92:, carrying out the principles laid down in a treatise written by Agatharchus, wrote on the same subject, showing how, in drawing, the lines ought to be made to correspond, according to a natural proportion, to the figure which would be traced out on an imaginary intervening plane by a pencil of rays proceeding from the eye, as a fixed point of sight, to the several points of the object viewed.
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at greater length tell an anecdote of
Alcibiades having inveigled Agatharchus to his house and kept him there for more than three months in strict durance, compelling him to paint it. The speech of Andocides above referred to seems to have been delivered after the destruction of
84:'s assertion that scenic painting was introduced by Sophocles, some scholars understand Vitruvius to mean merely that Agatharchus constructed a stage. But the context shows clearly that perspective painting must be meant, for Vitruvius goes on to say that
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It was probably not till towards the end of
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Agatharchus was therefore the first painter known to have used graphical perspective on a large scale, although rare occurrences of perspective do appear in
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131:(416 BC) and before the expedition to Sicily (415 BC); so that from the above data the age of Agatharchus may be accurately fixed.
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One or more of the preceding sentences incorporates text from a publication now in the
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118:, and was often singled out for the ease and rapidity with which he finished his works.
49:, who lived in the 5th century BC. His father was named Eudemos (Εὔδημος). He is said by
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238:. Vol. 1 (11th ed.). Cambridge University Press. p. 370.
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Up through the 19th century, some scholars considered him to have been
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Arafat, Karim W. (1996). "Agatharchus". In
Hornblower, Simon (ed.).
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Dictionary of Greek and Roman
Biography and Mythology
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Dictionary of Greek and Roman
Biography and Mythology
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375:Social Life in Greece from Homer to Menander
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65:exhibited. Hence some writers, such as
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80:However, as this appears to contradict
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278:et modicis instravit pulpita tignis
69:, have supposed that he introduced
23:. For the Syracusan commander, see
298:. Vol. 1. Oxford. p. 36.
110:Agatharchus was a contemporary of
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449:, ed. (1870). "Agatharchus (2)".
45:) was a self-taught painter from
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161:Donaldson, John William (1836).
372:Mahaffy, John Pentland (1902).
57:, and to have painted a scene (
19:For the ancient historian, see
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326:Mason, Charles Peter (1867).
763:5th-century BC Greek people
330:. In Smith, William (ed.).
295:Oxford Classical Dictionary
16:5th-century BC Greek artist
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164:The Theatre of the Greeks
768:5th-century BC painters
235:Encyclopædia Britannica
25:Agatharchus of Syracuse
778:Greek scenic designers
758:Ancient Greek painters
490:Ancient Greek painters
167:. Pitt Press. p.
61:) for a tragedy which
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380:Macmillan & Co.
273:Epistula ad Pisones
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342:. Retrieved
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59:scenam fecit
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601:Ctesilochus
541:Apollodorus
501:Agatharchus
230:Agatharchus
105:Apollodorus
75:illusionism
71:perspective
31:Agatharchus
747:Categories
726:Timomachus
696:Protogenes
691:Polygnotus
666:Parrhasius
631:Melanthius
626:Heraclides
576:Aristophon
566:Aristolaos
551:Aristarete
516:Antiphilus
511:Androcydes
420:Alcibiades
378:. London:
344:2007-12-30
135:References
112:Alcibiades
90:Anaxagoras
86:Democritus
711:Timanthes
676:Peiraikos
656:Pamphilus
611:Euphranor
531:Antorides
526:Antidotus
521:Aglaophon
506:Anaxandra
353:cite book
304:cite book
249:Aristotle
196:Vitruvius
124:Andocides
82:Aristotle
63:Aeschylus
51:Vitruvius
43:Ἀγάθαρχος
35:Agatharch
721:Timarete
686:Polyidus
661:Panaenus
616:Eupompus
416:Plutarch
404:Pericles
400:Plutarch
382:p.
266:Compare
257:4. § i 6
149:Athenian
120:Plutarch
671:Pausias
646:Nealkes
621:Galaton
581:Artemon
571:Ariston
536:Apelles
444::
430:Sources
254:Poetics
223::
731:Zeuxis
701:Thales
606:Echion
546:Aregon
268:Horace
217:
116:Zeuxis
636:Micon
276:279:
129:Melos
47:Samos
359:link
310:link
122:and
114:and
88:and
73:and
384:476
232:".
202:vii
169:280
33:or
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418:,
406:13
402:,
386:.
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351:{{
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361:)
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37:(
27:.
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