274:(now Angel Orensanz Center) – was the world's largest opera venue at the time, with seats for four thousand arranged on five levels (orchestra, parquette, balcony and first, second and third tiers) and an interior height from floor to dome of 80 feet (24 m). It had a plush interior, and private boxes in the orchestra, but, perhaps due to newspaper editorials questioning the project's republican values, was consciously somewhat less "aristocratized" than the Astor Opera House had been – there, general admissions were relegated to the benches of a "cockloft" reachable only by a narrow stairway, and otherwise isolated from the gentry below, while in the new theatre many of the regular seats were relatively inexpensive. The stage's proscenium opening was 48 feet (15 m) wide, with 35 feet (11 m) between side-wings, and a depth of 70 feet (21 m) from the
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586:' whom New York was beginning to dread and yet be drawn to; and the sentimental clung to it for its historic associations, and the musical for its excellent acoustics, always so problematic a quality in halls built for the hearing of music." The Academy and so called opera war of the early 1880s are a significant part of the plot in season two of the
458:", and the oldest and most prominent families owned seats in the theater's boxes. This emblem of social prominence was passed down from generation to generation. The inability of New York's wealthy industrial and mercantile families, including the Vanderbilts, Goulds and Morgans, to gain access to this closed society inspired the creation of the new
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443:
that women were thrown in the air and then sexually assaulted "amid the jeers and laughter of the other drunken wretches on the floor ... not a whisper of shame in the crowd". These spectacles grew in size over the following decades: in 1876, one such ball was attended by over 4,000 people. Feminist editor
427:
The
Academy's opera season became the center of social life for New York's wealthy gentry, but from its inception, the Academy of Music not only presented opera, but also served as a theater, and a meeting and exposition hall for a wide variety of functions, including political rallies, charity balls
181:
The
Academy's opera season became the center of social life for New York's elite, with the oldest and most prominent families owning seats in the theater's boxes. The opera house was destroyed by fire in 1866 and subsequently rebuilt, but it was supplanted as the city's premier opera venue in 1883 by
471:, twice the size of the Academy, opened in 1883. It contained three tiers of elegant boxes to display the wealth of the city's new economic leaders. The new opera house was an instant success with New York society and music lovers alike, and the Academy of Music's opera season was canceled in 1886.
177:
declared it to be an acoustical "triumph", but "In every other aspect ... a decided failure," complaining about the architecture, interior design and the closeness of the seating; although a follow-up several days later relented a bit, saying that the theater "looked more cheerful, and in every way
581:
at the
Academy of Music in New York. Though there was already talk of the erection 'above the forties' of a new Opera House which would compete in costliness and splendour with those of the great European capitals, the world of fashion was still content to reassemble every winter in the shabby red
462:
Association in 1880. The trustees of the
Academy belatedly attempted to head off the competition by offering to add 26 new boxes to the 18 the Academy already had, to accommodate the Vanderbilts, Morgans, and Rockefellers who were behind the planned new venue, but it was too late to fend them off.
442:
men of New York society would rub elbows – and other body parts – with semi-dressed prostitutes and courtesans, with little regard for public decorum or modesty. These balls were covered by the press, which did little to dim the enthusiasm or ribald behavior of the participants. One reporter wrote
212:
The
Academy of Music has been described as "the first successful dedicated opera house in the United States", but it was not the first building in New York designed specifically for opera. That honor goes to the Italian Opera House built in 1833 by
363:
New York's
Academy of Music, from 1854 to 1883 the city's leading house for opera, did not offer a secure base to any opera company. And why? Because it was primarily a real estate venture run by a board of investors seeking the highest rent
262:, who formed a corporation in 1852 to fund the construction of the building, selling shares at $ 1,000 ($ 36,624 in 2023 dollars ) each to raise $ 200,000 ($ 7,324,800 in 2023 dollars ). When finished, the building, which was designed by
359:. Maretzek's company performed an annual season at the Academy through 1878. His company was not the only group active at the opera house during this time. Musicologist George Whitney Martin writes:
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376:, the latter of which began performing at the Academy in 1860, only to merge with Maretzek's company in 1868. The Academy hosted several American premieres, including
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as a home for his new New York Opera
Company, which lasted only two seasons before the company was disbanded and the theatre sold. Over a decade later, in 1847, the
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820:
How Much Is That in Real Money? A Historical Price Index for Use as a
Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
436:, an organization called the Cercle Français de l'Harmonie began using the Academy as a venue for masked balls, also called "French balls", in which the
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across from the site of the opera house, a movie theatre opened in 1927 which took the name the
Academy of Music. It was built as a 3,000-seat deluxe
254:
It was the demise of the Astor Opera House that spurred New York's elite to build a new opera house in what was then the more genteel neighborhood of
2266:
451:, complaining that the Academy of Music was being used "for the purpose of debauching debauched women; and the trustees of the Academy know this".
