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Michel is on the run. Eventually she betrays him, but before the police arrive, she tells Michel what she has done. He is somewhat resigned to a life in prison, and does not try to escape at first. A friend of his arrives and attempts to hand him a gun, but he refuses. As the police arrive, the friend drives off, but throws the gun towards Michel, who picks it up. The police shoot him in the street, and after running along the block, he collapses. As
Patricia stands over the dying Michel, he curses her with his last words, but she does not understand his French.
1345:, as Togusa and Batou are investigating the house of a suspect. Other Godard works are also scattered through the scene. Dialog from this film is recited by two other characters throughout the episode. Themes from this episode parallel themes from both this movie and Godard's complete oeuvre. The climax of the episode hinges on the final lines, including one additional line, from the final scene of the film.
716:'s visit to Paris, which Godard used as a backdrop for the film. The crew met at Café Notre Dame and shot for two hours until Godard ran out of ideas. According to Coutard, the film was virtually improvised on the spot, and Godard wrote dialogue in an exercise book that no one was allowed to see. Godard gave lines to Belmondo and Seberg with only brief rehearsals before filming.
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942:. The word has many other implications in French. It can be a synonym for "bitch" or "heel", as well as implying nausea and the urge to vomit. In French, bouche refers to the human mouth, while gueule means the wider mouth of an animal, e.g. dog, though commonly used for mouth and derogatory only in certain expressions, e.g. "ferme ta gueule" (shut your trap).
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shooting days could range from 15 minutes to 12 hours, depending on how many ideas Godard had. Producer
Georges de Beauregard wrote a letter to the crew complaining about the erratic shooting schedule. Coutard claimed Beauregard got in a fistfight with Godard when he found the director at a café on a day when he had called in sick.
929:. Michel is carelessly active and bold. He falls in love with Patricia, who is uncomfortable in such engagements. Her cooperation with the police leads to his death. Patricia's monotone reaction to Michel's death indicates her brutal distance to relationships. Michel knew her coldness would end badly for him.
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in 1942 has been as influential," dismissing its jump cuts as the biggest breakthrough, and instead calling revolutionary its "headlong pacing, its cool detachment, its dismissal of authority, and the way its narcissistic young heroes are obsessed with themselves and oblivious to the larger society."
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The final screenplay deviates very little from
Truffaut's original treatment, aside from the much longer bedroom scene. Godard wrote the script as he went along. He told Truffaut, "the subject will be the story of a boy who thinks of death and of a girl who doesn't." Truffaut believed Godard's change
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called the film a "fascinating communication" which is "emphatically unrestrainedly vicious, completely devoid of moral tone" and shocking due to the "vigor of its reportorial candor". Crowther described Godard's editing as "pictorial cacophony". He saw
Belmondo as "hypnotically ugly" and "the most
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Godard shot the movie's first sequence toward the end, but most of the filming was chronological. There was minimal crew and no lights for the bedroom scene with Michel and
Patricia at the HĂŽtel de SuĂšde. Godard was determined to shoot there after living at the hotel in the early 1950s. Instead of
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Pierre
Rissient said that the jump cut style was not intended during the film's shooting or the initial stages of editing. Coutard said that "there was a panache in the way it was edited that didn't match at all the way it was shot. The editing gave it a very different tone than the films we were
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Locations were selected in advance, and assistant director Pierre
Rissient described the shoot as very organized. However, filming was done without permits, adding to the spontaneous feel Godard wanted. Michel's death was filmed on the rue Campagne-PremiĂšre in Paris. Actor Richard Balducci said
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on the boulevards of Paris. The ambivalent
Patricia unwittingly hides him in her apartment as he simultaneously tries to seduce her and call in a loan to fund their escape to Italy. Patricia says she is pregnant, probably with Michel's child. When the police question her, Patricia realizes that
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through his acquaintance with her husband
Francois Moreuil. In June 1959, Seberg agreed to appear in the film for $ 15,000, one-sixth of the film's budget. Godard gave Moreuil a cameo in the film. During filming, Seberg privately questioned Godard's style and wondered if the film would be
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to the ending was personal, "In my script, the film ends with the boy walking along the street as more and more people turn and stare after him, because his photo's on the front of all the newspapers...Jean-Luc chose a violent end because he was by nature sadder than I."
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opened...not in an art house but at a chain of four commercial theaters, selling 259,046 tickets in four weeks. The eventual profit was substantial...The film's success with the public corresponded to its generally ardent and astonished critical reception."
