214:
276:, for her audiences in America and abroad she came to embody an ideal of femininity that was desirable, respectable, and aspirational. In his biography of her, one of Rehan's contemporaries, William Winter wrote "Each part that she has undertaken has been permeated with something of herself...Her soul is given to her profession, and the nature of the woman herself is discerned in that of the character that she represents." It soon became clear that Rehan was the star of Daly's company even within the Big Four, but Daly refused to acknowledge this with top billing or any other prioritizing treatment.
267:, and James Lewis made the rest of the group. Under Daly's meticulous direction and management, the foursome won over critics and audiences with their specialities of Shakespearean comedies, Restoration comedies, and translations of German farces. In general, the four leads played variations on the same character types. Drew and Rehan were slotted in to the romantic hero and heroine roles, while Lewis and Gilbert took the older, character roles. As one reporter at the
206:
610:
138:, one of five siblings born to Thomas Crehan (died 1890) and Harriet (or Harriett) Ryan Crehan (died 1901). She was baptised in St Michael's Roman Catholic Church on 12 June 1857. Although by the time she applied for a U.S. passport, she had shaved a few years off and gave 1860 as her year of birth. The family surname was apparently changed to Rehan later. When she was a small child, her family
301:
111:
33:
222:
283:
writes of their relationship that "besides being leading lady, enjoyed the offstage role of grand maitresse...To hold the whip handle by keeping a woman of her beauty and prominence in the compromising position and extra-marital liaison involved in those cautious times was a sop to his will to
353:
In a letter to
William Winter, Rehan wrote, "I am very indifferent toward the future. If I ever go on again with my work, I fear it will be more of the machine than the artiste." After a few more poorly received attempts, Rehan permanently retired from the stage in 1905.
170:, written by her brother-in-law, in which she filled in for an actress in a minor role who was sick and unable to go on. Her appearance was competent enough that her family decided she should continue pursuing a career in the theatre. It was in her next performance, with
382:
Ada Rehan was widely admired in both
America and Europe, having acted in Paris, Berlin, Hamburg, London, Edinburgh, Dublin, and Stratford-on-Avon. When she died newspapers across the country mourned her passing, including a prominent obituary in
150:
on
November 24, 1888, when she should have been 31 years old (or 28 by her own reckoning later), "Ada Rehan is forty years old and over. She makes up fairly for girlish roles ... but at close sight in the cold light of day she shows her age."
271:
described it, "They have one way of playing comedy at Daly's and only one. Whether the piece be
Sheridan's or Shakespeare's or Schonthan's or Jerome's, the actors are always good, bright, middle-class Americans." While finding much success in
349:
and a tour that revived some of her classic roles from her career with Daly's company. However, the staleness that Rehan's performances had become susceptible to as the 1890s wore on was even more evident in these post-Daly productions.
213:
256:, Rehan joined his company. Rehan would continue to work with Daly until his death twenty years later, but their relationship, though marked by enormous professional success for both, was a turbulent one.
279:
Rehan and Daly's professional relationship was further complicated by their personal one. It is generally acknowledged that Rehan became the married Daly's mistress early on in their partnership.
337:
reported on the fad of women impersonating Rehan's speech, ladies' hats were named for her, and dressmakers offered her costumes for free in order to get their designs in front of the public.
1029:
961:
1135:
710:
1140:
1120:
1115:
297:. It ran in both New York and London and that initial run tallied 121 performances, which was quite a feat for a show in the nineteenth century.
126:
June 12, 1857 – January 8, 1916) was an
American actress and comedian who typified the "personality" style of acting in the nineteenth century.
