54:
1754:
123:, and divide the whole into four large sections of 144 time units each. The second and fourth of these main sections are subdivided by the pauses, resulting in a total of eight subsections, with durations of 144, 55 + 89, 144, and 34 + 21 + 34, + 55 units. These are then subdivided further into smaller measures. Each Fibonacci duration is associated throughout the composition with a particular
131:. However, when such a value is also a part of a larger one, e.g., when a section of 34 units is divided 13 + 21, the shorter section takes on in addition the character associated with 34, which is repetition of notes. On the other hand, where 13 combines with 8 to form a larger section of 21 units, the 13 bar will take on in addition to trills the character associated with 21, which is
79:'s paintings made Stockhausen ask himself, when confronted with Mondrian's well-known series of paintings titled simply "compositions"—with their strict organization by vertical and horizontal lines dividing the canvasses into rectangles—why it should be necessary to take months of concentrated work to produce a piece. Recalling also that Meyer's son Wolfgang Sebastian, an
1779:
83:
who not long before had asked
Stockhausen to compose an organ piece, had been killed in a car crash on 10 January 1966, he immediately set to work on the new quintet in memory of the oboist's son, and completed it two days later. There were two unofficial performances, in Calcutta on 30 January and
68:
under the composer's direction, asked
Stockhausen to compose a new wind quintet for an upcoming tour of Asia. Stockhausen initially demurred because a new quintet would probably take months to compose, and the current production of
114:
from 1 to 144. The main material consists of long-drawn out, static or slowly changing sound expanses, interrupted at intervals by general pauses and five short, unfinished traditional tonal cadences, reminiscent of
217:. Michel Moraguès, flute; David Walter, oboe; Pascal Moraguès, clarinet; Pierre Moraguès, horn; Patrick Vilaire, bassoon. Recorded October 1991. CD recording. Auvidis VALOIS V 4639. : Auvidis France, 1992.
223:. Quintette Aquilon (Marion Ralincourt, flute; Claire Sirjacobs, oboe; Stéphanie Corre, clarinet; Marianne Tilquin, horn; Gaêlle Habert, bassoon), Clément Mao-Takacs, cond. Stockhausen:
248:, Berlin-Lankwitz, 13–16 August 2012. CD recording, 1 disc: digital, 12 cm, stereo. Delta Classics 90 094. Frechen: Delta Music & Entertainment GmbH & Co. KG, 2013.
107:, abrupt changes in the sound, and so on. "The musicians must be able to experience deeply, and form into notes, the sense of closeness to death that vibrates in this music".
99:
provokes reflection on the transience of experience by expressing feelings of separation and bereavement. This is accomplished through the use of long-held chords with
1799:
486:
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504:
53:
1809:
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1804:
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in the
Cologne electronic studio was taking up all of his time. A visit made a few days later to a comprehensive exhibition in The Hague of
32:
composed in 1966. It is Number 21 in the composer's catalog of works, and the second of
Stockhausen's three wind quintets, the others being
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177:, bassoon), Karlheinz Stockhausen, cond. LP recording. DG 2530 443. Hamburg: Deutsche Grammophon, 1974.
29:
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344:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International.
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Karlheinz
Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"
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In June 1966 the oboist
Wilhelm Meyer, who had frequently performed Stockhausen's earlier quintet
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in Hong Kong on 6 February, before the "official premiere" on 10 February 1967 in Tokyo by the
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128:
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25:
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Stockhausen, Karlheinz. 1971. "Adieu fĂĽr
Wolfgang Sebastian Meyer (1966)". In his
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148:
1205:
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362:
The Time of Music: New
Meanings, New Temporalities, New Listening Strategies
212:
195:
on CD, Stockhausen
Complete Edition CD 4. KĂĽrten: Stockhausen-Verlag, 2002.
1344:
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80:
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451:. 1998. "Mondrian, Fibonacci ... und Stockhausen: Mass und Zahl in
536:
52:
110:
The work is divided into sections proportioned according to the
468:
103:
fluctuations and gestures of interrupted movement—unfinished
439:. 1973. "The Fibonacci Series in Twentieth-Century Music".
376:. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press.
227:; Klughardt: Wind Quintet in C, Op. 79; Hindemith:
364:. New York: Schirmer Books; London: Collier Macmillan.
1767:
415:
Six
Lectures from the Stockhausen Courses KĂĽrten 2002
127:
type. The value 13, for example, is associated with
119:. These broken-off cadence fragments open and close
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374:Other Planets: The Music of Karlheinz Stockhausen
397:, 92–93. Cologne: Verlag M. DuMont Schauberg.
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8:
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237:: Divertimento, Op. 4. Recorded at
1774:
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276:
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59:Composition II in Red, Blue, and Yellow
1800:Chamber music by Karlheinz Stockhausen
312:
7:
324:
173:, clarinet; John Butterworth, horn;
1607:Center for Art and Media Karlsruhe
14:
1777:
1753:
1752:
461:159, no. 4 (July–August): 31–35.
1:
1810:Compositions for wind quintet
1805:20th-century classical music
22:fĂĽr Wolfgang Sebastian Meyer
233:, Op. 24, No. 2;
1836:
642:Helikopter-Streichquartett
458:Neue Zeitschrift fĂĽr Musik
1749:
1582:
1154:
667:
518:
502:
1662:Gottfried Michael Koenig
165:(Sebastian Bell, flute;
1111:Klavierstücke Nos. 1–19
442:Journal of Music Theory
340:Frisius, Rudolf. 2008.
417:. Stockhausen-Verlag.
61:
1612:Collegium Vocale Köln
729:Hymnen (Third Region)
496:Karlheinz Stockhausen
56:
30:Karlheinz Stockhausen
24:is a composition for
1547:Stockhausen Ensemble
1182:Gesang der JĂĽnglinge
873:Aus den sieben Tagen
524:Atmen gibt das Leben
505:List of compositions
221:German Wind Quintets
199:Quintette Moraguès:
38:(1955-1956) and the
1820:Serial compositions
889:FĂĽr kommende Zeiten
279:, pp. 267–268.
1498:Markus Stockhausen
1448:Alphabet für Liège
1432:Musik fĂĽr ein Haus
230:Kleine Kammermusik
175:William Waterhouse
163:London Sinfonietta
62:
1815:1966 compositions
1765:
1764:
1745:
1744:
1682:MesĂas Maiguashca
1647:Nicolaus A. Huber
1602:Boudewijn Buckinx
1504:Simon Stockhausen
1492:Doris Stockhausen
1474:Mary Bauermeister
1411:
1410:
1222:Unsichtbare Chöre
1127:NatĂĽrliche Dauern
790:
789:
605:
604:
350:978-3-7957-0249-6
112:Fibonacci numbers
1827:
1782:
1781:
1780:
1773:
1756:
1755:
1657:David C. Johnson
1632:Karel Goeyvaerts
1559:Johannes Fritsch
1528:Cornelius Cardew
1518:
1486:Suzanne Stephens
1480:Kathinka Pasveer
1152:
665:
516:
489:
482:
475:
466:
437:Kramer, Jonathan
426:
406:
385:
365:
358:Kramer, Jonathan
353:
328:
322:
316:
310:
304:
298:
292:
289:Stockhausen 1971
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265:Stockhausen 1971
262:
247:
1835:
1834:
1830:
1829:
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1826:
1825:
1824:
1790:
1789:
1788:
1784:Classical music
1778:
1776:
1768:
1766:
1761:
1741:
1697:Costin Miereanu
1597:Fritz Bornemann
1578:
1569:Aloys Kontarsky
1542:
1509:
1462:
1407:
1268:
1141:
1098:
1068:Chöre für Doris
1047:
937:In Freundschaft
786:
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601:
530:
507:
498:
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433:
431:Further reading
409:
395:Dieter Schnebel
391:Texte zur Musik
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12:
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1833:
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1792:
1791:
1787:
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1763:
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1747:
1746:
1743:
1742:
1740:
1739:
1737:Michael Vetter
1734:
1729:
1724:
1719:
1714:
1709:
1707:Jorge Peixinho
1704:
1699:
1694:
1689:
1684:
1679:
1674:
1672:Mauricio Kagel
1669:
1664:
1659:
1654:
1649:
1644:
1639:
1634:
1629:
1627:Vinko Globokar
1624:
1622:Herbert Eimert
1619:
1614:
1609:
1604:
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1289:Mikrophonie II
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1186:
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1159:Konkrete EtĂĽde
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1123:
1115:
1106:
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913:Musik im Bauch
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370:Maconie, Robin
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317:
315:, p. 315.