445:. After stealing a car in Marseille, Michel shoots and kills a policeman who has followed him onto a country road. Penniless and on the run from the police, he turns to an American love interest, Patricia, a student and aspiring journalist, who sells the
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about Michel
Portail and his American journalist girlfriend Beverly Lynette. In November 1952, Portail stole a car to visit his sick mother in Le Havre and ended up killing a motorcycle cop named Grimberg. Truffaut wrote a treatment with
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zeroed in on the bedroom scenes as the core of the film. He explains the rigidity of cinematic bedroom scenes with their "definite pace from window to bed and climactically into the sheets. Even in the rather perverse imaginations of
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Michel's dying words are mumbled and hard to hear: "C'est vraiment dégueulasse". Throughout the film, "dégueulasse" has been clearly used to mean "disgusting" in reference to things like Michel's request for a loan and the music of
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magazine's decennial polls of filmmakers and critics on the subject on multiple occasions. In May 2010, a fully restored version of the film was released in the United States to coincide with the film's 50th anniversary.
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was a mistake. He added "there used to be just one way. There was one way you could do things. There were people who protected it like a copyright, a secret cult only for the initiated. That's why I don't regret making
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deemed it "a very fine piece of work". Though he found the film too insubstantial to be remembered, he concluded "the technique should linger, and so should these talents, here so highly visible and memorable."
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with complicated and time-consuming tracks to lay, Godard often pushed Coutard in a wheelchair. For certain street scenes, Coutard hid in a postal cart with a hole for the lens and packages piled on top of him.
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in the crew to report on the production. A novelization by Claude Francolin was released in February 1960, a month before the film's release. Columbia also issued a soundtrack album of Martial Solal's music.
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and Band of Outsidersâitâs because the young French directors discovered the poetry of crime in American life (from our movies) and showed the Americans how to put it on the screen in a new, 'existential'
1449:, including an early shot of Warren Beatty wearing a fedora slanted over his eyes and with a match tilted upward held in his lips, echoing Jean-Paul Belmondo's hat and cigarette in the opening scenes of
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919:, "What is pain? What is love? What is creation?...What is a star? What is anything anymore?" Stone concludes that such philosophical skepticism is a logical endpoint for a character like Patricia.
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has been credited as a key influence for Godard. This can be seen in the adoption of jump-cuts, use of real locations rather than constructed sets and the documentary, newsreel format of filming.
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Godard and his media-savvy friends were well-positioned to gin up publicity before the movie was released. Richard Balducci was in charge of promoting the film and he embedded a reporter from
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camera was the only camera that worked for the film used. Nearly the entire film had to be dubbed in post-production because the Cameflex was noisy and incapable of synchronized sound.
1415:, the main character sees the film in the cinema with his family. The theater is empty and the woman working the ticket stand advises against seeing it. Nonetheless, he loves the film.
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1453:. Later Beatty also wears a pair of round-rim black sunglasses with one lens missing, an exact visual reference to Belmondo wearing the same sunglasses with a missing lens later in
869:, that it is both "a pop artifact and a daring work of art" and even at 50, "still cool, still new, still â after all this time! â a bulletin from the future of movies."
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in May 1959 when they wrote Beauregard to endorse Godard as the director. Their names helped greenlight the film, but both would have very small roles in its production.
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641:. In order to broaden the film's commercial appeal, Godard sought a prominent leading lady who would be willing to work in his low-budget film. He came to
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at the time. He therefore took 18-metre lengths of HP5 film sold for 35mm still cameras and spliced them into 120-metre rolls. During development he
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book series, being a favorite of female protagonist Sheeni Saunders, including her dreams of running off to France and her fascination for
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as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
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and blowing that all apart." In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the
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Godard wanted cinematographer Michel Latouche to shoot the film after working with him on his short films. Instead, De Beauregard hired
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for that. But it is the most representative." By June of that year, it was already pointed to as "the crowning point of the new wave".
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by CĂ©cile Decugis and his assistant Lila Herman. Decugis said the film earned a pre-release reputation as the worst film of the year.
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appears in a cameo as the dead body of a man hit by a car in the street. The film includes many in-jokes like the young woman selling
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when the detectives are discussing their favorite cop movies. Jeffords identifies the film as "François Truffaut's
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The size of the sprocket holes in the photographic film was different from that of motion picture film, and the
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analyzed it as existentially representing "the meaninglessness of the time interval between moral decisions."
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Upon its initial release in France, the film attracted over two million viewers. It has since been considered
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2334:"From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time"
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and Michel's occasional alias of Laszlo Kovacs, the name of Belmondo's character in Chabrol's 1959 film
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because he liked the treatment. Chabrol and Truffaut were now star directors. They were at the
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attracted much attention for its bold visual style, which included then unconventional use of
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Includes Continuity Script, Truffaut's treatment, interviews, and many reviews of the film.
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with next to no lighting. In order to shoot under low-light levels, Coutard had to use
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2012:
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2659:: But Truffaut wrote Breathless, and I've always considered movies a writer's medium.
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sees the film as exemplifying Nietzsche's conception of ("active" versus "passive")
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commercially viable. After it was a success, she reprised her character in Godard's
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Michel is a youthful, dangerous criminal who models himself on the film persona of
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included it on his "Great Movies" list in 2003, writing that "No debut film since
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January issue, months before its release. That same month, Godard was awarded the
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1610:. Translated by Richard Neupert. John Wiley & Sons, Incorporated, 2002. 65.
