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190:, but is given a strongly French flavour. Many of his images give informative detail about middle and upper-class daily life in the period, although they must be treated with care as historical evidence. His combination of very carefully depicted grand interiors with relatively trivial domestic subjects was original and highly influential on French art, and also abroad —
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and his followers, who had different methods, and also a belief that "genius" rather than technical method should be the guide in creating artworks. In 1661 Bosse was forced to withdraw from the
Academy; he established his own school as an alternative, but it was suppressed by Le Brun.
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846:. Based on recent research, his date of birth has been corrected to 1604 from the traditionally given birth year of 1602. Bosse's apprenticeship contract was found in which it is mentioned that he was aged 16 at the date of signing the contract (16 June 1620).
236:, to which end he sacrificed willingly the freedom of the etched line, whilst certainly exploiting to the full the speed of the technique. Like most etchers, he frequently used engraving on a plate in addition to etching, but produced no pure engravings.
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Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately.
162:, where his father had moved from Germany. His father was a tailor, and Bosse's work always depicted clothes in loving detail. He married Catherine Sarrabat at Tours in 1632. He remained a Huguenot, dying before the
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248:(1591–1661) on perspective and other technical aspects of depiction. Bosse not only adopted these methods but also published a series of works between 1643–1653 explaining and promoting them.
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Radier-BĂĽchlein. Handelt von der
Etzkunst, nemlich wie man mit Scheidwasser in Kupfer etzen, das Wasser und wie auch den harten und weichen Etzgrund machen solle
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194:'s engravings are, among other things, a parody of the style. Most of his images are perhaps best regarded as illustrations rather than art.
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229:(1645), the first to be published. He took Callot's highly detailed small images to a larger size, and a wider range of subject matter.
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La manière universelle de M. des Argues
Lyonnois pour poser l'essieu & placer les heures & autres choses aux cadrans au Soleil
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761:, 1642, etching on laid paper, plate: 9 7/8 x 12 11/16 in. (25.1 x 32.2 cm), sheet: 26.4 x 33.3 cm (10 3/8 x 13 1/8 in.) (
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Maxime Préaud, "Célébrations nationales 2004, Arts: Abraham Bosse, graveur en taille-douce et théoricien de l’art français", 2004
259:. Bosse was made an honorary member in 1651. However his publicising of Desargues' methods embroiled him in a controversy with
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La pratique du trait Ă preuve de M. des Argues
Lyonnois pour la coupe des pierres en Architecture pratiquer la perspective
723:, etching on laid paper, plate: 25.4 x 32 cm (10 x 12 5/8 in.) sheet: 29.2 x 36.2 cm (11 1/2 x 14 1/4 in.) (
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Manière universelle de M. des Argues pour pratiquer la perspective par petit-pied comme le géométral...
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Unlike Callot, his declared aim, in which he largely succeeded, was to make etchings look like
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Watercolour of a ball by
Abraham Bosse, a similar subject to many of his most famous etchings
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Traité des manières de graver en taille douce sur l'airin par le moyen des eaux-fortes...
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Moyen universel de pratiquer la perspective sur les tableaux ou surfaces irrégulières...
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892:"[Abraham Bosse and the dean's engraving] Abraham Bosse et La gravure du Doyen"
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BNF exhibition feature, with many images & much text in French — click
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514:, engraving in black on laid paper, 29 x 20.4 cm (11 7/16 x 8 1/16 in.), (
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628:, engraving in black on laid paper, 24 x 32 cm (9 7/16 x 12 5/8 in.) (
1022:, edited by L. Foisneau, 2 vols. London and New York: Thoemmes Continuum.
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818:, 1642, etching, plate: 25.8 x 32.5 cm (10 3/16 x 12 13/16 in.) (
799:, etching on laid paper, plate: 26 x 33 cm (10 1/4 x 13 in.) (
704:, etching on laid paper, plate: 26 x 33 cm (10 1/4 x 13 in.) (
685:, engraving with etching, 25.4 x 32.2 cm (10 x 12 11/16 in.) (
221:. Following a meeting in Paris about 1630, he became a follower of
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1002:. BNF-Musée des Beaux-arts de Tours, diffusion éd. du Seuil.
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In 1641, he began to attend classes given by the architect
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Tracté des manieres de graver en taille douce sur l'airin
1016:(2008). “Abraham Bosse”, vol. 1, pp. 176–179, in
973:, 34 volumes, edited by Jane Turner. New York: Grove.
460:, Ilmer, OsnabrĂĽck 1975 (Repr. d. Ausg. NĂĽrnberg 1765)
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294:— fashion (partly after Jean de St-Igny)(1629)
166:, but was happy to illustrate religious subjects to
937:Dhombres, Jean; Joël Sakharovitch, editors (1994).
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Commons:Category:Manual of
Etching by Abraham Bosse
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1054:for image galleries, then choose from menu on left
444:Traité des pratiques géométrales et de perspective
378:De la manière de graver à l'eaux-forte et au burin
998:Join-Lambert, S.; Maxime Préaud, editors (2004).