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The venue was rented by labor organizations in the early 1900s and used to stage rallies. In 1926, it was demolished, along with its neighbor
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and gold boxes of the sociable old
Academy. Conservatives cherished it for being small and inconvenient, and thus keeping out the '
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840:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
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247:. By May 1853, the interior had been dismantled and the furnishings sold off, with the shell of the building sold to the
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738:, built in New Orleans in 1819 as the city's first house designed for opera. See Belsom, Jack (2007).
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and science and industry fairs, among other events. In 1860, it was the site of a reception for the
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Still, it was the opera season that made the Academy the mainstay of social life for New York's "
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who had been frozen out of the Academy – and ceased presenting opera in 1886, turning instead to
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It was not the first dedicated opera house built in the United States either, which was the
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17:
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had a successful 148-performance run for the 1897–98 season. Between 1895 and 1899, Rev.
2191:
2005:
1904:
1770:
1741:
1641:
536:
414:
300:
229:, only to close several years later after a riot provoked by competing performances of
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reads: "On a January evening of the early seventies, Christine Nilsson was singing in
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Democracy at the Opera House: Music, Theater, and Culture in New York City (1815–60)
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to the back wall. The height of the proscenium opening was 30 feet (9.1 m).
1990:
547:" by promoter Ron Delsner in September 1976. In 1985, it was converted into the
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390:
345:
226:
156:
559:, and replaced by the present Palladium Residence Hall, which opened in 2001.
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30:
This article is about the 1854 opera house. For the 1927 movie theater, see
1390:
1257:"An Appraisal: The Palladium: An Architecturally Dramatic New Discotheque"
140:
721:
488:, delivered sermons there. From January 28 to March 1901, a revival of
231:
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conducting. The first season's repertoire was ambitious, and included
420:
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1372:
713:
281:
Its first opera season was from October through December 1854. The
402:
1851:
1447:
1400:
1221:"Refurbished 14th St. Palladium Opens With Program by the Band"
1025:
1023:
171:. The 4,000-seat hall opened on October 2, 1854. The review in
1764:
587:
543:
in the 1960s and early 1970s, with its name being changed to "
447:
condemned the sexual hypocrisy of the French balls in 1873 in
1314:
Touring the Flatiron: Walks in Four Historic Neighborhoods
368:
Other opera companies active at the Academy, including
2391:
1075:. University Rochester Press. pp. 202–206, 233.
474:
In 1888, the Academy began to offer vaudeville. The
270:
at about the same time, and had previously designed
2310:
2139:
1963:
1862:
1751:
1694:
1665:
1616:
1557:
1458:
1009:
The International Cyclopedia of Music and Musicians
126:
118:
79:
68:
60:
55:
1208:. Simon and Schuster, New York. 1987. pp. 249–250.
1105:(1835–1892) was the younger brother of impresario
943:"NYCLPC NoHo Historic District Designation Report"
941:New York City Landmarks Preservation Commission.
928:New York City Landmarks Preservation Commission.
916:Oscar Israelowitz's Guide to Jewish New York City
2491:Demolished buildings and structures in Manhattan
694:Bank, Rosemarie K. (September 2000). "Review of
200:. It was demolished in 1926 to make way for the
808:
806:
190:between 39th and 40th Streets – created by the
1351:(4th ed.). New York: Three Rivers Press.
1240:
1192:
1180:
1168:
1029:
989:
797:
762:
750:
178:more effective" than it had on opening night.
1412:
8:
2101:Lewisohn Stadium of City College of New York
1164:
1162:
2496:Buildings and structures demolished in 1926
930:"Anshe Chesed Synagogue Designation Report"
897:
895:
555:. The theater was bought and demolished by
303:as Pollione headlining the performance and
2511:1926 disestablishments in New York (state)
2456:Defunct concert halls in the United States
1859:
1848:
1455:
1444:
1419:
1405:
1397:
1290:Gotham: A History of New York City to 1898
1145:. University Rochester Press. p. 81.
