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Aaron Gunn Pyle

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Pyle spent most of his time working on his family's farm just west of Chappell, pursuing painting after his chores were complete. He managed his family's 128 acres of farmland while depicting rural Nebraska in paintings of its residents, animals, and
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Thomas Hart Benton, who was known for his contributions to the Regionalist movement in art, influenced Pyle. Pyle adopted Benton's methodical approach to painting, which involved extensive preliminary work including
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Pyle's background as a working farmer influenced his approach to rural life and artistic philosophy, aligning with Benton's emphasis on portraying American life, particularly
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His artistic style tended towards simplification of forms and rhythmic compositions that resembled Benton's, which is perhaps why Benton named him, rather than Pyle's rival
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Art and Artists in Nebraska : An Exhibition Presented February 11 – March 28, 1982, Sheldon Memorial Art Gallery,
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and intensity. Some exceptions to his usual color scheme were made for commissioned works, such as those for the
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technique. However, he also explored color in smaller paintings. Pyle's preferred medium for completed works was
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Coffin, Dallas R. (August 24, 1952). "Nebraska Farms to 'Improve Art' And Shuns Painters Who Shun Reality".
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in the mid-20th century.   He also regularly contributed pictures to the
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Denney, James (November 3, 1968). "Aaron Pyle Painting the World He Knows Best".
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Denney, James (November 7, 1971). "This is where the heart is–Aaron Pyle".
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Young, Roy; Geske, Norman; Nelson, Jon; Anderson, Jane (1977-01-01).
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Aaron Pyle is part of a distinguished tradition of farmer/artists in
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for two years and briefly studied at the Cornish Art School in
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and, from 1938 to 1941, studied under American Regionalist
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Nebraska Art Today: A Centennial Invitational Exhibition
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Under the influence: The Students of Thomas Hart Benton,
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Pyle's work has been exhibited in New York City, at the
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Museum of Nebraska Art. 2016-09-16 521: 519: 517: 515: 495: 493: 491: 489: 487: 485: 483: 481: 479: 463: 461: 459: 457: 406: 404: 388: 386: 355: 353: 351: 349: 324: 322: 320: 318: 305:tempera on masonite – n.d. 25 × 36" 299:tempera on board – 1969 – 15½ × 20″ 629:20th-century American male artists 293:tempera on board – 1968 – 14 × 21" 14: 585:Catalogues and Publications. 52. 119:Colorado Springs Fine Art Center 101:, Aaron Gunn Pyle was raised in 72:Jerra Vanetten Berry, (m. 1954) 659:20th-century American painters 571:University of Nebraska—Lincoln 1: 554:Albrecht-Kemper Museum of Art 411:Behrens, Kent (2018-10-20). 395:Omaha World-Herald Magazine 245:Associated American Artists 675: 436:Hoepf, Tom (2018-02-28). 413:""Nebraska Regionalists'" 127:Kansas City Art Institute 644:American modern painters 502:"AARON PYLE (1909–1972)" 145:Magazine of the Midlands 111:University of Washington 109:. He later attended the 87:Midwestern United States 600:Great Plains Art Museum 281:Wagon Near Chimney Rock 255:, Kansas City, and the 238:Wagon Near Chimney Rock 649:American male painters 634:Painters from Nebraska 609:Museum of Nebraska Art 577:Schaeffer, James B., " 614:Aaron Pyle's Ancestry 583:Sheldon Museum of Art 574:. The Gallery, 1983. 