322:Le mariage Ă la ville, le mariage Ă la campagne
1043:by the French ministry of culture. (in French)
325:(1633) — bourgeois vs pastoral weddings
227:Traité des manières de graver en taille-douce
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257:Académie Royale de Peinture et de Sculpture
422:(1651) was created with input from Hobbes.
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778:Frontispiece for Callot's "The Penitents"
984:Join-Lambert, S.; J.-P. Manceau (1995).
960:, vol. 378/379, pp. 289–301.
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954:"Abraham Bosse et la gravure du doyen"
965:"Bosse, Abraham", vol. 4, pp. 467–469
363:(1643), printed by P. de Hayes, Paris
138:from a series of etchings of trades,
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401:(1648) — Manual on perspective
93:Engravers and etchers at work, 1643
291:Le jardin de la Noblesse françoise
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986:Abraham Bosse, graveur et sçavant
890:Guerriaud, Mathieu (2013-09-01).
164:Revocation of the Edict of Nantes
958:Revue d’Histoire de la Pharmacie
896:Revue d'histoire de la pharmacie
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797:The Wise Virgins before the Fire
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107:– 14 February 1676) was a
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740:The Prodigal Son as a Swineherd
609:, 1636, engraving and etching (
590:, 1636, engraving and etching (
552:, 1636, engraving and etching (
533:, 1636, engraving and etching (
458:Die Kunst, in Kupfer zu stechen
391:(1645) The "Manual of Etching".
474:(Repr. d. Ausg. NĂĽrnberg 1689)
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1104:17th-century French engravers
1063:- digital facsimile from the
1000:Abraham Bosse, savant graveur
988:. CRDP de la région Centre..
931:Benezit Dictionary of Artists
303:
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721:The Foolish Virgins Sleeping
412:The famous frontispiece for
941:. Paris: Albert Blanchard.
855:Harrison 1996, p. 468. See
439:(1664) — Architecture
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1099:Artists from Tours, France
702:The Wise Virgins at Prayer
333:(1635?) — The trades
816:A Sculptor in His Atelier
780:, etching and engraving (
647:, engraving and etching (
281:Frontispiece for Hobbes'
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16:French artist (1604–1676)
1041:Dossier on Abraham Bosse
963:Harrison, Colin (1996).
683:Gentry Visiting a Prison
1074:National Gallery of Art
820:National Gallery of Art
801:National Gallery of Art
782:National Gallery of Art
763:National Gallery of Art
744:National Gallery of Art
725:National Gallery of Art
706:National Gallery of Art
687:National Gallery of Art
668:National Gallery of Art
649:National Gallery of Art
630:National Gallery of Art
611:National Gallery of Art
592:National Gallery of Art
573:National Gallery of Art
554:National Gallery of Art
535:National Gallery of Art
516:National Gallery of Art
497:National Gallery of Art
436:Des ordres des colonnes
1070:Works by Abraham Bosse
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1014:Vuillemin, Jean-Claude
952:Guerriaud, M. (2013),
939:Desargues en son temps
645:Louis XIII as Hercules
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970:The Dictionary of Art
314:Les gardes françoises
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273:Etchings & Images
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182:His style grows from
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666:, 1647, engraving (
626:Odoratus, L'Ordorat
1065:Linda Hall Library
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215:Melchior Tavernier
209:about 1620 to the
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571:, 1642, etching (
452:Later Collections
299:Les Cris de Paris
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63:(aged 71–72)
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926:"BOSSE, Abraham"
924:Benezit (2006).
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246:Girard Desargues
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136:Valet de Chambre
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1089:1600s births
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1094:1676 deaths
902:(378/379).
531:Adolescence
495:, etching (
425:Plates for
345:Plates for
336:Plates for
330:Les métiers
307: 1630
268:Major works
240:Controversy
188:Flemish art
140:Les Metiers
121:watercolour
105: 1604
1083:Categories
234:engravings
113:printmaker
82:printmaker
78:Occupation
1109:Huguenots
908:0035-2349
588:Childhood
569:Engravers
512:The Valet
415:Leviathan
283:Leviathan
251:In 1648,
152:Calvinist
339:L'Ariane
168:Catholic
148:Huguenot
1072:at the
550:Manhood
479:Gallery
211:Antwerp
170:taste.
117:etching
41:c. 1604
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447:(1665)
431:(1656)
409:(1653)
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353:(1642)
342:(1639)
317:(1632)
160:France
71:France
49:France
967:, in
828:Notes
607:Death
207:Paris
184:Dutch
156:Tours
67:Paris
45:Tours
1024:ISBN
1004:ISBN
990:ISBN
975:ISBN
943:ISBN
904:ISSN
468:ISBN
186:and
174:Work
142:1635
127:Life
56:Died
38:Born
900:LXI
418:by
115:in
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