113:, Agata della Pietà was one of at least three foundlings of the Ospedale known to have become a composer. Agata was held at high esteem within the Ospedale della Pietà until the end of her life. She helped maintain the institution's musical collections, she taught several younger women to high levels of music, and she was eventually raised to the position of Prioress (
45:, she received thorough musical training starting in her childhood through the instruction of an older woman named Apollonia, who was also top soprano vocalist for the Ospedale. After years of training, Agata became a performing member in the institution's musical ensembles, called the
101:
in F (inscribed to one "Louisa"); only parts of these compositions survive today, although they demonstrate that Agata knew standard levels of composition in her time, including advanced techniques and professional levels of musicianship that equaled her contemporaries.
87:. Harpsichordist, Elizabeth Anderson completed a reconstruction of this work in 2022 and it was first performed by the Australian Chamber Choir in Melbourne in May 2022. Other known compositions are two Marian antiphons
158:
Vanessa
Tonelli, "Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori," (PhD Dissertation, Northwestern University, 2022), 244-257.
201:
135:
222:
232:
217:
227:
171:
117:), or head of the women's section of the institution, in her fifties. She died at the age of 56, on 7 October 1769.
191:
106:
38:
27:
197:
Bertil van Boer, Historical
Dictionary of Music of the Classical Period Scarecrow Press, 2012, p. 155
242:
237:
110:
202:"Le Figlie di Coro: Women's Musical Education and Performance at the Venetian Ospedali Maggiori."
97:
76:
Agata della Pietà is known to have written several musical compositions, including a setting of
62:
34:
175:
58:
53:
soloist, singing teacher, and administrator. She is known to have been the soloist in
211:
183:
179:
26:, singer, and teacher of music at the Venetian charitable institution known as the
136:"Six-fingered orphan's lost masterpiece to debut in Melbourne after centuries"
65:, in whose manuscripts she is mentioned by name; she is also mentioned in an
77:
66:
84:
23:
50:
187:
42:
54:
170:
Venice, c. 1800). Italian singer, teacher and composer." The
95:
in the style of solo motets, as well as a solo motet titled
22:(24 March 1712 - 17 October 1769) was an Italian
204:PhD Dissertation. Northwestern University, 2022.
8:
172:Norton/Grove Dictionary of Women Composers
69:verse tribute to musicians of the Pietà
126:
223:Musicians from the Republic of Venice
166:Berdes, Jane L. "Della Pietà, Agata (
7:
233:18th-century Italian women composers
14:
218:Italian women classical composers
228:18th-century Italian composers
1:
134:Zwartz, Barney (2022-04-26).
73:which dates to around 1740.
37:admitted in infancy to the
259:
192:W. W. Norton & Company
49:; she later became a
194:, 1995. p. 138.
39:Ospedale della Pietà
28:Ospedale della Pietà
57:commissioned from
111:Santa della Pietà
63:Andrea Bernasconi
20:Agata della Pietà
250:
200:Vanessa Tonelli
176:Julie Anne Sadie
159:
156:
150:
149:
147:
146:
131:
16:Italian composer
258:
257:
253:
252:
251:
249:
248:
247:
208:
207:
163:
162:
157:
153:
144:
142:
133:
132:
128:
123:
17:
12:
11:
5:
256:
254:
246:
245:
240:
235:
230:
225:
220:
210:
209:
206:
205:
198:
195:
161:
160:
151:
125:
124:
122:
119:
59:Giovanni Porta
15:
13:
10:
9:
6:
4:
3:
2:
255:
244:
241:
239:
236:
234:
231:
229:
226:
224:
221:
219:
216:
215:
213:
203:
199:
196:
193:
189:
185:
181:
177:
173:
169:
165:
164:
155:
152:
141:
137:
130:
127:
120:
118:
116:
112:
108:
103:
100:
99:
94:
90:
86:
82:
79:
74:
72:
68:
64:
60:
56:
52:
48:
44:
40:
36:
31:
29:
25:
21:
180:Rhian Samuel
167:
154:
143:. Retrieved
139:
129:
114:
104:
96:
93:Salve Regina
92:
89:Regina Caeli
88:
80:
75:
70:
46:
32:
19:
18:
243:1769 deaths
238:1712 births
105:Along with
98:Novo aprili
212:Categories
145:2023-01-15
121:References
107:Michielina
81:Ecce nunc
78:Psalm 134
67:anonymous
35:foundling
184:New York
85:compline
24:composer
182:, eds.
140:The Age
51:soprano
188:London
115:Priora
55:motets
43:Venice
178:and
109:and
91:and
83:for
71:cori
61:and
47:coro
41:in
214::
190::
186:;
174:.
168:fl
138:.
33:A
30:.
148:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.