27:
103:
19:
310:, it tells a fictional love story, where the virtue of Adriano is tested by his infatuation with Emirena, a Parthian princess, both before and after his marriage to Sabina. One of the subplots in the story is the attempt by Osroa to kill Adriano in a fire. Eventually, all ends well, Osroa is spared, Farnaspe marries Emirena, and Adriano returns to the love of his wife Sabina.
253:
2152:
239:
were running high at the time and France would declare war on
Austria the next month), and the theme was imperialistic, which went against the ideals of the French Revolution. The premier was postponed for a week, and Hoffman defended his work in an open letter, but to no avail, as the work was
1116:
Dictionnaire lyrique: ou, Histoire des opéras contenant l'analyse et la nomenclature de tous les opéras et opéras-comiques représentés en France et à l'étranger depuis l'origine de ce genre d'ouvrages jusqu'à nos
63:
in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late
Classical works by
26:
2184:
141:
singing the part of
Farnaspe, which was radically altered from the first version of just two years earlier. In the yet again altered version of 1735 by
1372:
2265:
200:
on 29 January 1769. The 1765 version by Johann
Christian Bach, while not especially created for a royal occasion, was even visited twice by
182:
185:
were bored (Dean 2006, 278–79; Van Til 2007, 121). However, the work enjoyed a run of twenty performances over six months (Helyard 2000).
2233:
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1001:
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also composed an opera based on the libretto by
Metastasio, this time to be performed at the royal wedding between
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As a royalist or even imperialist opera, it was badly received by
Republicans and revolutionaries. In 1792,
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Some of the later operas based on this libretto were also created for royal festivities: the
2345:
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56:
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Farnaspe: friend of Osroa and prince of the Parths, in love with and betrothed to
Emirena
2313:
869:
Metastasio, Pietro (3 January 2011). "Adriano in Siria". In
Lavezzi, Gianfranca (ed.).
726:
675:
579:
390:
217:
306:
against the historic background of the time the future Roman
Emperor Hadrian spent as
240:
banned on 12 March 1792. It finally premiered in 1799, but was again shut down by the
122:(1697–1774). A revised version was first performed in 1733, with music by Giacomelli.
2394:
1010:
Staging the French
Revolution: Cultural Politics and the Paris Opera, 1789–1794
639:
446:
30:
Title page of a 1752 version of the libretto, for the performance in Dresden of the
18:
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687:
506:
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1648:
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2126:
2104:
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2011:
1989:
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1498:
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944:
Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century
368:
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64:
1720:
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1965:
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715:
52:
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252:
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1696:
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age
2193:
277:
154:
48:
1120:(in French). Administration du Grand dictionnaire universel. p. 8.
303:
261:
907:
Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy
60:
293:
Aquilio: tribune, friend of Adriano and secretly in love with Sabina
1970:. Drammaturgia musicale veneta. Stanford University Libraries. 1983
101:
25:
17:
1856:. Italian opera, 1640-1770. Stanford University Libraries. 1978.
1340:
A New Chronology of Venetian Opera and Related Genres, 1660-1760
2166:
106:
Bust of Sabina (Collection of the Getty Villa, Los Angeles)
118:
in Vienna on 4 November 1732. The scenes were designed by
1217:(in Italian). Ed. di Storia e Letteratura. p. 287.
235:
opposed it, as the opera was written by an Austrian (
90:, sung by the character Emirena, was set to music by
271:
Emirena: prisoner of Adriano, in love with Farnaspe
225:based on Metastasio; it was set to premier at the
1747:. Barcelona: Francisco Generas. 1763. p. 14.
1371:LĂĽtteken, Laurenz; Splitt, Gerhard, eds. (2002).
