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669:. In mourning, the couple went to La Rochelle, and Bouguereau made a painting of her in 1868. A fourth child, Adolphe (known as Paul), was born in October 1868. Aged 15, Georges' health suffered, and his mother took him away from the bad air of Paris. However, he died on 19 June 1875. Nelly had a fifth child in 1876, Maurice, but her health was declining and the doctors suspected that she had contracted tuberculosis. She died on 3 April 1877, and baby Maurice died two months later.
676:, a pupil whom he had known for ten years, but his mother was opposed to the idea. Soon after Nelly's death, she made Bouguereau swear he would not remarry within her lifetime. After his mother's death, and after a nineteen-year engagement, he and Gardner married in Paris in June 1896. His wife continued to work as his private secretary, and helped to organize the household staff. His son Paul contracted tuberculosis in early 1899; Paul, his stepmother, and Bouguereau went to
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548:, Belgium. It was a spectacular success and purchased by the museum at great expense. At this time, William took on decorative work at the Grand Théâtre, Bordeaux, which lasted four years. In 1875, with assistants, he began work on a La Rochelle chapel ceiling, producing six paintings on copper over the next six years. Once installed in the city in summer 1875 he began
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Bouguereau was prearranged to meet the ideals of a New York stockbroker of the black walnut generation." Bouguereau confessed in 1891 that the direction of his mature work was largely a response to the marketplace: "What do you expect, you have to follow public taste, and the public only buys what it likes. That's why, with time, I changed my way of painting."
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known to have painted at least 822 paintings. Many of these paintings have been lost. Near the end of his life he described his love of his art: "Each day I go to my studio full of joy; in the evening when obliged to stop because of darkness I can scarcely wait for the next morning to come ... if I cannot give myself to my dear painting I am miserable."
665:. Living together unmarried, the pair kept their liaison a secret. Their first child, Henriette, was born in April 1857; Georges was born in January 1859. A third child, Jeanne, was born 25 December 1861. The couple married quietly (as many assumed they were already married) on 24 May 1866. Eight days later, Jeanne died from
494:, including four large paintings of figures depicting the seasons. He was happy to undertake other commissions to pay off the debts accrued in Italy and to help his penniless mother. He decorated a mansion with nine large paintings of allegorical figures. In 1856, the Ministry of State for Fine Arts commissioned him to paint
266:, France, on 30 November 1825, into a family of wine and olive oil merchants. The son of Théodore Bouguereau (born 1800) and Marie Bonnin (1804), known as Adeline, William was brought up a Catholic. He had an elder brother, Alfred, and a younger sister, Marie (known as Hanna), who died when she was seven. The family moved to
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bought a vast plot of land on the rue Notre-Dame-des-Champs, and an architect was commissioned to design a grand house with a top-floor studio. The family was installed in 1868, together with five servants and with his mother, Adeline, visiting daily. Bouguereau spent the rest of his life here and at La
Rochelle.
287:. He was soon the best pupil in his class and decided to become an artist in Paris. To fund the move, he sold portraits – 33 oils in three months. All were unsigned and only one has been traced. In 1845, he returned to Mortagne to spend more time with his uncle. He arrived in Paris in March 1846, aged twenty.
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When
Bouguereau arrived in Paris in March 1846, he resided at the Hotel Corneille at 5 rue Corneille. In 1855, after his stay in Rome, he lived at 27 rue de Fleurus, and the following year rented a fourth-floor studio at 3 rue Carnot, near his apartment. In 1866, the year of his marriage to Nelly, he
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in the south. When the stay was prolonged, the artist found a room in which to paint. Paul died at his father's house in April 1900, aged 32; Bouguereau had outlived four of his five children, only
Henriette outlived him. Elizabeth, who was with her husband to the end, died in Paris in January 1922.
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Along with other category winners, he set off for Rome in
December and finally arrived at the Villa Medici in January 1851. Bouguereau explored the city, making sketches and watercolours as he went. He also studied classical literature, which influenced his subject choice for the rest of his career.
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criticized the commercial intent of
Bouguereau's work, writing that the artist "multiplied vague, pink effigies of nymphs, occasionally draped them, when they became saints and madonnas, painted on the great scale that dominates an exhibition, and has had his reward. I am convinced that the nude of
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Bouguereau was an assiduous painter, often completing twenty or more easel paintings in a single year. Even during the twilight years of his life, he would rise at dawn to work on his paintings six days a week and would continue painting until nightfall. Throughout the course of his lifetime, he is
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Bouguereau received many commissions to decorate private houses and public buildings, and, early on, this added to his prestige and fame. As was typical of such commissions, he would sometimes paint in his own style, and at other times conform to an existing group style. He also made reductions of
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for his entire working life. An early reviewer stated, "M. Bouguereau has a natural instinct and knowledge of contour. The eurythmie of the human body preoccupies him, and in recalling the happy results which, in this genre, the ancients and the artists of the sixteenth century arrived at, one can
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was damaged at a
Foreign art exhibition of local artists in Omaha Nebraska. Carey J. Warbington, an accountant, threw a chair at the painting. After Warbington was convicted of insanity and eventually committed suicide. The picture after the incident still traveled the United States with the tare
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In the spring of 1905, Bouguereau's house and studio in Paris were burgled. On 19 August 1905, aged 79, Bouguereau died in La
Rochelle from heart disease. There was an outpouring of grief in the town of his birth. After a Mass at the cathedral, his body was placed on a train to Paris for a second
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where he gave lessons and advice to art students, male and female, from around the world. During several decades he taught drawing and painting to hundreds, if not thousands, of students. Many of them managed to establish artistic careers in their own countries, sometimes following his academic
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Bouguereau employed traditional methods of working up a painting, including detailed pencil studies and oil sketches, and his careful method resulted in a pleasing and accurate rendering of the human form. His painting of skin, hands, and feet was particularly admired. He also used some of the
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Although
Bouguereau spent most of his life in Paris, he returned to La Rochelle again and again throughout his professional life. He was revered in the town of his birth and undertook decorating commissions from local citizens. From the early 1870s, he and his family spent every summer in La
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subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the
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Rochelle. In 1882, he decided that rather than rent he would purchase a house, as well as local farm buildings. By August of that year, the family's permanent summer base was on the rue Verdière. The artist commenced several paintings here and completed them in his Paris studio.
