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Vajravel, now looking like Manohar, is beaten by thugs on his way to Manohar's house.  Manohar returns to his home to confront Selvi's mother who is arranging for another marriage for Selvi.  Not knowing the situation of Vajravel, Varadha calls Sivashankaran's house to talk to Vajravel.  However, Manohar had returned home and takes the call but does not know who Varadha is. Varadha believes that Vajravel had double-crossed him and fumes with anger. Manohar comes over to meet Varadha and scuffles ensues where Varadha is beaten up by Manohar, though Varadha thinks it was Vajravel who beat him up.
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doubting if Vajravel was indeed Manohar as Vajravel could not play mouth organ and show interest in photography, both are dear to Manohar, but not to Vajravel. Vajravel comes to visit Varadha and thus exposing Manohar who is currently being safe guarded by Varadha.  Varadha realizes that he has been duped and try to confront Manohar, but he escapes with Kamala.
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not pay him.  He decides to scuttle the wedding by starting a rumor that Selvi is a tuberculosis patient to Sivasankaran.  Manohar's mother tries to convince him and the engagement is called off. Selvi comes to confront and ask for the reason and Sivasankaran does not respond and sends her off without providing a reason.
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broker who tells his modus operandi to break engagements.  Realizing that the broker had lied and broke the alliance between Manohar and Selvi, Sankara bring the broker to Sivashankaran's house where he confesses to Sivasankaran.  Manohar's mother invites Selvi back to meet Vajravel who now appears like Manohar.
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Kamala, an old friend of Selvi comes to share her sad story of marrying someone whom she thought was an honest man. Kamala further shares the secret plan hatched by Varadha where Vajravel, following plastic surgery, switches to Manohar.  As promised, Manohar comes to meet Selvi, and she believes
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Manohar falls in love with Selvi and sends a message through his secretary.  Sivasankaran agrees to the marriage and proceeds with the preparation. Puniyakodi a marriage broker known to Selvi's mom demands a brokerage commission in spite of not being involved in the alliance and Selvi's mom does
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Selvi takes Vajravel to rekindle his memory but being Vajravel he does not recall what happened between Selvi and Manohar. When they return, they find, Manohar who arrived in disguise as Sivashankaran's long last uncle.  Manohar, now pretending to be Sivashankaran's uncle decides to stay in the
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Meanwhile, Vajravel goes through plastic surgery and changes his face to appear like Manohar's face. Though Sivasankaran does not agree to the wedding, Manohar decides to marry Selvi legally without his parents' knowledge. Varadha takes this opportunity and decides to switch Vajravel for Manohar but
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At Sivashankaran's residence, Vajravel, now looking like Manohar and pretending to have temporary memory loss, arrives beaten up and every one believe that he is indeed Manohar.  On his way to get the medicine for the recovering Vajravel, Sankara, Manohar's secretary comes across the marriage
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In the midst of this, Sivashankaran's real uncle turns up exposing Manohar's disguise.  Noticing this Manohar escapes from Sivashankaran's home and take Kamala from his guardian's home and proceeds to infiltrate Varadha's gang which they successfully do. At home, both Selvi and Sankara start
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Selvi is a telephone servicing person who services telephones. Manohar is a photographer and the son of a rich estate owner named Sivasankaran, and Sankara is his secretary.  One day Manohar accidentally takes a picture of Selvi without her permission and Manohar apologizes for his action.
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On the following day during the wedding, Manohar cooks up a plan to switch Vajravel and sit instead of him. However, Varadha figures out the switch and brings back Vajravel telling everyone that he is the real Manohar. Both Selvi and Kamala try to identify but could not.  At that time the
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As this happens, Sivasankaran receives a phone call from the police mentioning that their son was beaten up by thugs and that the police are taking care of him.  However, recall that this is Vajravel who had taken possession of Manohar's wallet and diary and was beaten up by the thugs.
