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Afsar Madad Naqvi

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Friend and contemporary to leading artists and literary figures, Afsar Naqvi is a quiet, retiring man and has spent the better part of the last twenty five years teaching sculpture to a generation of artists at the institute. In his work, Sir Naqvi is an exponent of the Eastern idiom. His deep rooted
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He came to Pakistan in 1962 and shortly after that and had a solo show at the Karachi Arts Council Hall, which was also the country's first solo sculpture exhibition. When Mr. Nawabzada Wajid Mehmood founded the Central Institute of Arts and Crafts, he requested him to set up the sculpture studio and
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He was highly skilled in his craft, his long finger nimbly created small figurines in clay while he carried on with his discussions, as if they had a life of their own. While fame eluded him as a Master Sculptor his skills earned high great respect and his advice was always sought in technical
165: 158: 128:; 10 August 1933 – 11 January 1997), was a prominent 20th-century's sculptor. He is best known for his pure realistic monumental sculptures which can be seen in many places around the country (such as Roshan Khan/Jahangir Khan Squash Complex, Fleet Club, 211:
His acute observation of detail, timeless dedication to craftsmanship and the innate soul of a master allows him to breathe life into any work of art from delicate pencil sketch to monumental sculptures and that is truly make him one of the world's top artists.
136:, Star Gate Karachi, Quaid-e-Azam International Airport, Village Restaurant, Metropol Hotel etc.). Afsar Madad Naqvi was a master Pakistani sculptor and painter. He was a founder member of the Central Institute of Arts and Crafts 34: 196:
He was one of the few qualified sculptors who could teach the technique of making life-size armature, simple casting and multiple casting with permanent moulds. He worked with great ease and facility in metals, wood, cement,
330:. Indian Classical sculpture, Naqvi's ability to be able to capture in wood, stone or metal the essence of a narrative moment with a dramatic naturalistic realism. 235:
Afsar Naqvi's vision and aesthetics was indelibly etched into his own creative expression and his drive to achieve the same level of perfection in his master work.
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Afsar Naqvi was sculptor, traditionalist, loyal friend and affectionate teacher. He had a huge following of artists in Pakistan, most of whom were his students.
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aesthetics of the sub-continental culture bond us to the past. Many art scholar would have us believe that Mughal miniature and
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https://web.archive.org/web/20111008221833/http://www.amroha.net.pk/internal/afsar_madad_1.htm
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https://web.archive.org/web/20091227053223/http://www.amrohatimes.com/php/personalities.php
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1985 – Group Exhibition- The Fifth National Arts Exhibition, Idara Saqafat -e- Pakistan
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1997 – Solo Exhibition – A tribute to Afsar Madad Naqvi, Arts Council of Pakistan,
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1960 – Diploma and Post-diploma- Government College of Arts and Crafts
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1969 – Solo Exhibition- Pakistan American Cultural Centre (P.A.C.C.)
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1992 – Joined North City School of Art & Architecture,
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of Pakistan, Markaz-e-Sadaat-e-Amroha Centre, Hasan Square
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matters, for which he was seldom financially compensated.
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as Principle and Head of Fine Art (Sculpture) Department
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1995 – Founded Bhittai Institute of Art & Crafts
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1962 – Joined Central Institute of Art & Crafts,
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he have lived up to this responsibility since then.
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Index


Amroha
Karachi
Sindh
Urdu
Arts Council
Karachi
Karachi




Amroha
Lucknow
Lucknow College of Arts and Crafts
Plaster
folk art
Indian art
art history
Amroha
Lucknow
Karachi
Karachi
Arts Council of Pakistan
Karachi
Karachi
Karachi
Karachi
Karachi
terra-cotta

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