Knowledge (XXG)

Adolf von Henselt

Source 📝

28: 887: 164: 53: 20: 961: 194:, saying, "I could have had velvet paws like that if I had wanted to." Henselt's influence on the next generation of Russian pianists was immense. Henselt's playing and teaching greatly influenced the Russian school of music, developing from seeds planted by 148:, and was ennobled in 1876. Henselt usually spent summer holidays in Germany. In 1852, and again in 1867, he visited England, though in the latter year he made no public appearance. Saint Petersburg was his home nearly until his death from 1121: 27: 1216: 188:
playing was highly regarded. "Find out the secret of Henselt's hands," Liszt told his pupils. Once he commented on the lengths Henselt took to achieve his famous
976: 1171: 981: 1156: 1107: 1181: 1161: 1206: 1030: 73:. At the age of three he began to learn the violin, and at five the piano under Josephe von Flad (1778–1843), who had trained in composition with 1166: 1130: 213:. His Piano Concerto in F minor, Op. 16 was once frequently played in Europe, and of his many valuable studies, the Étude in F-sharp major 908: 723: 1196: 1186: 1201: 1060: 1043: 930: 228:
Despite his relatively long life, Henselt ceased nearly all composition by the age of thirty, for reasons that are unclear. Chronic
648: 1211: 145: 1191: 222: 1176: 1082: 901: 895: 313:
Rhapsodie in F minor, Op. 4 (1838). Originally published as "Erinnerung und Freundschaft" Op. 4, No. 1. See Op. 51.
912: 136:
In 1836, to improve his health, he made a prolonged tour through the chief German towns. In 1837, he settled at
1069:
Hyperion records CDA67495 “Etudes” op.2 & op.5; Piers Lane, pianist. Liner notes by Richard Beattie Davis.
567:
Romance russe, transcription of song by Dargomyzhsky, Op. 33b (sometimes referred to as Romance No. 6) (1856)
1103: 102: 149: 144:, where previous visits made him welcome. He became court pianist and inspector of musical studies in the 259: 195: 118: 210: 52: 1151: 1146: 678: 618: 614: 543: 478: 206: 106: 163: 790: 199: 114: 78: 558:
Ballade in B-flat major, Op. 31 (original version 1854, second version 1854, third revision 1879?)
1092: 777: 701: 632: 551: 178:'s sonority with Hummel's smoothness. It was full of poetry, remarkable for his use of extended 101:). His concert debut was at the Odeon in Munich, where he played the opening Allegro to one of 19: 1126: 1056: 1039: 811: 625: 483: 381: 254: 98: 94: 90: 966:
One or more of the preceding sentences incorporates text from a publication now in the
816: 218: 141: 1086: 153: 202:
held him in very great esteem, and considered him one of his most important influences.
1098: 693:
Souvenir de Varsovie, A-flat major, Op. 51 (1838). Originally published as Op. 4 No. 2.
663: 642: 495: 130: 31:
Portrait of Adolf Henselt, composer (1814-1889), before 1889. Archivio Storico Ricordi.
1140: 972: 967: 179: 126: 82: 229: 86: 1009: 175: 74: 117:
that Henselt was provided the financial means to undertake further study with
1079: 1029:
List of works taken from the article on Henselt by Richard Beattie Davis on
655: 525:
Nocturne in A-flat major, Op. 27. Transcription of Romance de R. Thal (1843)
489: 184: 168: 66: 233: 43: 39: 985:. Vol. 13 (11th ed.). Cambridge University Press. p. 302. 140:, where he had married Rosalie Vogel—but the following year migrated to 113:, and a rondo by Kalkbrenner. It was through Flad's influence with King 236:, caused him to withdraw from concert appearances by age thirty-three. 137: 70: 46: 190: 157: 122: 105:'s C major concertos, a free fantasy with variations on a theme from 502:"Pressentiment" for piano, Romance Michel Wielhorsky, Op. 20 (1850) 1046: 162: 51: 26: 18: 1053:
Adolph von Henselt. Ein Leben fĂŒr die KlavierpĂ€dagogik in Rußland
1114: 687:
Romance du Compte G. Koucheleff-Besborodko, Op. 49. See Op. 40a.