291:
Daly and Rehan's greatest achievement, and the production that most reflected their own combative power dynamics, was most likely their 1887
1048:
217:
A scene from "The School for
Scandal" with Ada Rehan and Anne Hartley Gilbert, ca. 1891–1895. Cabinet Card Collection, Boston Public Library
333:
with her in mind) were among her many admirers. And women everywhere strove to imitate her diction, demeanor, and even her dresses. The
508:
1130:
1125:
461:
408:
284:
power." Their romantic entanglement coupled with their professional symbiosis makes it easy to interpret their relationship as
154:
Ada's siblings found work in the theatre. Her sisters
Harriet and Kate preceded her onto the stage. Kate married fellow actor
308:
241:
1035:
1041:
485:
371:
162:. Ada's two brothers, William and Arthur, were involved with the business side of theatre. Her first performance was in
110:
930:
534:
519:
345:
When
Augustin Daly died in 1899, Rehan deserted the stage for an entire year. She returned with a production of
950:
53:
329:
415:
in 1893. The statue was later melted down for bullion in 1903. More than 25 years after Ada Rehan's death, a
979:
453:
955:
527:
477:
469:
437:
253:
199:
1105:
280:
501:
362:
Rehan lived out her remaining years between her homes in New York and the
English coast. She died from
179:
1110:
174:, that she was miscalled as Ada C. Rehan and the name stuck. Ada then went to Louisville to join the
858:
827:
399:
Rehan was the model for a solid silver statue of
Justice that was presented as part of the State of
316:
304:
292:
183:
252:
first took note of her in April 1879. Later that year, when he opened his third New York theatre,
1015:
946:
832:
704:
385:
367:
163:
143:
795:
754:
493:
1080:
696:
205:
175:
155:
934:
646:
Notable Women in the American Theatre: A Biographical Dictionary (entry for Rehan, Ada Delia)
863:
363:
187:
171:
245:
191:
1073:
1089:
1003:
788:
445:
260:
690:
1099:
393:
273:
249:
954:
419:
416:
236:
159:
96:
628:
324:
264:
195:
320:
139:
32:
903:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
811:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
770:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
741:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
676:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
661:
Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914
613:, in which she gives 1860 as her year of birth, as she would forever after.
315:
Rehan was so popular in the 1880s and '90s that she played over 200 parts.
300:
182:, where she remained one season (1875–76). Subsequently, she appeared in
285:
135:
1068:
221:
1061:
586:
412:
400:
194:'s company and played supporting roles alongside prominent actors like
404:
146:. Her year of birth was later disputed by a critic who wrote in the
587:"World famous Shakespearean actress Ada C. Rehan born in Limerick"
299:
212:
204:
1084:
259:
Rehan was part of Daly's company, known as the "Big Four".
392:
Daly modelled the masthead of his theatre, a depiction of
918:
The Chicago Worlds Fair of 1893: A Photographic Record
541:
She also played the principal female characters in:
172:
Mrs. John Drew's Arch Street Theatre of Philadelphia
794:. Cambridge, MA: Harvard University Press. p.
648:. New York, NY: Greenwood Press. pp. 739, 993.
611:
Ada Rehan's U.S. passport application (May 9, 1894)
103:
92:
84:
76:
60:
42:
23:
905:. Iowa City: University of Iowa Press. p. 48.
813:. Iowa City: University of Iowa Press. p. 70.
787:
772:. Iowa City: University of Iowa Press. p. 58.
743:. Iowa City: University of Iowa Press. p. 65.
678:. Iowa City: University of Iowa Press. p. 53.
663:. Iowa City: University of Iowa Press. p. 49.
234:Rehan was performing in one of Daly's own plays,
370:in New York in 1916. Her ashes are buried in
8:
853:
851:
962:Appletons' Cyclopædia of American Biography
933:holdings identify Ada Rehan in this play.
822:
820:
709:: CS1 maint: location missing publisher (
623:
621:
619:
31:
20:
634:, Sturgis & Walton Company, New York.
920:. New York, NY: Dover Publications, Inc.
220:
890:. New York, NY: P.F. Collier & Son.