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In the meantime, Varadha, an ill-intentioned fraudster plans on a scheme to change his accomplice Vajravel's face to Manohar's face through plastic surgery and steal Sivashankaran's estate. He convinces Vajravel to go through plastic surgery. However, Vajravel's wife who overhears the plan
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Meanwhile Manohar asks his guardian to take Kamala to meet Vajravel who is disguised as Manohar at Sivashankaran's home. Kamala realizes the switch and begs Vajravel to get back, but he refuses. Distraught Kamala gets back to Manohar. Manohar promises to get them both together.
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Manohar picks up the acid and smears on Vajravel reverting his plastic surgery and exposing him.  Manohar forgives Vajravel who becomes an approver in the case against Varadha who was it turns out to be the Sivashankaran's former estate manager.
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Confusion follows at Sivashankaran's house, and they all conclude the real Manohar as fake and believe the one with the police is indeed the real Manohoran.  Everyone confronts Manohar and they do not believe him and assume he is an imposter.
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Kamala too believes Manohar is indeed the Vajravel after plastic surgery. Manohar goes along with the supposed switch and takes Kamala with him. He takes her to his childhood guardian to prove that he is indeed Manohar.
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wrote "The film moves in such a fast manner that it sustains the interest of the audience throughout. The deft hand of veteran P. Pulliah can be seen in every foot of the film".
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plastic surgeon comes and tells that the acid he has will revert the surgery but cautions that if it was smeared on the one without the surgery, it will eat up the skin.
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negatively reviewed the film, but praised the performances of Ramachandran and Saroja Devi, despite feeling their roles were not well written.
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room adjacent to Vajravel.  On one occasion, Manohar takes Selvi out and cautions her not to get fooled when he misbehaves.
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The movie ends with both Manohar and Selvi getting married and Vajravel and Kamala getting back together.
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Serendipitously Selvi ends up meeting Manohar at his residence when she comes to clean the telephone.
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praised Ramachandran for showing diversity in the three roles he enacted.
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that he is Vajravel and convinces Manohar to get back with Kamala.
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by removing unnecessary details and making it more concise.
857:(in Tamil). 26 December 1965. p. 37. Archived from 579:
was released on 10 December 1965. T. M. Ramachandran of
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to it so that it can be listed with similar articles.
