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515:...experiencing the city, and being exposed to a whole new level of musicianship through the goodwill and artistic choices of Arif Mardin and Atlantic Records. We felt like we were where we needed to be. We had high hopes. That space was one of the most amazing, exciting, and inspiring that I've ever experienced in my life, we'd walk out the door and see
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301:, but they wanted to get away from the commercial standards to establish the parameters of their musical identity, and Mardin helped in that regard. Mardin liked the American musical influence that Hall & Oates had been brought up on, and knew just how to bring all their ideas to life, adding much of his own vision.
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to the rural spot on the road about 40 miles (64 km) outside of
Philadelphia. The group arranged permission to take photos of the old restaurant but they thought that the session was incomplete without getting inside. And so they snuck in and Wilson started shooting. The interior was used as the
331:
you can trace that back to Chris Bond." However, Bond's ideas were not consistent with Hall's ideas of what the album should be. As Hall describes it, he was not yet a
Beatles fan when they were making the album, "so side two, if I could change anything, I’d just get rid of all that crap and let the
322:
Hall was particularly satisfied with the first side of the album, calling it the "magic" side with every note "just right". The second side was markedly different due to the influence of guitarist Chris Bond, who had ambitions of becoming a producer. "In those days, was obsessed with
589:, at the entrance of Towpath Park in East Coventry Township, where the photo on the linked page was taken. Stripped by souvenir-hunters, the structure remained in place until about 1983, when Ridge Fire Company, along with the owner, burned what was left to clear the land.
305:
Recording that album was where we learned how songs become records. Our producer, the legendary Arif Mardin carefully crafted each song, every bit of nuance, bringing in the perfect players for the right moments. And it all worked together as one beautiful musical
623:, which had all been done by hand. It was the only album cover Wilson ever did. She had also spent a day in the Atlantic studios while the album was being recorded and managed to capture a series of intimate images of the two musicians.
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contains a relatively even songwriting split. Both partners contribute a handful of their own songs, while still making room for a few co-writes. Synthesizers were used to obtain the sound the duo wanted on the album.
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and then began a silkscreen process to create the surreal color imagery, using a different stencil for each hue and then hand-coloring the final piece. Atlantic
Records bought the idea with one change, to re-do the
535:. They'd just walk in—it was crazy. Now I think back on it, and I just wish I'd taken pictures. It was a very exciting time because we were at the epicentre of what was going on in New York recording at the moment.
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Another song from the album, "Las Vegas
Turnaround (The Stewardess Song)", although written by Oates, draws its inspiration from Hall's then-girlfriend and future songwriting collaborator
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Initially, the album was not very successful in the United States, though it received significant airplay on a local
Minneapolis–St. Paul FM radio station,
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named
Barbara Wilson. She had originally met Oates in the late '60s while they were both in college, and over the years became friendly with Hall as well.
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R&B chart in 1974, the original was re-released and became a top 10 pop hit in 1976, reaching No. 7 in the U.S., while the album reached No. 33 on the
271:", which found success after a 1976 reissue. Twenty-nine years after its release, the album was certified platinum (over one million copies sold) by the
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When Hall and Oates began producing their own records in the early 1980s, they thought back to the things they had learned from watching Mardin.
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438:. So we had all these experiences for the first time behind a record we were really proud of, and people were digging. Everything was all good.
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260:. It combines folk and acoustic rock. It is the most commercially successful of their Atlantic Records period; the album reached #33 on the
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1357:"Music and magic by the side of the road – how a young photographer captured Daryl Hall and John Oates' Abandoned Luncheonette"
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On a warm summer day, once the album was finished, Wilson, her husband, Hall and Oates drove from
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1267:"She's Gone / I'm Just A Kid (Don't Make Me Feel Like A Man - Daryl Hall And John Oates"
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said of it that the duo is "about to enjoy the first zenith of a long-shining career.
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back cover. The group left after an altercation with the owner of the property.
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Interpreting the
Masters Volume 1: A Tribute to Daryl Hall and John Oates
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The diner on the album cover was formerly the
Rosedale Diner, located in
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Top LPs & Tape chart. It is one of Hall & Oates' favorite songs.
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548:"When the Morning Comes" was the second single released from the album.
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1320:"How Hall and Oates Found Themselves on 'Abandoned Luncheonette'"
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chorus guarantees them a most beautiful 'Morning' hit to come."