781:
779:
577:
327:(who wrote the part of Mrs. Erlynne in
1136:Deaths from cancer in New York (state)
998:Famous Actresses of the Day in America
867:. New York. January 9, 1916. p. 8
702:
209:Rehan's autograph on a theatre poster
158:. Their son, Ada's nephew, was actor
7:
1141:Irish emigrants to the United States
1085:University of Pennsylvania Libraries
828:"Ada Rehan, Famous Actress, is Dead"
248:when the successful theatre manager
142:to the United States and settled in
1092:p. 203 by Forrest Izard c.1915
585:Slater, Sharon (January 15, 2013).
307:'s 1895 portrait of Ada Rehan from
935:ART File R345 no.18 PHOTO (size S)
517:Roxanne in Daly's presentation of
16:19th/20th-century American actress
14:
986:(limited edition, New York, 1891)
790:Notable American Women, 1607–1950
533:Helen in Daly's presentation of "
109:
1121:20th-century American actresses
1116:19th-century American actresses
1074:Ada Rehan: Broadway Photographs
1049:Ada Rehan, as Lady Teazle from
1008:The Stage in America, 1897–1900
886:Eaton, Walter Prichard (1910).
724:Skinner, Cornelia Otis (1948).
134:She was born Bidelia Crehan in
1:
1043:North American Theatre Online
836:. January 9, 1916. p. 17
422:was named after her, the USS
1090:Heroines of the Modern Stage
1019:, volume ii (New York, 1913)
630:Heroines of the Modern Stage
409:World's Columbian Exposition
372:Greenwood Cemetery, Brooklyn
916:Appelbaum, Stanley (1980).
888:The American Stage of Today
875:– via Newspapers.com.
844:– via Newspapers.com.
755:"Ada Rehan / Comic Actress"
728:. Houghton Mifflin Company.
254:Daly's Fifth Avenue Theatre
1157:
931:Folger Shakespeare Library
1076:(Univ. of South Carolina)
786:James, Edward T. (1971).
240:, produced by New York's
108:
30:
1131:American stage actresses
965:. New York: D. Appleton.
689:Winter, William (1891).
644:Plotnicki, Rita (1993).
265:Mrs. Ann Hartley Gilbert
190:, and other cities with
54:County Limerick, Ireland
1126:Actresses from Brooklyn
535:Midsummer Night's Dream
454:The Taming of the Shrew
347:Sweet Nell of Old Drury
294:The Taming of the Shrew
1051:The School for Scandal
528:The Merchant of Venice
470:The School for Scandal
438:Much Ado About Nothing
312:
230:Fame and Augustin Daly
226:
218:
210:
200:John Edward McCullough
136:Limerick city, Ireland
1038:photo gallery at NYPL
330:Lady Windermere's Fan
303:
281:Cornelia Otis Skinner
224:
216:
208:
130:Early life and career
991:Shadows of the Stage
695:. New York. p.
561:After Business Hours
546:Cinderella at School
478:The Railroad of Love
475:Valentine Osprey in
335:Chicago Evening Mail
168:Across the Continent
1079:Finding aid to the
1057:magazine April 1904
901:Marra, Kim (2006).
809:Marra, Kim (2006).
768:Marra, Kim (2006).
739:Marra, Kim (2006).
674:Marra, Kim (2006).
659:Marra, Kim (2006).