1142:Verdi in America: Oberto Through Rigoletto
1072:Verdi in America: Oberto Through Rigoletto
976:Note: This is not the same article as the
901:
147:at the Academy of Music, December 16, 1880
36:
1122:(1956). "Opera in 19th Century America".
668:"The Great Fire; Details of the Disaster"
616:
614:
612:
295:for the inauguration of the theatre with
135:
2501:1854 establishments in New York (state)
2398:
856:"Consumer Price Index (estimate) 1800–"
608:
372:'s Havana Italian Opera Troupe and the
1236:
1234:
463:The Metropolitan's new opera house at
854:Federal Reserve Bank of Minneapolis.
159:, located on the northeast corner of
7:
2466:Former music venues in New York City
2476:1866 disasters in the United States
1206:The Metropolitan Opera Encyclopedia
374:Max Strakosch Italian Opera Company
289:. The company performed Bellini's
283:Max Maretzek Italian Opera Company
46:Academy of Music, New York, c.1909
25:
919:New York: Israelowitz Pub., 2004.
740:A History of Opera in New Orleans
622:"Opening of the Academy of Music"
563:In literature and popular culture
2471:1860s fires in the United States
2413:
2401:
2343:Burton's Chambers Street Theatre
1345:& Willensky, Elliot (2000).
239:at the Opera House and American
40:
1047:"Even the Prima Donna Blushed'"
701:The Journal of American History
125:
2436:Concert halls in New York City
1318:New York Landmarks Conservancy
1139:George Whitney Martin (2011).
1069:George Whitney Martin (2011).
505:, for the construction of the
449:Woodhull and Clafliin's Weekly
249:Mercantile Library Association
145:Young Men's Hebrew Association
1:
2451:Opera houses in New York City
1820:Blue Note Entertainment Group
2461:Former theatres in Manhattan
2212:Koster and Bial's Music Hall
2162:Barnum's New American Museum
1702:Circle in the Square Theatre
848:American Antiquarian Society
828:American Antiquarian Society
507:Consolidated Edison Building
202:Consolidated Edison Building
18:Academy of Music (Manhattan)
1128:. Vol. 7. p. 343.
977:
539:. It served as a venue for
2527:
2506:Theatres completed in 1854
2222:Madison Square Roof Garden
2056:Daly's 63rd Street Theatre
1728:Samuel J. Friedman Theatre
1667:Roundabout Theatre Company
1377:Internet Broadway Database
1348:AIA Guide to New York City
1312:Mendelsohn, Joyce (1998),
1241:White & Willensky 2000
1193:Burrows & Wallace 1999
1181:Burrows & Wallace 1999
1169:Burrows & Wallace 1999
1030:Burrows & Wallace 1999
990:Burrows & Wallace 1999
798:Burrows & Wallace 1999
763:Burrows & Wallace 1999
751:Burrows & Wallace 1999
516:
29:
2446:Music venues in Manhattan
2081:George M. Cohan's Theatre
1858:
1853:Defunct and/or demolished
1847:
1504:Gerald Schoenfeld Theatre
1479:Bernard B. Jacobs Theatre
1454:
1443:
1434:
519:Palladium (New York City)
51:
39:
32:Palladium (New York City)
2441:Culture of New York City
2328:Barnum's American Museum
2111:Maxine Elliott's Theatre
1920:Metropolitan Opera House
1676:Stephen Sondheim Theatre
1559:Nederlander Organization
1514:James Earl Jones Theatre
1460:The Shubert Organization
567:The second paragraph of
285:was engaged by US actor
266:– who was designing the
184:Metropolitan Opera House
2486:14th Street (Manhattan)
2036:Civic Repertory Theatre
2031:Charles Hopkins Theatre
1738:Vivian Beaumont Theater
1608:Richard Rodgers Theatre
1499:Ethel Barrymore Theatre
1386:New York Public Library
1382:Pictures of the Academy
1295:Oxford University Press
551:nightclub, designed by
103:40.734568°N 73.988489°W
2323:Anthony Street Theatre
1796:Mark Hellinger Theatre
1637:Eugene O'Neill Theatre
535:, and was designed by
366:
299:in the title role and
272:Anshe Chesed Synagogue
148:
2373:Richmond Hill Theatre
2353:Nassau Street Theatre
2302:Winter Garden Theatre
2202:Herald Square Theatre
2126:Sam H. Harris Theatre
2091:Knickerbocker Theatre
1910:International Theatre
1718:New Amsterdam Theatre
1632:August Wilson Theatre
1627:Al Hirschfeld Theatre
1578:Lunt-Fontanne Theatre
1549:Winter Garden Theatre
1204:Hamilton, David, ed.