1241:Geschichte der Oper am Hofe zu MĂĽnchen, Volume 1
822:Words on Music: Essays in Honor of Andrew Porter
137:in Naples on 25 October 1734, with the castrato
2127:"Opening Night! Opera & Oratorio Premieres"
2105:"Opening Night! Opera & Oratorio Premieres"
2083:"Opening Night! Opera & Oratorio Premieres"
2034:"Opening Night! Opera & Oratorio Premieres"
2012:"Opening Night! Opera & Oratorio Premieres"
1990:"Opening Night! Opera & Oratorio Premieres"
1944:"Opening Night! Opera & Oratorio Premieres"
1922:"Opening Night! Opera & Oratorio Premieres"
1830:"Opening Night! Opera & Oratorio Premieres"
1781:"Opening Night! Opera & Oratorio Premieres"
1759:"Opening Night! Opera & Oratorio Premieres"
1672:"Opening Night! Opera & Oratorio Premieres"
1624:"Opening Night! Opera & Oratorio Premieres"
1543:"Opening Night! Opera & Oratorio Premieres"
1521:"Opening Night! Opera & Oratorio Premieres"
1499:"Opening Night! Opera & Oratorio Premieres"
1477:"Opening Night! Opera & Oratorio Premieres"
1421:"Opening Night! Opera & Oratorio Premieres"
1399:"Opening Night! Opera & Oratorio Premieres"
1283:"Opening Night! Opera & Oratorio Premieres"
1002:"Censorship at the Opéra: the controversy over
385:Adriano en Siria o Más gloria es triunfar de sĂ
1564:Gluck, Christoph Willibald Ritter von (2007).
2178:
8:
2058:Historia de la mĂşsica en 6 bloques, Volume 2
1377:(in German). Walter de Gruyter. p. 71.
1332:
1330:
1328:
1326:
1324:
1322:
1258:Historia de la mĂşsica en 6 bloques, Volume 2
795:Historia de la mĂşsica en 6 bloques, Volume 2
181:, not known for his musical perception, and
145:, written for the short-lived but ambitious
1366:
1364:
1362:
1360:
133:, the Queen of Spain, and premiered at the
2185:
2171:
2163:
2061:(in Spanish). VisiĂłn Libros. p. 221.
1653:. Baldwin, Cradock and Joy. 1823. p.
1643:
1641:
1261:(in Spanish). VisiĂłn Libros. p. 162.
1108:
1106:
1104:
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1100:
1098:
1096:
1094:
1092:
1090:
1088:
1086:
1084:
1082:
1080:
1078:
1076:
798:(in Spanish). VisiĂłn Libros. p. 152.
94:in his Opus 82: 4 Arietten und ein Duett.
1650:The Quarterly Musical Magazine and Review
1214:Drammaturgia romana, vol. II, (1701-1750)
1113:Clément, Félix; Larousse, Pierre (1869).
1074:
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1060:
1058:
1056:
968:
966:
964:
900:
898:
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208:when it was performed in London in 1765.
1374:Metastasio im Deutschland der Aufklärung
1152:
1150:
936:
934:
932:
930:
928:
926:
431:Die getreue Emirena Parthische PrinzeĂźin
251:
1163:. Oxford University Press. p. 49.
784:
314:Operas based on the Metastasio libretto
290:: in love with and betrothed to Adriano
976:The La Scala Encyclopedia of the Opera
909:. University of Chicago. p. 258.
864:
862:
1570:(in Italian). Pendragon. p. 37.
1036:The Age of Beethoven, 1790–1830
860:
858:
856:
854:
852:
850:
848:
846:
844:
842:
177:liked the opera and ordered a score;
149:in London, the same role was sung by
7:
1805:Ballet music from the Mannheim court
1465:. Milan: Giuseppe Richino Malatesta.
1343:. Stanford University. p. 511.
183:Henry Liddell, 1st Baron Ravensworth
2055:Pajares Alonso, Roberto L. (2010).
1255:Pajares Alonso, Roberto L. (2010).
1244:(in German). Datterer. p. 127.
792:Pajares Alonso, Roberto L. (2010).
1136:. Carlo Buonarrigo. 1733. p.
979:. Simon and Schuster. p. 10.
14:
1699:. Oxford University. p. 86.
1337:Selfridge-Field, Eleanor (2007).
1039:. Oxford University. p. 71.
206:Charlotte of Mecklenburg-Strelitz
129:was intended for the birthday of
2234:L'impresario delle Isole Canarie
2150:
202:George III of the United Kingdom
194:Amalie of ZweibrĂĽcken-Birkenfeld
153:, joined in an all-star cast by
2129:. Stanford University Libraries
2107:. Stanford University Libraries
2085:. Stanford University Libraries
2036:. Stanford University Libraries
2014:. Stanford University Libraries
1992:. Stanford University Libraries
1946:. Stanford University Libraries
1924:. Stanford University Libraries
1902:. Stanford University Libraries
1832:. Stanford University Libraries
1783:. Stanford University Libraries
1761:. Stanford University Libraries
1723:. Stanford University Libraries
1674:. Stanford University Libraries
1626:. Stanford University Libraries
1545:. Stanford University Libraries
1523:. Stanford University Libraries
1501:. Stanford University Libraries
1479:. Stanford University Libraries
1423:. Stanford University Libraries
1401:. Stanford University Libraries
1307:. Stanford University Libraries
1285:. Stanford University Libraries
1238:Rudhart, Franz Michael (1865).
