 131: 126: 120: 119: 108: 104: 103: 98: 92: 91: 82: 78: 77: 74: 70: 69: 59: 55: 54: 49: 42: 41: 33: 32: 24: 13: 10: 9: 6: 4: 3: 2: 4761: 4750: 4747: 4745: 4742: 4740: 4737: 4735: 4732: 4730: 4727: 4726: 4724: 4709: 4706: 4704: 4701: 4699: 4696: 4694: 4691: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4673:List of songs 4671: 4669: 4666: 4665: 4663: 4659: 4653: 4652: 4648: 4647: 4645: 4641: 4635: 4634: 4630: 4628: 4627: 4623: 4622: 4620: 4616: 4610: 4609: 4605: 4603: 4602: 4598: 4597: 4595: 4591: 4585: 4584: 4580: 4579: 4577: 4573: 4566: 4562: 4559: 4555: 4552: 4548: 4545: 4541: 4538: 4537:Crush My Soul 4534: 4531: 4527: 4524: 4520: 4517: 4513: 4512: 4510: 4506: 4500: 4499: 4495: 4493: 4492: 4488: 4486: 4485: 4481: 4479: 4478: 4474: 4472: 4471: 4467: 4465: 4464: 4460: 4459: 4457: 4453: 4447: 4446: 4442: 4440: 4439: 4435: 4433: 4432: 4428: 4426: 4425: 4421: 4419: 4418: 4414: 4412: 4411: 4407: 4405: 4404: 4400: 4398: 4397: 4393: 4391: 4390: 4389:Streetcleaner 4386: 4385: 4383: 4381:Studio albums 4379: 4373: 4370: 4368: 4365: 4363: 4360: 4358: 4355: 4354: 4351: 4350: 4346: 4344: 4343: 4339: 4338: 4335: 4331: 4324: 4319: 4317: 4312: 4310: 4305: 4304: 4301: 4295: 4291: 4290: 4286: 4285: 4281: 4264: 4260: 4259: 4254: 4248: 4245: 4232: 4228: 4227: 4222: 4216: 4213: 4200: 4196: 4195: 4190: 4184: 4181: 4168: 4164: 4163: 4158: 4152: 4149: 4144: 4143: 4135: 4132: 4119: 4115: 4111: 4104: 4101: 4096: 4095: 4087: 4084: 4071: 4067: 4063: 4057: 4055: 4051: 4039: 4035: 4031: 4025: 4022: 4017: 4011: 3995: 3991: 3987: 3986: 3979: 3976: 3971: 3970: 3965: 3959: 3956: 3943: 3939: 3938: 3933: 3930:Bowe, Miles. 3926: 3923: 3911: 3910: 3905: 3898: 3895: 3883: 3879: 3872: 3869: 3856: 3852: 3848: 3841: 3838: 3825: 3821: 3817: 3810: 3807: 3794: 3790: 3789: 3784: 3781:Haynes, Rob. 3777: 3774: 3761: 3757: 3756: 3751: 3744: 3741: 3728: 3725:(in French). 3724: 3720: 3713: 3710: 3697: 3693: 3692: 3687: 3680: 3678: 3674: 3661: 3657: 3653: 3647: 3644: 3632: 3631: 3626: 3619: 3616: 3604: 3600: 3593: 3590: 3577: 3573: 3572:BrooklynVegan 3569: 3566:Moore, Doug. 3562: 3559: 3546: 3542: 3541: 3540:Rolling Stone 3536: 3529: 3527: 3525: 3521: 3508: 3504: 3503: 3502:SLUG Magazine 3498: 3491: 3488: 3476: 3472: 3466: 3464: 3460: 3447: 3443: 3442: 3437: 3430: 3427: 3422: 3416: 3408: 3405: 3399: 3397: 3395: 3393: 3389: 3376: 3372: 3368: 3361: 3358: 3345: 3341: 3337: 3330: 3327: 3314: 3310: 3309: 3304: 3301:Whelan, Kez. 3297: 3295: 3291: 3278: 3274: 3273: 3268: 3261: 3259: 3255: 3242: 3238: 3234: 3227: 3224: 3220:(318): 70–71. 3219: 3218: 3210: 3207: 3202: 3196: 3188: 3184: 3178: 3176: 3174: 3170: 3157: 3153: 3149: 3142: 3140: 3138: 3136: 3134: 3132: 3128: 3115: 3111: 3107: 3100: 3098: 3094: 3081: 3077: 3076: 3071: 3064: 3062: 3060: 3058: 3056: 3054: 3052: 3048: 3035: 3031: 3030: 3025: 3018: 3015: 3002: 2998: 2997: 2992: 2985: 2983: 2981: 2979: 2977: 2975: 2971: 2958: 2954: 2953: 2948: 2941: 2939: 2935: 2922: 2918: 2917: 2912: 2905: 2903: 2901: 2897: 2884: 2880: 2876: 2869: 2867: 2865: 2863: 2859: 2846: 2842: 2841: 2836: 2829: 2827: 2825: 2823: 2819: 2815:. p. 90. 2814: 2813: 2805: 2803: 2799: 2787: 2786: 2781: 2774: 2771: 2758: 2754: 2753:Metal Invader 2750: 2743: 2740: 2727: 2723: 2722: 2717: 2710: 2708: 2704: 2691: 2687: 2686: 2681: 2674: 2672: 2668: 2656: 2655: 2650: 2647:Doran, John. 2643: 2641: 2637: 2624: 2620: 2619: 2614: 2607: 2605: 2603: 2601: 2597: 2584: 2580: 2576: 2569: 2567: 2563: 2550: 2546: 2545: 2540: 2533: 2531: 2529: 2527: 2525: 2521: 2508: 2504: 2503: 2498: 2495:Lawson, Dom. 2491: 2489: 2487: 2485: 2481: 2468: 2464: 2463: 2458: 2451: 2449: 2447: 2445: 2441: 2428: 2424: 2423: 2418: 2411: 2408: 2395: 2391: 2387: 2381: 2378: 2365: 2362: 2358: 2352: 2350: 2348: 2346: 2344: 2340: 2327: 2323: 2319: 2312: 2310: 2308: 2306: 2302: 2289: 2285: 2281: 2274: 2272: 2268: 2255: 2252:(in French). 2251: 2247: 2240: 2238: 2234: 2221: 2218:(in French). 2217: 2213: 2206: 2203: 2190: 2186: 2185: 2180: 2173: 2170: 2157: 2153: 2152: 2147: 2141: 2139: 2135: 2122: 2118: 2117: 2112: 2105: 2102: 2089: 2085: 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Index

A World Lit Only by Fire
A man in a red room holding a sword point-down, creating an inverted cruciform symbol
Studio album
Godflesh
Justin Broadrick
Wales
Genre
Industrial metal
Label
Avalanche
Producer
Justin Broadrick
Godflesh
Decline & Fall
Post Self
Singles
industrial metal
Godflesh
Justin Broadrick
Avalanche Recordings
Hymns
machine percussion
Justin Broadrick
eight-string guitar
B. C. Green
book
Tastemakers
Top Heatseekers
remix album
Decline & Fall

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