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1001:. In an 1872 letter, Degas wrote that he strove to emulate Bouguereau's ordered and productive working style, although with Degas' famous trenchant wit, and the aesthetic tendencies of the Impressionists, it is possible the statement was meant to be ironic.
283:. There he met a local artist, Charles Marionneau, and commenced at the Municipal School of Drawing and Painting in November 1841. Bouguereau also worked as a shop assistant, hand-colouring lithographs and making small paintings that were reproduced using
472:. In many of his works, he followed the same classical approach to composition, form, and subject matter. Bouguereau's graceful portraits of women were considered very charming, partly because he could beautify a sitter while also retaining her likeness.
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in May 1876. The king admired the artist and they spent intimate times together. In May 1878 the Paris
Universal Exhibition opened to showcase French work. Bouguereau found and borrowed twelve of his paintings from their owners, including his new work
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to stay with his uncle Eugène, a priest, and developed a love of nature, religion, and literature. In 1839, he was sent to study for the priesthood at a
Catholic college in Pons. Here he learned to draw and paint from Louis Sage, who had studied under
369:, and Bouguereau enrolled in the National Guard. After an unsuccessful attempt to win the prize, he entered again in 1849. Following 106 days of competition, he again failed to win. His third attempt commenced unsuccessfully in April 1850 with
517:, who later often was compared to Bouguereau. The Salons annually drew over 300,000 people, providing valuable exposure to exhibited artists. Bouguereau's fame extended to England by the 1860s. Three paintings were shown at the 1863 Salon and
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1165:("Our Lady of the Angels") was last shown publicly in the United States at the World's Columbian Exhibition in Chicago in 1893. It was donated in 2002 to the Daughters of Mary Mother of Our Savior, an order of nuns affiliated with
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had his eye on the long-term rehabilitation of Bouguereau's legacy and reputation. In 1984, the Borghi Gallery hosted a commercial show of 23 oil paintings and one drawing. In the same year, a major exhibition was organized by the
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wrote in 1894 that Bouguereau was a man "destitute of artistic feeling but possessing a cultured taste reveals... in his feeble mawkishness, the fatal decline of the old schools of convention". In 1926, American art historian
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in Hartford, and concluded in Montréal. More recently, resurgence in the artist's popularity has been promoted by American collector Fred Ross, who owns a number of paintings by Bouguereau and features him on his website at
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1169:'s Traditionalist Catholic Society of St. Pius V. In 2009, the nuns sold it for $ 450,000 to an art dealer, who was able to sell it for more than $ 2 million. Kelly was subsequently found guilty by a jury in
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and mythological themes were modern interpretations of Classical subjects, both pagan and Christian, with a concentration on the naked female form. The idealized world of his paintings brought to life goddesses,
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was purchased first by John Wolfe, then sold by his heiress Catharine Lorillard Wolfe to hotelier Edward Stokes, who displayed it in New York City's Hoffman House Hotel. Two paintings by Bouguereau in the
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Bouguereau's career was nearly a direct ascent with hardly a setback. To many, he epitomized taste and refinement, and a respect for tradition. To others, he was a competent technician stuck in the past.
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and in the United States, and commanded high prices. His works often sold within days of completion. Some were viewed by international collectors and bought before work had even finished.
397:. Still based in Rome and working hard on course work, there were more explorations of Italy in 1852. Although he had a strong admiration for all traditional art, he particularly revered
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in Rome, Italy, where, in addition taking formal lessons, he could study firsthand the Renaissance artists and their masterpieces, as well as Greek, Etruscan, and Roman antiquities.
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1202:(with Adolphe as the usual name). However, he used to sign his works simply as William Bouguereau (hinting "William" was his given name, whatever the order), or more precisely as
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337:(1850) was an early example of his neo-classical works. Academic painting placed the highest status on historical and mythological subjects and Bouguereau determined to win the
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on 12 July 1859. By this time, Bouguereau was turning away from history painting and lengthy commissions to work on more personal paintings, with realistic and rustic themes.
