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Abaton (album)

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766: 334: 329: 324: 319: 301: 296: 291: 286: 281: 780: 29: 246:. To anchor the lengthening lines and return them "back to point," Courvoisier plays a single chord, with a "spacious, Messiaen-like austerity" is replaced by more frequent pronouncements until, in Jurek's words, "she becomes interwoven contrapuntally with the pair in a warm yet dissonant melody line that feels almost Occidental in its origin." 377:
Kurt Gottschalk observed "Courvoisier's compositions are perhaps distinctly 21st century in the way they fit into a continuum of composed chamber work. They reflect without being ironic, refer without being referential. All in all, a refreshingly post-postmodern approach."
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is Courvoisier's crowning achievement thus far, and this group points her firmly forward in a direction where everything is still possible, demonstrating that there is something new under the sun in classical music and improvisation. Perhaps
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Feldman opens "Abaton" with a succession of clipped series of notes from his middle register. He then engages Freiedlander via slowly developing successions of nearly pulsing lines which touch upon both Western
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by the other members of the trio in brief phrases before turning into a twinned line "where left and right hands move seemingly in opposition yet with such restraint that the music is seamless."
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writes the two discs are "very different" but "nonetheless dovetail to offer a solid portrait of a composer-led group that views stasis and movement with equanimity."
968: 894: 364:, Andrew Lindemann Malone wrote "It's rare to hear modern classical music forged anew in the heat of improvisation, but that's exactly what 917: 310: 958: 843: 152: 876: 82: 218:
Disc one consists of four Courvoisier compositions whereas disc two contains 19 improvisations for trio. Thom Jurek of
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the following year, featuring one disc of compositions and one of improvisations. The trio consists violinist
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All tracks are written by Sylvie Courvoisier, Mark Feldman and Erik Friedlander
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awarded the album 4½ stars and in its review by Thom Jurek, he states "
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Recorded at Rainbow Studio in Oslo, Norway in September 2002
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is the great moment of 2003 for new classical music."
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Disc one: Ianicum / Orodruin / Poco a poco / Abaton
138: 126: 112: 96: 76: 64: 56: 48: 35: 21: 316: 278: 198:, recorded in September 2002 and released on 8: 387:All tracks are written by Sylvie Courvoisier 16:2003 studio album by Sylvie Courvoisier 809: 807: 805: 803: 801: 799: 797: 253: 27: 18: 458: 389: 793: 259: 7: 882:The Penguin Guide to Jazz Recordings 311:The Penguin Guide to Jazz Recordings 740:Roberto Masotti – cover photography 318: 280: 14: 969:Albums produced by Manfred Eicher 460:Disc two: Nineteen improvisations 778: 764: 332: 327: 322: 317: 299: 294: 289: 284: 279: 743:Deborah Feingold – liner photos 465: 396: 194:by Swiss pianist and composer 1: 83:Contemporary classical music 985: 959:Sylvie Courvoisier albums 675: 664: 653: 642: 631: 620: 609: 598: 587: 576: 565: 554: 543: 532: 521: 510: 499: 488: 477: 469: 441: 430: 419: 408: 400: 267: 264: 171:Entomological Reflections 146: 26: 924:, JazzTimes, April 2004. 935:All About Jazz Review 911:Sylvie Courvoisier - 737:Sascha Kleis – design 816:"Sylvie Courvoisier 255:Professional ratings 937:, December 4, 2003. 720:Technical personnel 580:"The Scar of Lotte" 461: 392: 256: 954:ECM Records albums 920:2014-02-02 at the 732:Jan Erik Kongshaug 701:Sylvie Courvoisier 459: 390: 254: 196:Sylvie Courvoisier 140:Sylvie Courvoisier 42:Sylvie Courvoisier 896:978-0-141-03401-0 844:"ECM discography" 686: 685: 452: 451: 341: 340: 183: 182: 179: 178: 976: 938: 933:Gottschalk, K., 931: 925: 907: 901: 900: 885:(9th ed.). 869: 863: 862: 860: 859: 850:. 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Retrieved 852:the original 838: 827:. Retrieved 817: 707:Mark Feldman 455: 386: 372: 370: 365: 359: 357: 352: 347: 342: 309: 242:and Eastern 240:counterpoint 236: 229: 217: 206:and cellist 204:Mark Feldman 192:double album 186: 185: 184: 169: 161: 160: 151: 71:Oslo, Norway 37:Studio album 964:2003 albums 848:ECM Records 786:Jazz portal 536:"Spensonia" 214:Composition 122:ECM 1838/39 948:Categories 858:2014-01-21 829:2014-01-21 758:References 734:– engineer 728:– producer 646:"Precioso" 635:"Calonack" 569:"Sonnante" 558:"Icaria 3" 503:"Icaria 2" 481:"Icaria 1" 423:"Orodruin" 142:chronology 820:- Review" 690:Personnel 602:"Archaos" 591:"Turoine" 547:"Octavia" 412:"Ianicum" 361:JazzTimes 250:Reception 918:Archived 879:(2008). 824:Allmusic 709:– violin 679:"Narnia" 668:"Izaura" 492:"Imke's" 445:"Abaton" 344:AllMusic 274:AllMusic 244:modalism 232:answered 226:Disc one 220:AllMusic 128:Producer 57:Recorded 49:Released 39: by 887:Penguin 715:– cello 703:– piano 657:"Sekel" 613:"Ava's" 368:does." 175:(2004) 166:(2003) 157:(2002) 915:Review 913:Abaton 893:  818:Abaton 695:Abaton 514:"Clio" 473:Length 404:Length 366:Abaton 353:Abaton 348:Abaton 268:Rating 265:Source 187:Abaton 162:Abaton 97:Length 65:Studio 22:Abaton 748:Notes 470:Title 448:11:29 426:12:33 415:19:55 401:Title 190:is a 114:Label 78:Genre 891:ISBN 682:1:50 671:2:51 660:1:26 649:2:46 638:2:55 627:1:29 616:1:30 605:3:37 594:1:04 583:1:35 572:3:37 561:2:37 550:3:34 539:3:38 528:4:42 517:2:46 506:3:30 495:2:08 484:4:04 437:9:24 91:jazz 676:19. 665:18. 654:17. 643:16. 632:15. 621:14. 610:13. 599:12. 588:11. 577:10. 466:No. 397:No. 371:On 358:In 200:ECM 119:ECM 102:106 950:: 875:; 846:. 822:. 796:^ 566:9. 555:8. 544:7. 533:6. 522:5. 511:4. 500:3. 489:2. 478:1. 442:4. 431:3. 420:2. 409:1. 210:. 106:36 89:, 85:, 899:. 861:. 832:. 104::

Index


Studio album
Sylvie Courvoisier
Oslo, Norway
Genre
Contemporary classical music
improvised music
jazz
Label
ECM
Producer
Manfred Eicher
Sylvie Courvoisier
Black Narcissus
Entomological Reflections
double album
Sylvie Courvoisier
ECM
Mark Feldman
Erik Friedlander
AllMusic
answered
counterpoint
modalism
AllMusic
The Penguin Guide to Jazz Recordings
AllMusic
JazzTimes
All About Jazz
Sylvie Courvoisier

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