573:
Marche du couronnement d'Alexandre II, Op. 35. In G major (1855)
750:
PoĂšme d'amour - Andante et Allegro concertante, WoO, in B major
121:
in Weimar in 1832 for some months. Later that year, he went to
1099:
Piano Trio in A minor, Op. 24 Sound-bites and short bio sketch
880: 697: 452: 1008:
Referred to as "Henselt's F-minor exercise in narcissism" by
56:
Original Church Record showing Henselt's birth as 9 May 1814
849:"Das ferne Land", Romanze fĂŒr Singstimme und Klavier (1843) 546:'s Piano Concerto No. 3 in C minor (Op. 37), Op. 29b (1854) 38:(9 May 1814 – 10 October 1889) was a German 1063: 522:"Das ferne Land", Romanze fĂŒr Solo-Klavier, Op. 26b (1843) 1125:, second edition, 27 volumes. London: MacMillan 2000. 217:, was very popular. At one time Henselt was second to 846:"Der Dumbau" fĂŒr vierstimmigen Acappella-Chor (1840) 759:
Preambules in all the keys, WoO (published in 1884)
582:
MorgenstĂ€ndchen in D-flat major, Op. 39 (1866–1867)
570:
Impromptu No. 3 in B-flat minor, Op. 34 (1854–1855)
505:Deux Romances russes de Soumarokoff, Op. 22 (1850) 690:Duo pour le chant, transcrit pour le piano, Op. 50 448:Fantaisie sur un air bohemien-russe, Op. 16 (1843) 299:in E minor, "Comme le ruisseau dans la mer repand" 23:Portrait of Adolf von Henselt, with scrap of music 305:in B-flat minor, "Plein de soupirs, de souvenirs" 269:Douze Études caractĂ©ristiques, Op. 2 (1837–1838) 588:No. 1, Compte Koucheleff-Besborodko. See Op. 49. 1122:The New Grove Dictionary of Music and Musicians 1119:Richard Beattie Davis "Henselt, Adolph von" in 762:Preparatory exercises, WoO (published in 1894) 732:Meister-Studien fĂŒr Klavier (published in 1892) 296:in F major, "Jeunesse d'amour, plaisir cĂ©leste" 786:Rondoletto, WoO (written 1832, published 1865) 997:The Great Pianists from Mozart to the Present 576:Valse mĂ©lancolique in D minor, Op. 36 (1857?) 564:Chant sans paroles in B minor, Op. 33 (1850?) 434:"Marche, dĂ©diĂ©e Ă  S.M. l'Empereur Nicholas I" 205:He excelled in his own works and in those of 8: 125:, where, besides studying composition under 735:Mon Chant du cynge, WoO (published in 1885) 272:in D minor, "Orage, tu ne saurais abbattre" 133:), he was successful as a concert pianist. 1093:Downloadable recordings of Henselt's works 360:in G-flat major, "Schmerz im GlĂŒck" (1839) 352:in G-sharp minor, "NĂ€chtlicher Geisterzug" 1108:International Music Score Library Project 931:Learn how and when to remove this message 674:Wiegenlied in G-flat major, Op. 45 (1840) 669:Transcription of Weber's Polacca (Op. 72) 579:Impromptu No. 4 in B minor, Op. 37 (1859) 174:To some ears, Henselt's playing combined 954: 952: 950: 948: 894:This article includes a list of general 823:Piano Concerto in F minor, Op. 16 (1847) 519:Toccatina in E-flat major, Op. 25 (1850) 516:Marche funĂšbre in G minor, Op. 23 (1850) 371:PensĂ©e fugitive in F minor, Op. 8 (1839) 944: 833:Duo, Op. 14, for cello and piano (1842) 684:Polacca brillante de C.M. Weber, Op. 48 561:Nocturne in A-flat major, Op. 32 (1854) 293:in E minor, "Tu m'attires, m'entraines" 638:Transcription of Romance by O.K. Klemm 425:in D-flat major, "Air de Balfe" (1846) 377:Romance in B-flat minor, Op. 10 (1840) 340:in G minor, "Romanze mit Chor-Refrain" 334:in A-flat major, "Danklied nach Sturm" 275:in D-flat major, "Pensez un peu Ă  moi" 146:Imperial Institute of Female Education 1217:Musicians from the Kingdom of Bavaria 1038:`Edition I.M.E.` Bonn, Germany 2002. 