317:George Bernard Shaw
305:John Singer Sargent
166:, in a play called
1016:The Wallet of Time
984:Ada Rehan: A Study
956:"Rehan, Ada"
833:The New York Times
692:Ada Rehan: A Study
566:Our English Friend
520:Cyrano de Bergerac
407:exhibition at the
386:The New York Times
368:Roosevelt Hospital
313:
227:
219:
211:
180:Macauley's Theatre
164:Newark, New Jersey
144:Brooklyn, New York
591:limerickslife.com
502:Nancy and Company
499:Nancy Brasher in
242:Grand Opera House
156:Oliver Doud Byron
117:
116:
37:Ada Rehan in 1897
1148:
1081:Ada Rehan papers
1013:William Winter,
1010:(New York, 1901)
993:(New York, 1892)
989:William Winter,
967:
966:
958:
943:
937:
928:
922:
921:
913:
907:
906:
898:
892:
891:
883:
877:
876:
874:
872:
864:The Boston Globe
859:"Ada Rehan Dead"
855:
846:
845:
843:
841:
824:
815:
814:
806:
800:
799:
793:
783:
774:
773:
765:
759:
758:
751:
745:
744:
736:
730:
729:
721:
715:
714:
708:
700:
686:
680:
679:
671:
665:
664:
656:
650:
649:
641:
635:
627:Izard, Forrest.
625:
614:
608:
602:
601:
599:
597:
582:
551:Needles and Pins
486:The Country Girl
364:arteriosclerosis
274:"breeches roles"
113:
67:
35:
21:
1156:
1155:
1151:
1150:
1149:
1147:
1146:
1145:
1096:
1095:
1069:ship's portrait
1032:at Find-a-Grave
1026:
976:
974:Further reading
971:
970:
953:, eds. (1900).
945:
944:
940:
929:
925:
915:
914:
910:
900:
899:
895:
885:
884:
880:
870:
868:
857:
856:
849:
839:
837:
826:
825:
818:
808:
807:
803:
785:
784:
777:
767:
766:
762:
757:. May 22, 2016.
753:
752:
748:
738:
737:
733:
723:
722:
718:
701:
688:
687:
683:
673:
672:
668:
658:
657:
653:
643:
642:
638:
626:
617:
609:
605:
595:
593:
584:
583:
579:
574:
507:Maid Marian in
491:Kate Verity in
467:Lady Teazle in
432:
396:, after Rehan.
380:
360:
343:
246:Fanny Davenport
232:
192:John W. Albaugh
132:
124:Bidelia Crehan;
72:
69:
65:
64:January 8, 1916
56:
51:
49:
48:
38:
26:
17:
12:
11:
5:
1154:
1152:
1144:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1098:
1097:
1094:
1093:
1087:
1077:
1071:
1059:
1046:
1039:
1033:
1025:
1024:External links
1022:
1021:
1020:
1011:
1004:Norman Hapgood
1001:
1000:(Boston, 1899)
996:L. C. Strang,
994:
987:
980:William Winter
975:
972:
969:
968:
938:
923:
908:
893:
878:
847:
816:
801:
775:
760:
746:
731:
716:
681:
666:
651:
636:
615:
603:
576:
575:
573:
570:
569:
568:
563:
558:
556:A Wooden Spoon
553:
548:
539:
538:
531:
523:
515:
505:
497:
489:
481:
473:
465:
457:
449:
446:As You Like It
441:
431:
428:
379:
376:
366:and cancer at
359:
356:
342:
339:
261:John Drew, Jr.
231:
228:
131:
128:
115:
114:
106:
105:
101:
100:
94:
90:
89:
86:
82:
81:
78:
74:
73:
70:
68:(aged 58)
62:
58:
57:
52:
47:Bidelia Crehan
46:
44:
40:
39:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1153:
1142:
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1103:
1101:
1091:
1088:
1086:
1082:
1078:
1075:
1072:
1070:
1066:
1065:
1062:Liberty ship
1060:
1058:
1056:
1052:
1047:
1045:
1044:
1040:
1037:
1034:
1031:
1028:
1027:
1023:
1018:
1017:
1012:
1009:
1005:
1002:
999:
995:
992:
988:
985:
981:
978:
977:
973:
964:
963:
957:
952:
948:
947:Wilson, J. G.