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Sanmartians.net is a website used for Department of Anthropology courses at
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1395:, Whirl votes for repeat showings of the film during the crew's movie night.
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Ozeri, Gil; Liedman, Gabe; Engler, Michael (4 February 2014). "The Party".
1992:
What I Learned From Watching: Breathless (1960) [INTERACTIVE VIDEO]
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wrote, "Of all the films now being made by the newcomers to French cinema,
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Filming ran 23 days from August 17 until September 12, 1959. It included
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1807:. Rutgers Films in Print series. Rutgers University Press. p. 146.
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1970:. The Criterion Collection. Special Features, disc 1. Interviews. 2007.
1510:, fictional actress Evelyn Hugo, at a low point in her career, watches
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made a music video for the song "In View" that pays homage to the film.
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effective cigarette-mouther and thumb-to-lip rubber since time began".
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is shot through with constant in-jokes and references to other films:
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The final scene is recreated in Romeo Void's "Never Say Never" video.
1370:, defending his statement by saying "movies are a writer's medium".
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2548:"Sight and Sound: Greatest Films of All Time Director's Poll 2022"
1553:
Why âBreathlessâ? A Retrospective On Jean-Luc Godardâs Masterpiece
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in a movie theater, and are shown watching the iconic final scene.
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named their album from 2011 after main character Michel Poiccard.
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The final scene is mentioned (and later alluded to visually) in
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2534:"Sight And Sound: Greatest Films of All Time Critics Poll 2022"
2382:"Breathless (Ă bout de souffle) Active & Passive Nihilism"
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has a head start on it; it is not the most striking - we have
2672:"Is Mayaanadhi a copy of Godard's French classic Breathless?"
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Subsequent releases of the film have differing translations:
842:, these basic rhythms operate. With Godard, no such thing."
2035:
2033:
1910:
Everything is Cinema: The Working Life of Jean-Luc Godard
1156:): Michel imitates the Humphrey Bogart film's lobby card.
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one of the protagonists re-enacts a scene from the film.
3366:
Trailer of the Film That Will Never Exist: "Phony Wars"
2478:"Sight & Sound Poll 2012: Top 10 Films of All Time"
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called "a critical statement of aims and boundaries".
913:" during his analysis of Patricia. Stone paraphrases
3358:
Letter in Motion to Gilles Jacob and Thierry Frémaux
1936:"The Jean Seberg Enigma: Interview with Garry McGee"
1685:
Jean-Luc Godard: A Guide to References and Resources
1514:
and is inspired to go to Paris to revive her career.
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2390:. "Phil 7: Existentialism in Literature and Film",
894:cited this movie as one of his 100 favorite films.
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964:Il a dit que vous ĂȘtes vraiment "une dĂ©gueulasse".
2624:"Breathless reference in The Squid and the Whale"
1931:
1929:
1432:), directed by Ashiq Abu, draws inspiration from
2079:Reflections: Twenty-one cinematographers at work
2041:Reflections: Twenty-one cinematographers at work
2055:Film Style and Technology: History and Analysis
1733:"Episode 3: Before Sunrise - Richard Linklater"
1144:): Michel refers to Bob Montagné being in jail.
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566:was loosely based on a newspaper article that
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865:wrote in 2010, 50 years after the release of
579:, but they disagreed on the story structure.
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3222:"Anticipation, ou: l'amour en l'an 2000" in
678:as a documentary and tasked cinematographer
1875:. Rialto Pictures Pressbook. Archived from
1265:2022: Director's Top Films of All Time, #15
1172:'s blank stare at Humphrey Bogart's corpse.
590:. He helped Beauregard with the script for
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2164:. Avril, 1960. Tome XVIII, No. 106. 25â36.
1912:. New York, New York: Metropolitan Books.
1281:2018: Greatest Foreign Language Films, #11
1240:included the film on several lists in its
637:was not famous outside of France prior to
373:as a wandering criminal named Michel, and
355:'Out of Breath') is a 1960 French
40:
31:
2562:"The 100 Greatest Foreign Language Films"
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1291:The film is frequently referenced in the
1262:2022: Critics' Top Films of All Time, #38
1168:): Seberg's final moments are modeled on
1027:VITAL: He said you make him want to puke.
985:VITAL: He said you are really disgusting.
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1662:. London: Halliwell's. 2007. p. 1.
740:was processed and edited at GTC Labs in
1873:Breathless 50th Anniversary Restoration
1737:History of Film Festivals In 100 Movies
1608:The French New Wave: An Artistic School
1599:
1445:contains numerous visual references to
1336:Ghost in the Shell: Stand Alone Complex
1202:1960 Berlin International Film Festival
1007:VITAL: He said "You're a real scumbag".
582:Godard was working as a press agent at
2183:. Juin, 1960. Tome XVIII, No. 108. 48.