661:Transcription of Weber's Overture to 653:Transcription of Weber's Overture to 331:in F-sharp minor, "Verlorene Heimath" 287:in F-sharp major, "Si oiseau j'etais" 167:Statue of Henselt in his hometown of 7: 836:Piano Trio in A minor, Op. 24 (1851) 719:"Feuillet d'Album", WoO (about 1870) 716:FantasiestĂŒck in C minor, manuscript 707:Canon pour piano Ă  quatre mains, WoO 466:in B-flat minor, "Der Dombau" (1848) 416:in G-flat major, "La Gondola" (1841) 316:Douze Études de salon, Op. 5 (1838) 741:Petite Romance in B-flat minor, WoO 599:No. 2, "Der Abendstern" (1868–1869) 413:, "Air russe de Noroff" (1840–1841) 253:Variations on ‘Io son' ricco’ from 1172:19th-century German male musicians 900:it lacks sufficient corresponding 852:"Die Nacht im Walde", song, Op. 52 613:Five transcriptions of overtures ( 368:Impromptu in C minor, Op. 7 (1838) 346:in F minor, "Entschwundenes GlĂŒck" 290:in D major, "C'est la jeunesse..." 14: 738:Morgenlied von Uhland, WoO (1876) 302:in E-flat major, "Dors tu ma vie" 1157:19th-century classical composers 1113:International Henselt Society – 1104:Free scores by Adolf von Henselt 959: 885: 753:Polka brilliante in D minor, WoO 477:Arrangements of 12 numbers from 374:Scherzo in B minor, Op. 9 (1839) 363:in F major, "La Fontaine" (1839) 284:in C-sharp minor, "Vie orageuse" 281:in B-flat major, "Repos d'amour" 266:Rondo Serioso in D minor, Op. 1b 1182:German male classical composers 1162:19th-century classical pianists 1047:http://www.studiopunktverlag.de 1207:German male classical pianists 789:Six Themes avec Variations de 773:Romance in C minor, WoO (1838) 710:Chant du printemps, WoO (1833) 585:Deux Romances russes, Op. 40a 457:Impromptu No. 2, Op. 17 (1843) 278:in B minor, "Exauce mes voeux" 36:Georg Martin Adolf von Henselt 1: 1167:19th-century German composers 1115:http://www.henseltsociety.org 808:Quand je quittai la Normandie 631:Transcription of Beethoven's 624:Transcription of Beethoven's 223:Saint Petersburg Conservatory 783:Romance in D-flat major, WoO 747:Petite Valse in F major, WoO 713:Etude in A minor, WoO (1876) 641:Transcription of a Waltz by 604:Etude de J.B. Cramer, Op. 41 528:Deux petites valses, Op. 28 445:FrĂŒhlingslied, Op. 15 (1843) 440:"Romance russe de S. TanĂ©ef" 1016:(Knopf, New York 1984), 74. 596:Duo pour le chant, Op. 40b 463:in E-flat major (1847–1848) 428:, "Mazurka et polka" (1846) 310:PoĂšme d'amour, Op. 3 (1838) 79:AbbĂ© (George Joseph) Vogler 16:German composer and pianist 1233: 610:"Mi manca la voce", Op. 43 1197:German Romantic composers 1187:German classical pianists 1051:Natalia Keil-Zenzerova. 677:Invitation Ă  la danse de 647:Transcription of Weber's 591:No. 2, Prince Kotschoubey 380:Variations on a Theme by 337:in C major, "Elfenreigen" 319:in E-flat major, "Eroica" 1202:German untitled nobility 776:Deux romances du Compte 696:"Bozhe, Tsarya khrani", 472:in C-sharp minor (1843?) 349:in B major, "Liebeslied" 221:in the direction of the 1066:In German & Russian 1064:http://www.peterlang.de 982:EncyclopĂŠdia Britannica 915:more precise citations. 700:. Transcription of the 649:Invitation to the Dance 469:in B-flat major (1843?) 