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avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in
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only congratulate M. Bouguereau in attempting to follow in their footsteps ... Raphael was inspired by the ancients ... and no one accused him of not being original."
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In his own time, Bouguereau was considered to be one of the greatest painters in the world by the academic art community, and simultaneously he was reviled by the
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and his associates used the term "Bouguereauté" in a derogatory manner to describe any artistic style reliant on "slick and artificial surfaces", also known as a
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Bouguereau received many honors from the Academy: he became a Life Member in 1876; received the Grand Medal of Honour in 1885; was appointed Commander of the
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Bouguereau's works were eagerly bought by American millionaires who considered him the most important French artist of that time. For example,
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1309:(1890), the character Mr Sholto remarks, "there cannot be the least question about the Bouguereau. I am partial to the modern French school."
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In 2019, the Milwaukee Art Museum assembled more than 40 of Bouguereau's paintings for a major retrospective of his work, which according to
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Prices for Bouguereau's works have climbed steadily since 1975, with major paintings selling at high prices: $ 1.5 million in 1998 for
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the single occasion when Bouguereau made him smile on coming across a couple of his paintings in an Arles brothel, "where they belonged".
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591:(1888) is an example. He was also a successful portrait painter and many of his paintings of wealthy patrons remain in private hands.
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The Trans-Mississippi and International Expositions of 1898-1899: art, anthropology, and popular culture at the Fin de Siècle
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Bouguereau flourished after his Villa Medici residence. In 1854–55 he decorated a pavilion at the grand house of a cousin in
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was a favourite of Bouguereau and he took this review as a high compliment. He had fulfilled one of the requirements of the
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527:) was sold to Napoleon III, who presented it to his wife the Empress Eugénie, who hung it in her Tuileries apartment.
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led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are
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religious and erotic symbolism of the Old Masters, such as the "broken pitcher" which connoted lost innocence.
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Bouguereau fell into disrepute after 1920, due in part to changing tastes. Comparing his work to that of his
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However, even during his lifetime, there was critical dissent in assessing his work; the art historian
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in 1885; and was made Grand Officier of the Legion of Honour in 1905. He began to teach drawing at the
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Bouguereau, painting within the traditional academic style, exhibited at the annual exhibitions of the
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at auction in May 2000 for $ 3.5 million. Bouguereau's works are in many public collections.
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in 1832. Another sibling, Kitty, was born in 1834. At the age of twelve, Bouguereau went to
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In 1856, William began living with one of his models, Nelly Monchablon, a 19-year-old from
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ceremony. Bouguereau was laid to rest with Nelly and his children at the family vault at
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Index biographique des membres et associés de l'Académie royale de Belgique (1769–2005).
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279:. Bouguereau then reluctantly left his studies to return to his family, now residing in
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Museum Builders in the West: The Stanfords as Collectors and Patrons of Art, 1870–1906
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intact and the chair accompanied the painting also, wherever the painting was shown.
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2802:"Gifted artist? Bouguereau's work controversial more than a century after his death"
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staged a show of Bouguereau's work in 1974—partly as a curiosity, although curator
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and his family, who normally eschewed the nude, made an exception for Bouguereau's
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Saint Pierre après sa délivrance de prison, vient retrouver les fidèles chez Marie
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Ministère de la Culture et de la Communication, Base Léonore, Archives Nationales
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By the late 1850s, he had made strong connections with art dealers, particularly
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Artistic Relations: Literature and the Visual Arts in Nineteenth-century France
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Russell, John (23 December 1974). "Art: Cultural Center Honors Bouguereau".
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is Bouguereau's first major painting, produced after two years at the
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Sources on his full name are contradictory: it is sometimes given as
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but five months later, he heard he had won a joint first prize for
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Peinture kitsch ou réalisme bourgeois, l'art pompier dans le monde
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Emperor Napoleon III Visiting the Victims of the Tarascon Flood
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in Memphis, Tenn., and then to the San Diego Museum of Art.
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Sherlock Holmes: The Sign of Four (Sherlock Complete Set 2)
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From the 1860s, Bouguereau was closely associated with the
544:(1864), a shocking nude, was submitted to an exhibition in
425:. In April 1854, he left Rome and returned to La Rochelle.
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Royal Academy of Science, Letters and Fine Arts of Belgium
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Zenobie retrouvée par les bergers sur les bords de l'Araxe
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Gibson, Michael (1984). "Bouguereau's 'Photo-Idealism'".
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The Academy and French Painting in the Nineteenth Century
2853:"Bouguereau & America at The San Diego Museum of Art"
2375:"Musée d'Orsay: William Bouguereau Equality before Death"
2764:. New York Cultural Center and Farleigh Dickinson, 1974.
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Loin du Pays (painting and two reductions) Far From Home
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contest in April 1848. Soon after work began there were
3007:(First ed.). Ottawa: National Gallery of Canada.
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style, and in other cases, rebelling against it, like
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in 1875, a co-ed art institution independent of the
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2220:. San Francisco: Pomegranate Artbooks. p. 10.
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3022:D'Argencourt, Louise; Walker, Mark Steven (1984).
216:; 30 November 1825 – 19 August 1905) was a French
3228:Shepherds Find Zenobia on the Banks of the Araxes
3042:"To Bouguereau, Art Was Strictly 'The Beautiful'"
2675:. Stanford University Museum of Art, 1986, p. 18.
