Knowledge (XXG)

Abu'l-Hasan (artist)

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were the hallmark of Jahangir's rule. Not many of Abu al-Hasan's paintings survived, but those that identify him as the artist show that he also worked on a range of subjects, including some everyday scenes and political paintings that showed the emperor and
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influence, it was considered to be of a higher quality similar to that of older masters in the field. Jahangir said of Abu al-Hasan that he had no equal and for the work done on the frontispiece for his memoires, the emperor bestowed the title
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verses espouse the emperor's greatness in the context of other world empires. In this painting, the globe isn't labeled. This painting's image measures 197 x 128.5 cm and is the largest known Mughal painting.
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Abu al-Hasan doesn't label the globe, but puts it under Emperor Jahangir's feet and gives the emperor a key to the globe. The inscription reads, "The key of victory over the two worlds is entrusted in his hand".
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Durbar Scene of Jahangir. Painted by Abu'l Hasan, ca. 1615. Opaque water color, gold, and ink on paper, 16.9 x 12.3 cm. Freer Gallery of Art, Smithsonian Institution, Washington, D.C., purchase F1946.28.
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in this painting, were regarded as distinguished and could increase the reputation of the owner or holder of such an object. It was as much a symbol of royalty as a crown. This artwork was painted in
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around his head, holds a globe with a royal seal on it while dressed in a Mughal outfit. The painting portrays the emperor after he successfully put an end to a rebellion led by one of his sons,
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The emperor considered Abu al-Hasan to be particularly special to him and under his care. This is because although Abu al-Hasan's artwork was similar in many ways to his father's with
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along the border decorated with floral motifs, however, was not completed by Abu al-Hasan, but another artist named as Harif by an inscription. Folio from the Shah Jahan Album
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in a positive and powerful light. In addition to original works of art, Abu al-Hasan also retouched other artists' paintings (one such example is below:
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began his rule, Abu al-Hasan's career became less active until 1628 from which point on, there is no evidence of him producing art.
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Abu al-Hasan's main task was the documentation of events at the imperial court, which resulted in many portraits being completed.
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Abu'l Hasan. Study of St. John Evangelist adapted from Durer's Crucifixion engraving of 1511. Dated 1600 –1601,
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attributed to Abu'l Hasan, c. 1620–1625. Opaque watercolor, gold, and ink on page, 23.81 x 15.24 cm.
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Welch, Stuart Cary; Schimmel, Annemarie; Swietochowski, Marie L.; Thackston, Wheeler M. (1987).
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Celebrations at the accession of Jahangir. Jahangirnama. St. Petersburg Album, c. 1615–1618,
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Although the scene depicted in this painting never took place, it shows the reception of the
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Abu'l - The St. Petersburg Album - Allegorical representation of Emperor Jahangir and Shah.
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This political painting was inspired, according to Abu al-Hasan, by a dream. It depicts
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Spotted Forktail, Folio from the Shah Jahan Album, c. 1610–1615, Metropolitan Museum.
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Completed by the artist at the age of 13, this is considered an accurate study of
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An exhibition held at the Metropolitan Museum, October 21,1987-February 14,1988
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The Mughal Emperor Jahangir with Radiant Gold Halo, Holding a Globe (c. 1617)
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Allegorical Representation of Emperor Jahangir and Shah 'Abbas of Persia
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Allegorical Representation of Emperor Jahangir and Shah 'Abbas of Persia
