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Daub was an assistant professor of German (2008-2013) and associate professor of German (2013-2016) at
Stanford and was appointed full Professor of German Studies and Comparative Literature in 2016. At Stanford, he served as the Director of Feminist, Gender, and Sexuality Studies (2016-2020) and,
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301:„Zwillingshafte Gebärden“: Zur kulturellen Wahrnehmung des vierhändigen Klavierspiels im neunzehnten Jahrhundert. Königshausen & Neumann, Würzburg 2009, ISBN 978-3-8260-3894-5
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Daub has been the co-editor of the Goethe
Yearbook and General Editor of Republics of Letters – A Journal for the Study of Knowledge, Politics, and the Arts.
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360:"From Maximin to Stonewall: Sexuality and the Afterlives of the George Circle." The Germanic Review: Literature, Culture, Theory 87, no. 1 (2012): 19-34.
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Uncivil unions: The
Metaphysics of Marriage in German Idealism & Romanticism. University of Chicago Press, Chicago 2012, ISBN 978-0-226-13693-6
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357:"" HANNAH, CAN YOU HEAR ME?"—CHAPLIN'S" GREAT DICTATOR"," SCHTONK," AND THE VICISSITUDES OF VOICE." Criticism 51, no. 3 (2009): 451-482.
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354:"Mother Mime: Siegfried, the Fairy Tale, and the Metaphysics of Sexual Difference." 19th-century Music 32, no. 2 (2008): 160-177.
351:"Adorno's Schreker: Charting the self-dissolution of the distant sound." Cambridge Opera Journal 18, no. 3 (2006): 247-271.
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366:"HERMANN NITSCH–AUSTRIA IN THE AGE OF POST-SCANDALOUS CULTURE." German Life and Letters 67, no. 2 (2014): 260-278.
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with
Elisabeth Bronfen. "Broomhilda Unchained: Tarantino’s Wagner." The Wagner Journal 9, no. 2 (2015): 55-67.
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Daub's scholarship focuses on the history of German literature, culture, and intellectual life since 1790,
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363:"“An All-Too-Secret Wagner”: Ernst Bloch the Wagnerian." The Opera Quarterly 30, no. 2-3 (2014): 188-204.
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413:"Professor Adrian Daub named as next director of Feminist, Gender, and Sexuality Studies at Stanford"
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since 2019, has served as the
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Four-Handed
Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture.
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Tristan's Shadow: Sexuality and the Total Work of Art after Wagner.
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Was das Valley denken nennt. Ăśber die
Ideologie der Techbranche.
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Chicago
University Press, Chicago 2013, ISBN 978-0-226-08213-4
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Oxford
University Press, Oxford 2015, ISBN 978-0-19-023455-3
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Oxford
University Press, Oxford 2014, ISBN 978-0-19-998177-9
233:. His dissertation dealt with the marriage philosophies in
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Pop Up Nation: Innenansichten aus dem Silicon Valley.
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The James Bond Songs: Pop Anthems of Late Capitalism.
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329:Hanser, MĂĽnchen 2016, ISBN 978-3-446-25376-6
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341:. FSG Originals, 2020, ISBN 9780374538644
267:since the end of World War II, music and
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546:University of Pennsylvania alumni
241:and was under the direction of
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291:Bibliography (selected works)
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541:Swarthmore College alumni
319:with Charles Kronengold:
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339:What Tech Calls Thinking
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388:"Stanford, Profiles"
283:and literature, and
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168:Stanford University
53:Academic background
261:German Romanticism
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161:Institutions
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136:German film
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511:Germanists
490:Categories
374:References
98:Discipline
58:Education
465:"People"
346:Articles
239:Idealism
229:at the
187:Cologne
145:Modern
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195:German
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227:Ph.D.
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