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the play on every TV show I did. All this convinced me I had a big hit. The show opened and closed in one day. The critics said it was the worst crap they ever saw. Where does this schlemiel get the idea he's an actor and a playwright? He should go into a different business. And so on. It didn't make me feel too good. But I told myself that life is too short, that you have to keep moving, that you're lucky to be on earth in the position you're in."
220:, wrote, "Unfortunately the only nice thing I can say about the play is that the press representative is a close friend of mine. This, I sadly recognize, is not a commendation of much universal appeal. ... Mr. Mason may have certain talents; on the evidence before me I would hardly have suspected that writing was one of them." John Chapman of the New York
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Years later, Mason commented on the show and reactions to it: "It must have had the longest preview run in
Broadway history -- ninety-seven performances. After every performance, I came out and asked for opinions from the audience. They loved that. It made them feel like philosophers. I also promoted
230:, wrote, "It consists of all-too-familiar Jewish humor routines, sexual innuendo of the most basic sort endlessly repeated and what probably is intended to be a friendly treatment of the white-black racial situation that is cheapened by the other ingredients."
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it opens, I see as an honor." Mason said that when the record is broken, "I won't cry a tear, because there's nothing to be excited about."
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was quoted as writing, "If I were the author I'd throw it away and start a new play -- or contemplate not writing anything." Jack Gaver, of
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breaking his play's record for most previews. "The longest preview period, I don't see as an honor," he said. "Running a show
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woman. Eventually Nat himself falls in love with the woman's mother. The play's title is not explained in the play itself.
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record for the most previews ever by a
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of its day, which is to say a play so inane that it remains memorable through the years."
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announced a delay to its official opening, which eventually resulted in its breaking
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The play became the subject of public attention once again in 2011, when the musical
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Nat Weiss (played by Mason himself in the
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Besides Mason in the lead role, the
Broadway cast also included
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Broadway
Yearbook, 1999-2000: A Relevant and Irreverent Record
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A Sci-Fi Swarm and Horror Horde: Interviews with 62 Filmmakers
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Broadway
Yearbook, 1999-2000: A Relevant and Irreverent Record
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American
Theatre: A Chronicle of Comedy and Drama, 1969-2000
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American
Theatre: A Chronicle of Comedy and Drama, 1969-2000
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The play received several particularly unfavorable reviews.
552:. Jackson: University Press of Mississippi. p. 107.
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before its official opening. After its official opening,
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played 128 performances but never officially opened.)
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Mason was interviewed in 2011 about the prospects of
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in 1969. The play set a
Broadway record by having 97
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579:. New York: Oxford University Press. p. 126.
158:widower who learns that his son is in love with a
424:"'Spider-Man' Producers Say Delay Is Justified"
330:"Theater: 'A Teaspoon Every Four Hours' Opens"
297:. Oxford: Oxford University Press. p. 2.
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361:"A Teaspoon Every Four Hours"
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394:Itzkoff, Dave (2011-01-20).
138:A Teaspoon Every Four Hours′
451:Sisario, Ben (2002-08-04).
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252:A Teaspoon Every Four Hours
125:A Teaspoon Every Four Hours
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22:A Teaspoon Every Four Hours
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546:Balliett, Whitney (2006).
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233:Steven Suskin, writing in
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178:as the son's girlfriend,
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60:ANTA Theatre
35:Mike Mortman
31:Jackie Mason
192:Lee Wallace
184:Bernie West
172:Barry Pearl
107:written by
632:1969 plays
626:Categories
592:9 February
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370:9 February
345:9 February
269:References
223:Daily News
176:Vera Moore
48:1969-06-14
27:Written by
202:Response
121:previews
117:Broadway
615:at the
84:Setting
69:English
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156:Jewish
102:comedy
78:Comedy
333:(PDF)
263:after
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100:is a
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594:2011
581:ISBN
554:ISBN
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520:ISBN
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299:ISBN
166:Cast
150:Plot
111:and
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