619:"MGR Remembered – Part 23 | Camera Lens and Charisma" 241: 233: 223: 200: 186: 176: 162: 150: 132: 124: 116: 104: 94: 77: 377:as Manohar, Vajravel and Burma Chitappa Ramalingam 8: 83: 74: 650:Ramanujam, Srinivasa (24 December 2018). 58:Learn how and when to remove this message 494: 606: 297:, it was released on 10 December 1965. 775:Ramachandran, T. M. (8 January 1966). 548:"Ethanai Periya" (Innoruvar Vaedhanai) 724:) (in Tamil). Mohan Productions. 1965 696:from the original on 2 September 2014 540:T. M. Soundararajan & P. Susheela 529:T. M. Soundararajan & P. Susheela 7: 977:Films scored by S. M. Subbaiah Naidu 559:"Naal Oru Medai Pozhudhoru Nadippu" 466: 257: 910:needs additional or more specific 664:from the original on 17 April 2021 537:"Ennai Kadhalithal Mattum Pothuma" 14: 789:from the original on 9 March 2023 631:from the original on 24 July 2020 526:"Yaarukku Yaar Endru Theriyaadha" 899: 33:too long or excessively detailed 20: 395:as Sankara, Manohar's secretary 1: 972:Films directed by P. Pullayya 825:. 25 December 1965. p. 3 752:. 10 December 1965. p. 3 565:03:26 / 03:12 (film version) 554:03:41 / 04:24 (film version) 543:03:37 / 03:49 (film version) 532:02:52 / 03:05 (film version) 521:03:21 / 04:23 (film version) 447:The film was inspired by the 785:. Vol. 20. p. 51. 425:Lakshmi Prabha as Maragatham 29:This article's plot summary 982:Tamil-language Indian films 455:film versions of the novel 291:film versions of the novel 267:-language film directed by 998: 962:1960s Tamil-language films 777:"Mohan Productions Latest" 484:The music was composed by 461:. It was initially titled 389:as Varatha, alias Varathan 209:10 December 1965 488:, with lyrics written by 458:The Man Who Knew Too Much 310:disapproved to no avail. 294:The Man Who Knew Too Much 89:Theatrical release poster 82: 509:"Neeya Illai Naana" (x2) 967:Films about lookalikes 470: All Knowing Man 463:Ellam Arintha Manithan 413:as the plastic surgeon 401:as Sivasankaran Pillai 112:"Thuraiyoor" K. Murthy 572:Release and reception 437:as Varatha's henchman 261: Face of Desire 624:Ilankai Tamil Sangam 617:(10 December 2014). 486:S. M. Subbaiah Naidu 181:S. M. Subbaiah Naidu 835:Google News Archive 762:Google News Archive 562:T. M. Soundararajan 551:T. M. Soundararajan 513:T. M. Soundararajan 263:) is a 1965 Indian 957:1960s Indian films 822:The Indian Express 749:The Indian Express 588:The Indian Express 416:"Loose" Aarumugham 375:M. G. Ramachandran 283:. Inspired by the 273:M. G. Ramachandran 137:M. G. Ramachandran 940: 939: 923:adding categories 782:Sport and Pastime 615:Sri Kantha, Sachi 582:Sport and Pastime 569: 568: 271:. The film stars 249: 248: 195:Mohan Productions 166:C. P. Jambulingam 158:T. M. Sundar Babu 68: 67: 60: 989: 935: 932: 926: 903: 895: 871: 870: 868: 866: 845: 839: 838: 832: 830: 809: 803: 802: 799:Internet Archive 796: 794: 772: 766: 765: 759: 757: 740: 734: 733: 731: 729: 712: 706: 705: 703: 701: 680: 674: 673: 671: 669: 647: 641: 640: 638: 636: 611: 495: 471: 468: 429:C. K. Saraswathi 262: 259: 216: 214: 87: 75: 72:1965 Indian film 63: 56: 52: 49: 43: 24: 23: 16: 997: 996: 992: 991: 990: 988: 987: 986: 942: 941: 936: 930: 927: 916: 904: 880: 875: 874: 864: 862: 861:on 24 July 2022 847: 846: 842: 828: 826: 811: 810: 806: 792: 790: 774: 773: 769: 755: 753: 742: 741: 737: 727: 725: 714: 713: 709: 699: 697: 682: 681: 677: 667: 665: 649: 648: 644: 634: 632: 613: 612: 608: 603: 574: 482: 469: 445: 440: 399:K. D. Santhanam 370: 337: 303: 260: 226: 219: 212: 210: 203: 196: 191: 189: 171: 169: 167: 157: 156:W. R. Subba Rao 155: 143: 139: 128:P. L. Mohan Ram 111: 90: 73: 64: 53: 47: 44: 40:help improve it 37: 25: 21: 12: 11: 5: 995: 993: 985: 984: 979: 974: 969: 964: 959: 954: 944: 943: 938: 937: 907: 905: 898: 893: 892: 879: 878:External links 876: 873: 872: 840: 804: 767: 735: 707: 675: 642: 605: 604: 