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A Wake (film)

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290:. Its experimental feel is tempered by solid camerawork — the stark winter landscape adds the right note of melancholy. And the story contains a satisfying twist that goes a long way to redeem some of the rough edges and to remind us that dead men do indeed tell tales. Whether or not we should believe them is the tricky part." 312:
negatively reviewed the film, writing that "the situation and the dialogue – invented by the cast itself – are so ludicrous that they make even the brilliant Graham Abbey, as the only actor among them who made it to L.A., a bore. And what’s with Raj (Raoul Bhaneja), the closeted actor? Afraid to be
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wrote that the cast "stay on topic and offer some nice moments of character revelation, but something is missing: an understanding, on an emotional level, of why Gabor still has such a hold on them. We are told many things, but it's not the same as feeling them. And Hanna's awkward insistence on
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that collapsed several years earlier; the gathering, requested by Gabor shortly before his death, is in fact a ploy to restore his damaged reputation by forcing the cast to stage a filmed reading of the play, in the hopes that their petty dramas and recriminations will ultimately reveal the real
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as Maya, who was the Ophelia and has since left acting to become a mother and teacher; Sarain Boylan as Danielle, a provocatively dressed and cocaine-addicted actress who claims that Gabor raped her;
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as Raj, a closeted gay actor whose jealousy at being passed over for the role of Hamlet led him to approach the press with the allegations that derailed the production;
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as Tyler, who had been cast as Prince Hamlet in the original production and has since gone on to become a character actor in Hollywood;
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as Chad, Gabor and Hanna's son who arrives home from a trip to Europe during the event without knowing that his father has died.
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videotaping the gathering is not only a distracting, useless device but also telegraphs too clearly where the story is headed."
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called the film uneven, but wrote that "Buitenhuis deserves praise for a brave and unconventional approach to making
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The film was written by Sutton and Buitenhuis, inspired in part by the death of Sutton's father. The introduction of
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as a defining motif was introduced later. They wrote a broad story outline, but allowed the actors to
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much of their dialogue after working with them to establish the characters' backstories.
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The film won the award for best film at the 2010 Carmel Film Festival, and at the 2010
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as Sabina, the philanthropist who had funded the production; and
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gay? In the theatre world? You can’t be serious. Unfortunately,
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The film centres on a group of actors who are convening for a
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The cast includes Tara Nicodemo as Gabor's widow Hanna;
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Index

Penelope Buitenhuis
Krista Sutton
Graham Abbey
Breakthrough Entertainment
AIFF
Penelope Buitenhuis
wake
Nicholas Campbell
Hamlet
Graham Abbey
Krista Sutton
Raoul Bhaneja
Martha Burns
Kristopher Turner
improvise
Cambridge
Ontario
Atlantic International Film Festival
Toronto Star
The Globe and Mail
Susan G. Cole
Now
Female Eye Film Festival
DGC Award for Best Direction in a Feature Film
Directors Guild of Canada




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