305:
303:, p. 181.
293:
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269:
256:
254:
251:
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196:
181:reissued with
142:
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88:Wind Quintet.
50:
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13:
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6:
4:
3:
2:
1832:
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1725:
1723:
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1718:
1717:Roger Smalley
1715:
1713:
1710:
1708:
1705:
1703:
1702:Nam June Paik
1700:
1698:
1695:
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1683:
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1677:György Ligeti
1675:
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1642:Hans G. Helms
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1564:Rolf Gehlhaar
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1294:
1291:
1290:
1286:
1283:
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1281:Mikrophonie I
1278:
1277:
1275:
1273:With soloists
1271:
1264:
1263:
1259:
1256:
1255:
1254:Cosmic Pulses
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1128:
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1120:
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817:Kontra-Punkte
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756:With soloists
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449:Toop, Richard
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423:3-00-016185-6
420:
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411:Toop, Richard
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403:3-7701-0493-5
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393:3, edited by
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334:Cited sources
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291:, p. 93.
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183:Kontra-Punkte
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167:Janet Craxton
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153:Kontra-Punkte
150:
147:Stockhausen:
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77:Piet Mondrian
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1732:Thomas Wells
1692:John McGuire
1592:Junsang Bahk
1554:Péter Eötvös
1533:Richard Toop
1454:
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945:Europa-Gruss
943:
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895:
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881:Dr K–Sextett
879:
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308:
301:Frisius 2008
296:
284:
277:Maconie 2005
272:
260:
239:Siemensvilla
228:
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186:
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178:
146:
132:
125:articulation
120:
109:
96:
95:
70:
65:
63:
58:
43:Wind Quintet
40:
33:
26:wind quintet
21:
17:
16:
15:
1722:Tim Souster
1687:Tomás Marco
1667:Jerome Kohl
1652:Alden Jenks
1637:Georg Heike
1617:Hugh Davies
1587:David Ahern
1574:David Tudor
1416:Other works
1135:Himmelfahrt
1114:(1952–2003)
1076:Drei Lieder
650:Himmels-TĂĽr
618:Herbstmusik
445:17:110–148.
313:Kramer 1988
242: [
205:Villa-Lobos
141:Discography
1794:Categories
1712:Otto Piene
1538:Jill Purce
1521:Assistants
1494:(1st wife)
1476:(2nd wife)
1440:Sternklang
1313:Kurzwellen
1305:Prozession
1230:Oktophonie
1147:Electronic
1092:Litanei 97
953:Trumpetent
857:Plus-Minus
825:Schlagtrio
809:Kreuzspiel
661:Orchestral
547:Donnerstag
327:, 189–190.
253:References
171:Antony Pay
149:Kreuzspiel
101:microtonal
57:Mondrian,
1727:Avo Sõmer
1488:(partner)
1482:(partner)
1206:Telemusik
1174:Studie II
993:Schönheit
977:Harmonien
921:Tierkreis
626:Originale
325:Toop 2005
213:Hindemith
134:crescendo
1758:Category
1459:(2004–7)
1424:Ensemble
1393:Paradies
1385:Orvonton
1345:Strahlen
1246:Strahlen
1238:Weltraum
1190:Kontakte
1166:Studie I
1103:Keyboard
1084:Stimmung
1033:Hoffnung
1009:Erwachen
985:Katikati
905:Harlekin
833:ZeitmaĂźe
802:Sonatine
745:Jubiläum
587:Mittwoch
571:Dienstag
413:. 2005.