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VH1 Behind the Music: The Daryl Hall and John Oates
Collection
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Hot 100), it gained momentum from two later covers, one by
1383:"Hall & Oates: 40 Years of 'Abandoned Luncheonette'"
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On
December 13, 2002, it was certified platinum by the
327:", said Hall. "Whenever you hear something that sounds
1292:"Daryl Hall And John Oates - When The Morning Comes"
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excerpt from an interview for Ultimate Classic Rock.
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excerpt from an interview for Ultimate Classic Rock.
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chart and featured one of their first major hits, "
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1846:Looking Back – The Best of Daryl Hall + John Oates
763:"I'm Just a Kid (Don't Make Me Feel Like a Man)"
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289:, failed to make an impact, the duo moved from
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485:The most well-known track from the album is "
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1862:The Very Best of Daryl Hall & John Oates
1514:"Daryl Hall & John Oates Chart History (
698:"Las Vegas Turnaround (The Stewardess Song)"
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248:is the second studio album by the American
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273:Recording Industry Association of America
2170:Three Hearts in the Happy Ending Machine
1172:B. Wilson – Album Design and Photography
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569:, much as the later "Sara Smile" would.
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1149:Christopher Bond – Production Assistant
1152:Recording and Engineering – Alan Ade,
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16:1973 studio album by Hall & Oates
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2317:Folk rock albums by American artists
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503:. After the latter cover topped the
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1355:Epting, Chris (February 27, 2017).
1381:Morsch, Mike (February 14, 2013).
314:in an interview with Chris Epting.
293:to New York and started recording
14:
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2038:The Way You Do the Things You Do
1878:Ultimate Daryl Hall + John Oates
1318:Giles, Jeff (November 3, 2015).
607:Wilson shot the black-and-white
592:The images were shot by a young
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2126:It Came Upon the Midnight Clear
1968:I Can't Go for That (No Can Do)
1940:You've Lost That Lovin' Feelin'
256:, released in November 1973 by
2312:Albums produced by Arif Mardin
1493:"kenilworth, pa - Google Maps"
1412:"The Christgau Consumer Guide"
1014:Jerry Ricks – acoustic guitar
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1:
2049:Everything Your Heart Desires
1169:Stephen Innocenzi – Mastering
679:"Had I Known You Better Then"
426:We opened for amazing people—
2036:"A Nite at the Apollo Live!
1212:
1156:, Lewis Hahn, Joel Kerr and
1660:Daryl Hall & John Oates
254:Daryl Hall & John Oates
149:Daryl Hall & John Oates
44:Daryl Hall & John Oates
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71:Atlantic Recording Studios
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1473:. May 25, 1974. p. 1
1238:Stephen Thomas Erlewine.
1163:Christopher Bond – Mixing
877:"Everytime I Look At You"
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283:After their first album,
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1240:"Abandoned Luncheonette"
808:"Abandoned Luncheonette"
660:"When the Morning Comes"
587:Kenilworth, Pennsylvania
226:"When the Morning Comes"
77:Advantage Sound Studios
2307:Atlantic Records albums
2302:Hall & Oates albums
2260:Live from Daryl's House
2070:Starting All Over Again
1854:The Atlantic Collection
1676:Beauty on a Back Street
1166:Jimmy Douglass – Mixing
579:Pottstown, Pennsylvania
220:Released: November 1973
202:Abandoned Luncheonette
1668:Bigger Than Both of Us
1644:Abandoned Luncheonette
1558:When the Morning Comes
1550:Abandoned Luncheonette
1146:Arif Mardin – Producer
1035:Gordon Edwards – bass
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337:Abandoned Luncheonette
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295:Abandoned Luncheonette
245:Abandoned Luncheonette
171:Abandoned Luncheonette
24:Abandoned Luncheonette
2144:Everytime You Go Away
2112:I Can Dream About You
2031:Method of Modern Love
1324:Ultimate Classic Rock
1029:Steve Gelfand – bass
594:fine art photographer
335:Unlike later albums,
332:songs be the songs."