464:Jean Seberg and Jean-Paul Belmondo in
3206:Les plus belles escroqueries du monde
2946:One Plus One (Sympathy for the Devil)
2460:"Sight & Sound Top Ten Poll 2002"
2332:Thomas-Mason, Lee (12 January 2021).
2147:. Janvier, 1960. Tome XVIII, No. 103.
2110:
2108:
2057:(3 ed.). Starword. p. 287.
1461:also shares a general storyline with
1392:Transformers: More Than Meets the Eye
491:Henri-Jacques Huet as Antonio Berruti
7:
2922:Two or Three Things I Know About Her
2013:"CIP-IDF > Projections du 4 juin"
1841:A Bout de Souffle: French Film Guide
1731:Fitzgerald, Jon (18 February 2024).
1029:PATRICIA: What's that mean, "puke"?
3074:JLG/JLG â Self-Portrait in December
1866:"Francois Truffaut on 'Breathless'"
748:used to seeing." The film's use of
548:as the body of the man hit by a car
250:Société nouvelle de cinématographie
27:1960 French film by Jean-Luc Godard
3894:English-language crime drama films
2392:University of California, Berkeley
2194:Screen: Sordid View of French Life
1571:, a 1983 American remake starring
969:Qu'est-ce que c'est "dégueulasse"?
25:
3854:Films directed by Jean-Luc Godard
1588:List of films considered the best
1507:The Seven Husbands of Evelyn Hugo
690:film, which was not available as
2588:"The Death Set: Michel Poiccard"
2566:British Broadcasting Corporation
2254:"A Fresh Look Back at Right Now"
1483:and Godardâs gangster pictures,
1256:2012: Top Films of All Time, #13
1003:MICHEL: It's disgusting, really.
987:PATRICIA: What is "disgusting"?
476:as Michel Poiccard/Laszlo Kovacs
3163:All the Boys Are Called Patrick
2091:Solomons, Jason (6 June 2010).
2081:, p. 201. ASC Press, Hollywood.
2043:, p. 200. ASC Press, Hollywood.
1989:CinemaTyler (3 February 2015),
1838:Fotiade, Ramona (28 May 2013).
1620:Box office information for film
1408:The Incorrigible Optimists Club
1259:2012: Directors' Top Films, #11
981:MICHEL: It's really disgusting.
424:one of the best films ever made
3066:Les Enfants jouent Ă la Russie
1660:Film: Video and DVD Guide 2007
1023:MICHEL: Makes me want to puke.
682:to shoot the entire film on a
518:Richard Balducci as Tolmachoff
1:
2654:. Season 1. Episode 16. Fox.
2281:Ebert, Roger (20 July 2003).
1945:, Film Threat, 28 March. 2008
1583:List of French-language films
1556:(Essay on ThoughtCatalog.com)
1389:'s ongoing comic book series
1358:, Sergeant Jeffords mentions
1206:Silver Bear for Best Director
1020:DVD (2007)/Restoration (2010)
383:is an influential example of
327:2,295,912 admissions (France)
3864:French black-and-white films
3849:1960s English-language films
3844:1960 directorial debut films
3324:Ten Minutes Older: The Cello
3213:"Montparnasse-Levallois" in
2677:International Business Times
1009:PATRICIA: What's a scumbag?
883:The film has a 95% score on
752:has been called innovative.
3874:1960s French-language films
3322:"Dans le noir du temps" in
3179:Charlotte and Her Boyfriend
1778:. In Criterion Collection,
1497:, the characters go to see
1216:Godard said the success of
954:C'est vraiment dégueulasse.
698:the negative one stop from
3910:
2435:"Berlinale: Prize Winners"
2367:. Penguin Books, 1978. 17.
1771:Chambre 12, HĂŽtel de SuĂšde
1025:PATRICIA: What did he say?
1005:PATRICIA: What did he say?
983:PATRICIA: What did he say?
790:for his work on the film.
657:, who he had on contract.
503:Liliane Dreyfus as Liliane
3884:French multilingual films
3348:"The Bridge of Sighs" in
3339:"Les Trois DĂ©sastres" in
3273:A Letter to Freddy Buache
3050:Germany Year 90 Nine Zero
2820:
2804:
2413:"Breathless (1960) - FAQ"
2231:Riding the Crest of Chaos
1575:in the Belmondo role and
1036:References to other films
692:motion picture film stock
611:Godard used screenwriter
488:as Police Inspector Vital
67:
51:
46:Theatrical release poster
39:
3879:1960s multilingual films
3869:French crime drama films
3307:The French as Seen by...
1633:"The Nowhere Inn (2021)"
1469:, in her 1967 review of
1333:In the third episode of
1253:2002: Critic's Poll, #15
1250:1992: Critic's Poll, #22
365:written and directed by
3662:Jacques Doniol-Valcroze
2200:. February 8, 1961. 26.