372:. 2005.
360:. 1988.
187:ZeitmaĂźe
169:, oboe;
157:ZeitmaĂźe
105:cadences
92:Analysis
81:organist
66:ZeitmaĂźe
45:(1997).
35:ZeitmaĂźe
1377:Nebadon
1369:Jerusem
1353:Edentia
1001:Balance
841:Refrain
795:Chamber
764:Momente
689:Gruppen
610:Theatre
595:Sonntag
579:Freitag
555:Samstag
159:, Adieu
49:History
1770:Portal
1467:Family
1451:(1972)
1443:(1971)
1435:(1968)
1427:(1967)
1404:(2007)
1401:Uversa
1396:(2007)
1388:(2007)
1380:(2007)
1372:(2007)
1364:(2007)
1361:Havona
1356:(2007)
1348:(2002)
1340:(1970)
1332:(1970)
1324:(1968)
1321:Spiral
1316:(1968)
1308:(1967)
1300:(1966)
1292:(1965)
1284:(1964)
1265:(2006)
1257:(2006)
1249:(2002)
1241:(1994)
1233:(1991)
1225:(1979)
1217:(1967)
1214:Hymnen
1209:(1966)
1201:(1964)
1198:Mixtur
1193:(1960)
1185:(1956)
1177:(1954)
1169:(1953)
1161:(1952)
1138:(2005)
1130:(2006)
1122:(1970)
1119:Mantra
1095:(1997)
1087:(1968)
1079:(1950)
1071:(1950)
1063:(1950)
1060:Choral
1044:(2007)
1036:(2007)
1028:(2007)
1020:(2007)
1012:(2007)
1004:(2007)
996:(2006)
988:(2006)
980:(2006)
972:(2005)
969:Freude
964:(1997)
961:Rotary
956:(1995)
948:(1992)
940:(1977)
932:(1976)
924:(1975)
916:(1975)
908:(1975)
900:(1972)
892:(1971)
884:(1969)
876:(1968)
868:(1966)
860:(1963)
852:(1959)
849:Zyklus
844:(1959)
836:(1956)
828:(1952)
820:(1952)
812:(1951)
804:(1951)
783:(1974)
775:(1964)
772:Mixtur
767:(1964)
748:(1977)
740:(1971)
732:(1969)
724:(1969)
721:Fresco
716:(1965)
708:(1962)
705:Punkte
700:(1960)
692:(1957)
684:(1952)
676:(1951)
673:Formel
653:(2005)
645:(1993)
637:(1977)
634:Sirius
629:(1961)
621:(1974)
598:(2003)
590:(1997)
582:(1994)
574:(1991)
566:(1988)
563:Montag
558:(1983)
550:(1980)
527:(1977)
512:Operas
421:
401:
380:
348:
235:Eisler
209:Barber
201:Ligeti
189:, and
129:trills
117:Mozart
72:Hymnen
41:Rotary
1506:(son)
1500:(son)
1456:Klang
1262:TĂĽrin
1052:Vocal
1041:Treue
1025:GlĂĽck
1017:Glanz
929:Amour
865:Adieu
780:Inori
737:Trans
697:Carré
681:Spiel
537:Licht
453:Adieu
246:]
225:Adieu
179:Adieu
121:Adieu
97:Adieu
18:Adieu
1337:Pole
1329:Expo
1297:Solo
897:Ylem
713:Stop
419:ISBN
399:ISBN
378:ISBN
346:ISBN
192:Stop
455:".
86:WDR
28:by
1796::
244:de
211:,
207:,
203:,
185:,
161:.
155:,
151:,
137:.
1772::
488:e
481:t
474:v
425:.
405:.
384:.
352:.
267:.
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