2194:Laughing Down Crying
349:Professional ratings
2186:Can't Stop Dreaming
1838:Rock 'n Soul Part 1
1684:Along the Red Ledge
1526:. November 19, 1976
1443:www.hallandoates.de
1439:"RIAA Album Awards"
1387:American Songwriter
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634:
621:neon tubing letters
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265:Top LPs & Tapes
79:(New York City, NY)
74:(New York City, NY)
2084:Someday We'll Know
1975:Did It in a Minute
1954:You Make My Dreams
1822:Compilation albums
1811:Greatest Hits Live
1803:Live at the Apollo
1776:Home for Christmas
1464:"Hits of the Week"
1202:Top LPs & Tape
1112:Gloria Agostini –
1008:– electric guitar
970:, acoustic guitar
966:, electric guitar
946:, electric guitar
934:– acoustic guitar
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428:Cheech & Chong
348:
344:Critical reception
229:Released: May 1974
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2213:Oates solo albums
1408:Christgau, Robert
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2240:Related articles
2154:Hall solo albums
2003:Jingle Bell Rock
1768:Our Kind of Soul
1744:Change of Season
1599:Hall & Oates
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1410:(October 1974).
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2017:Adult Education
2010:Say It Isn't So
1947:Kiss on My List
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902:– lead vocals
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2078:
2074:
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2067:
2064:
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2057:
2053:
2050:
2046:
2043:
2039:
2035:
2032:
2028:
2025:
2021:
2018:
2014:
2011:
2007:
2004:
2000:
1997:
1993:
1990:
1986:
1983:
1979:
1976:
1972:
1969:
1965:
1962:
1958:
1955:
1951:
1948:
1944:
1941:
1937:
1934:
1930:
1927:
1923:
1920:
1916:
1913:
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1835:
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1800:
1797:
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1657:
1654:
1653:
1649:
1646:
1645:
1641:
1638:
1637:
1633:
1632:
1630:
1628:Studio albums
1626:
1620:
1619:
1615:
1613:
1612:
1608:
1607:
1604:
1600:
1593:
1588:
1586:
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1574:
1573:
1570:
1564:
1560:
1555:
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1241:
1234:
1232:
1230:
1226:
1219:
1209:
1208:
1203:
1199:
1198:
1192:
1190:Chart (1974)
1189:
1188:
1182:
1178:
1177:Tommy Mottola
1174:
1171:
1168:
1165:
1162:
1159:
1155:
1151:
1148:
1145:
1144:
1143:
1142:
1133:
1129:
1124:
1121:John Blair –
1120:
1115:
1111:
1106:
1102:
1099:
1094:
1087:
1083:
1080:
1075:
1071:
1066:– percussion
1065:
1062:
1057:, percussion
1052:
1049:
1043:
1040:
1034:
1028:
1023:
1019:
1013:
1007:
1004:
998:
995:
990:
986:
983:
962:
959:Chris Bond –
958:
957:
953:
952:
933:
930:
913:
901:
898:
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893:
885:
882:
879:
876:
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839:
833:
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829:
827:
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803:
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771:
768:
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723:
719:
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689:
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681:
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662:
659:
655:
636:
627:Track listing
626:
624:
622:
617:
614:
610:
605:
602:
601:New York City
597:
595:
590:
588:
584:
580:
572:
570:
568:
563:
561:
557:
553:
552:
542:
536:
534:
530:
526:
522:
518:
512:
510:
506:
502:
498:
494:
493:
488:
481:Notable songs
480:
478:
476:
471:
469:
466:and moved to
465:
461:
459:
454:
445:
439:
437:
436:Stevie Wonder
433:
429:
423:
421:
411:
409:
408:
404:
403:
373:
371:
370:
366:
365:
357:
354:Review scores
352:
343:
341:
338:
333:
330:
329:Beatles-esque
326:
320:
313:
307:
302:
300:
296:
292:
288:
287:
278:
276:
274:
270:
266:
263:
259:
255:
251:
247:
246:
236:
223:
216:
210:
209:
206:
203:
199:
195:
191:
182:
181:
177:
173:
172:
168:
164:
163:
159:
158:
154:
150:
146:
143:
140:
138:
134:
131:
128:
126:
122:
110:
106:
100:
97:
95:
92:
91:
89:
87:
83:
72:
69:
65:
61:
57:
54:November 1973
53:
49:
45:
40:
36:
32:
27:
22:
19:
2266:HoagieNation
2258:
2251:
2227:
2219:
2200:
2192:
2184:
2176:
2168:
2162:Sacred Songs
2160:
2024:Out of Touch
1961:Private Eyes
1884:
1876:
1868:
1860:
1852:
1844:
1836:
1828:
1809:
1801:
1793:
1774:
1766:
1758:
1752:Marigold Sky
1750:
1742:
1734:
1728:Big Bam Boom
1726:
1714:
1708:Private Eyes
1706:
1698:
1690:
1682:
1674:
1666:
1658:
1650:
1643:
1642:
1634:
1616:
1609:
1549:
1528:. Retrieved
1521:
1515:
1508:
1496:. Retrieved
1487:
1475:. Retrieved
1471:Record World
1470:
1458:
1448:February 28,
1446:. Retrieved
1442:
1433:
1423:February 25,
1421:. Retrieved
1415:
1402:
1392:November 20,
1390:. Retrieved
1386:
1376:
1366:November 19,
1364:. Retrieved
1360:
1329:February 28,
1327:. Retrieved
1323:
1295:
1286:
1276:November 12,
1274:. Retrieved
1270:
1261:
1249:. Retrieved
1243:
1205:
1140:
1139:
1101:Marvin Stamm
1051:Rick Marotta
985:Pat Rebillot
968:(2, 4, 5, 9)
925:, keyboards
908:(all tracks)
606:
598:
591:
576:
564:
551:Record World
549:
547:
533:Led Zeppelin
517:Bette Midler
514:
508:
504:
490:
484:
472:
457:
450:
425:
417:
405:
367:
336:
334:
321:
318:
304:
294:
291:Philadelphia
284:
282:
261:
244:
243:
242:
201:
178:
170:
169:
160:
39:Studio album
18:
2297:1973 albums
2276:Janna Allen
2247:Discography
2202:BeforeAfter
2136:Other songs
2105:Without You
2091:Getaway Car
1933:Wait for Me
1886:The Singles
1830:No Goodbyes
1787:Live albums
1082:Joe Farrell
1046:(1, 3–7, 9)
997:Richard Tee
940:(all but 8)
825:"Lady Rain"
797:Lead vocals
649:Lead vocals
573:Album cover
499:and one by
468:RCA Records
432:David Bowie
325:The Beatles
299:Arif Mardin
142:Arif Mardin
2291:Categories
2271:Sara Allen
2221:Phunk Shui
2178:Soul Alone
2056:Love Train
1996:Family Man
1989:One on One
1919:Sara Smile
1905:She's Gone
1652:War Babies
1636:Whole Oats
1618:John Oates
1611:Daryl Hall
1220:References
1141:Production
1105:flugelhorn
932:John Oates
900:Daryl Hall
726:She’s Gone
683:John Oates
664:Daryl Hall
567:Sara Allen
541:John Oates
487:She's Gone
453:She's Gone
444:John Oates
312:John Oates
286:Whole Oats
279:Background
269:She's Gone
215:She's Gone
180:War Babies
162:Whole Oats
151:chronology
2119:Ooh Child
1926:Rich Girl
1736:Ooh Yeah!
1530:March 12,
1523:Billboard
1516:Billboard
1498:April 16,
1477:March 16,
1207:Billboard
1195:position
1158:Gene Paul
1096:(3, 4, 6)
1093:saxophone
1068:(1, 4, 7)
1037:(3, 5, 6)
964:(1, 4, 9)
961:Mellotron
894:Personnel
794:Writer(s)
646:Writer(s)
583:Route 724
529:Doug Sahm
525:Bob Dylan
509:Billboard
505:Billboard
497:Lou Rawls
492:Billboard
458:Billboard
306:tapestry.