431:"Rakoczy-Marche" (1843) 410:Concert Etudes, Op. 13 328:in E major, "Ave Maria" 325:in A minor, "Hexentanz" 85:and studied piano with 1014:The Glenn Gould Reader 460:Vier Romanzen, Op. 18 422:"Barcarolle de Glinka" 357:Deux Nocturnes, Op. 6 171: 129:(the later teacher of 57: 32: 24: 1212:People from Schwabach 995:Harold C. Schonberg, 724:Prinz Pyotr Oldenburg 702:Russian national hymn 166: 119:Johann Nepomuk Hummel 55: 30: 22: 1192:German male pianists 1012:in: Tim Page (ed.), 607:Air bohĂ©mien, Op. 42 539:Sophie-polka, Op. 29 419:"Cavatine de Glinka" 207:Carl Maria von Weber 65:Henselt was born at 1177:Composers for piano 756:Polka favorite, WoO 200:Sergei Rachmaninoff 182:and technique. His 115:Ludwig I of Bavaria 89:(who later coached 1085:2014-05-08 at the 1055:(Frankfurt 2007) 1032:Grove Music Online 977:Henselt, Adolf von 729:"L'Innocence", WoO 172: 156:, Germany (now in 58: 33: 25: 1131:978-0-19-517067-2 941: 940: 933: 864:"Die Auswanderer" 778:Michel Wielhorsky 765:Set 1 (1854–1855) 744:Petite PiĂšce, WoO 626:Coriolan Overture 534:in C major (1854) 531:in F major (1854) 451:Impromptu No. 1, 249:(selective list) 215:Si oiseau j'Ă©tais 152:during a stay at 99:Fanny Mendelssohn 1224: 1017: 1006: 1000: 993: 987: 986: 965: 963: 962: 956: 936: 929: 925: 922: 916: 911:this article by 902:inline citations 889: 888: 881: 817:Robert le diable 796:Vasa-marche, WoO 552:L'aurore borĂ©ale 384:, Op. 11 (1840) 260:L'elisir d'amore 219:Anton Rubinstein 142:Saint Petersburg 1232: 1231: 1227: 1226: 1225: 1223: 1222: 1221: 1137: 1136: 1087:Wayback Machine 1076: 1026: 1021: 1020: 1007: 1003: 994: 990: 975:, ed. (1911). " 971: 960: 958: 957: 946: 937: 926: 920: 917: 907:Please help to 906: 890: 886: 879: 861:"Pakitas Klage" 843: 830: 820:, Op. 11 (1840) 803: 633:Egmont Overture 555:, Op. 30 (1854) 549:Grande valse – 247: 242: 232:, bordering on 211:FrĂ©dĂ©ric Chopin 150:cardiac disease 63: 17: 12: 11: 5: 1230: 1228: 1220: 1219: 1214: 1209: 1204: 1199: 1194: 1189: 1184: 1179: 1174: 1169: 1164: 1159: 1154: 1149: 1139: 1138: 1135: 1134: 1117: 1111: 1101: 1096: 1090: 1080:Henselt Museum 1075: 1074:External links 1072: 1071: 1070: 1067: 1049: 1036: 1025: 1022: 1019: 1018: 1001: 999:, 1963, p. 201 988: 973:Chisholm, Hugh 943: 942: 939: 938: 921:September 2016 893: 891: 884: 878: 875: 874: 873: 872: 871: 870:"Stumme Liebe" 868: 865: 862: 859: 853: 850: 847: 842: 839: 838: 837: 834: 829: 826: 825: 824: 821: 806:Variations on 802: 799: 798: 797: 794: 787: 784: 781: 774: 771: 770: 769: 766: 760: 757: 754: 751: 748: 745: 742: 739: 736: 733: 730: 727: 720: 717: 714: 711: 708: 705: 694: 691: 688: 685: 682: 675: 672: 671: 670: 667: 659: 651: 645: 643:Johann Strauss 639: 636: 629: 611: 608: 605: 602: 601: 600: 594: 593: 592: 589: 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 547: 540: 537: 536: 535: 532: 526: 523: 520: 517: 514: 513: 512: 509: 503: 500: 484:Der FreischĂŒtz 475: 474: 473: 470: 467: 464: 458: 455: 449: 446: 443: 442: 441: 438: 437:"Polka" (1850) 435: 432: 429: 426: 423: 420: 417: 414: 408: 407: 406: 403: 400: 397: 394: 391: 388: 378: 375: 372: 369: 366: 365: 364: 361: 355: 354: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 314: 311: 308: 307: 306: 303: 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 267: 264: 263:, Op. 1 (1830) 246: 243: 241: 238: 131:Anton Bruckner 111:Der FreischĂŒtz 62: 59: 15: 13: 10: 9: 6: 4: 3: 2: 1229: 1218: 1215: 1213: 1210: 1208: 1205: 1203: 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1183: 1180: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1144: 1142: 1132: 1128: 1124: 1123: 1118: 1116: 1112: 1109: 1105: 1102: 1100: 1097: 1095:in MP3 format 1094: 1091: 1088: 1084: 1081: 1078: 1077: 1073: 1068: 1065: 1062: 1061:3-631-53925-8 1058: 1054: 1050: 1048: 1045: 1044:3-89564-106-5 1041: 1037: 1034: 1033: 1028: 