1157:Sadie, Julie Anne, ed. (1998).
574:Johann Gottfried Schwanenberger
354:(adaptation of the libretto by
169:was present at the premiere in
55:first performed, with music by
198:Frederick Augustus I of Saxony
112:Charles VI, Holy Roman Emperor
110:The libretto was composed for
1:
1802:Cannabich, Christian (1999).
1888:. Naples: Francesco Morelli.
1808:. A-R Editions. p. ix.
415:Giovanni Battista Lampugnani
375:Giovanni Battista Ferrandini
1884:Metastasio, Pietro (1769).
1608:Metastasio, Pietro (1755).
1459:Metastasio, Pietro (1750).
598:Pietro Alessandro Guglielmi
334:Giovanni Battista Pergolesi
2437:
2274:La passione di GesĂą Cristo
1612:. Monaco: Giovanni Vötter.
1160:Companion to Baroque Music
825:. Pendragon. p. 182.
2204:
1693:Howard, Patricia (2014).
1659:riccardo broschi adriano.
1184:barbier, Patrick (1995).
973:Bagnoli, Giorgio (1993).
947:. University of Chicago.
819:Kennedy, Michael (2003).
465:Vincenzo Legrenzio Ciampi
244:after four performances.
229:on 6 March 1792, but the
215:had finished his version
1033:Abraham, Gerald (1982).
941:Holmes, William (1994).
905:Feldman, Martha (2010).
555:Giovanni Battista Borghi
477:Giovan Battista Pescetti
397:Giovanni Alberto Ristori
352:Francesco Maria Veracini
237:Anti-Austrian sentiments
143:Francesco Maria Veracini
120:Antonio Galli da Bibiena
2406:Italian-language operas
1445:Adriano in Syria. Opera
734:adapted from Metastasio
732:François-Benoît Hoffman
483:Antonio Gaetano Pampani
346:Pietro Giuseppe Sandoni
223:François-Benoît Hoffman
2416:Libretti by Metastasio
1448:. London: G. Woodfall.
1190:(in French). Grasset.
622:Gian Francesco de Majo
513:Michelangelo Valentini
268:, in love with Emirena
257:
167:George Frederic Handel
116:Theater am Kärntnertor
107:
77:Vita Hadriani Caesaris
35:
23:
2266:Alessandro nell’Indie
2218:Siface, re di Numidia
1012:. Oxford University.
1000:Darlow, Mark (2012).
700:Jakob Friedrich Gauss
604:Johann Christian Bach
568:Antonio Maria Mazzoni
255:
147:Opera of the Nobility
135:Teatro San Bartolomeo
114:and premiered in the
105:
29:
21:
2378:Il trionfo di Clelia
2159:at Wikimedia Commons
749:Vincento Migliorucci
328:Geminiano Giacomelli
127:version by Pergolesi
92:Ludwig van Beethoven
22:Metastasio by Batoni
2330:La clemenza di Tito
1591:Metastasio (1757).
1442:Metastasio (1750).
1142:metastasio adriano.
710:Sebastiano Nasolini
501:Johann Adolph Hasse
437:Carl Heinrich Graun
284:, father of Emirena
221:with a libretto by
165:(Burden 2007, 31).
88:L'amante impaziente
84:Che fa il mio bene?
32:Johann Adolph Hasse
2242:Siroe re di Persia
2226:Didone abbandonata
1886:L'Adriano in Siria
1211:Franchi, Saverio.