1941:25 January 2009 at the
1908:Brody, Richard (2008).
1541:Breathless Then and Now
1327:The Squid and the Whale
1085:Where the Sidewalk Ends
890:The Japanese filmmaker
887:, based on 82 reviews.
798:is not the best, since
660:The 1958 ethno-fiction
448:New York Herald Tribune
263:16 March 1960
3839:1960 crime drama films
3793:CinémathÚque Française
3734:Last Year at Marienbad
3640:Theoretical influences
3332:Tribute to Eric Rohmer
2360:Thus Spoke Zarathustra
2357:Nietzsche, Friedrich.
1801:Dudley Andrew (1987).
1717:Texas State University
1481:Shoot the Piano Player
1238:British Film Institute
1032:
1012:
990:
973:
959:Qu'est-ce qu'il a dit?
916:Thus Spoke Zarathustra
825:In a 1972 essay about
559:Background and writing
500:Van Doude as Van Doude
468:
343:
3315:Histoire(s) du cinéma
3224:The Oldest Profession
3204:"Le Grand escroc" in
3188:The Seven Deadly Sins
2986:Every Man for Himself
1494:A Very Secret Service
1413:Jean-Michel Guenassia
1013:
1000:Fox-Lorber DVD (2001)
996:
974:
945:
596:, but pitched him on
588:Georges de Beauregard
586:when he met producer
482:as Patricia Franchini
463:
391:) cinema. Along with
116:Georges de Beauregard
3672:Joseph-Marie Lo Duca
3611:Jean-Pierre Melville
3305:"Le Dernier mot" in
2504:"Directors' top 100"
2133:. DVD, disc 2. 2007.
2127:Criterion Collection
2053:Salt, Barry (2009).
1782:. DVD, disc 2. 2007.
1774:(1993). Directed by
1547:Criterion Collection
1317:The Australian band
1149:The Harder They Fall
1142:Jean-Pierre Melville
1018:Criterion Collection
909:'s metaphor of the "
782:was on the cover of
714:President Eisenhower
602:Cannes Film Festival
507:Jean-Pierre Melville
3718:Hiroshima mon amour
3553:Alain Robbe-Grillet
3425:Groupe Dziga Vertov
3393:Le Parti des choses
3350:Bridges of Sarajevo
3195:"The New World" in
3114:Goodbye to Language
2308:"Breathless (1961)"
2239:. May 11, 1972. 87.
2217:. February 8, 1961.
2192:Crowther, Bosley. "
2173:Labarthe, André S.
1882:on 18 November 2017
1622:at Box Office Story
1307:The Doom Generation
1197:1960 Prix Jean Vigo
1061:Ten Seconds to Hell
907:Friedrich Nietzsche
807:Hiroshima mon amour
784:Cahiers du cinéma's
408:Hiroshima mon amour
319:400,000(US$ 80,000)
3889:1960s French films
3859:Films set in Paris
3807:(2010 documentary)
3412:(1972 documentary)
3404:(2010 documentary)
3396:(1964 documentary)
3388:(1963 documentary)
3258:Here and Elsewhere
3155:Une femme coquette
3147:Operation Concrete
3034:Keep Your Right Up
3002:First Name: Carmen
2834:A Woman Is a Woman
2763:on NewWaveFilm.com
2709:TCM Movie Database
2259:The New York Times
2209:Winsten, Archer. "
2198:The New York Times
2176:Le plus pur regard
2123:Jonathan Rosenbaum
2119:as Film Criticism"
2077:Begery, Benjamin.
2039:Begery, Benjamin.
1698:Warms, Richard L.
1579:in the Seberg role
1405:In the 2001 Novel
1400:The Tragically Hip
1398:The Canadian band
1355:Brooklyn Nine-Nine
1299:Jean-Paul Belmondo
1286:In popular culture
1184:Jonathan Rosenbaum
1113:The Maltese Falcon
858:The New York Times
767:France-Observateur
700:400 ASA to 800 ASA
635:Jean-Paul Belmondo
474:Jean-Paul Belmondo
469:
371:Jean-Paul Belmondo
139:Henri-Jacques Huet
134:Jean-Paul Belmondo
3821:
3820:
3787:Cahiers du Cinéma
3694:Le Coup du Berger
3576:Philippe de Broca
3510:François Truffaut
3481:Cahiers du Cinéma
3439:
3438:
3231:"Caméra-oeil" in
3132:
3131:
3090:In Praise of Love
2748:Ă Bout De Souffle
2568:. 29 October 2018
2514:on 24 August 2012
2236:The Village Voice
2181:Cahiers du cinéma
2162:Cahiers du cinéma
2144:Cahiers du cinéma
2064:978-0-9509066-5-2
1919:978-0-8050-8015-5
1851:978-0-85772-117-4
1814:978-0-8135-1253-2
1688:. G.K.Hall, 1979.
