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269:-Western-masculine, and that feminine and Mizrahi art is marginalized and excluded from the consensus. Ars Poetica, therefore, creates a space for the marginalized to express themselves and their art publicly. Ars Poetica, according to Keissar, is a platform for social and political discourse on gender, social identity, and Israel's ethnic rift, which are generally absent from poetry meets, and from Israeli culture as a whole. The evenings are intentionally Mizrahi - including Mizrahi music,
229:- and started writing her own works. Keissar is especially concerned with changing the perception that poetry is something generally out of reach, and believes it belongs to us all. According to Keissar, poetry belongs in our homes and in the streets, not on high shelves in libraries. She says poetry that is not accessible is futile and serves no purpose. In 2017,
317:/Because I’m the Mizrahi/Who’s not afraid of you/Not in admissions committees/ Not in job interviews/And not in airports/ Even though you ask me/Quite a few questions/With accusing eyes/ Searching me for Arab traces/How long did you come here for/And how much cash have you got/You didn’t come here to work, right?/You didn’t come here to work, right?
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2015 - "Women at the Front" award, from
Saloona magazine. The award announcement included these reasons: "For breaking the rules, giving a voice to the voiceless, and turning the margins into the center while providing a professional center stage to Mizrahi artists and creating a revolution in the
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From a young age, Keissar experienced bullying and discrimination because of her dark skin color, and according to her, she came to understand that she belongs to a low social status group. During her compulsory army service, she worked as an infantry instructor, and began to develop her
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Keissar found the typical
Israeli poetry readings and spaces to be condescending and alien. In January 2013, she established poetry nights called Ars Poetica - which in Hebrew is a play on the latin phrase meaning "the art of poetry", whereas the word "Ars" also a commonly used racist
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Keissar started writing poetry at the age of 32, after years of reporting and screenwriting. She viewed poetry as white, elitist and unrelated to her. But after finding some poems on newspaper clippings, she became inspired. She began reading such poets as
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identity. After an extended trip to South
America and some time in New York, Keissar returned to Israel, and began working as a cultural reporter for a local Jerusalem newspaper. In 2009, she moved to Tel Aviv, and began writing for
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extraction. Her mother Ziona, is a special education teacher, and her father, Benny, is a printer. Her mother's family came to Israel in the 1950s from Yemen. Her father's family arrived from
258:. Keissar wanted to reclaim the word, and make it into a source of pride. Her original intention was to hold a single event, but it was so successful, that it became a monthly popular event.
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289:, and others. According to some culture critics, Ars Poetica has given rise to a new art stream that has shaken the world of poetry, literature and culture in Israel.
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and multiple websites. Her work has been translated into at least eight languages. Keissar also appears and lectures in festivals and educational institutions.
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Keissar's poems have appeared in a wide variety of newspapers, magazines and journals in Israel and around the world, as well as in several
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Her most noted poem, "I Am the
Mizrahi", which has been integrated into the national curriculum, expresses the core of her artistic thesis:
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began including
Keissar's poems in the literature curriculum, and her work is also studied in Arab-Jewish culture studies at
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culture section has called
Keissar the most influential poet working in Israel today.
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458:"'Ars Poetica was the explosion of me writing poetry': an interview with Adi Keissar"
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2013 - Pessach Millin Award, from the
Israeli Writers Association
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144:. She is the third of four children in her family, which is of
524:""I'm the Mizrahi": Adi Keissar's New Wave of Mizrahi Poetry"
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Keissar has published three collections of her poetry:
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Don’t tell me how to be
Mizrahi/Even if you’ve read
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488:"Mizrahi Artists Are Here To Incite a Culture War"
120:: עדי קיסר; born December 11, 1980) is an Israeli
553:"Reviving Israel's Mizrahi Roots Through Poetry"
176:Keissar completed her bachelor's degree in the
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168:In 2017, Keissar gave birth to a daughter.
557:American Associates, Ben-Gurion University
184:in 2008. In 2010, she completed an MFA in
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372:, אסופה שנייה December 2013
297:Publication and appearances
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669:Tel Aviv University alumni
394:Bernstein Literature Award
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389:Award for emerging poets
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346:(Ars Poetica, June 2016)
261:Keissar claims that the
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235:Ben-Gurion University
679:Jewish women writers
585:"WOMAN OF HER WORDS"
403:cultural discourse".
639:Israeli women poets
387:Ministry of Culture
353:(Ars Poetica, 2018)
239:Tel Aviv University
203:Sami Shalom Chetrit
190:Tel Aviv University
590:The Jerusalem Post
263:Israeli literature
634:Mizrahi feminists
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331:"Black on Black"
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50:December 11, 1980
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87:Notable work
16:Israeli poet
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615:Adi Keissar
370:ערס פואטיקה
363:ערס פואטיקה
315:Edward Said
303:anthologies
275:spoken word
245:Ars Poetica
126:Ars Poetica
114:Adi Keissar
62:Citizenship
23:Adi Keissar
628:Categories
408:References
351:דברי הימים
223:Erez Biton
178:Humanities
104:Chronicles
99:Loud Music
81:Since 2012
70:Occupation
46:1980-12-11
596:March 17,
563:March 17,
534:March 17,
499:March 17,
468:March 17,
437:March 17,
279:Roy Hasan
267:Ashkenazi
265:canon is
172:Education
152:in 1882.
142:Jerusalem
132:Biography
56:Jerusalem
357:Editor:
291:Ha'aretz
256:Mizrahim
25:עדי קיסר
493:Forward
392:2015 -
385:2015 -
252:epithet
180:at the
158:Mizrahi
462:Fathom
396:, for
377:Awards
225:, and
196:Career
150:Sana'a
146:Yemeni
118:Hebrew
65:Israel
323:Books
163:Ha'ir
619:IMDb
598:2019
565:2019
536:2019
528:TLV1
501:2019
470:2019
439:2019
431:mako
237:and
138:Gilo
122:poet
116:(in
73:Poet
40:Born
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