2401:Birmingham Museum of Art: Guide to the Collection
2250:"To Bouguereau, Art Was Strictly 'The Beautiful'"
378:Shepherds Find Zenobia on the Banks of the Araxes
3161:William-Adolphe Bouguereau: The Complete Works
2988:Catalogue illustré des œuvres de W. Bouguereau
570:Bouguereau was a staunch traditionalist whose
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2713:Marketing Modernism in Fin-de-siècle Europe
2544:Collier, Peter; Lethbridge, Robert (1994).
1862:A Young Girl Defending Herself Against Eros
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2403:. London: D Giles Ltd. pp. 222–223.
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1877:The Flagellation of Our Lord Jesus Christ
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3116:Rosenblum, Robert; Janson, H.W. (2004).
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262:William-Adolphe Bouguereau was born in
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3120:(Second ed.). New York: Pearson.
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2776:"Who Is Buying All Those Bouguereaus?"
2762:William-Adolphe Bouguereau (catalogue)
2346:William Bouguereau: His Life and Works
2279:"William Bouguereau: Genius Reclaimed"
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258:A portrait of Eugène Bouguereau (1850)
3681:Academic staff of the Académie Julian
3574:
3073:. New York: New York Cultural Center.
2963:. New York: Hofstra University Press.
1256:1876: Officer of the Legion of Honour
616:, after the death of his first wife.
211:
7:
3616:
3602:
3099:L'école des beaux art du XIXe siècle
2986:Bouguereau, William-Adolphe (1885).
2972:. New Haven: Yale University Press.
2655:"The painting that changed New York"
2356:
2354:
1547:, a portrait of Cot's daughter, 1890
1457:Girl Defending herself against Cupid
612:. He married his most famous pupil,
1094:faulted Bouguereau's painting for "
649:Portrait by Bouguereau of his wife
319:Bouguereau became a student at the
27:French academic painter (1825–1905)
2774:Berwick, Carly (20 October 2005).
2653:Jacolbe, Jessica (12 March 2019).
2613:Bertrand, Anne (2 February 1995).
1011:Avant et après (Intimate Journals)
25:
2872:"Gallery Owner Didn't Cheat Nuns"
2826:Gibson, Eric (26 February 2019).
1149:, $ 2.6 million in 1999 for
912:Depictions of mythological scenes
3686:Burials at Montparnasse Cemetery
3666:20th-century French male artists
3656:19th-century French male artists
3615:
3601:
3588:
3587:
3573:
3040:Glueck, Grace (6 January 1985).
2248:Glueck, Grace (6 January 1985).
2166:
2151:
2134:
2114:
2099:
2084:
2069:
2054:
2037:
2016:
1999:
1982:
1965:
1948:
1933:
1916:
1901:
1884:
1869:
1854:
1839:
1824:
1809:
1792:
1777:
1762:
1745:
1730:
1715:
1700:
1683:
1047:. In 1890 Bouguereau’s painting
932:
917:
895:
880:
861:
846:
831:
811:
796:
779:
764:
741:
720:
3148:. 6 January 1981. pp. 6–8.
2961:Art Pompier: Anti-Impressionism
2906:Handelsblad (Het), 15 May 1881.
2828:"Re-Examining A Reviled Master"
2738:The Nude; A Study in Ideal Form
2364:(2018), pp. 241–244 (in German)
1206:(French alphabet) and later as
191:
166:
3078:Lécharny, Louis-Marie (1998).
2716:. Princeton University Press.
2685:Katz, Wendy Jean, ed. (2018).
969:. He also gained wide fame in
556:William III of the Netherlands
1:
3097:Ritzenthaler, Cécile (1987).
3003:D'Argencourt, Louise (1981).
2925:Doyle, Arthur Conan (2011) .
2800:Roth, Mark (20 August 2007).
2198:The Broken Pitcher (Painting)
357:The young artist entered the
213:[wiljamadɔlfbuɡ(ə)ʁo]
3671:20th-century French painters
3661:19th-century French painters
3404:Cupid and Psyche as Children
3033:International Herald Tribune
3024:William Bouguereau 1925–1905
3005:The Other Nineteenth Century
2994:Celebonovic, Aleska (1974).
1487:Alma Parens of Mother France
1385:Italian Girl at the Fountain
1138:Memphis Brooks Museum of Art
1118:, in Paris, traveled to The
1112:Montreal Museum of Fine Arts
672:The artist planned to marry
353:Villa Medici, Rome 1851–1854
3721:French Orientalist painters
3691:École des Beaux-Arts alumni
2216:Wissman, Fronia E. (1996).
1268:1885: Grand Medal of Honour
942:, 1857. Private collection.
927:, 1857. Private collection.
925:Enfant sur un monstre marin
3752:
3608:William-Adolphe Bouguereau
3197:William-Adolphe Bouguereau
3071:William Adolphe Bouguereau
2362:William-Adolphe Bouguereau
1817:Italian Girl Drawing Water
1552:L'Amour et Psyché, enfants
1200:Adolphe William Bouguereau
1196:William Adolphe Bouguereau
1192:William-Adolphe Bouguereau
315:de Paris at the age of 23.