1669:978-0-00-723470-7
1180:Monogram Pictures
1105:Bonjour Tristesse
796:Ă bout de souffle
674:Godard envisaged
622:Cahiers du Cinéma
593:PĂȘcheur d'Islande
572:The News in Brief
568:François Truffaut
540:Andre S. Labarthe
522:Philippe de Broca
429:Sight & Sound
393:François Truffaut
354:
345:Ă bout de souffle
331:
330:
241:Les Films Impéria
97:François Truffaut
62:Ă bout de souffle
18:A bout de souffle
16:(Redirected from
3901:
3776:Arthouse musical
3750:Cléo from 5 to 7
3647:Alexandre Astruc
3568:Other filmmakers
3533:Marguerite Duras
3466:
3459:
3452:
3443:
3233:Far from Vietnam
3171:A Story of Water
2906:Masculin FĂ©minin
2818:
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2521:
2519:
2510:. Archived from
2500:
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2489:
2474:
2468:
2467:
2462:. Archived from
2456:
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2425:
2424:
2422:
2420:
2409:
2403:
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2398:
2387:Internet Archive
2374:
2368:
2363:. Translated by
2355:
2349:
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2338:Far Out Magazine
2329:
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1611:
1604:
1577:Valérie Kaprisky
1471:Bonnie and Clyde
1459:Bonnie and Clyde
1442:Bonnie and Clyde
1385:In issue #30 of
1273:has also listed
1178:is dedicated to
1130:Dashiell Hammett
933:Closing dialogue
684:hand-held camera
584:20th Century Fox
486:Daniel Boulanger
349:
270:
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187:Daniel Boulanger
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3817:
3812:Trouver Frisson
3804:Two in the Wave
3764:
3681:
3635:
3562:
3514:
3505:Jacques Rivette
3495:Jean-Luc Godard
3475:
3473:French New Wave
3470:
3440:
3435:
3401:Two in the Wave
3372:
3138:
3128:
3106:Film Socialisme
3082:For Ever Mozart
2954:Joy of Learning
2882:A Married Woman
2858:The Carabineers
2850:Le petit soldat
2809:
2800:
2798:Jean-Luc Godard
2795:
2731:Rotten Tomatoes
2699:
2694:
2693:
2683:
2681:
2670:
2669:
2665:
2649:
2648:
2644:
2634:
2632:
2622:
2619:Wayback Machine
2612:
2608:
2598:
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2497:
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2471:
2466:on 15 May 2012.
2458:
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2441:
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2411:
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2380:(Spring 2006).
2376:
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2365:Walter Kaufmann
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2326:
2316:
2314:
2312:Rotten Tomatoes
2306:
2305:
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2279:
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2252:(21 May 2010).
2248:
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2228:
2221:
2208:
2204:
2191:
2187:
2172:
2168:
2158:Jean-Luc Godard
2156:Moullet, Luc. "
2155:
2151:
2141:
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2090:
2089:
2085:
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2072:
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2019:
2017:www.cip-idf.org
2011:
2010:
2006:
1997:
1995:
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1985:Wayback Machine
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1704:sanmartians.net
1697:
1696:
1692:
1682:Lesage, Julia.
1681:
1677:
1670:
1658:
1657:
1653:
1643:
1641:
1638:Box Office Mojo
1631:
1630:
1626:
1618:
1614:
1606:Marie, Michel.
1605:
1601:
1596:
1563:
1521:
1519:Further reading
1422:-language film
1294:Youth in Revolt
1288:
1243:Sight and Sound
1214:
1193:
1137:Bob le flambeur
1038:
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961:
956:
951:
940:Frédéric Chopin
935:
900:
885:Rotten Tomatoes
814:Bosley Crowther
777:
762:
735:
707:Eclair Cameflex
672:
648:Le Grand Escroc
617:Jacques Rivette
561:
556:
551:
546:Jacques Rivette
513:Jean-Luc Godard
497:as Carl Zumbach
458:
443:Humphrey Bogart
439:
426:, appearing in
385:French New Wave
367:Jean-Luc Godard
308:
280:
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266:
264:
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242:
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151:Liliane Dreyfus
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85:Jean-Luc Godard
76:Jean-Luc Godard
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3689:
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3680:
3679:
3674:
3669:
3667:Henri Langlois
3664:
3659:
3657:Robert Bresson
3654:
3649:
3643:
3641:
3637:
3636:
3634:
3633:
3628:
3626:StraubâHuillet
3623:
3621:Jacques Rozier
3618:
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3608:
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3598:
3596:Georges Franju
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3497:
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3490:Claude Chabrol
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3285:
3277:
3269:
3266:How's it going
3262:
3254:
3250:Letter to Jane
3246:
3242:Amore e rabbia
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3201:
3192:
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3167:
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3142:
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3130:
3129:
3127:
3126:
3122:The Image Book
3118:
3110:
3102:
3094:
3086:
3078:
3070:
3062:
3058:HĂ©las pour moi
3054:
3046:
3042:Nouvelle Vague
3038:
3030:
3022:
3014:
3006:
2998:
2990:
2982:
2974:
2966:
2962:British Sounds
2958:
2950:
2942:
2934:
2926:
2918:
2914:Made in U.S.A.
