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in its use of three pools of light produced by beam projectors which appear successively stage center, left and right (center, right and left from the audience's perspective), in which the faun / dancer capers and bathes; it resembles what is known of the original mostly in its costuming.
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earlier in their careers, Kobburg a principal there as well as in London.
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This article is about Tim
Rushton's ballet. For musical composition by
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Kobborg performed it again in
October 2007 as part of City Center's
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93:festival. Both Rushton and Kobburg danced for the
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69:The premiere took place in February 2006 at
100:Rushton's setting differs materially from
200:Adaptations of works by Stéphane Mallarmé
190:Ballets to the music of Claude Debussy
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79:Orange County Performing Arts Center
27:. For other ballets and uses, see
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63:Prélude à l'après-midi d'un faune
25:Prélude à l'après-midi d'un faune
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16:Ballet written by Tim Rushton
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53:; principal dancer at the
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77:gala and subsequently at
185:Ballets by Tim Rushton
195:2006 ballet premieres
147:Ballet.co.uk Magazine
71:New York City Center
43:Danish Dance Theatre
41:is a ballet made by
205:Mythology in ballet
139:, February 23, 2006
129:, February 25, 2006
95:Royal Danish Ballet
38:Afternoon of a Faun
29:Afternoon of a Faun
75:Kings of the Dance
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163:, October 4, 2007
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91:Fall for Dance
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137:Gia Kourlas
47:Tim Rushton
179:Categories
151:Anjuli Bai
102:Nijinsky's
83:Costa Mesa
59:Debussy's
157:NY Times
133:NY Times
123:NY Times
105:original
112:Reviews
21:Debussy
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87:Calif.
23:, see
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