262:Billboard
2229:Arkansas
2146:" (1980)
2128:" (2006)
2121:" (2005)
2114:" (2005)
2107:" (2004)
2100:" (2004)
2093:" (2003)
2086:" (2003)
2079:" (2002)
2072:" (1991)
2065:" (1990)
2063:So Close
2058:" (1989)
2051:" (1988)
2033:" (1985)
2026:" (1984)
2019:" (1984)
2012:" (1983)
2005:" (1983)
1998:" (1983)
1991:" (1983)
1984:" (1982)
1982:Maneater
1977:" (1982)
1970:" (1981)
1963:" (1981)
1956:" (1981)
1949:" (1981)
1942:" (1980)
1935:" (1979)
1928:" (1977)
1921:" (1976)
1914:" (1975)
1907:" (1974)
1795:Livetime
1692:X-Static
1361:HuffPost
1245:AllMusic
1053:– drums
1044:– drums
944:(2–5, 7)
912:mandolin
781:Side two
633:Side one
538:—
441:—
369:AllMusic
309:—
250:pop rock
137:Producer
130:Atlantic
94:Pop rock
59:Recorded
51:Released
41: by
2042:My Girl
1897:Singles
1563:YouTube
501:Tavares
451:After "
198:Singles
184:(1974)
175:(1973)
166:(1972)
2232:(2018)
2224:(2002)
2205:(2022)
2197:(2011)
2189:(1996)
2181:(1993)
2173:(1986)
2165:(1980)
1889:(2008)
1881:(2004)
1873:(2002)
1865:(2001)
1857:(1996)
1849:(1991)
1841:(1983)
1833:(1977)
1814:(2001)
1806:(1985)
1798:(1978)
1779:(2006)
1771:(2004)
1763:(2003)
1755:(1997)
1747:(1990)
1739:(1988)
1731:(1984)
1723:(1982)
1711:(1981)
1703:(1980)
1700:Voices
1695:(1979)
1687:(1978)
1679:(1977)
1671:(1976)
1663:(1975)
1655:(1974)
1647:(1973)
1639:(1972)
1251:May 6,
1183:Charts
1132:fiddle
1074:congas
1016:(2, 5)
1010:(1, 7)
976:(4, 9)
948:(4, 9)
923:(6, 8)
915:(1, 7)
800:Length
652:Length
362:Rating
359:Source
108:Length
67:Studio
1518:200)"
1467:(PDF)
1417:Creem
1296:45cat
1271:45cat
1022:banjo
989:organ
919:(2–5)
846:Oates
834:Oates
791:Title
769:Oates
766:Oates
749:Oates
737:Oates
710:Oates
701:Oates
687:Oates
643:Title
613:Nikon
407:Creem
200:from
125:Label
86:Genre
1532:2020
1500:2015
1479:2023
1450:2017
1425:2019
1394:2020
1368:2023
1331:2017
1278:2019
1253:2023
1193:Peak
1114:harp
1086:oboe
954:with
886:7:02
883:Hall
880:Hall
869:3:30
866:Hall
863:Hall
852:4:26
843:Hall
831:Hall
817:3:55
814:Hall
811:Hall
772:3:20
755:5:12
746:Hall
734:Hall
716:2:58
707:Hall
690:3:22
671:3:12
668:Hall
609:35mm
560:hook
556:Moog
475:RIAA
420:KQRS
252:duo
99:soul
62:1973
1561:on
1213:33
1200:US
1135:(9)
1126:(7)
1117:(6)
1108:(8)
1089:(1)
1084:–
1077:(3)
1059:(2)
1055:(2)
1025:(9)
1001:(6)
992:(3)
980:(6)
972:(3)
927:(9)
787:No.
639:No.
616:SLR
585:in
460:200
2293::
1520:.
1469:.
1441:.
1414:.
1385:.
1359:.
1339:^
1322:.
1304:^
1294:.
1269:.
1242:.
1228:^
1210:)
1103:–
1091:,
987:–
910:,
874:9.
857:8.
822:7.
805:6.
760:5.
721:4.
695:3.
676:2.
657:1.
531:,
527:,
523:,
519:,
477:.
434:,
430:,
412:B−
275:.
117:54
113:36
2142:"
2124:"
2117:"
2110:"
2103:"
2096:"
2089:"
2082:"
2075:"
2068:"
2061:"
2054:"
2047:"
2040:/
2029:"
2022:"
2015:"
2008:"
2001:"
1994:"
1987:"
1980:"
1973:"
1966:"
1959:"
1952:"
1945:"
1938:"
1931:"
1924:"
1917:"
1910:"
1903:"
1720:O
1718:2
1716:H
1591:e
1584:t
1577:v
1534:.
1502:.
1481:.
1452:.
1427:.
1396:.
1370:.
1333:.
1298:.
1280:.
1255:.
1204:(
1160:.
728:"
724:"
217:"
213:"
115::
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