2910:
2902:
2898:Pierrot le Fou
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2756:
2751:soundtrack at
2744:
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2722:
2711:
2698:
2697:External links
2695:
2692:
2691:
2680:. January 2018
2663:
2642:
2606:
2579:
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2539:
2525:
2495:
2469:
2451:
2426:
2404:
2378:Hubert Dreyfus
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2299:
2287:RogerEbert.com
2273:
2262:. p. AR10
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2004:
1972:
1947:
1925:
1918:
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1850:
1844:. I.B.Tauris.
1823:
1813:
1784:
1776:Claude Ventura
1749:
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1489:
1476:The New Yorker
1439:The 1967 film
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1090:Otto Preminger
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1066:Robert Aldrich
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923:Hubert Dreyfus
899:
896:
892:Akira Kurosawa
819:Archer Winsten
788:Prix Jean Vigo
776:
773:
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628:Web of Passion
577:Claude Chabrol
560:
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531:
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516:
515:as an informer
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247:Distributed by
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210:CĂ©cile Decugis
207:
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196:Cinematography
193:
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163:Claude Mansard
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102:Claude Chabrol
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3755:
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3747:
3744:
3743:
3742:Jules and Jim
3739:
3736:
3735:
3731:
3728:
3727:
3723:
3720:
3719:
3715:
3712:
3711:
3710:The 400 Blows
3707:
3704:
3703:
3702:Le Beau Serge
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2484:. August 2012
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2215:New York Post
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2121:. Written by
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1537:Dudley Andrew
1535:
1533:July 20, 2003
1532:
1531:(1960) review
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1319:The Death Set
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1125:The Glass Key
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846:Richard Brody
843:
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802:
801:Les 400 coups
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754:Andrew Sarris
751:
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680:Raoul Coutard
677:
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655:Raoul Coutard
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403:Alain Resnais
400:
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398:The 400 Blows
394:
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200:Raoul Coutard
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82:Screenplay by
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43:
38:
33:
30:
19:
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3725:
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3716:
3708:
3700:
3692:
3586:Jean Douchet
3581:Jacques Demy
3543:Chris Marker
3538:Armand Gatti
3480:
3431:Bibliography
3423:
3415:
3407:
3399:
3391:
3383:
3364:
3356:
3349:
3340:
3330:
3323:
3313:
3306:
3297:
3296:"Armide" in
3287:
3279:
3271:
3264:
3256:
3248:
3241:
3232:
3223:
3215:Paris vu par
3214:
3205:
3196:
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3153:
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3104:
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3056:
3048:
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3024:
3016:
3008:
3000:
2992:
2984:
2976:
2970:Tout Va Bien
2968:
2960:
2952:
2944:
2936:
2928:
2920:
2912:
2904:
2896:
2888:
2880:
2874:Bande Ă part
2872:
2864:
2856:
2848:
2842:Vivre sa vie
2840:
2832:
2825:
2824:
2759:
2746:
2736:
2725:
2714:
2703:
2682:. Retrieved
2675:
2666:
2656:
2655:
2652:Brooklyn 9-9
2651:
2645:
2633:. Retrieved
2627:
2615:Ghostarchive
2613:Archived at
2609:
2597:. Retrieved
2591:
2582:
2570:. Retrieved
2556:
2542:
2528:
2516:. Retrieved
2512:the original
2507:
2498:
2486:. Retrieved
2482:Awards Daily
2481:
2472:
2464:the original
2454:
2442:. Retrieved
2439:berlinale.de
2438:
2429:
2417:. Retrieved
2407:
2395:. Retrieved
2385:
2372:
2358:
2353:
2341:. Retrieved
2337:
2327:
2315:. Retrieved
2302:
2290:. Retrieved
2286:
2283:"Breathless"
2276:
2264:. Retrieved
2257:
2250:Scott, A. O.
2244:
2234:
2214:
2205:
2197:
2188:
2180:
2174:
2169:
2161:
2152:
2142:
2138:
2130:
2116:
2098:The Observer
2096:
2086:
2078:
2073:
2054:
2048:
2040:
2020:. Retrieved
2016:
2007:
1996:, retrieved
1991:
1981:Ghostarchive
1979:Archived at
1975:
1967:
1909:
1884:. Retrieved
1877:the original
1872:
1860:
1840:
1819:
1803:
1779:
1769:
1740:. Retrieved
1736:
1726:
1719:, San Marcos
1714:
1707:. Retrieved
1703:
1700:"Breathless"
1693:
1683:
1678:
1659:
1654:
1642:. Retrieved
1636:
1627:
1615:
1607:
1602:
1573:Richard Gere
1566:
1552:
1540:
1528:
1511:
1505:
1498:
1492:
1484:
1480:
1474:
1470:
1467:Pauline Kael
1462:
1458:
1454:
1450:
1446:
1441:
1433:
1430:Mystic River
1429:
1423:
1407:
1390:
1376:The Dreamers
1374:
1363:
1359:
1353:
1340:
1334:
1325:
1314:road movie".