942:
939:
936:
932:
927:
924:
919:
912:
909:
904:
897:
894:
889:
882:
879:
866:
865:
860:
854:
852:
848:
835:
834:
829:
823:
821:
817:
812:
805:
802:
797:
792:
791:
782:
780:
776:
771:
764:
761:
756:
750:
747:
742:
735:
732:
727:
726:Family Circle
720:
717:
712:
706:
698:
694:
693:
685:
682:
677:
670:
667:
662:
655:
652:
647:
640:
637:
633:
631:
624:
622:
620:
616:
612:
607:
604:
592:
588:
581:
578:
571:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
543:
542:
536:
532:
530:
529:
524:
522:
521:
516:
514:
510:
506:
504:
503:
498:
496:
495:
490:
488:
487:
482:
480:
479:
474:
472:
471:
466:
464:
463:
462:Twelfth Night
458:
456:
455:
451:Katherine in
450:
448:
447:
442:
440:
439:
434:
433:
429:
427:
425:
421:
418:
414:
410:
406:
402:
397:
395:
390:
388:
387:
377:
375:
373:
369:
365:
357:
355:
351:
348:
340:
338:
336:
332:
331:
326:
322:
318:
310:
306:
302:
298:
296:
295:
289:
287:
282:
277:
275:
270:
266:
262:
257:
255:
251:
250:Augustin Daly
247:
244:and starring
243:
239:
238:
229:
223:
215:
207:
203:
201:
197:
193:
189:
185:
181:
177:
176:stock company
173:
169:
165:
161:
157:
152:
149:
145:
141:
137:
129:
127:
125:
121:
112:
107:
102:
98:
95:
91:
87:
83:
79:
75:
71:New York City
63:
59:
55:
50:June 12, 1857
45:
41:
34:
29:
22:
19:
1106:1850s births
1063:
1054:
1050:
1042:
1014:
1007:
997:
990:
983:
960:
941:
926:
917:
911:
902:
896:
887:
881:
869:. Retrieved
862:
838:. Retrieved
831:
810:
804:
789:
769:
763:
749:
740:
734:
725:
719:
691:
684:
675:
669:
660:
654:
645:
639:
629:
606:
594:. Retrieved
590:
580:
565:
560:
555:
550:
545:
540:
526:
518:
512:
500:
492:
484:
476:
468:
460:
452:
444:
443:Rosalind in
436:
435:Beatrice in
423:
420:Liberty ship
417:World War II
398:
391:
384:
381:
361:
352:
346:
344:
334:
328:
314:
293:
290:
278:
268:
258:
235:
233:
167:
160:Arthur Byron
153:
148:Boston Globe
147:
133:
123:
119:
118:
97:Arthur Byron
66:(1916-01-08)
18:
1111:1916 deaths
1055:The Theatre
1053:, cover of
325:Oscar Wilde
196:Edwin Booth
77:Nationality
1100:Categories
572:References
525:Portia in
494:The Squire
341:Retirement
321:Mark Twain
311:collection
85:Occupation
1064:Ada Rehan
1036:Ada Rehan
1030:Ada Rehan
951:Fiske, J.
871:April 13,
840:April 13,
705:cite book
596:April 22,
513:Foresters
483:Peggy in
459:Viola in
424:Ada Rehan
225:Ada Rehan
184:Baltimore
140:emigrated
120:Ada Rehan
104:Signature
93:Relatives
25:Ada Rehan
509:Tennyson
288:-esque.
286:Svengali
99:(nephew)
80:American
1083:at the
413:Chicago
401:Montana
309:The Met
88:Actress
1067:......
632:(1915)
405:mining
394:Comedy
378:Legacy
323:, and
269:Herald
188:Albany
122:(born
430:Roles
358:Death
237:Pique
873:2021
842:2021
711:link
598:2021
198:and
61:Died
43:Born
796:131
511:'s
411:in
403:'s
178:of
1102::
1006:,
982:,
959:.
949:;
861:.
850:^
830:.
819:^
778:^
707:}}
703:{{
697:16
618:^
589:.
426:.
389:.
374:.
319:,
263:,
202:.
186:,
798:.
713:)
699:.
600:.
537:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.