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246:. To anchor the lengthening lines and return them "back to point," Courvoisier plays a single chord, with a "spacious, Messiaen-like austerity" is replaced by more frequent pronouncements until, in Jurek's words, "she becomes interwoven contrapuntally with the pair in a warm yet dissonant melody line that feels almost Occidental in its origin."
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Kurt
Gottschalk observed "Courvoisier's compositions are perhaps distinctly 21st century in the way they fit into a continuum of composed chamber work. They reflect without being ironic, refer without being referential. All in all, a refreshingly post-postmodern approach."
350:
is
Courvoisier's crowning achievement thus far, and this group points her firmly forward in a direction where everything is still possible, demonstrating that there is something new under the sun in classical music and improvisation. Perhaps
237:
Feldman opens "Abaton" with a succession of clipped series of notes from his middle register. He then engages
Freiedlander via slowly developing successions of nearly pulsing lines which touch upon both Western
234:
by the other members of the trio in brief phrases before turning into a twinned line "where left and right hands move seemingly in opposition yet with such restraint that the music is seamless."
222:
writes the two discs are "very different" but "nonetheless dovetail to offer a solid portrait of a composer-led group that views stasis and movement with equanimity."
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364:, Andrew Lindemann Malone wrote "It's rare to hear modern classical music forged anew in the heat of improvisation, but that's exactly what
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Disc one consists of four
Courvoisier compositions whereas disc two contains 19 improvisations for trio. Thom Jurek of
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the following year, featuring one disc of compositions and one of improvisations. The trio consists violinist
230:"Ianicum" opens with Courvoisier playing a single lower-register pitch on her piano which is repeated and
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All tracks are written by Sylvie
Courvoisier, Mark Feldman and Erik Friedlander
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awarded the album 4½ stars and in its review by Thom Jurek, he states "
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Recorded at
Rainbow Studio in Oslo, Norway in September 2002
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is the great moment of 2003 for new classical music."
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Disc one: Ianicum / Orodruin / Poco a poco / Abaton
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198:, recorded in September 2002 and released on
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387:All tracks are written by Sylvie Courvoisier
16:2003 studio album by Sylvie Courvoisier
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882:The Penguin Guide to Jazz Recordings
311:The Penguin Guide to Jazz Recordings
740:Roberto Masotti – cover photography
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969:Albums produced by Manfred Eicher
460:Disc two: Nineteen improvisations
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743:Deborah Feingold – liner photos
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171:Entomological Reflections
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924:, JazzTimes, April 2004.
935:All About Jazz Review
911:Sylvie Courvoisier -
737:Sascha Kleis – design
816:"Sylvie Courvoisier
255:Professional ratings
937:, December 4, 2003.
720:Technical personnel
580:"The Scar of Lotte"
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954:ECM Records albums
920:2014-02-02 at the
732:Jan Erik Kongshaug
701:Sylvie Courvoisier
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196:Sylvie Courvoisier
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42:Sylvie Courvoisier
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844:"ECM discography"
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850:. Archived from
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87:improvised music
52:October 14, 2003
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374:All About Jazz
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68:Rainbow Studio
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854:on 2014-02-02
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814:Jurek, Thom.
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772:Norway portal
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624:"Brobdingnag"
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525:"Nova Solyma"
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434:"Poco a poco"
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382:Track listing
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856:. Retrieved
852:the original
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827:. Retrieved
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707:Mark Feldman
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242:and Eastern
240:counterpoint
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206:and cellist
204:Mark Feldman
192:double album
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71:Oslo, Norway
37:Studio album
964:2003 albums
848:ECM Records
786:Jazz portal
536:"Spensonia"
214:Composition
122:ECM 1838/39
948:Categories
858:2014-01-21
829:2014-01-21
758:References
734:– engineer
728:– producer
646:"Precioso"
635:"Calonack"
569:"Sonnante"
558:"Icaria 3"
503:"Icaria 2"
481:"Icaria 1"
423:"Orodruin"
142:chronology
820:- Review"
690:Personnel
602:"Archaos"
591:"Turoine"
547:"Octavia"
412:"Ianicum"
361:JazzTimes
250:Reception
918:Archived
879:(2008).
824:Allmusic
709:– violin
679:"Narnia"
668:"Izaura"
492:"Imke's"
445:"Abaton"
344:AllMusic
274:AllMusic
244:modalism
232:answered
226:Disc one
220:AllMusic
128:Producer
57:Recorded
49:Released
39: by
887:Penguin
715:– cello
703:– piano
657:"Sekel"
613:"Ava's"
368:does."
175:(2004)
166:(2003)
157:(2002)
915:Review
913:Abaton
893:
818:Abaton
695:Abaton
514:"Clio"
473:Length
404:Length
366:Abaton
353:Abaton
348:Abaton
268:Rating
265:Source
187:Abaton
162:Abaton
97:Length
65:Studio
22:Abaton
748:Notes
470:Title
448:11:29
426:12:33
415:19:55
401:Title
190:is a
114:Label
78:Genre
891:ISBN
682:1:50
671:2:51
660:1:26
649:2:46
638:2:55
627:1:29
616:1:30
605:3:37
594:1:04
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572:3:37
561:2:37
550:3:34
539:3:38
528:4:42
517:2:46
506:3:30
495:2:08
484:4:04
437:9:24
91:jazz
676:19.
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632:15.
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588:11.
577:10.
466:No.
397:No.
371:On
358:In
200:ECM
119:ECM
102:106
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106:36
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861:.
832:.
104::
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