1045:(November 23, 1969).
963:"The New Opera-House"
877:"The New Opera-House"
523:On the south side of
361:
316:The Barber of Seville
139:
108:40.734568; -73.988489
2262:Paradise Roof Garden
2147:Abbey's Park Theatre
2106:Lyric Theatre (1903)
2066:Fifth Avenue Theatre
2061:Earl Carroll Theatre
1826:Times Square Theater
1228:(September 20, 1976)
1014:Dodd, Mead & Co.
980:with the same title.
913:Israelowitz, Oscar.
698:by Karen Ahlquist".
574:The Age of Innocence
155:was a New York City
2348:John Street Theatre
2242:New Theatre Comique
2232:Murray Hill Theatre
1986:American Music Hall
1981:49th Street Theatre
1976:44th Street Theatre
1971:39th Street Theatre
1930:New Century Theatre
1870:48th Street Theatre
1806:New Victory Theater
1800:Times Square Church
1761:Ed Sullivan Theater
1686:Todd Haimes Theatre
1657:Walter Kerr Theatre
1593:Nederlander Theatre
1519:John Golden Theatre
1043:Harold C. Schonberg
932:(February 10, 1987)
800:, pp. 761–765.
557:New York University
352:Lucia di Lammermoor
287:James Henry Hackett
143:celebration by the
99: /
64:Manhattan, New York
56:General information
2297:Weber's Music Hall
2237:New Bowery Theatre
2116:Nora Bayes Theatre
2086:Hippodrome Theatre
1950:Vanderbilt Theatre
1598:Neil Simon Theatre
1573:Lena Horne Theatre
1489:Broadhurst Theatre
1469:Ambassador Theatre
1393:, Cinema Treasures
1391:"Academy of Music"
1262:The New York Times
1225:The New York Times
1055:The New York Times
971:The New York Times
948:2015-02-19 at the
885:The New York Times
784:The New York Times
673:The New York Times
656:. October 5, 1854.
653:The New York Times
633:. October 3, 1854.
630:The New York Times
460:Metropolitan Opera
264:Alexander Saeltzer
174:The New York Times
149:
27:Former opera house
2389:
2388:
2385:
2384:
2381:
2380:
2292:Wallack's Theatre
2227:Manhattan Theatre
2197:Grand Opera House
2051:Criterion Theatre
1940:President Theatre
1935:Playhouse Theatre
1843:
1842:
1839:
1838:
1754:Broadway theatres
1652:St. James Theatre
1618:ATG Entertainment
1539:Music Box Theatre
1428:Broadway theatres
1358:978-0-8129-3107-5
1281:Burrows, Edwin G.
1152:978-1-58046-388-1
1107:Maurice Strakosch
1082:978-1-58046-388-1
1004:Nicolas Slonimsky
736:Théâtre d'Orléans
495:Barbara Frietchie
481:The White Heather
445:Victoria Woodhull
397:Roméo et Juliette
260:Moses H. Grinnell
235:by English actor
223:Astor Opera House
134:
133:
16:(Redirected from
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2417:
2416:
2406:
2405:
2404:
2397:
2358:National Theatre
2338:Broadway Theatre
2318:American Theatre
2287:Victoria Theatre
2267:Princess Theatre
2247:New York Theatre
2172:Broadway Theatre
2152:Academy of Music
2121:Princess Theatre
2011:Broadway Theatre
1955:Ziegfeld Theatre
1895:Colonial Theatre
1860:
1849:
1588:Minskoff Theatre
1568:Gershwin Theatre
1534:Majestic Theatre
1524:Longacre Theatre
1509:Imperial Theatre
1494:Broadway Theatre
1456:
1449:Active, by owner
1445:
1421:
1414:
1407:
1398:
1373:Academy of Music
1362:
1338:
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1266:
1255:(May 20, 1985).
1253:Goldberger, Paul
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974:. June 12, 1852.
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498:appeared there.
486:Thomas Dixon Jr.