602: 599: 573: 570: 567: 566: 563: 560: 556: 555: 552: 549: 545: 544: 541: 538: 534: 533: 530: 527: 523: 522: 519: 510: 506: 505: 502: 499: 481: 478: 444: 441: 439: 438: 432: 426: 423: 417: 414: 411:K. R. Ramsingh 408: 402: 396: 390: 384: 381:B. Saroja Devi 378: 371: 369: 366: 302: 299: 277:B. Saroja Devi 247: 246: 243: 239: 238: 235: 231: 230: 227: 224: 221: 220: 218: 217: 206: 204: 201: 198: 197: 194: 192: 187: 184: 183: 178: 174: 173: 172:K. R. Krishnan 168:P. K. Krishnan 164: 160: 159: 152: 151:Cinematography 148: 147: 141:B. Saroja Devi 134: 130: 129: 126: 122: 121: 118: 114: 113: 106: 102: 101: 96: 92: 91: 88: 80: 79: 71: 66: 65: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 994: 983: 980: 978: 975: 973: 970: 968: 965: 963: 960: 958: 955: 953: 950: 949: 947: 934: 924: 920: 914: 913: 908:This article 906: 902: 897: 896: 891: 887: 886: 882: 881: 877: 860: 856: 855: 850: 844: 841: 836: 824: 823: 818: 816: 808: 805: 800: 788: 784: 783: 778: 771: 768: 763: 751: 750: 745: 744:"Aasai Mugam" 739: 736: 723: 719: 718: 711: 708: 695: 691: 690: 685: 684:"Aasai Mugam" 679: 676: 663: 659: 658: 653: 646: 643: 630: 626: 625: 620: 616: 610: 607: 600: 598: 596: 595: 590: 589: 584: 583: 578: 571: 564: 561: 558: 557: 553: 550: 547: 546: 542: 539: 536: 535: 531: 528: 525: 524: 520: 518: 514: 511: 508: 507: 503: 500: 497: 496: 493: 491: 487: 479: 477: 475: 464: 460: 459: 454: 450: 442: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 405:S. V. Ramadas 403: 400: 397: 394: 391: 388: 387:M. N. Nambiar 385: 382: 379: 376: 373: 372: 367: 365: 362: 358: 354: 350: 346: 342: 338: 335: 331: 327: 323: 319: 315: 311: 307: 300: 298: 296: 295: 290: 286: 282: 281:M. N. Nambiar 278: 274: 270: 266: 255: 254: 244: 240: 236: 232: 228: 222: 208: 207: 205: 199: 193: 185: 182: 179: 175: 165: 161: 153: 149: 146: 145:M. N. Nambiar 142: 138: 135: 131: 127: 123: 119: 115: 110: 107: 105:Screenplay by 103: 100: 97: 93: 86: 81: 76: 70: 62: 59: 51: 41: 36: 34: 27: 18: 17: 928: 909: 884: 863:. Retrieved 859:the original 852: 843: 833:– via 827:. Retrieved 820: 817:is mediocre" 814: 807: 797:– via 791:. Retrieved 780: 770: 760:– via 754:. Retrieved 747: 738: 728:13 September 726:. Retrieved 716: 710: 698:. Retrieved 687: 678: 666:. Retrieved 655: 645: 633:. 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Roy 919:help out 787:Archived 694:Archived 662:Archived 629:Archived 383:as Selvi 242:Language 177:Music by 133:Starring 117:Story by 917:Please 829:24 July 793:9 March 756:24 July 700:24 July 668:24 July 635:24 July 504:Length 501:Singers 467:transl. 258:transl. 234:Country 211: ( 190:company 38:Please 31:may be 515:& 393:Nagesh 854:Kalki 689:Gaana 594:Kalki 490:Vaali 265:Tamil 245:Tamil 237:India 890:IMDb 867:2021 831:2022 795:2023 758:2020 730:2021 702:2020 670:2020 637:2020 498:Song 453:1956 451:and 449:1934 368:Cast 301:Plot 289:1956 287:and 285:1934 279:and 921:by 888:at 948:: 851:. 819:. 779:. 746:. 692:. 686:. 660:. 654:. 627:. 621:. 492:. 275:, 933:) 929:( 915:. 869:. 837:. 813:" 801:. 764:. 732:. 720:( 704:. 672:. 639:. 465:( 256:( 215:) 61:) 55:( 50:) 46:( 35:.

Index

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P. Pullayya
Aaroor Dass
M. G. Ramachandran
B. Saroja Devi
M. N. Nambiar
S. M. Subbaiah Naidu
Tamil
P. Pullayya
M. G. Ramachandran
B. Saroja Devi
M. N. Nambiar
1934
1956
The Man Who Knew Too Much
M. G. Ramachandran
B. Saroja Devi
M. N. Nambiar
Nagesh
K. D. Santhanam
S. V. Ramadas
K. R. Ramsingh
Geethanjali
C. K. Saraswathi
Karikol Raju
1934
1956

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