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One of the most famous painting associated with Abu al-Hasan's name,
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Institute of Oriental Manuscripts of the Russian Academy of Sciences
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Within the painting are many objects and people used to elevate the
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The Mughal Emperor Jahangir with Radiant Gold Halo, Holding a Globe
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The Mughal Emperor Jahangir with Radiant Gold Halo, Holding a Globe
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Abu al-Hasan's career aligned with developments in the style of
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when it, and many other Mughal artworks, were seized by
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Study of Saint John the Evangelist, After Albrecht Dürer
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Freer Gallery of Art & Arthur M. Sackler Gallery
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Freer Gallery of Art & Arthur M. Sackler Gallery
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The signature on the painting is unclear: 1221:The Emperors' album: images of Mughal India 782:Beach, Milo Cleveland (24 September 1992). 745:The Emperors' album: images of Mughal India 1023:Comparative Studies in Society and History 556:Saʿdī presents a book of his poems, 1615, 505:Ink, opaque watercolor, and gold on paper 267:Opaque watercolor, gold, and ink on paper 994: 617:Emperor Jahangir Triumphing over Poverty, 454:Opaque watercolor, gold and ink on paper 289:Opaque watercolor, ink and gold on paper 247:Opaque watercolor, ink and gold on paper 227:Ink, opaque watercolor, and gold on silk 1254:Emperor Jahangir Triumphing over Poverty 253:Emperor Jahangir Triumphing over Poverty 153: 31: 717: 515: 400:("Miracle of the Age") is the title of 325:and this scene did not actually occur. 1246:Jahangir Shoots Malik 'Anbar (c.1620) 1087:from the original on 23 November 2016 443:. This painting became a part of the 7: 1012: 1010: 1008: 1006: 956: 954: 876: 874: 872: 777: 775: 737: 735: 733: 731: 729: 727: 725: 723: 721: 460:Jahangir as the Queller of Rebellion 1138:"Metamorphosis at the Mughal Court" 1136:Keating, Jessica (17 August 2015). 1017:Ramaswamy, Sumathi (October 2007). 961:Potter, Polyxeni (September 2009). 1227:Study of Saint John the Evangelist 1168:from the original on 15 March 2024 1057:from the original on 15 March 2024 940:from the original on 15 March 2024 858:from the original on 15 March 2024 810:from the original on 15 March 2024 760:from the original on 1 August 2018 25: 1340:17th-century Mughal Empire people 1282:Sotheby's Picture Library, London 1236:Folio from the Shah Jahan Album ( 572:Portrait of Jahangir, 1615–1620, 366:Gouache with gold on fine cotton 1258:Los Angeles County Museum of Art 1198:from the original on 21 May 2021 1117:from the original on 13 May 2021 892:from the original on 21 May 2021 695: 679: 664: 648: 636: 624: 609: 593: 581: 565: 549: 533: 518: 261:Los Angeles County Museum of Art 1310:Painters from the Mughal Empire 1273:( c. 1618) Freer Gallery of Art 963:"Never Has There Been a Shade1" 544:(detail) by Abu al-Hasan, 1617. 494:This painting is attributed to 1265:(c. 1615) Freer Gallery of Art 1241:The Metropolitan Museum of Art 788:. Cambridge University Press. 657:Jahangir Entertains Shah Abbas 1: 1325:17th-century Iranian painters 924:10.1017/chol9780521400275.006 842:10.1017/chol9780521400275.006 1330:17th-century Indian painters 967:Emerging Infectious Diseases 233:Jahangir Shoots Malik 'Anbar 193:(a German artist) original. 36:Portrait of Abu al-Hasan by 706:, retouched by Abu'l Hasan. 209:Metropolitan Museum of Art 1356: 916:Mughal and Rajput Painting 834:Mughal and Rajput Painting 785:Mughal and Rajput Painting 574:Metropolitan Museum of Art 185:Metropolitan Museum of Art 1287:Jahangir entertains Abbas 1035:10.1017/s0010417507000758 794:10.1017/chol9780521400275 526:Squirrels in a Plane Tree 413:Jahangir entertains Abbas 386:Squirrels in a Plane Tree 372:Squirrels in a Plane Tree 196:Brush drawn ink on paper 1263:Darbar Scene of Jahangir 344:Picture Library, London 313:in a situation in which 274:Darbar Scene of Jahangir 55:; 1589 – c. 1630), from 27:Mughal miniature painter 1154:10.1111/1467-8365.12178 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Index

Abu'l Hasan

Daulat
Gulshan Album
Delhi
Mughal painter
miniatures
Jahangir
Herat
Safavid Iran
Jahangir
Mughal empire
emperor
Allahabad
Dutch
English
Portraits
Mughal empire
Mughal paintings
Shah Jahan
Metropolitan Museum of Art
Albrecht Durer's
spotted forktail bird
Himalayas
gilding
Freer Gallery of Art
Los Angeles County Museum of Art
Darbar Scene of Jahangir
Jahangir
Abbas

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