205:William-Adolphe Bouguereau
36:William-Adolphe Bouguereau
3736:Prix de Rome for painting
3567:
3276:Breton Brother and Sister
3144:"The Bouguereau Market".
3101:. Paris: Editions Mayer.
3069:Isaacson, Robert (1974).
2127:(The Virgin of the Lilies
1801:Breton Brother and Sister
1237:
1222:
631:
625:
601:
460:
359:
339:
321:
311:
41:
3444:The Virgin of the Lilies
2931:. Headline. p. 17.
2193:Sir Lawrence Alma-Tadema
1692:Dante and Virgil in Hell
1607:The Ravishment of Psyche
1513:Woman with Captive Cupid
1411:At the Edge of the River
1103:New York Cultural Center
1033:San Francisco earthquake
1009:and later describing in
827:Depictions of nude women
334:Dante and Virgil in Hell
3726:People from La Rochelle
3701:French Realist painters
3060:Harding, James (1980).
2857:San Diego Museum of Art
2832:The Wall Street Journal
2806:Pittsburgh Post-Gazette
2710:Jensen, Robert (1996).
1974:Les murmures de l'Amour
1536:Les murmures de l'Amour
1133:The Wall Street Journal
788:The Abduction of Psyche
3706:French Roman Catholics
3492:François-Edouard Picot
3486:Elizabeth Jane Gardner
3332:The Song of the Angels
2968:Boime, Albert (1986).
2399:Andrews, Gail (2011).
1847:Les Enfants à L'Agneau
1641:Yvonne on the Doorstep
1437:La Jeunesse et l'Amour
1336:
1325:
1186:
1185:Bouguereau's signature
1079:
1031:were destroyed in the
962:
674:Elizabeth Jane Gardner
658:
651:Elizabeth Jane Gardner
614:Elizabeth Jane Gardner
538:
487:
469:The Triumph of Galatea
444:
329:François-Édouard Picot
316:
295:Égalité devant la mort
259:
180:Elizabeth Jane Gardner
3356:The Young Shepherdess
3212:Equality Before Death
3062:Les peintres pompiers
2591:Wissman 1996, p. 114.
2570:Wissman 1996, p. 110.
2502:Wissman 1996, p. 103.
2468:Wissman 1996, p. 112.
1574:Le Travail interrompu
1331:
1320:
1184:
1146:The Heart's Awakening
1116:Musée du Petit-Palais
1071:
958:The Young Shepherdess
955:
940:Enfant sur un griffon
705:Montparnasse Cemetery
694:Later years and death
648:
558:, Bouguereau went to
533:
482:
436:
299:Equality Before Death
293:
257:
209:French pronunciation:
3696:French male painters
3524:Elizabeth Bouguereau
3364:The Return of Spring
3064:. Paris: Flammarion.
2990:, Paris: L. Baschet.
2582:Wissman 1996, p. 15.
2514:Wissman 1996, p. 16.
2486:Wissman 1996, p. 31.
2477:Wissman 1996, p. 60.
2459:Wissman 1996, p. 14.
2450:Wissman 1996, p. 70.
2441:Wissman 1996, p. 13.
2432:Wissman 1996, p. 25.
2423:Wissman 1996, p. 24.
2310:Wissman 1996, p. 11.
2289:on 18 September 2015
1506:The Return of Spring
1493:The Youth of Bacchus
1306:The Sign of the Four
1271:1890: Member of the
1259:1881: Knight in the
1250:1859: Knight of the
1163:Notre Dame des Anges
1041:James Ben Ali Haggin
633:École des Beaux-Arts
323:École des Beaux-Arts
312:École des Beaux-Arts
272:Mortagne-sur-Gironde
3544:Henry Ossawa Tanner
3519:Eanger Irving Couse
3452:Queen of the Angels
3380:Whisperings of Love
3268:Maternal Admiration
3146:The Arte newsletter
2603:Wissman 1996, p. 9.
2143:Queen of the Angels
1754:Maternal Admiration
1723:The Day of the Dead
1405:Homer and his Guide
1208:"W-BOVGVEREAV-date"
1204:"W.Bouguereau.date"
1062:Frank Jewett Mather
888:Les Deux Baigneuses
442:Clark Art Institute
91:La Rochelle, France
3731:Pont-Aven painters
3498:Art Renewal Center
3372:The First Mourning
3316:The Birth of Venus
3244:Alone in the World
3137:The New York Times
3046:The New York Times
2876:www.abqjournal.com
2671:Osborne, Carol M.
2637:Intimate Journals
2379:www.musee-orsay.fr
2254:The New York Times
2029:Pierre Auguste Cot
1957:The First Mourning
1893:Song of the Angels
1520:The First Mourning
1464:Song of the Angels
1450:The Birth of Venus
1431:The Little Knitter
1362:Alone in the World
1337:
1326:
1301:Arthur Conan Doyle
1294:Robert W. Chambers
1289:The King in Yellow
1215:Awards and honours
1187:
1125:Art Renewal Center
1120:Wadsworth Atheneum
1080:
1035:and fire of 1906.