442:Auction Central News 605:Works by Aaron Pyle 596:Works by Aaron Pyle 303:Indian Encampment - 377:Omaha World-Herald 194:Omaha World-Herald 140:Omaha World-Herald 123:Thomas Hart Benton 103:Chappell, Nebraska 47:Chappell, Nebraska 567:Geske, Norman A. 562:978-0-9615372-2-7 472:. pp. 19–20. 364:. pp. 20–21. 257:Joslyn Art Museum 249:Denver Art Museum 230:John Stuart Curry 76: 75: 44:December 25, 1972 32:February 19, 1909 666: 538: 537: 535: 534: 523: 510: 509: 497: 474: 473: 465: 452: 451: 449: 448: 433: 427: 426: 424: 423: 408: 399: 398: 397:. pp. 19–G. 390: 381: 380: 372: 366: 365: 357: 344: 343: 341: 340: 334:Kiechel Fine Art 326: 277:– tempera – 1943 271:– tempera – 1942 160:, drawings, and 19: 16:American painter 674: 673: 669: 668: 667: 665: 664: 663: 619: 618: 592: 546: 544:Further reading 541: 532: 530: 525: 524: 513: 499: 498: 477: 467: 466: 455: 446: 444: 435: 434: 430: 421: 419: 410: 409: 402: 392: 391: 384: 374: 373: 369: 359: 358: 347: 338: 336: 328: 327: 316: 312: 291:Wheat Harvest - 287:−1968 -14 × 22″ 265: 210: 153: 99:Towanda, Kansas 95: 79:Aaron Gunn Pyle 48: 45: 36: 35:Towanda, Kansas 33: 24: 17: 12: 11: 5: 672: 670: 662: 661: 656: 651: 646: 641: 636: 631: 621: 620: 617: 616: 611: 602: 591: 590:External links 588: 587: 586: 575: 565: 545: 542: 540: 539: 511: 475: 453: 428: 400: 382: 367: 345: 313: 311: 308: 307: 306: 300: 294: 288: 278: 272: 264: 261: 253:Nelson Gallery 209: 206: 166:The Blacksmith 152: 149: 94: 91: 74: 73: 70: 66: 65: 62: 58: 57: 54: 53:Known for 50: 49: 46: 42: 38: 37: 34: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 671: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 626: 624: 615: 612: 610: 606: 603: 601: 597: 594: 593: 589: 584: 580: 576: 573: 572: 566: 563: 559: 555: 552: 548: 547: 543: 528: 522: 520: 518: 516: 512: 507: 503: 496: 494: 492: 490: 488: 486: 484: 482: 480: 476: 471: 464: 462: 460: 458: 454: 443: 439: 432: 429: 418: 414: 407: 405: 401: 396: 389: 387: 383: 378: 371: 368: 363: 356: 354: 352: 350: 346: 335: 331: 325: 323: 321: 319: 315: 309: 304: 301: 298: 295: 292: 289: 286: 283:– tempera on 282: 279: 276: 273: 270: 267: 266: 262: 260: 258: 254: 250: 247:Gallery, the 246: 241: 239: 235: 231: 227: 223: 219: 215: 207: 205: 203: 198: 196: 195: 190: 186: 181: 179: 175: 171: 167: 163: 159: 150: 148: 146: 143: 141: 136: 130: 128: 124: 120: 116: 112: 108: 104: 100: 92: 90: 88: 84: 80: 71: 67: 63: 59: 55: 51: 43: 39: 31: 27: 23:Aaron G. Pyle 20: 568: 550: 531:. Retrieved 505: 469: 445:. Retrieved 441: 431: 420:. Retrieved 416: 394: 376: 370: 361: 337:. Retrieved 333: 330:"Aaron Pyle" 302: 296: 290: 280: 274: 269:Picking Corn 268: 242: 237: 211: 199: 192: 185:Dale Nichols 182: 170:Picking Corn 169: 165: 154: 144: 138: 131: 96: 78: 77: 654:1972 deaths 639:1909 births 178:egg tempera 83:Regionalist 64:Regionalism 623:Categories 581:" (2012). 533:2024-04-07 447:2024-04-03 422:2024-03-25 417:The Reader 339:2024-03-25 310:References 297:Sledding - 275:Blacksmith 222:Grant Wood 189:saturation 174:monochrome 135:landscapes 107:cartooning 259:, Omaha. 162:grisaille 93:Biography 285:masonite 240:, 1968. 218:Missouri 214:Nebraska 204:scenes. 202:agrarian 158:sketches 97:Born in 61:Movement 56:Painting 125:at the 115:Seattle 560:  251:, the 234:Kansas 232:is of 228:, and 220:, and 208:Legacy 151:Career 69:Spouse 263:Works 558:ISBN 226:Iowa 168:and 41:Died 29:Born 607:at 598:at 224:of 625:: 556:. 514:^ 504:. 478:^ 456:^ 440:. 415:. 403:^ 385:^ 348:^ 332:. 317:^ 147:. 142:'s 129:. 564:. 536:. 508:. 450:. 425:. 342:.

Index

Regionalist
Midwestern United States
Towanda, Kansas
Chappell, Nebraska
cartooning
University of Washington
Seattle
Colorado Springs Fine Art Center
Thomas Hart Benton
Kansas City Art Institute
landscapes
Omaha World-Herald
sketches
grisaille
monochrome
egg tempera
Dale Nichols
saturation
Omaha World-Herald
agrarian
Nebraska
Missouri
Grant Wood
Iowa
John Stuart Curry
Kansas
Associated American Artists
Denver Art Museum
Nelson Gallery
Joslyn Art Museum

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