331:by Bellini; and
245:Broadway Theatre
237:William Macready
215:Lorenzo Da Ponte
161:East 14th Street
153:Academy of Music
114:
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2408:Classical music
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2377:
2363:Olympic Theatre
2333:Booth's Theatre
2306:
2282:Theatre Comique
2257:Olympic Theatre
2177:Central Theatre
2157:Bandbox Theatre
2135:
2131:Waldorf Theatre
2076:Garrick Theatre
2046:Concert Theatre
2026:Century Theatre
2016:Casino de Paris
2001:Belmont Theatre
1959:
1925:Morosco Theatre
1875:Adelphi Theatre
1854:
1835:
1830:New 42nd Street
1810:New 42nd Street
1791:Liberty Theatre
1753:
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1583:Marquis Theatre
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1544:Shubert Theatre
1474:Belasco Theatre
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952:(June 29, 1999)
950:Wayback Machine
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888:. June 9, 1852.
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1327:0-964-7061-2-1
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517:Main article:
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550:
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541:rock concerts
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2368:Park Theatre
2277:Star Theatre
2151:
2096:Klaw Theatre
1785:AMC Theatres
1775:Hotel Edison
1712:Second Stage
1346:
1316:, New York:
1313:
1293:. New York:
1288:
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883:
871:
861:February 29,
859:. Retrieved
839:
819:
793:
782:
770:
758:
746:
739:
730:
705:
699:
695:
689:
678:. Retrieved
676:. 1866-05-23
671:
662:
651:
645:"Amusements"
639:
628:
602:
601:
578:
572:
566:
529:movie palace
522:
503:Tammany Hall
500:
493:
479:
473:
453:
448:
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432:. After the
426:
419:
413:
407:
401:
395:
389:
385:Il trovatore
383:
377:
367:
362:
350:
344:
338:
334:Don Pasquale
332:
326:
320:
319:by Rossini;
314:
308:
305:Max Maretzek
297:Giulia Grisi
290:
280:
256:Union Square
253:
230:
211:
191:
180:
172:
165:Irving Place
152:
150:
2311:Pre-musical
1991:Anco Cinema
1099: [
832:1700–1799:
812:1634–1699:
533:William Fox
525:14th Street
490:Clyde Fitch
469:39th Street
418:(1877) and
415:Die Walküre
391:La traviata
346:La favorita
227:Astor Place
208:Opera house
157:opera house
106: /
81:Coordinates
74:14th Street
2481:1866 fires
2430:Categories
1016:p. 6.
978:June 9 one
708:(2): 664.
680:2019-10-09
598:References
584:new people
476:Drury Lane
370:Jaime Nunó
364:possible."
310:Semiramide
276:footlights
225:opened on
221:-designed
198:vaudeville
127:Demolished
94:73°59′19″W
91:40°44′04″N
2140:Post-1866
1964:Post-1919
1863:Post-1949
1816:Sony Hall
1695:Other (5)
1681:Studio 54
549:Palladium
456:uppertens
434:Civil War
409:Lohengrin
379:Rigoletto
357:Donizetti
258:, led by
169:Manhattan
72:126 East
1336:40227695
1287:(1999).
1006:(1956).
946:Archived
837:(1992).
817:(1997).
492:'s play
465:Broadway
424:(1878).
412:(1874),
406:(1873),
400:(1867),
394:(1856),
388:(1855),
382:(1855),
188:Broadway
186:at 1411
141:Hanukkah
61:Location
2394:Portals
1375:at the
1274:Sources
722:2568817
590:series
478:import
232:Macbeth
69:Address
1722:Disney
1355:
1334:
1324:
1301:
1149:
1079:
720:
421:Carmen
119:Opened
1125:Opera
1103:]
1050:(PDF)
966:(PDF)
880:(PDF)
844:(PDF)
824:(PDF)
779:(PDF)
718:JSTOR
648:(PDF)
625:(PDF)
603:Notes
579:Faust
322:Norma
292:Norma
1462:(17)
1437:List
1353:ISBN
1332:OCLC
1322:ISBN
1299:ISBN
1283:and
1147:ISBN
1077:ISBN
863:2024
467:and
403:Aida
349:and
325:and
313:and
182:the
163:and
151:The
130:1926
122:1854
1765:CBS
1732:MTC
1669:(3)
1620:(7)
1561:(9)
710:doi
588:HBO
571:'s
355:by
167:in
2432::
1384:,
1330:,
1320:,
1297:.
1259:.
1233:^
1161:^
1101:de
1052:.
1022:^
1012:.
968:.
894:^
882:.
846:.
826:.
805:^
781:.
716:.
706:87
704:.
670:.
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611:^
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509:.
343:,
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1720:(
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1710:(
1420:e
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1406:v
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1307:.
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1155:.
1109:.
1085:.
865:.
850:.
830:.
724:.
712::
683:.
34:.
20:)
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