1007:Racontars de Rapin
963:
659:
641:Wives and children
539:
488:
445:
317:
268:Saint-Martin-de-Ré
260:
115:The Birth of Venus
18:Adolphe Bouguereau
3633:
3632:
3460:A Dream of Spring
3348:The Nut Gatherers
3260:The Knitting Girl
2998:. Paris: Seghers.
2938:978-0-7553-8765-6
2696:978-0-8032-7880-6
1909:Fishing For Frogs
1634:Rêve de printemps
1480:The Nut Gatherers
1370:The Knitting Girl
1210:(Latin alphabet).
1194:(composed name),
772:Psyche et L'Amour
403:Leonardo da Vinci
389:and on to Capri,
285:chromolithography
202:
201:
16:(Redirected from
3743:
3620:
3619:
3618:
3606:
3605:
3604:
3592:
3591:
3590:
3578:
3577:
3576:
3436:Work Interrupted
3420:A Little Coaxing
3292:Flora and Zephyr
3284:Nymphs and Satyr
3252:The Elder Sister
3220:Dante and Virgil
3190:
3183:
3176:
3167:
3149:
3140:
3131:
3118:19th Century Art
3112:
3093:
3074:
3065:
3056:
3054:
3052:
3036:
3027:
3018:
2999:
2983:
2964:
2943:
2942:
2922:
2916:
2913:
2907:
2904:
2898:
2897:
2887:
2879:
2867:
2861:
2860:
2849:
2843:
2842:
2840:
2838:
2823:
2817:
2816:
2814:
2812:
2797:
2791:
2790:
2788:
2786:
2771:
2765:
2758:Isaacson, Robert
2754:
2748:
2736:Clark, Kenneth.
2734:
2728:
2727:
2707:
2701:
2700:
2682:
2676:
2669:
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2662:
2650:
2644:
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2433:
2430:
2424:
2421:
2415:
2414:
2396:
2383:
2382:
2371:
2365:
2360:Vachon, Marius,
2358:
2349:
2342:
2311:
2308:
2299:
2298:
2296:
2294:
2285:. Archived from
2274:
2265:
2264:
2262:
2260:
2245:
2232:
2231:
2213:
2170:
2155:
2138:
2123:La Vierge au lys
2118:
2103:
2088:
2073:
2058:
2046:A Little Coaxing
2041:
2020:
2003:
1986:
1969:
1952:
1937:
1920:
1905:
1888:
1873:
1858:
1843:
1828:
1813:
1796:
1785:Italian Mandolin
1781:
1766:
1749:
1734:
1719:
1704:
1687:
1626:La Vierge au lys
1425:The Grape Picker
1418:Flora and Zephyr
1398:Nymphs and Satyr
1378:The Elder Sister
1261:Order of Leopold
1252:Legion of Honour
1242:
1241:
1227:
1226:
1211:
1171:Albany, New York
1090:contemporaries,
1049:Return of Spring
1019:Nymphs and Satyr
936:
921:
899:
884:
865:
850:
835:
815:
800:
783:
768:
745:
724:
663:Lisle-en-Rigault
657:, Tainan, Taiwan
636:
635:
628:
627:
606:
605:
589:The Annunciation
507:Paul Durand-Ruel
500:Legion of Honour
465:
464:
438:Nymphs and Satyr
429:Height of career
372:Dante and Virgil
364:
363:
344:
343:
326:
325:
314:
313:
218:academic painter
215:
210:
195:
193:
170:
168:
156:Nelly Monchablon
107:
87:
69:30 November 1825
68:
66:
46:
32:
21:
3751:
3750:
3746:
3745:
3744:
3742:
3741:
3740:
3636:
3635:
3634:
3629:
3614:
3600:
3586:
3572:
3563:
3539:Edward Redfield
3502:
3474:
3388:The Shepherdess
3199:
3194:
3157:
3152:
3143:
3134:
3128:
3115:
3109:
3096:
3090:
3077:
3068:
3059:
3050:
3048:
3039:
3030:
3021:
3015:
3002:
2993:
2980:
2967:
2955:
2951:
2949:Further reading
2946:
2939:
2924:
2923:
2919:
2914:
2910:
2905:
2901:
2880:
2869:
2868:
2864:
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2755:
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2735:
2731:
2724:
2709:
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2679:
2670:
2666:
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2647:
2634:
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2607:
2602:
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2290:
2276:
2275:
2268:
2258:
2256:
2247:
2246:
2235:
2228:
2215:
2214:
2210:
2206:
2184:
2177:
2171:
2162:
2159:Before The Bath
2156:
2147:
2139:
2130:
2119:
2110:
2104:
2095:
2092:The Shepherdess
2089:
2080:
2074:
2065:
2059:
2050:
2042:
2033:
2021:
2012:
2004:
1995:
1991:The Shepherdess
1987:
1978:
1970:
1961:
1953:
1944:
1938:
1929:
1921:
1912:
1906:
1897:
1889:
1880:
1874:
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1835:
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1767:
1758:
1750:
1741:
1735:
1726:
1720:
1711:
1705:
1696:
1688:
1679:
1601:Pleasant Burden
1528:The Shepherdess
1443:The Donkey Ride
1322:Pleasant Burden
1315:
1284:
1217:
1189:
1179:
1107:Robert Isaacson
1029:Leland Stanford
950:
943:
937:
928:
922:
906:
900:
891:
885:
876:
866:
857:
851:
842:
836:
822:
816:
807:
801:
792:
784:
775:
769:
760:
746:
737:
725:
713:
696:
687:
643:
626:Académie Julian
621:Legion of Honor
603:Académie Julian
597:
595:Académie Julian
572:genre paintings
484:The Holy Family
431:
399:Greek sculpture
355:
252:
250:Formative years
247:
245:Life and career
235:figure painting
208:
198:
197:
194: 1896)
189:
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172:
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127:
105:
92:
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5:
3749:
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3698:
3693:
3688:
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3678:
3673:
3668:
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3648:
3638:
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3631:
3630:
3628:
3627:
3626:
3625:
3597:
3583:
3568:
3565:
3564:
3562:
3561:
3556:
3554:Thomas Anshutz
3551:
3546:
3541:
3536:
3531:
3529:Ellen Day Hale
3526:
3521:
3516:
3510:
3508:
3504:
3503:
3501:
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3495:
3489:
3482:
3480:
3476:
3475:
3473:
3472:
3464:
3456:
3448:
3440:
3432:
3428:The Goose Girl
3424:
3416:
3408:
3400:
3392:
3384:
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3368:
3360:
3352:
3344:
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3328:
3320:
3312:
3304:
3296:
3288:
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3264:
3256:
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3232:
3224:
3216:
3207:
3205:
3201:
3200:
3195:
3193:
3192:
3185:
3178:
3170:
3164:
3163:
3156:
3155:External links
3153:
3151:
3150:
3141:
3132:
3127:978-0131895621
3126:
3113:
3108:978-2852990029
3107:
3094:
3089:978-2130493419
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3066:
3057:
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3019:
3014:978-0888843487
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2979:978-0300037326
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2410:978-1904832775
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2227:978-0876545829
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2034:
2027:, daughter of
2022:
2015:
2013:
2005:
1998:
1996:
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1981:
1979:
1971:
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1708:Fraternal Love
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1589:The Wasps Nest
1586:
1582:The Goose Girl
1578:
1570:
1567:Little Beggars
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1314:
1313:Selected works
1311:
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1278:
1275:
1269:
1266:
1263:
1257:
1254:
1248:
1235:1850: Premier
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1152:The Motherland
1057:Richard Muther
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3580:List of works
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3080:L'Art-Pompier
3076:
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2957:Boime, Albert
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2746:0-691-01788-3
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2640:, p. 174, at
2639:
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2621:(in French).
2620:
2619:liberation.fr
2616:
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2209:
2203:
2199:
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2189:
2188:Gustave Doyen
2186:
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2181:
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2026:
2025:Gabrielle Cot
2019:
2014:
2010:
2009:
2002:
1997:
1993:
1992:
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1975:
1968:
1963:
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1282:In literature
1281:
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1220:1848: Second
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1128:
1126:
1121:
1117:
1113:
1108:
1104:
1099:
1097:
1093:
1092:Kenneth Clark
1089:
1088:Impressionist
1085:
1078:
1077:Haggin Museum
1074:
1070:
1066:
1063:
1058:
1053:
1050:
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1034:
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999:licked finish
996:
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773:
767:
762:
758:
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744:
739:
735:
731:
730:
723:
718:
715:
711:Notable works
710:
708:
706:
700:
693:
691:
684:
682:
679:
675:
670:
668:
664:
656:
655:Chimei Museum
652:
647:
640:
638:
634:
622:
617:
615:
611:
610:Henri Matisse
604:
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584:
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525:Chimei Museum
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388:
385:He walked to
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336:
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278:
273:
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265:
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244:
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239:still unknown
236:
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231:Impressionist
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174:
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61:
57:
52:
51:
50:Self-portrait
45:
40:
33:
30:
19:
3676:Academic art
3613:
3599:
3585:
3571:
3559:Émile Munier
3534:Anna Klumpke
3466:
3458:
3450:
3442:
3434:
3426:
3418:
3410:
3402:
3396:The Bohemian
3394:
3386:
3378:
3370:
3362:
3354:
3346:
3340:Evening Mood
3338:
3330:
3322:
3314:
3306:
3298:
3290:
3282:
3274:
3266:
3258:
3250:
3242:
3234:
3226:
3218:
3210:
3196:
3145:
3136:
3117:
3098:
3079:
3070:
3061:
3049:. Retrieved
3045:
3032:
3023:
3004:
2995:
2969:
2960:
2927:
2920:
2911:
2902:
2875:
2865:
2856:
2847:
2835:. Retrieved
2831:
2821:
2809:. Retrieved
2805:
2795:
2783:. Retrieved
2780:New York Sun
2779:
2769:
2761:
2752:
2737:
2732:
2712:
2705:
2686:
2680:
2672:
2667:
2658:
2648:
2642:Google Books
2635:
2631:
2618:
2608:
2587:
2566:
2546:
2539:
2482:
2473:
2464:
2455:
2446:
2437:
2428:
2419:
2400:
2378:
2369:
2361:
2345:
2291:. Retrieved
2287:the original
2282:
2277:Ross, Fred.