1027: 1023: 1015: 1011: 1005: 1002: 998: 992: 989: 984: 983: 978: 974: 969: 968:public domain 955: 953: 951: 949: 945: 935: 932: 924: 914: 910: 904: 903: 897: 892: 883: 882: 876: 869: 867:"Liebesfahrt" 866: 863: 860: 857: 856: 854: 851: 848: 845: 844: 840: 835: 832: 831: 827: 822: 819: 818: 813: 809: 805: 804: 800: 795: 792: 788: 785: 782: 779: 775: 772: 767: 764: 763: 761: 758: 755: 752: 749: 746: 743: 740: 737: 734: 731: 728: 725: 721: 718: 715: 712: 709: 706: 703: 699: 695: 692: 689: 686: 683: 680: 676: 673: 668: 666: 665: 660: 658: 657: 652: 650: 646: 644: 640: 637: 634: 630: 627: 623: 622: 620: 616: 612: 609: 606: 603: 598: 597: 595: 590: 587: 586: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 553: 548: 545: 541: 538: 533: 530: 529: 527: 524: 521: 518: 515: 510: 507: 506: 504: 501: 498: 497: 492: 491: 486: 485: 480: 476: 471: 468: 465: 462: 461: 459: 456: 454: 450: 447: 444: 439: 436: 433: 430: 427: 424: 421: 418: 415: 412: 411: 409: 404: 401: 398: 396:Variation III 395: 392: 389: 386: 385: 383: 379: 376: 373: 370: 367: 362: 359: 358: 356: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 317: 315: 312: 309: 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 270: 268: 265: 262: 261: 256: 252: 251: 250: 244: 239: 237: 235: 231: 226: 224: 220: 216: 212: 208: 203: 201: 197: 193: 192: 187: 186: 181: 177: 170: 165: 161: 159: 155: 151: 147: 143: 139: 134: 132: 128: 127:Simon Sechter 124: 120: 116: 112: 108: 104: 100: 96: 92: 88: 84: 83:Joseph Graetz 80: 76: 72: 68: 60: 54: 50: 48: 45: 41: 37: 29: 21: 1120: 1052: 1031: 1013: 1004: 996: 991: 980: 927: 918: 899: 858:"Morgenlied" 855:Five Lieder 815: 807: 793:, WoO (1830) 780:, WoO (1840) 768:Set 2 (1881) 662: 654: 550: 542:Cadenza for 494: 488: 482: 399:Variation IV 393:Variation II 387:Introduction 258: 248: 230:stage fright 227: 214: 204: 189: 183: 173: 135: 110: 87:Franz Lauska 64: 35: 34: 1152:1889 deaths 1147:1814 births 1010:Glenn Gould 913:introducing 791:N. Paganini 402:Variation V 390:Variation I 176:Franz Liszt 75:Franz Danzi 1141:Categories 1024:References 896:references 801:Orchestral 679:C.M. Weber 621:), Op. 44 511:in A major 508:in D minor 481:'s operas 343:in A major 322:in G major 245:Piano solo 196:John Field 812:Meyerbeer 722:Hymn fĂŒr 656:Euryanthe 615:Beethoven 544:Beethoven 490:Euryanthe 382:Meyerbeer 255:Donizetti 185:cantabile 169:Schwabach 154:Warmbrunn 91:Meyerbeer 67:Schwabach 1089:(German) 1083:Archived 681:, Op. 47 635:(Op. 84) 628:(Op. 62) 499:, Op. 19 234:paranoia 44:virtuoso 40:composer 1110:(IMSLP) 1106:at the 970::  909:improve 828:Chamber 138:Breslau 71:Bavaria 47:pianist 1129:  1059:  1042:  964:  898:, but 726:(1882) 664:Oberon 496:Oberon 405:Finale 191:legato 180:chords 158:Poland 123:Vienna 103:Mozart 877:Notes 841:Vocal 810:from 619:Weber 479:Weber 240:Works 107:Weber 95:Felix 69:, in 1127:ISBN 1057:ISBN 1040:ISBN 617:and 493:and 209:and 97:and 61:Life 42:and 979:". 814:'s 698:WoO 453:WoO 257:'s 160:). 109:'s 1143:: 947:^ 487:, 225:. 198:. 93:, 81:, 77:, 49:. 1133:. 1035:. 934:) 928:( 923:) 919:( 905:. 704:.

Index



composer
virtuoso
pianist

Schwabach
Bavaria
Franz Danzi
Abbé (George Joseph) Vogler
Joseph Graetz
Franz Lauska
Meyerbeer
Felix
Fanny Mendelssohn
Mozart
Weber
Ludwig I of Bavaria
Johann Nepomuk Hummel
Vienna
Simon Sechter
Anton Bruckner
Breslau
Saint Petersburg
Imperial Institute of Female Education
cardiac disease
Warmbrunn
Poland

Schwabach

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