773:Saverio Mercadante
761:Giuseppe Farinelli
646:Giacomo Insanguine
561:Baldassare Galuppi
495:Giuseppe Scarlatti
403:Baldassare Galuppi
258:
163:Antonio Montagnana
108:
36:
24:
2388:
2387:
2354:Ciro riconosciuto
2338:Gioas re di Giuda
2210:Gli orti esperidi
2198:Pietro Metastasio
2155:Media related to
1567:Orfeo ed Euridice
871:Melodrammi e arie
704:Hadrian in Syrien
682:Felice Alessandri
531:Andrea Bernasconi
409:Michele Caballone
308:Governor of Syria
171:Haymarket Theatre
159:Francesca Cuzzoni
131:Elisabeth Farnese
2428:
2346:Achille in Sciro
2322:Betulia liberata
2306:Adriano in Siria
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670:Pasquale Anfossi
663:Adriano in Siria
658:Josef MysliveÄŤek
634:Antonio Sacchini
616:Hieronymus Mango
586:Gregorio Sciroli
563:(second version)
543:Francesco Uttini
537:Rinaldo di Capua
519:Giuseppe Scolari
471:Ignazio Fiorillo
453:Paolo Scalabrini
427:Giovanni Verocai
363:Riccardo Broschi
339:Adriano in Siria
67:(Book 19 of the
51:by Italian poet
45:Hadrian in Syria
40:Adriano in Siria
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755:Marcos Portugal
694:Luigi Cherubini
610:Ignaz Holzbauer
549:Francesco Brusa
525:Nicola Conforto
489:Andrea Adolfati
459:Gaetano Latilla
322:Antonio Caldara
316:
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282:Parthian Empire
256:Parthian Empire
250:
190:Ignaz Holzbauer
175:Charles Jennens
100:
57:Antonio Caldara
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688:Giacomo Rust
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507:Davide Perez
440:
430:
421:Antonio Giai
384:
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188:In 1768–69,
187:
124:
109:
98:Performances
87:
83:
81:
76:
68:
44:
39:
38:
37:
15:
2421:1732 operas
2401:Opera seria
2314:L'Olimpiade
1967:SearchWorks
1853:SearchWorks
628:Carlo Monza
369:Egidio Duni
356:Angelo Cori
227:Paris Opera
179:Lord Hervey
65:Cassius Dio
2395:Categories
2362:Ipermestra
2133:3 November
2111:3 November
2089:3 November
2040:3 November
2018:3 November
1996:3 November
1974:31 October
1950:3 November
1928:3 November
1906:31 October
1869:31 October
1836:3 November
1787:3 November
1765:3 November
1727:31 October
1678:3 November
1630:3 November
1549:3 November
1527:3 November
1505:3 November
1483:3 November
1427:3 November
1405:3 November
1311:31 October
1289:3 November
780:References
716:Simon Mayr
139:Caffarelli
53:Metastasio
2298:Demofonte
2282:Artaserse
1597:. Madrid.
1187:Farinelli
463:1747-48:
441:Artabanus
242:Directory
151:Farinelli
82:The aria
2290:Demetrio
2194:Libretti
298:Synopsis
155:Senesino
49:libretto
873:. Bur.
304:Antioch
302:Set in
262:Adriano
232:Commune
47:) is a
2411:Operas
2381:(1762)
2373:(1751)
2365:(1744)
2357:(1736)
2349:(1736)
2341:(1735)
2333:(1734)
2325:(1734)
2317:(1733)
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2301:(1731)
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727:Adrien
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367:1736:
361:1735:
350:1735:
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332:1734:
326:1733:
320:1732:
288:Sabina
218:Adrien
71:) and
61:Vienna
1117:jours
278:Osroa
266:Syria
248:Roles
59:, in
34:opera
2258:Ezio
2135:2014
2113:2014
2091:2014
2063:ISBN
2042:2014
2020:2014
1998:2014
1976:2014
1952:2014
1930:2014
1908:2014
1871:2014
1858:ISBN
1838:2014
1810:ISBN
1789:2014
1767:2014
1729:2014
1701:ISBN
1680:2014
1632:2014
1572:ISBN
1551:2014
1529:2014
1507:2014
1485:2014
1429:2014
1407:2014
1379:ISBN
1345:ISBN
1313:2014
1291:2014
1263:ISBN
1219:ISBN
1192:ISBN
1165:ISBN
1041:ISBN
1014:ISBN
981:ISBN
949:ISBN
911:ISBN
875:ISBN
827:ISBN
800:ISBN
196:and
161:and
2196:by
1655:306
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2000:.
1978:.
1954:.
1932:.
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