2257:. Retrieved
2253:
2217:
2211:
2173:
2158:
2141:
2126:
2121:
2106:
2091:
2076:
2062:The Invasion
2061:
2044:
2023:
2008:The Bohemian
2006:
1989:
1972:
1955:
1940:
1923:
1908:
1891:
1876:
1861:
1846:
1831:
1816:
1799:
1784:
1770:The Haymaker
1769:
1752:
1737:
1722:
1707:
1690:
1668:
1661:In The Woods
1660:
1654:
1646:
1640:
1632:
1624:
1618:
1612:
1606:
1600:
1594:
1588:
1580:
1572:
1566:
1560:The Bohemian
1558:
1550:
1542:
1534:
1526:
1518:
1512:
1504:
1498:
1492:
1486:
1478:
1472:Evening Mood
1470:
1462:
1456:
1448:
1442:
1436:
1430:
1424:
1416:
1410:
1404:
1396:
1390:
1384:
1376:
1368:
1360:
1354:
1348:
1340:
1332:
1321:
1304:
1298:
1287:
1285:
1244:
1239:Prix de Rome
1229:
1224:Prix de Rome
1207:
1203:
1199:
1195:
1191:
1188:
1162:
1161:
1156:
1150:
1144:
1142:
1131:
1129:
1100:
1081:
1072:
1054:
1048:
1044:
1017:
1015:
1010:
1006:
1003:Paul Gauguin
991:
964:
956:
939:
924:
911:
902:
887:
872:
868:
853:
838:
818:
803:
786:
771:
757:Evening Mood
756:
752:
748:
733:
727:
701:
697:
688:
671:
667:tuberculosis
660:
618:
598:
588:
585:
581:
569:
564:
549:
541:
540:
534:
518:
515:Hugues Merle
504:
495:
489:
483:
474:
467:
462:Prix de Rome
454:
446:
437:
411:Michelangelo
383:
376:
370:
361:Prix de Rome
356:
347:Villa Medici
341:Prix de Rome
332:
318:
306:
298:
294:
261:
222:mythological
204:
203:
140:Academic art
122:The Bohemian
120:
113:
106:Notable work
86:(1905-08-19)
48:
29:
3651:1905 deaths
3646:1825 births
3549:Paul Chabas
2837:26 February
2283:Art Renewal
2174:Two Sisters
2107:Inspiration
1941:Seated Nude
1027:mansion of
975:Netherlands
967:avant-garde
520:Holy Family
449:Paris Salon
264:La Rochelle
73:La Rochelle
3640:Categories
3468:The Oreads
3051:27 January
2723:0691029261
2623:Libération
2293:27 January
2259:27 January
2218:Bouguereau
2204:References
1648:The Oreads
1619:Admiration
948:Reputation
869:The Bather
535:The Bather
65:1825-11-30
3622:Paintings
3594:Paintings
3236:The Dance
3204:Paintings
1595:Innocence
1391:Baigneuse
1303:'s novel
1096:lubricity
1073:Nymphaeum
1045:Nymphaeum
1037:Gold Rush
985:, Italy,
873:Baigneuse
839:Baigneuse
819:Bacchante
804:Innocence
565:Nymphaeum
492:Angoulins
423:Delacroix
305:, Paris.
226:classical
3507:Students
2959:(1974).
2884:cite web
2811:31 March
2785:31 March
2182:See also
2129:) (1899)
1613:The Wave
1342:La Danse
1075:, 1878,
1025:Nob Hill
979:Portugal
903:The Wave
729:L'Aurore
523:(Now at
307:Equality
281:Bordeaux
132:Movement
75:, France
3494:(tutor)
3479:Related
2348:, 2010.
2146:(1900)
2077:Daisies
1832:Charity
1738:Charity
1677:Gallery
1655:Oceanid
1299:In Sir
1157:Charity
1084:Realist
1039:tycoon
987:Romania
971:Belgium
753:Evening
456:Raphael
407:Raphael
395:Pompeii
196:
188:
184:
171:
163:
159:
146:Spouses
136:Realism
100:Painter
3488:(wife)
3471:(1902)
3463:(1901)
3455:(1900)
3447:(1899)
3439:(1891)
3431:(1891)
3423:(1890)
3415:(1890)
3407:(1890)
3399:(1890)
3391:(1889)
3383:(1889)
3375:(1888)
3367:(1886)
3359:(1885)
3351:(1882)
3343:(1882)
3335:(1881)
3327:(1881)
3319:(1879)
3311:(1879)
3303:(1876)
3295:(1875)
3287:(1873)
3279:(1871)
3271:(1869)
3263:(1869)
3255:(1869)
3247:(1867)
3239:(1856)
3231:(1850)
3223:(1850)
3215:(1848)
3124:
3105:
3086:
3011:
2976:
2935:
2744:
2720:
2693:
2554:
2407:
2224:
2176:(1901)
2161:(1900)
2109:(1898)
2094:(1895)
2079:(1894)
2064:(1892)
2049:(1890)
2032:(1890)
2011:(1890)
1994:(1889)
1977:(1889)
1960:(1888)
1943:(1884)
1928:(1884)
1925:Biblis
1911:(1882)
1896:(1881)
1879:(1880)
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