1305:
1292:
1274:
1268:
1241:
1235:
1222:
1217:
1215:
1175:
1159:
1147:
1135:
1123:
1111:
1103:
1095:
1083:
1071:
1059:
1047:
1040:
1039:
1016:
1015:
999:
998:
992:
977:
976:
968:
963:
958:
953:
948:
947:
936:
921:
914:
903:Oliver Stone
901:
889:
882:
876:Citizen Kane
874:
866:
856:
855:
849:
844:
831:Oliver Stone
826:
824:
812:
805:
799:
795:
783:
779:
778:
765:
763:
746:
737:
736:
722:
718:
711:
704:
675:
673:
663:Moi, un noir
661:
659:
652:
647:
638:
633:
626:
620:
613:Paul GĂ©gauff
610:
606:
597:
591:
581:
571:
563:
562:
528:Jean Douchet
465:
446:
440:
427:
421:
412:
406:
396:
388:
380:
379:
344:
334:
333:
332:
279:Running time
256:Release date
104:(uncredited)
61:
29:
3652:André Bazin
3631:Roger Vadim
3616:Luc Moullet
3606:Louis Malle
3601:Pierre Kast
3558:AgnĂšs Varda
3528:Henri Colpi
3500:Ăric Rohmer
3417:Redoubtable
3197:Ro.Go.Pa.G.
3186:"Sloth" in
2930:La Chinoise
2807:Filmography
1886:17 November
1742:4 September
1709:4 September
1644:10 December
1525:Roger Ebert
1166:Raoul Walsh
1161:High Sierra
1154:Mark Robson
1118:John Huston
871:Roger Ebert
863:A. O. Scott
848:enthused, "
792:Luc Moullet
643:Jean Seberg
542:as an extra
536:as an extra
534:Jean Herman
530:as an extra
524:as an extra
495:Roger Hanin
480:Jean Seberg
375:Jean Seberg
369:. It stars
213: [
178: [
166: [
154: [
142: [
129:Jean Seberg
112:Produced by
72:Directed by
3834:1960 films
3828:Categories
3726:Breathless
3677:Jean Rouch
3289:Meetin' WA
2978:Number Two
2890:Alphaville
2826:Breathless
2760:Breathless
2737:Breathless
2726:Breathless
2715:Breathless
2704:Breathless
2572:10 January
2508:bfi.org.uk
2444:14 January
2343:23 January
2211:Breathless
2131:Breathless
2117:Breathless
1968:Breathless
1804:Breathless
1780:Breathless
1594:References
1568:Breathless
1529:Breathless
1512:Breathless
1499:Breathless
1485:Breathless
1463:Breathless
1455:Breathless
1451:Breathless
1447:Breathless
1434:Breathless
1425:Mayaanadhi
1364:Breathless
1360:Breathless
1350:an episode
1342:Alphaville
1312:nihilistic
1275:Breathless
1246:magazine:
1227:Versailles
1223:Breathless
1218:Breathless
1176:Breathless
1170:Ida Lupino
1054:Sam Fuller
1049:Forty Guns
1041:Breathless
967:PATRICIA:
957:PATRICIA:
867:Breathless
850:Breathless
827:Breathless
780:Breathless
738:Breathless
724:renting a
688:Ilford HP5
676:Breathless
639:Breathless
598:Breathless
564:Breathless
554:Production
466:Breathless
413:Breathless
381:Breathless
363:drama film
335:Breathless
324:Box office
283:90 minutes
267:1960-03-16
234:Production
35:Breathless
3781:Auteurism
3686:Key films
3520:Left Bank
3483:Directors
3385:Paparazzi
3137:Short and
3026:King Lear
3018:DĂ©tective
3010:Hail Mary
2593:Pitchfork
2397:13 August
2317:25 August
1420:Malayalam
1418:The 2017
1097:Whirlpool
775:Reception
760:Publicity
750:jump cuts
742:Joinville
417:jump cuts
296:Languages
206:Edited by
175:Van Doude
3798:Jump cut
3758:La Jetée
3409:One P.M.
2938:Week-end
2866:Contempt
2720:AllMovie
2684:12 March
2657:Jeffords
2635:12 March
2617:and the
2599:12 March
2518:10 March
2488:10 March
2419:10 March
1983:and the
1939:Archived
1561:See also
1543:an essay
1231:Louis XV
1182:, which
1073:Pushover
952:MICHEL:
949:Original
927:nihilism
911:last man
905:invokes
570:read in
357:New Wave
223:Music by
122:Starring
90:Story by
3769:Related
3377:Related
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